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Recommended: Importance of selflessness
In the book Confess by Colleen Hoover, Hoover states, “Selflessness. It should be the basis of every relationship. If a person truly cares about you, they'll get more pleasure from the way they make you feel, rather than the way you make them feel”. Selflessness, the idea of putting someone else's needs above your own, is a moral trait that is exalted among humans. It shows compassion and concern for others that is attributed to a high maturity level and complex thought. In the novel The Awakening by Kate Chopin, Edna, a wife and mother, displays her selfishness through personal desire; In contrast, throughout the drama A Doll House by Henrik Ibsen, Nora, also a wife and mother, shows her selfless attitude. Nora Helmer is a stronger woman than …show more content…
Nora finally shares the secret that she borrowed money, which is taboo in that society, with her friend Kristine. She begins with, ¨The doctors came to me and told me his life was in danger, that nothing could save him but a stay in the south¨(Ibsen 1098). Kristine then rebukes her for going behind her husbands back and calls her foolish for doing so. Nora then rhetorically asks, ¨Is it foolish to save your husband's life?¨(1098). This remark proves that Nora takes great care in her husband's well being. Nora strongly and selflessly decided to put her husband's life ahead of her own societal reputation. This selfless action shows strength because it require one to have strong, mature morals of what is right. Strength can also be seen when Nora chooses to resist the societal ideas of money being laid upon her and instead chooses her own moral decision. On the other hand, Edna takes little to no interest in her husband's daily affairs and well being. To Edna, her husband now seemed to her ¨like a person whom she had married without love as an excuse¨(Chopin 104). Without love Edna believes she cannot put any thought into her husband's needs because she does not love him. One night, Edna harshly exclaims to her husband, ¨… go to bed...I mean to stay out here. I don't wish to go in and I don't intend to. Don't speak to me like that again; I shall …show more content…
While Nora is again talking with Kristine she claims, ¨I've done it all myself, the whole thing. Just remember that¨(Ibsen 1128). Noras actions are meant to protect her family from any trouble she may have caused them by committing a taboo. Instead of sharing blame and receiving less harsh punishment, Nora chooses to keep all the blame to herself in order to protect the people she truly cares about. Her selfless action shows strength because it is not easy to consciously choose to punish yourself in order to save others. Also, even when confronted with a chance to change her choice Nora asserts, ¨Let me go. You are not to sacrifice yourself for me. You are not to take the blame¨(1141). By sticking to her selfless choice even when presented with a loop hole, Nora shows pure strength that would not be possible without truly loving the people she was doing it for. While Nora takes complete blame for her actions, turning herself into a tragic hero, Enda chooses the opposite. Edna takes no blame for how her life has turned out, how her marriage has failed, and where she has ended up. One excerpt from The Awakening Show how little blame Edna puts upon herself; Chopin writes, ¨The exuberance which had sustained and exalted her spirit left her helpless and yielding to the conditions which
Additionally, Edna’s sacrifice helped her established an identity for herself. “I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn’t give myself, I can’t make it more clear; it’s only something which I am beginning to comprehend, which is revealing itself to me” (Chopin 57). She realizes how much she valued herself and how she would handle herself. As well as, this emphasizes on the meaning of The Awakening, of how women are able to define themselves as something more than a
In Kate Chopin's The Awakening, the main character, Edna leaves her husband to find place in the world. Edna believes her new sexually independent power will make her master of her own life. But, as Martin points out, she has overestimated her strength and is still hampered by her "limited ability to direct her energy and to master her emotions" (22). Unfortunately, Edna has been educated too much in the traditions of society and not enough in reason and independent survival, admitting to Robert that "we women learn so little of life on the whole" (990). She has internalized society's conception of woman as guided by her emotions and not her mind and, therefore, in the search for another man to fill the void of love in her life, lets her goal become clouded instead of learning to depend on herself alone. Edna wants to overcome gender stereotypes, and is already using behaviours such as assertiveness and independence to question them, but the struggle is new to her and she fails to discover a method that would allow her to successfully leave behind society's preconceptions. Martin writes,
In A Doll’s House, Henrik Ibsen wrote a play that showed how one woman, Nora Helmer, stood up to her husband after feeling like she was useless to their marriage and their family. Nora’s husband, Torvald Helmer, was the man of the house and would make every decision for the family, especially for Nora. He supported her financially, but not emotionally. He always took it upon himself to do everything a man was supposed to do at the time, but never let Nora explore herself. He made sure she was kept as just a wife and nothing more. As it was mentioned in the play, Nora was arranged into the marriage by her father. While going through eight years of marriage, she finally felt it was time to find herself as an independent woman in...
Kate Chopin's work, The Awakening, and Henrik Ibsen's play, A Doll's House, were written at a time when men dominated women in every aspect of life. Edna Pontellier, the protagonist in The Awakening, and Nora, the protagonist in A Doll's House, are trapped in a world dominated by men. The assumed superiority of their husbands traps them in their households. Edna and Nora share many similarities, yet differ from each other in many ways.
...le that Nora expects and the miracle that actually happens are entirely different. Nora dreams of the day that her husband will sympathize with her and cease to be the dominating figure with the "upper hand" in their relationship. She expects him to understand her struggles with the law and to be willing to take some of the blame himself. However, when he reacts to Krogstad's letter by exhibiting more dominance and control than ever before, Nora becomes more aware of her own individual needs as a woman in society. She understands that in order to be free, she must develop her own view of the world, by setting herself apart from the control and determinism that males have over her life. Therefore, Nora's decision to leave her husband and family is ironic because it proves to be the "miracle" she is waiting for, rather than the one she originally expected. Nora becomes a feminist heroine in the play by showing what women can achieve, but rarely attempt. The determinism that many men force on their women partners in society (in forms of control, dominance, and power) restricts the women's ability to strengthen as individuals, and gain their own self-determinism.
In Kate Chopin's "The Story of an Hour," the main character is a woman who has been controlled and conformed to the norms of society. Louise Mallard has apparently given her entire life to assuring her husband's happiness while forfeiting her own. This truth is also apparent in Henrik Ibsen's A Doll's House. In this story, Nora Helmer has also given her life to a man who has very little concern for her feelings or beliefs. Both of these characters live very lonely lives, and both have a desire to find out who they really are and also what they are capable of becoming. Although the characters of Nora and Louise are very much alike in many ways, their personalities differ greatly when it comes to making decisions regarding the direction of their lives.
I can't make it more clear; it's only something which I am beginning to comprehend, which is revealing itself to me….but a woman who would give her life for her children could do no more than that” (Chopin.64). Both Edna and Adele have contrasting ideas about motherhood. Since Adele’s personality causes no cognitive dissonance she has no idea what Edna means when she says she would not give up herself. But while Adele pitys Edna , Edna is also pitying Adele. Because even though Adele is happy and free of anguish Edna is experiencing she lives in this colorless existence unknowingly following a path society said she must. This is why it’s so hard for Adele to understand Edna: A woman who does not fit that role, does not possess the same domestic harmony, and also is very detached from her family. The anguish and cognitive dissonance that surrounds Edna is due to the fact knows what others want her to be and their inability to understand others may be different. Despite the detachment and isolation Edna will not chop the pieces of herself off that do not fit into the mold and she will not give up
A situational irony is one many techniques that stands out throughout the story in the practice of women's roles in the eyes of Edna. "I would give up the unessential; I would give my money; I would give my life for my children; but I wouldn't give myself. I can't make it more clear; it's only something I am beginning to comprehend, which is revealing itself to me"(47). Edna tries on one occasion to explain to Madame how she feels about her children and how she feels about herself, which greatly differs from the mother-woman image.This specifically contrasts the mother-woman idea of self-sacrificing for your husband and children. Also, the "something . . . which is revealing itself" does not become completely clear to Edna herself until just before the end, when she does indeed give her life, but not herself for her children's sake. Although Edna loves her children she does not confuse her own life with theirs.There is a certain portion of Edna’s identity the "essential" which Edna argues belongs only to herself, and that she would never give it up for anyone, not even her children. Edna is not satisfied with devoting her life to her husband and children, she craves
When confronted by Krogstad, who tells her it is against the law to sign someone else's signature, she responds, "This I refuse to believe. " A daughter hasn't a right to protect her dying father from anxiety and care? A wife hasn't a right to save her husband's life. I don't know much about laws, but I'm sure that somewhere in the books these things are allowed. " Nora simply does not understand the ways of the world, and the final realization that she is in real danger of risking hers and her husband's reputation, and worse, makes her snap out of the childish dream she had been living. & nbsp; Kristine, Nora's childhood friend, is the wisdom and support Nora needs to grow up.
The woman in this play is a very happy mother, who does not objectify to be a stay home wife, her life is happy and although she was faced by many obstacles before, like incurring into debt to save her husband’s life, she is a happy woman as long as she possesses the love of her children and husband. Life for Nora seems as calm as it could possibly be, but soon after the promotion of her husband and the imminent consequences such promotion will bring to Krogstad, bring a new set of complication to her life. Soon her past mistakes come to haunt her. She committed forgery, by signing in place of her deceased father, which of course is taken as leverage by Krogstad, the owner of the note she signed, in order for him to conserve his
In this world there are people who feel that their only duty is to themselves and have an excessive interest in this; we call them selfish or narcissistic. In the play A Doll House written by Henrik Ibsen, the main character Nora Helmer a normal housewife of the nineteenth century goes through a series of psychological and emotional realizations as well as a few unfortunate events. At the end of this process she decides to leave her home, her husband, and her children in order to go out into the world to discover who she really is. Now this isn’t shocking in the twenty-first century as wives and mothers walking out on their families has become a sadly common occurrence. However, when the play was written it sparked a great deal
This lack of autonomy is what lead Edna to have an identity crisis, she was given labels of what she ought to be, which were mother and wife. However, this didn’t fulfill her and as time went by she grew dissatisfied with such roles. “Even as a child she had lived her own small life all within herself. At a very early period she had apprehended instinctively the dual life—that outward existence which conforms, the inward life which questions.” (Chopin 18) She lives a double life with an inner and outer self, she finds her outer counterpart is willing to comply with societal standards but her inner part wants to act completely different and rejects what has been assigned to her. As a result, this sparked the need to seek for her independence, “"I would give up the unessential; I would give my money, I would give my life for my children; but I wouldn't give myself. I can't make it more clear; it's only something which I am beginning to comprehend, which is revealing itself to me." (Chopin 52). This is a turning point in the story since in essence Edna is saying that even though being a mother is a priority to her, staying true to herself goes above everything else and this is what marks the start of the journey of her awakening. Unfortunately, she also
Linde brings great happiness to Nora’s life. Nora is able to trust and talk about anything to Mrs. Linde (even secrets such as borrowing money behind your husband’s back). When Nora and Mrs. Linde engage in conversation with each other it is as if Mrs. Linde is the voice of reason for Nora. In one scene, Nora tells Mrs. Linde , “ You’re like everybody else. You all think I’m incapable of doing anything serious…” Again, I feel sorry for her, but at this moment I assumed that maybe Nora is not as naive as I thought. She is able to recognize that people see her as a childish person. In another part of this scene she mentions to Mrs. Linde, ”Torvald has his pride. He’d feel humiliated-hurt even- if he thought he was indebted to me in anyway." Nora is afraid of how humiliated her husband would be if he found out his wife did something that overpowered him. Since Mrs. Linde she believes that it is absurd that Nora would do such thing to her husband. Mrs. Linde recognizes that women do not have the same rights as men, therefore realizing what Nora did for her husband seem to raise a red
Torvald tells Nora "No debts! Never borrow! There's something inhibited, something unpleasant, about a home built on credit and borrowed money" (1415). But nevertheless, she has borrowed money, and it is her pride and joy. She takes pride in the fact that she was able to borrow money, since women are not supposed to be able to, and that she has been able to save and work for enough money to be able to make the payments on her loan. What makes it even more joyful for her is that she knows this helped save her husband's life.
Nora’s life struggle began at a young age. Her father treated her like an inhuman object, and now her husband has done the same thing. After many years of maintaining her “perfect” life, Nora could no longer live like this. She finally stands up for herself and makes a choice to leave her family. This decision is completely reasonable. It is unimaginable to think anyone could treat another person so crudely. No person should be molded into being someone they are not. It is unfair to treat a loved one like an object instead of an equal human being. Unfortunately there are many women today who find themselves in the same position in Nora. Many of which do not have the strength to confront, and to pry themselves from grips of their abusers. It is possible that the greatest miracle will be Nora, out on her own, finding her true self.