Religion and Mythology: The Best Tool to Control People
The statue of Sekhmet demonstrates the method pharaohs control people, unique culture and belief in ancient egypt. There is an art piece called Statue of the Goddess Sakhmet, which was created during 1417-1379 BCE, and made by granite. This is the 18th dynasty in new kingdom period, reign of Amenhotep III. This acquisition is seated upon a throne and her whole body in a really straight position. Also her head is facing front, and both of her hands are placing upon on her laps. This goddess is always depicted as a lion-headed woman with bared foots. This goddess always with a sun disk and uraeus on her head. However, in this case, there is no sun disk and uraeus. Ancient Egypt had millions
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The story of Sekhmet is violence and bloodlusting. Sekhmet is a goddess that meant to destroy every evil things in the world. However, she got so violent that she could not stop to ruin everything. Ra, her father realized that Sekhmet can not continue what she were doing. Therefore, Ra dyed all the wine in a lake into red and tricked his daughter drank all the wine to calm her down. “...She described to me once the moment when she felt that she came to understand the emotional power of what she called the dark Goddess. She had begun to draw the lion-headed Egyptian Sekhmet, whom she described as a ‘death aspect’ in Egyptian mythology and drew surrounded by flames.” (Luhrmann, 128) The auther told us a story about one of her artist friend. Her friend Chris described Sekhmet as the “dark goddess”. From here, the figure of Sekhmet is horrifying and use this figure, pharaohs were easy to took advantage from this kind of myths and threaten their populaces. In ancient Egypt, mythology is an important way to rule the kingdom. Everyone in the kingdom were obsessed and controlled by their deities. “Nor can there be any doubt that to many of the common people religion must have meant no more than a literal acceptance of the mythological gods.” (Tobin, 169) From this author 's journal the importance of religion. Also, religion and belief was the tool for pharaohs to control people. “The ancient Egyptians were neither philosophically nor theologically minded, and hence spiritual and religious values required an expression which was concrete and anthropomorphic.”(Tobin, 169) Additionally, many deities were human-like, which also is another evidence that the pharaohs able to use this kind of figure to control people. They can use this human-like figure as an advantage to tell people that they were gods/goddesses. Therefore region has a very important role in the egyptian
These two statues are famous to the Egyptian art era. They represent the woman’s position and the man’s position at that day and age. Traditionally, the rulers of Egypt were male. So, when Hatshepsut, Dynasty 18, ca. 1473-1458 B.C., assumed the titles and functions of king she was portrayed in royal male costumes. Such representations were more for a political statement, rather than a reflection of the way she actually looked. In this sculpture, she sits upon a throne and wears the royal kilt and the striped nemes (NEM-iss) headdress with the uraeus (cobra) and is bare chested like a man. However, she does not wear the royal beard, and the proportions of her body are delicate and feminine.
Carved from alabaster the over-life-sized statue shows a idealized depiction of ruler Khafre sitting eloquently in his throne. Riddled with indicative symbols and motifs the written language of the ancient Egyptians allows for historian to interoperate the meanings and purpose of the sculpture, and decipher the statements of divinity and the king power left behind by this ancient people. This funerary statue represents Khafre’s eternity a well as utilizing the expensive material as a testament of his importance and
The Ancient Egyptian sculpture, “Statue of Nykara and His Family”, was sculpted during the late fifth dynasty. The sculpture is a depiction of Nykara, his wife, Nubkau, and son, Ankhma-Re. The statue is in poor condition with pieces of limestone missing and chips on the three subject’s faces and bodies. The painted limestone shows the conventional colors for the male and female subjects. There is a clear discoloration among Nykara and his son’s bodies. The brownish red color they once were has eroded to a light yellowish color, which resembles the purposeful color of Nykara’s wife. The hieroglyphs on Nykara’s seat insinuate that the sculpture is meant to be viewed from the front view. This is also evident by the way the three subjects are facing forward in frontal view. There are hieroglyphs on both the chair and base of the statue near Nykara’s wife and son’s feet.
Assmann, Jan. The Mind of Egypt: History and Meaning in the Time of the Pharaohs.
Sequoyah was a Cherokee indian who developed the written alphabet of the Cherokee Indians. His language consisted of eighty-six characters. He was born in 1776 at the village of Tuskegee. He was born in 1776 and he married a Cherokee woman. He was on the list to fight against the British along with other Cherokees and some Creeks in the War of 1812. Sequoyah was exposed to writing early in his life. Despite this he never learned the English alphabet. He and the other natives that were fighting for America in the War of 1812 were not allowed to read the reports and other things, so he was inspired to create an alphabet for the Cherokee. Soon he translated the thoughts of Cherokee people into eighty-six characters. He taught the sounds to his
My selected artifact is relief dating to Dynasty 18 in which Akhenaten is depicted as a sphinx, offering to the god Aten. Akhenaten wears the ureaus headdress, marking him as king of Egypt while two cartouches contain his official name. In addition to his cartouche, the relief contains the cartouches of Aten and Nefertiti, delineating the trinity of divinities that compose Akhenaten’s religion. Aten is depicted traditionally, as a sun disk, with his hands holding ankh symbols reaching towards offering tables in front of Akhenaten where the king holds a basket containing Aten’s titles inside. The inscription on the relief reads “great, living Aten”… “dwelling in the Sunshade temple” which is a different structure than the Aten Great Temple in
Egyptian art is infamous across the world - classified by the monumental pyramids, and the Sphinx. Although these are both valid forms of Egyptian art, they do not make up the entire artistic history of the country. On the contrary, perhaps the most replicated example of classic Egyptian art, from the Old Kingdom, can be found in their rendering of the human form. An interest in portraiture developed early in Egypt. (Gardner, 75) Whether painted on pottery, or cut into rock, the figures all had notably Egyptian characteristics. "The seated statue is one of only a very small number of basic formulaic types employed by the sculptors of the Old Kingdom." (Gardner, 75)
Let’s begin with what was going on during the time period for each sculpture. During the 2458-2446 BCE. Userkaf was thriving over his brother Sahure, and he became the new ruler of Egypt. In the start of 2446 BCE, Neferirkare beings his dominant over Egypt. King Sahure and Nome God is a high relief it is still attached to a surface of a stone. The Pharaoh sitting on his thorn wearing a Nemes headdress (it is usually blue and gold striped), fake beard. The king has an emotionless facial expression. It was made for a decoration for the king pyramid complex. The symbol behind this statue could be the gathering of the Nome gods form Upper and Lower Egypt around t...
A mythology is an important feature of many cultures. A myth is a sacred narrative that explains how the world and humankind assumed their present form. In a broad sense, it can refer to any traditional story. A myth’s function is to provide a model for behavior and to provide a religious experience. By reenacting myths societies bring themselves closer to the divine.
Thesis statement: In this research, I will investigate the basic concepts of the Egyptian mythology and its gods.
Over time different beliefs surrounding the mystery of life after death have accumulated in different religions, societies and history. Undeniable by all as an inevitable fate , is the definition has changed over time . Exactly what happens in life after death ? Is there a difference in the qual there is a heaven and a hell ? Or is it simply just an underworld in which all souls come ? Regardless of faith or time period , several authors of all ages have considered these questions in high esteem. But each story is different and belief , whether Dante , Homer or Cervantes, all agree that death is inevitable and with it eternal life.
“Myths continue to fascinate us” (Kromholz and McCarter 1). In every new generation, many children are intrigued when they read Greek Mythology, which makes it valuable teaching tool in high school literature. This beneficial teaching device should have the priority in the on-going debate about the implementation of Greek Mythology. Implementing fundamental morals of life, providing interpretations to unexplained phenomena of the world, and stimulating the minds of students to extrapolate the content, the analysis of Greek Mythology should remain as part of high school standards, despite possible contrariety with a student's religion, or set of beliefs.
Sekhmet was extraordinarily dreaded as the warrior goddess of devastation as well as in light of the fact that she was accepted to be the carrier of torment and epidemic, which she could convey to the adversaries of Egypt. She
Out of all the mythologies of the world, Greek mythology has had the most influence on our society. The Greeks started their civilization and even though it only lasted 1,300 years, yet their influenced went beyond. Many people don’t realize that their influence is everywhere around us and there influenced has helped us with our language, films, and Companies.
...n 1163 B.C., Egypt entered a period of slow decline (Scarre 1997:116). Pharaohs became less powerful, and their prestige dwindled. Hungry soldiers were terrorizing the community, while tomb robbers were raiding the pyramids for resources that were very much needed. They had buried their pharaohs with food, goods and jewelry, all of which were needed to keep the civilization in tact. They had built too many pyramids, and there were setbacks in Asia which corrupted trade. People did not understand why the pharaohs could not fix the problems that were going on. They viewed them as gods and lost trust and faith. Egypt fell apart as these things culminated with loss of belief in the pharaohs.