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Reflection in college education
Reflection in college education
An essay about intercultural education
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Self-Reflection and Insight
My initial reaction to the icon presentation had me feeling sceptical and slightly anxious. Sharing something that held such significant sentimental value to me and my family was not something I had had the chance to do in any other class over the course of my university career. This pedagogical approach in which the teacher is situated at the front of class, educating other students with no written language, is very powerful. I find that listening to someone share something with you, without notes, and speaking purely from their heart, is one of the most powerful ways to receive, understand and process information, but more importantly, learn.
As I prepared for my presentation, I found it difficult to decide on what information I felt comfortable sharing with the class. I was sharing a piece of art that was once in my grandfather’s home in Poland, before he and his family were forced to leave during the Holocaust. I wanted to share my grandfather’s story; what he did, how he survived, who he lost. I knew my presentation had to be just a few minutes so I really wanted to do him and his story justice. As I reflected on my grandfather’s life, I thought about how lucky I am to have my family, my home, and to be living in a safe country. I thought about how he had lost his whole family, yet still had a positive outlook on life after the war. It helped me to appreciate the moment, the now, and not sweat the small stuff. I decided that I would tell my grandfather’s full story, maybe make the class sit a little bit longer than the average presentation, but justified it as that when something is important to you, and carries a significant amount of value to , It is important to share that value wit...
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...thods of learning. Scaffolding is a pedagogic technique based on the concepts of explicit pedagogy, which has had noteworthy success when used with indigenous students (Craven 2009).
Overall, I plan to adapt the icon approach in a few ways in my classroom, specifically, when introducing new subject or units of work. I plan to stand in front of the class and use common land links, symbols and images, and kinaesthetic or non-verbal teaching methods to provide insight and examples for both indigenous and non-indigenous students. Additionally, I will try and find a way to connect with the teaching material on a personal and significant level in order to help the students see the significance of learning. I will consider myself responsible for providing the students with opportunities to learn while acknowledging the fact that no student can be forced to learn.
And when I saw these things that were taken from the prisoners (there is also one room just filled with hair), all the pieces came together in my mind, and I realized the first time on an emotional basis the whole horror… I found the toughest guy in our group, who would normally never show feelings, standing in front of a display cabinet with baby shoes crying. When the tour ended, we didn't know how to look our Polish friends in the eyes again… When our Polish friends saw us again after their tour and saw that we were all shocked and some still crying, they came up to us and told us that we shouldn't be ashamed at all and that we are not responsible for the deeds of our ancestors. It took me a few years to get to the point where I could really feel that way, but I got there
We are constantly being bombarded with visual culture throughout every hour of the day, though at times it may seem overwhelming and desensitizing, it is only getting more prevalent. Paul Duncum is an art educator who is corporating these aspects of visual culture in the classroom everyday and also teaching his students to do this as well. I have talked about Paul Duncum educational history, his contributions to art education, his teaching philosophy, and how I can use his beliefs and teachings in my future as an art educator. With my new found knowledge of Paul Duncum and his teaches, I hope, as a future educator to follow in his footsteps of incorporation of our society’s importance of visual art in my classroom.
A Lucky Child by Thomas Buergenthal is a memoir about his time as a Jewish child in multiple ghettos and death camps in and around Germany during World War II. The author shares about his reunions with family and acquaintances from the war in the years between then and now. Buergenthal wished to share his Holocaust story for a number of reasons: to prevent himself from just being another number, to contribute to history, to show the power and necessity of forgiveness, the will to not give up, and to question how people change in war allowing them to do unspeakable things. The memoir is not a cry for private attention, but a call to break the cycle of hatred and violence to end mass crimes.
I remember the anxiety and excitement that I felt as I exited the plane with twenty other high school students, embarking on my summer teaching experience, wondering if I was fully prepared. The moment the busloads of children arrived, I attached myself to a group of kids and started singing and dancing with them. Despite my initial fears, we began to form a bond. My role changed from that of a teenager to that of a responsible counselor. Not only was I here to teach them about Judaism through classes and activities, but more importantly I was acting as a role model. For the majority of Ukrainian children, we were the first Americans they had ever met and, therefore, were watched vigilantly and constantly emulated. This humbling realization made me feel rather self-conscious at first. However, their desire to imitate also heightened the impact of that which we taught them. They wanted to learn. Although an immense language barrier lay between the campers and me, we managed to communicate through translators, hand signals, songs, and broken English and Russian.
The first Australian Professional Teaching Standard is ‘Know students and how they learn’(AITSL, 2011). Understanding how students learn is a significant component of effective teaching (1.2 AITSL, 2011). Furthermore, effective teachers require an understanding of students physical, social and intellectual development and characteristics (1.1 AITSL, 2011). In addition, APST Standards require teachers to demonstrate both content and pedagogical knowledge through lesson plans (2.1 AITSL, 2011) with the curriculum content being structured and sequenced to facilitate effective learning (2.2 AITSL, 2011). However, it is also critical to have a repertoire of teaching strategies which are responsive to a diverse range of student backgrounds, including linguistic, cultural, religious, and socioeconomic (1.3 AITSL, 2011). An effective learning, in accordance with The Australian Curriculum and Assessment Reporting Authority, provides learners with general capabilities (knowledge, skills, behaviours and characteristics) and include understanding of Aboriginal and Torres Strait Island students learning needs and incorporate differentiated teaching methods to meet the needs of specific
The inclusion of Indigenous cultural integrity in the curriculum would help build reconciliation (Australian Curriculum Assessment and Reporting Authority [ACARA], n. d; Australian Institute for Teaching and School Leadership [AITSL], 2017). Graden yarning circles can help bringing the practice of Indigenous protocols in classrooms. Teachers can arrange Welcome to Country and encourage students to deliver their Acknowledgement of Country (Queensland Council of Social Service [QCOSS], n.d). Linking the land and the community will teach students to build respect for the culture (Yunkaporta,
The first thing that caught my attention was the simple idea of an image that appears when you call someone or if that person calls you. Not only does the picture paint a clearer image in your mind of who you
Sale, C. & Osborn, S. (2013). Interdisciplinary inspirations: using visual images to enhance your teaching. Clavier Companion, 5(5), 54-62.
Van Der Stuyf. R.R. (2010). Scaffolding as a Teaching Strategy. Adolescent Learning and Development. Section 0500A, November, 2010. Retrieved from http://www.sandi.net/20451072011455933/lib/20451072011455933/RTI/Scaffolding%20as%20a%20Teaching%20Strategy.pdf
5. Gibbons, Pauline. Scaffolding language, scaffolding learning: teaching second language learners in the mainstream classroom. Portsmouth, NH: Heinemann, 2002. Print.
Scaffolding is metaphorical term which refers to the process through which teachers facilitate children’s learning by enabling them achieve a level of ability beyond the child’s current capacity. Through scaffolding, teachers play an active role by interacting with children to support their development by providing structures that support them to stretch their understanding or me...
Scaffolding is the process of support given to students during their learning process to help them achieve their goals. Using
Icons lift us up to the models that they represent. They lift us up to a higher level of thought and consciousness. The people shown in the icons were at a higher level than we are in our everyday lives. When we see their icons, we recall their superior character and deeds. In doing this, we think pure thoughts and experience higher feelings. It is designed to lead us from the physical to the spiritual realm (Whiteford 1).
By integrating different levels of capabilities into learning, it gives Indigenous students a chance to begin where they are comfortable at, giving them the confidence they need to progress onto further levels of work. Positive impacts to Indigenous education outcomes are greatly affected by the ‘8 ways of Indigenous learning’ framework which interconnects pedagogies, creating a further degree of understanding (8 ways of learning, 2012). This strategy is not only benefiting the Indigenous students in the classroom, but can also cater to diverse learning needs of non-Indigenous students. It will also increase the feeling of inclusion for Indigenous students as everyone can participate in their cultural ways of learning, expanding their connectedness to the school, therefore, desire to succeed (Devlin,
Scaffolding deliberates a variation of instructional techniques used to move students with time toward stronger understanding and greater independence in the learning process. The word scaffolding depicts the teachers provide successive levels of momentary support that help students reach higher levels of comprehension and skill attainment that without assistance they would not be achieve. Scaffolding is widely considered to be an essential tool of effective teaching, and most to all teachers use different forms of instructional scaffolding in their teaching. The helpful strategies are removed when