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A critique of the winters tale
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In, “In Spring It Is the Dawn” the author of the passage shows deep appreciation for the natural world. Each paragraph in this story implies this appreciation an example of this would be, “and even when it rains, how beautiful it is!” (Sei Shonagon pg 457) since she shows that no manner the weather the world is quite beautiful. She continues on describing each season and how she envisions the beauty in it. This story depicts winter to be a splendid time also despite the cold however she believes that, “In Spring it is the dawn that is the most beautiful. As the light creeps over the hills, their outlines are dyed a faint red and wisps of purplish cloud trail over them.” (Sei Shonagon pg 457). Another passage that highlights Lady Shonagon’s
appreciation towards the natural world would be “Things That Cannot Be Compared”. Unlike the explanations and descriptions of each month that were described in the previous passage, this passage is smaller. Since the title is “Things That Cannot Be Compared” Lady Shonagon simply states that, “Summer and winter. Night and day, Rain and Sunshine. Youth and age.” (Lady Shonagon 458) are elements in life that merely cannot be similar yet are beautiful in their own ways. These passages are similar since the author enjoys the way nature is and does not compare the seasons while describing each individual beauty of the seasons.
The speaker begins the poem an ethereal tone masking the violent nature of her subject matter. The poem is set in the Elysian Fields, a paradise where the souls of the heroic and virtuous were sent (cite). Through her use of the words “dreamed”, “sweet women”, “blossoms” and
In the stanzas of Elizabeth Bishop’s poem, the speaker very honestly observes the scenes from outside her apartment. From her point of view, she sees a both a bird and a dog in the process of sleeping. The speaker views these animals as having simple lives unbothered by endless questions or worries. Instead, the two live peaceful, uninterrupted existences, rising every morning knowing that “everything is answered” (ln. 22). However, the speaker lives in contrast to this statement instead anxiously awaiting the next day where uncertainty is a likely possibility. Unlike the dog and the bird, the speaker cannot sit passively by as the world continues in its cycle and she carries a variety of emotions, such as a sense of shame. It is evident here that the speaker has gone through or is currently undergoing some sort of struggle. When she states that “Yesterday brought to today so lightly!” she does so in longing for the world to recognize her for her issues by viewing the earth’s graces as so light of actions, and in doing so, she fails to recognize that she can no longer comprehend the beauty of nature that it offers her. In viewing the light hitting the trees as “gray light streaking each bare branch” (ln. 11), she only sees the monotony of the morning and condescends it to merely “another tree” (ln. 13.) To her, the morning is something
As he slouches in bed, a description of the bare trees and an old woman gathering coal are given to convey to the reader an idea of the times and the author's situation. "All groves are bare," and "unmarried women (are) sorting slate from arthracite." This image operates to tell the reader that it is a time of poverty, or a "yellow-bearded winter of depression." No one in the town has much to live for during this time. "Cold trees" along with deadness, through the image of "graves," help illustrate the author's impression of winter. Wright seems to be hibernating from this hard time of winter, "dreaming of green butterflies searching for diamonds in coal seams." This conveys a more colorful and happy image showing what he wishes was happening; however he knows that diamonds are not in coal seams and is brought back to the reality of winter. He talks of "hills of fresh graves" while dreaming, relating back to the reality of what is "beyond the streaked trees of (his) window," a dreary, povern-strucken, and cold winter.
Within “Thanatopsis” by William Cullen Bryant, he states “She has a voice of gladness, and a smile/And eloquence of beauty, and she glides/Into his darker musings, with a mild/And healing sympathy (Bryant, 4-6).” The “she” Bryant is referring to is Mother Nature, which makes his statement that nature can take away a man’s pain that much more powerful. By personifying nature, the reader feels as though they can relate to “her” in a different way. A poem that uses powerful metaphors is “The First Snowfall” by James Russell Lowell. Within his poem, he states, “From sheds new-roofed with Carrara/Came Chanticleer’s muffled crow/The stiff rails were softened to swan’s-down/And still fluttered down the snow (Lowell, 9-12).” The line “from sheds new-roofed with Carrara” is referring to how pure and white the snow that had just recently fallen looks. Carrara is an expensive white marble. So, Lowell is comparing expensive items to the snow, which helps put an image of a beautiful snowfall into the reader’s head. By using both personification and metaphors, the reader can relate to the words being said in a completely different way, and thus understand the abstract ideas that the authors are trying to convey in their Romantic
The first line dedicates the love that is portrayed. “This is the crown and blessing of my life” (1). The author compelled through passion and admiration penned a heroic couplet to her husband. The poem is a love story and the journey of two people that are together despite a challenging beginning. The tone changes in the fourth line of this poem. “To win a stubborn and ungrateful heart” (4). In these two lines the tone is affectionate. “Daphnis I love, Daphnis my thoughts pursue, / Daphnis, my hopes, my joys, are bounded all in you” (8-9). She cannot live without her husband and has great admiration for him. These lines are depicting that he is the love of her life with a deep joy felt. A sense of honesty is felt with the following lines and awaits expression felt. “Many love well, though they express it ill; / And I your censure could with pleasure bear, / Would you but soon return, and speak it here” (15-17). A feeling of love and affection is felt throughout the poem with special hopes and dreams wrapped into one. A true love story. The tone of this poem is different than the tone in “Spring and All.” This is because the poem is about love and affection. The poem by William Carlos Williams is about death, and coldness, expressing a different gloomy
She wonders in on earth it looks so pretty than in heaven in must look even better. She goes on to talk about the sun and how it gives life to everything and it is if heaven was here there would be, “no winter no night”. Describing as she looks up how long this earth has been here, “thy strength, and statre more thy years admire”. By saying this she admire how long this earth has been here and how great it is. She describe nature as being works of God and to me she describe the perfect world or even heaven as being with out night or winters. Implying that night and winters are not as beautiful as spring
The French 1884 oil on canvas painting The Song of the Lark by Jules-Adolphe Breton draws grasps a viewer’s attention. It draws an observer in by its intense but subtle subject matter and by the luminous sun in the background. Without the incandescent sun and the thoughtful look of the young woman, it would just be a bland earth-toned farm landscape. However, Breton understood what to add to his painting in order to give it drama that would instantly grab an onlooker’s interest.
This poem helps us to recognize and appreciate beauty through its dream sequence and symbolism. The poem opens with the Dreamer describing this
When the poem starts it takes place in autumn. The speaker is explaining his love for autumn and all the things he does with his wife. For him autumn is the time of year where
Most of her work has a meaning about nature and many of her titles seemed that way, but there is a twist to them. "A narrow Fellow in the Grass" to the metaphysics of "I died for Beauty — but was scarce," and poems such as "Sweet Mountains — Ye tell Me no lie — " are not just nature poems, but transformations, the creating of a more woman-centered religion that incor...
In “Written at the close of Spring,” Smith’s second sonnet, she focuses on the wonderful ability nature has in rejuvenating itself each year. Smith personifies Spring in the way it “nurs’d in dew” its flowers as though it was nursing its own children (“Close of Spring” 2). While it creates life, Spring is not human, because it has this ability to come back after its season has passed. Human beings grow old and die; we lose our “fairy colours” through the abrasive nature of life (“Close of Spring” 12). Smith is mournful that humans cannot be like the flowers of Spring and regain the colors of our lives after each year.
With the use of personification, diction, tone, and theme, Shakespeare was able to construct a poem where the narrator was admirable of his significant others’ beauty. This interpretation of Shakespeare’s poem “Shall I Compare Thee to A Summer’s Day” was supported with the analysis of the tone, theme, and diction. In addition, Moss’s poem, “Shall I Compare Thee to A Summer’s Day” helped reinforce some of the conclusions made about the interpretation of the poem because of Moss’s use of simple language. Through this poem, Shakespeare has created the idea that beauty can live forever despite nature.
The poet compares the imperfections of summer to contradict the iridescent outer beauty of the girl he loves. Even though the summer seems like the best season, it is always undesirably “too short” (4) and nature always has its faults but the girl does not. Sometimes it’s “too hot” (5) and sometimes on a beautiful day its gold complexion is even dimmed, the clouds overcast which is believed, by some, to foreshadow bad luck. But her beauty is never overcast by something else nor her “gold complexion dimmed” (6). However, all these imperfections are not natural for her. She, he praises, is “more lovely” and “more temperate” than a summer’s day (2). In praising her beauty he even emphasizes the word “more”. Both lovely and temperate are words that show effective use of diction. While he does choose words that accurately express his feelings they also have strong connotations lovely could imply high attractiveness and exquisite beauty and temperate could imply that she is by nature a very strong, yet mild and self controlled person.
All of the seasons are not the same, are they? What separates autumn from spring? Is it a song... the day? Maybe it is who makes up that day and who initiates that song. In the poem "To Autumn," by John Keats, imagery and personification are manipulated to symbolize the unique autumn day. Keats uses his poem to compare and contrast the unmistakable events that ensue during the days of autumn to eventful days of the other seasons.
The tone of the poem dramatically changes in the third quatrain. The poet no longer compares his beloved to a summers day, instead he signifies the importance of his beauty and youth. The poet metaphorically says "but thy eternal summer shall not fade". Summer can never be eternal, but the metaphor expresses the poets feelings towards the subject by saying that the subject shall be eternally beautiful. The beloved is eternalized further, as the poet says " When in eternal lines to time thou growest", immortalizing his love within the lines of this sonnet. The sonnet is also concluded by a metaphorical rhyming couplet. "So long as men can breathe or eyes can see, So long lives this, and this gives life to thee" evidently shows that the sonnet is meant to preserve the beauty of the youn...