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Factors affecting development of self concept in children
Character development in Harry Potter books
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Harry Potter in a Hegelian Society
In the Harry Potter series, J. K. Rowling creates an opportunity for Harry Potter to achieve Hegelian Awareness. According to Hegel, self-awareness is the ability to be fully conscious and aware of oneself “as a human consciousness”. To achieve this, one must go through a life-and-death struggle and then complete creative all while feeling extreme fear. Harry has many Hegelian transformations: he has numerous life-and-death struggles in which he loses and becomes the slave and responds by creating in the presence of fear. In each book, Harry has the ability to achieve Hegelian self-awareness at the end of each novel. As the series continues, he reaches a higher level of Hegelian self-awareness with each
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At this moment, Harry becomes aware of the fact that he is Voldemort’s bondsman, because this is the first time they meet and confront one another. Hegel says “When two such beings confront each other, each attempts to prove itself through a life or death-and-struggle.” At this moment Peter Pettigrew kills Cedric Diggory as Harry watches. Voldemort is resurrected and Harry sees him for the first time. Harry faces a life-and-death struggle of physical death at this moment. Harry fulfills Hegel’s second element when he battles Voldemort while feeling desperately afraid of dying. His ability to perform spells and survive a fight with Voldemort is his creative work. A battle occurs between Harry and Voldemort, where Harry is able to outlast Voldemort, his master, until he is too weak to keep …show more content…
Harry does this by investigating all of the “horcruxes” that Voldemort has created. These “horcruxes” are what bounds Voldemort and Harry together. Each individual “horcrux”, is a different part of Voldemort’s soul. Until every “horcrux” is destroyed, Voldemort will be able to live. If they are destroyed, Harry has the ability to reach self-awareness. These “horcruxes” are the metaphorical representation of the master-slave relationship: they bind Harry, the slave, to Voldemort, the master. After learning about the “horcruxes,” Harry goes to destroy one, which is the life-and-death situation that occurs. He struggles to stay alive while on a boat and under Voldemort’s spell. This all occurs, while in fear of death but also in fear of the unknown. Harry has been given knowledge about the “horcruxes” but has not been given enough information to know the depth of their power and this scares him. The second aspect of Hegel, creative work with fear, is completed when Harry destroys the first known “horcrux,” the Slytherin locket. He has to battle to eventually destroy the locket, with no knowledge of what will happen. He is again afraid of the unknown when performing this creative work. By destroying this “horcrux,” Harry is one step
In Harry Potter and the Deathly Hallows, Harry discovers that in order to defeat Voldemort, as Harry is expected to, he must die.
He received the scar the night that Voldemort killed his parents and attempted to kill Harry. However, Harry was protected with his mother’s love so the killing curse rebounded off of him and to Voldemort. Harry’s scar indicates the fact that Voldemort made his mark on him and never left him. A part of Voldemort lives within Harry. Harry survived a killing curse and walked out with just a scar. That scar is a constant reminder of the man who killed his parents and changed his life forever. Harry’s scar is a constant reminder of the burden he must carry throughout his young life. Harry is the only one who can defeat the greatest evil because that evil lives within him. His lightning bolt scar indicates that he is the chosen
Hester, talking with Chillingworth for the first time in seven years, is shocked at the changes in his appearance and his soul. Hawthorne writes, “There came a glare of red light out of his eyes; as if the old man’s soul were on fire, and kept on smouldering duskily within his breast until it was blown into a momentary flame” (132). Chillingworth has become overtaken by his quest for revenge, and he has become a shell of his former self, “A striking evidence of man’s faculty of transforming himself into a devil” (Hawthorne 132). He has ruined his life trying to get back at Arthur Dimmesdale, and he is resigned to the fact that it is his fate to live as a miserable, evil man set on exacting
He discusses demise in the primary sentence, saying, “The marvelous thing is that it’s painless” (Hemingway 826). As the story creates, Harry as often as possible specifies his desire to pass on or the way he feels that passing is close now. “You can shoot me.” (Hemingway 826) and “I don’t want to move” (Hemingway 827), and “There is no sense in moving now except to make it easier for you” (Hemingway 827) and “Can’t you let a man die as comfortably as he can without calling him names? “ (Hemingway 827). It sounds as though Harry is surrendering, not so much, since he is a weakling, despite the fact that his wife calls him that, yet more since he feels that, it is more agreeable for him right now to set down and pass on as opposed to sitting tight for a truck or plane that will most likely never arrive. During the rest of the story, Harry has several moments when he feels the proximity of
The most prominent feature of Prince Harry in the two Henry1V plays is his absolute isolation. When we first see Harry, he is a pariah and outlaw among his own people, the nobility, and a source of fear and misery for his family. He has no friends in any real sense, just pawns; unlike Hotspur, Mortimer, and even Falstaff, he has no lovers and shows no interest in sexual love. He stands alone in the world, and he stands against all the world. He is motivated only by suspicion, cruelty, pride, and greed for power. People are real to Harry only in so far as he can use them; and, ultimately, the future King can use people only when they are destroyed. His every step is toward death and destruction: the two plays begin with Harry's plot against his tavern friends, which culminates in the sacrificial expulsion of Falstaff, and end with rumours of war, the campaign against France, carried out for reasons of internal political advantage. Harry is what today is commonly described as a psychopath, and the plays demonstrate how such a man can become a successful king and defeat the world, a perfect blend of Machiavel (the immoral villain) and Machiavellian (the amoral strategist).
...is an account of the birth of self-consciousness through intersubjectivity or the integration within culture. It is a dialectical interpretation that acts, for Hegel, as a form for perceiving the way in which the self comes to know itself through the other and through historical processes. The master/slave dialectic is an early account of intersubjectivity and also a lack of intersubjectivity because it is not based on equal recognition. Self-consciousness, for Hegel, is attained only through the recognition by another independent self. The human world is a world based on recognition, and the human being has within themselves the desire for recognition from other human beings. Hegel proposes that one cannot become a self-conscious individual without seeing oneself in another, and that each individual bases their existence on a world that is founded upon recognition.
Harry’s development is concluded during his fight with Hotspur when Harry defeats him. Harry’s triumph over Hotspur completes his plan found in his soliloquy by proving that he is an admirable leader, and fulfils his solemn oath to kill Hotspur which makes his word honorable. Prince Henry completes his rite of passage after his defeat of Hotspur. Henry entered the battle field as a boy and has formed into a responsible adult and an adequate heir to
Harry has spent all summer waiting to hear news about Lord Voldemort, a evil wizard that Harry saw return the year before, but nobody believes him. One evening after listening to news ,he decides to go for a walk. He then sees his cousin, who he lives with and hates. They then get in a fight and Harry pulls out his wand and at that exact moment two dementors attack them. Dudley thinks Harry is attacking him so he punches Harry. Harry then heroically saves them both by producing a patronus and driving away the dementors.
Just to quickly run through the two previous books; Harry Potter is a wizard, who’s parents were killed by the worst dark wizard ever known. The reason why Harry Potter is still around, is because Lord Voldemort failed to kill Harry. His spell hit Harry, but then backfired on Voldemort taking all of his powers with him. Harry is so famous for two things. Withstanding the powers of Lord Voldemort, and, taking him back in to the underworld in hiding. In the first book, Harry receives a letter from Hogwarts School of Witchcraft and Wizardry. He’s eventually allowed to go, and spends the next six months there learning magic, getting into trouble, and trying to solve mysteries of his past, and the school. In the second book, Harry goes back to his second year at Hogwarts, and gets into more trouble, figures out many astonishing mysteries and learns loads more magic. His best friends in the two books consist of Ron and Hermione (two of his fellow wizard students) and Hagrid the gamekeeper who was expelled from Hogwarts but allowed a job as the gamekeeper.
As presented in the Phenomenology of Spirit, the aim of Life is to free itself from confinement "in-itself" and to become "for-itself." Not only does Hegel place this unfolding of Life at the very beginning of the dialectical development of self-consciousness, but he characterizes self-consciousness itself as a form of Life and points to the advancement of self-consciousness in the Master/Slave dialectic as the development of Life becoming "for-itself." This paper seeks to delineate this often overlooked thread of dialectical insight as it unfolds in the Master/Slave dialectic. Hegel articulates a vision of the place of human self-consciousness in the process of Life as a whole and throws light on the role of death as an essential ingredient in the epic drama of life's struggle and Spirit's birth.
At the start of the book, Harry was forty-seven and was upset over the belief that he had two separate being that made up his soul, a wolf, and a man, that he decides to kill himself at the age of fifty. After being given a book that spoke about the Steppenwolf, and explained that people are not singular or even two being, they are much more than that. Harry refused the idea and claims that the book did not know him. After being rude to a professor's wife, he believed his wolf side has beaten what was left of his humanity and planned to kill himself early. He stopped at a bar and met a woman named Hermine, who made it her duty to open him up to life. With her help Harry learned to stop analyzing everything and to love life and what it has to offer. Towards the end of the book, at Fancy Dress Ball Harry allowed himself to be immersed in the dancers and eventually was led from their to the school of laughter, where he learns that laughter is the most important thing to help people get through life (Hesse, Steppenwolf). Throughout the plot, Sartre’s belief that people need to take responsibility for their own lives is shown, as Harry’s failure of it almost leads to his suicide, yet his acceptance of it saves him (Baker, “Existentialist of Note”). Harry lets himself float through life lonely and depressed, unwilling to change in fear of losing his independence. Yet Hermine
This aspect of Harry’s low esteem and lack of identity makes him doubtful and confused. Unfortunately, Harry’s father and mother had been murdered by the evil Wizard, Lord Voldemort. In this family life, Harry is future victimized by the selfishness of Uncle Vernon and his wife. These domestic experiences in the “real world” are grim, as they often involve Harry’s struggle with Uncle Vernon. In this way, Uncle Vernon prevents him realizing his true identity as the son of a famous “pure-blood” wizard. For example, Uncle Vernon prevents Harry from seeing letters from a mysterious writer that seeks to know his
Hegel describes a way by which one may come to know absolute truth. This process shows a transition from a state of "natural consciousness" (56) to one of complete self-consciousness - which leads to an understanding of the "nature of absolute knowledge itself" (66). By understanding the relation between consciousness and truth, one may come to know the true nature of our existence. Thus, Hegel answers these questions in one bold stroke; he relates them in such a way as to make an infinitely complex and indiscernible universe a unitary whole. This whole is not only total self-consciousness, but also total awareness of absolute reality.
Harry Potter and the Deathly Hallows was written by J. K. Rowling and is the seventh and final book in the Harry Potter series. The book is about a seventeen-year-old wizard, named Harry Potter, who has to travel all over England to find things that will help him defeat the evil wizard, Lord Voldomort. The main theme/moral of the entire series is good will always triumphs over evil. In every book, even when it looks like evil is going to win, good always triumphs in the end.
...ck and a potential pitfall. Someone full of hate and greed, such as Tom Marvolo Riddle, who has never known it even once in their entire life, cannot understand its full magical power. Love is one of the hardest and strongest kinds of magic and is perhaps the fabric that holds the wizarding world of Harry Potter together. Dumbledore says to Harry “Do not pity the dead, Harry. Pity the living, and, above all those who live without love” (Harry Potter and the Deathly Halllows 722). The series stresses that it is important to love. It is obvious throughout the series that Harry embraces his history and duty by accepting the soul-purifying act of practicing self-sacrificial love. It is no surprise that the Harry Potter series is so widely in a time of fear, uncertainty, and unrest. Harry defeats evil not by fearing it, but by embracing it and overcoming it with love.