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Role of Nora in dolls house
Role of Nora in dolls house
Analysis of Doll's house by Henrik Ibsen
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After she reveals the "dastardly deed" to her husband, he becomes understandably agitated; in his frustration he shares the outside world with her, the ignorance of the serious business world, and destroys her innocence and self-esteem. This disillusion marks the final destructive blow to her doll's house. Their ideal home including their marriage and parenting has been a fabrication for the sake of society. Nora's decision to leave this false life behind and discover for herself what is real is directly symbolic of woman's ultimate realization. Although she becomes aware of her supposed subordinateness, it is not because of this that she has the desire to take action. Nora is utterly confused, as suggested by Harold Clurman, "She is groping sadly in a maze of confused feeling toward a way of life and a destiny of which she is most uncertain (256)." The one thing she is aware of is her ignorance, and her desire to go out into the world is not to "prove herself" but to discover and educate herself. She must strive to find her individuality. That the perception of woman is inaccurate is also supported by the role of Torvald. Woman is believed to be subordinate to the domineering husband. Instead of being the strong supporter and protector of his family, Nora's husband is a mean and cowardly man. Worried about his reputation he cares little about his wife's feelings and fails to notice many of her needs. The popular impression of man is discarded in favor of a more realistic view, thus illustrating society's distorted views. Ibsen, through this controversial play, has an impact upon society's view of the subordinate position of women. By describing this role of woman, discussing its effects, and predicting a change in contemporary views, he stressed the importance of woman's realization of this believed inferiority. Woman should no longer be seen as the shadow of man, but a person in herself, with her own triumphs and tragedies. The exploration of Nora reveals that she is dependant upon her husband and displays no independent standing. Her progression of understanding suggests woman's future ability to comprehend their plight. Her state of shocked awareness at the end of the play is representative of the awakening of society to the changing view of the role of woman. "A Doll's House" magnificently illustrates the need f...
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...le that Nora expects and the miracle that actually happens are entirely different. Nora dreams of the day that her husband will sympathize with her and cease to be the dominating figure with the "upper hand" in their relationship. She expects him to understand her struggles with the law and to be willing to take some of the blame himself. However, when he reacts to Krogstad's letter by exhibiting more dominance and control than ever before, Nora becomes more aware of her own individual needs as a woman in society. She understands that in order to be free, she must develop her own view of the world, by setting herself apart from the control and determinism that males have over her life. Therefore, Nora's decision to leave her husband and family is ironic because it proves to be the "miracle" she is waiting for, rather than the one she originally expected. Nora becomes a feminist heroine in the play by showing what women can achieve, but rarely attempt. The determinism that many men force on their women partners in society (in forms of control, dominance, and power) restricts the women's ability to strengthen as individuals, and gain their own self-determinism.
In Henrik Ibsen’s play A Doll House, Ibsen tells a story of a wife and mother who not only has been wronged by society, but by her beloved father and husband because of her gender. Nora left her father’s house as a naïve daughter only to be passed to the hands of her husband forcing her to be naïve wife and mother, or so her husband thinks. When Nora’s husband, Torvald becomes deathly ill, she takes matters into her own hands and illegally is granted a loan that will give her the means to save her husband’s life. Her well guarded secret is later is used against her, to exort Torvald, who was clueless that his wife was or could be anything more than he made her. However, Nora has many unrecognized dimensions “Besides being lovable, Nora is selfish, frivolous, seductive, unprincipled, and deceitful” (Rosenberg and Templeton 894). Nora is a dynamic character because her father and her husband treat her as a child and do not allow her to have her own thoughts and opinions, as the play progresses she breaks free from the chains of her gender expectation to explore the world around her.
Peculiar trait: On the surface Nora’s peculiar trait seems to be her obsession for money. Her internal peculiar trait is that she desires to become significant to her husband. She spends money on material objects to decorate their home and dress up the family. The impression of the home appears perfect, like a doll’s house.
During the time in which the play took place society frowned upon women asserting themselves. Women were supposed to play a role in which they supported their husbands, took care of their children, and made sure everything was perfect around the house. Work, politics, and decisions were left to the males. Nora's first secession from society was when she broke the law and decided to borrow money to pay for her husbands treatment. By doing this, she not only broke the law but she stepped away from the role society had placed on her of being totally dependent on her husband. She proved herself not to be helpless like Torvald implied: "you poor helpless little creature!"
In A Doll’s House, Ibsen portrays his lead character, Nora, who is a housewife in the Helmer’s family. She has undergone a transformation throughout the play that she reacts differently to her husband. Her husband, Torvald, is an example of men who are only interested in their appearance and the amount of control they have over a person. In particular, he has a very clear and narrow definition of a woman's role. At the beginning of the story, as from the title of the play, Nora symbolizes the “doll” in the house, which means that she has been treated as treats Nora like a child or doll. For example, husband called Nora ‘bird’ and it implies that husband treats her like his pet and she is his doll as the title is a doll house. In other words, her husband wanted her to be a ‘lark' or ‘songbird' so he can enjoy h...
Nora has been a doll all of her life, fortunately, she has an awakening that kindles her passion for freedom. Torvald restricts her freedom. Torvald adorns Nora to his wishes and desires and basically strips Nora of her identity. Nora wants a happy marriage; hence, she appeases Torvald. When she is being blackmailed, she believes that Torvald will be her savior. However, Torvald’s selfish reaction to the news is Nora’s auspicious awakening. She knows that her marriage is a sham and that she does not know who she is. Nora leaves Torvald so that she can have the liberty to gain knowledge of the world and herself. Nora’s awakening has provided her with the freedom to fulfill her life.
Unwilling to accept her supposed role in society, Nora wanted to figure out whether women should live under the guidance of men or if they should make decisions based on their own knowledge. Nora could not tolerate abiding by the rules of her male-dominated society. It took much fortitude for Nora to rebel against the views of the majority of people, and to reflect on the information she got herself instead of letting it be determined by another.
Nora is a dynamic character. When the play begins Nora is viewed and presented as a playful and carefree person. She seems to be more intent on shopping for frivolous things. But, as time goes on it becomes apparent that Nora actually has a certain amount of seriousness in her decisions and actions in dealing with the debt she incurred to save Torvald’s life. Nora’s openness in her friendship with Dr. Rank changes after he professes his affections toward her. Her restraint in dealing with him shows that Nora is a mature and intelligent woman. Nora shows courage, not seen previously, by manipulating her way around Krogstad and his threats to reveal her secret. After feeling betrayed by Torvald, Nora reveals that she is leaving him. Having
According to her husband Torvald, Nora is childish even though she is his wife but however she is loving but little that he is aware that she’s unpredictably a strong and an independent woman. As the plays moves forward readers will highly realize that Nora’s persona shifts from that of everyday playful trophy wife seen by Torvald and friends to someone who is highly self empowering and a willing woman.
In Henrik Ibsen’s, A Doll’s House, Nora struggles to achieve justice and her rightful place as a woman, mother, and wife, despite the hardships and mistreatment of her husband Torvald and her father. Throughout Nora’s life, she has faced hardships in order to survive as a normal person because of the mistreatment she received from the two men in life she ever loved; her father and her husband. The mistreatment of Nora’s father and husband has caused Nora to become and be an extremely weak individual. Nora is fearful to live the way she wants to because she no longer has an identity of her own. Despite the hardships and mistreatment Nora encounters, she still has extreme hubris. She wants everyone to recognize and believe that she is living a joyous and wealthy life. In search for Nora’s rightful place as a wife, mother, and woman, she must also search for her quest for justice. “[… ] When her image of herself and her domestic life is shattered she does what she feels she must to become a true person.” (Clurman154) Nora encounters many struggles in achieving justice and finding her rightful place in society.
Torvald Holmer's refusal to borrow money displays the character of a proud and controlling man. Helmer provided the financial support for his family through hard work, not depending on others for money. When Torvald's law practice did not provide financially, he sought a job at the bank. After Helmer received a promotion at the bank, Nora felt they could now afford to be extravagant for Christmas. Nora says, "This is the first Christmas that we have not needed to economize." Torvald announces that his promotion is not until ". . . after the New Year," so Nora blurts out ". . . we can borrow till then." Helmer interprets Nora's spending of money as wasteful and foolish, telling her "That is like a woman! ...There can be no freedom or beauty about a home life that depends on borrowing and debt." Obviously Torvald earns and manages the money in the house, and he attributes Nora's lack of understanding of these matters to her gender. Torvald views a woman's place to beautify the home through proper management of domestic life, behavior, and appearance. Helmer demeans Nora about spending in calling her "sweet little spendthrift, but she sure uses up a deal of money . . . " After accusing Nora of being irresponsible with money, Torvald rejoices at her dependence on him stating, ". . . Is my little squirrel out of temper? ...what do you think I have here?" Nora exclaims, "Money!" Torvald finds merriment in watching her happy reaction to him giving her money, and Nora saying, ". . . Thank you, thank you, . . . " This illustrates the helplessness of Nora and her dependence on Helmer, causing him to feel in control.
The enforcement of specific gender roles by societal standards in 19th century married life proved to be suffocating. Women were objects to perform those duties for which their gender was thought to have been created: to remain complacent, readily accept any chore and complete it “gracefully” (Ibsen 213). Contrarily, men were the absolute monarchs over their respective homes and all that dwelled within. In Henrik Ibsen’s play, A Doll’s House, Nora is subjected to moral degradation through her familial role, the consistent patronization of her husband and her own assumed subordinance. Ibsen belittles the role of the housewife through means of stage direction, diminutive pet names and through Nora’s interaction with her morally ultimate husband, Torvald. Nora parades the façade of being naïve and frivolous, deteriorating her character from being a seemingly ignorant child-wife to a desperate woman in order to preserve her illusion of the security of home and ironically her own sanity. A Doll’s House ‘s depiction of the entrapment of the average 19th century housewife and the societal pressures placed upon her displays a woman’s gradual descent into madness. Ibsen illustrates this descent through Torvald’s progressive infantilization of Nora and the pressure on Nora to adhere to societal norms. Nora is a woman pressured by 19th century societal standards and their oppressive nature result in the gradual degradation of her character that destroys all semblances of family and identity.Nora’s role in her family is initially portrayed as being background, often “laughing quietly and happily to herself” (Ibsen 148) because of her isolation in not only space, but also person. Ibsen’s character rarely ventures from the main set of the drawi...
Women Have Come A Long Way “A Doll House” is no more about women’s rights than Shakespeare’s Richard II is about the divine right of kings, or Ghosts about syphilis. . . . Its theme is the need of every individual to find out the kind of person he or she is and to strive to become that person.” (Bloom 28) Ibsen portrays this behavior in A Doll House through one of the main characters, Nora Helmer, by setting the scene in Norway in 1872. In the late 1800s, women did not play an important role in society at all.
In Henrik Ibsen’s A Doll House, a drama written in the midst of an 1879, middle-class, suburban Europe, he boldly depicts a female protagonist. In a culture with concern for fulfilling, or more so portraying a socially acceptable image, Nora faces the restraints of being a doll in her own house and a little helpless bird. She has been said to be the most complex character of drama, and rightfully so, the pressure of strict Victorian values is the spark that ignites the play's central conflicts. Controversy is soon to arise when any social-norm is challenged, which Nora will eventually do. She evolves throughout the play, from submissive housewife to liberated woman. It seems as though what took women in America almost a century to accomplish, Nora does in a three-day drama. Ibsen challenges the stereotypical roles of men and women in a societally-pleasing marriage. He leads his readers through the journey of a woman with emerging strength and self-respect. Nora plays the typical housewife, but reveals many more dimensions that a typical woman would never portray in such a setting.
In "A Doll's House", Ibsen portrays the bleak picture of a role held by women of all economic classes that is sacrificial. The female characters in the play back-up Nora's assertion that even though men are unable to sacrifice their integrity, "hundreds of thousands of woman have." Mrs. Linde found it necessary to abandon Krogstad, her true but poor love, and marry a richer man in order to support her mother and two brothers. The nanny has to abandon her children to support herself by working for Nora. Though Nora is economically advantaged, in comparison to the other female characters, she leads a hard life because society dictates that Torvald be the marriages dominant member. Torvald condescends Nora and inadvertently forces Nora to hide the loan from him. Nora knows that Torvald could never accept the idea that his wife, or any other woman, could aid in saving his life.
Nora’s life struggle began at a young age. Her father treated her like an inhuman object, and now her husband has done the same thing. After many years of maintaining her “perfect” life, Nora could no longer live like this. She finally stands up for herself and makes a choice to leave her family. This decision is completely reasonable. It is unimaginable to think anyone could treat another person so crudely. No person should be molded into being someone they are not. It is unfair to treat a loved one like an object instead of an equal human being. Unfortunately there are many women today who find themselves in the same position in Nora. Many of which do not have the strength to confront, and to pry themselves from grips of their abusers. It is possible that the greatest miracle will be Nora, out on her own, finding her true self.