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Focus on individuality in frankenstein
Frankenstein philosophy essay
Focus on individuality in frankenstein
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In Frankenstein by Mary Shelley, a genius scientist named Victor Frankenstein uses science and technology for selfish purposes by surpassing humankind’s ability and going against nature, using his powers to bring a breathless creature to life. The advancement of science and technology has had society question whether humans will attempt to play God’s role and the consequences that society will have to face with new discoveries (Barcia). Therefore, as modern science continues to grow, humans continue to wonder if the creator of the world, God will one day be replaced with a God-like figure as artificial selection, cloning, and genetic engineering, continue to advance at a rapid pace (Levin 34). In the novel, Victor uses his scientific knowledge …show more content…
about natural philosophy to bring a creature, which is composed of multiple parts of different dead humans and animals, to life using galvanism which is the act of muscles contracting when induced by a spark of electricity (Galvanism). Although the creation of the creature was impressive, Victor performed an act of hubris as he performed the job of God and not humankind, by creating life on earth. In an article Van Den Henk Belt has stated that Frankenstein is not a “God-like” figure because he was not designating life from “scratch,” but rather modified life to come up with new life forms. I disagree with this statement, as I believe that God is someone who brings an organism to life that also believes that their creator is God; just as how Adam considered his Creator to be God. This paper will argue that by abusing the power of science to re-animate life, Frankenstein is considered to be God by his creature due to his actions of using science, technology, and the power of nature. Many have accused Frankenstein of “playing God” for constructing a creature in his workshop. As an adolescent, Frankenstein’s curious mind had an interest in science and believed that “Natural philosophy is the genius that has regulated . . . [his] fate” (Shelley 22). Frankenstein had an interest in the research performed by his role models, Cornelius, Paracelsus and Magnus (Shelley 22), and his passion for their work led him to pursue a project that allowed him to bring the dead to life. His choice of awakening a lifeless body tends to ignore the ethical concept of women inducing labor to create a human being, which forces him to take the role of a “God-like” figure. Through this, one can see the relationship between science and nature, when Frankenstein abuses the power of science and goes against the religious and philosophical traditions, from which the world has been brought into existence. Therefore, when Frankenstein brings his creation to life, he attempts to use science to become greater than nature (Belt 260), and plays God’s role. Even though Frankenstein portrays God by creating life, Van Den Henk Belt has stated that when humans play God, they do not always repersent God as it is explained in the Bible, but sometimes as a “God-like” figure in the field of science. Although this is statement is true Frankenstein is presumed to be God as he exhibits a relationship with his creature that existed between God and his creation, Adam. After the creature reads the novel, Paradise Lost he believes that he is “like Adam . . . [as] he was united by no link to any other being in existence” (Shelley 90). Through this statement, the creature considers himself to be Adam, thus Frankenstein being God. Shelley also shows the reader how Frankenstein’s role as God has a negative impact on the creature’s life. In the novel, the creature not only considers himself as Adam but also Satan by saying, “God, in pity, made man beautiful and alluring, after his own image; but my form is a filthy type of yours, more horrid even from the very resemblance. Satan had his companions, fellow devils, to admire and encourage him, but I solitary and abhorred” (Shelley 91). Through this statement, the creature not only compares himself to Satan but also to Frankenstein by saying that his personality is enclosed within him just as how God’s nature is reflected in his creation of Adam. Therefore, when Shelly compares the creature to characters in the Bible, the reader can see that Frankenstein is a God-like figure. Loneliness can cause one to isolate themselves from society and have no control over their actions. The creature’s harsh rejection from society causes him to request his “creator” to create him a female companion just as how Adam had asked for a mate (Shelley 101). The creature requests Frankenstein for a woman, “whom . . . [he] can live . . . [and] interchange . . . those sympathies necessary for . . . [his] being” (Shelley 101). Therefore, by requesting a female companion, the creature considers Frankenstein to be his God, as he was the only human who could create him a companion, similar to how God was the only person who could create a partner for Adam. Frankenstein also plays God as he decides whether or not he will fulfill the creature’s request. Unlike God, Frankenstein refused to create a female companion as he fears that a new creation could cause a tragedy which can overpower humankind due to strength and power (Shelley 119). By requesting his creator for a female friend, it is believed that the creature “has a soul.” Also, it is shown that he has a soul because he has grown mentally, by being capable of making decisions by himself with thoughts and feelings to back it up (_____). Christians believe that an important feature only given to an organism from God is the gift of a soul. Since the creature has a soul, it is believed that Frankenstein indeed is a God-like figure due to his creation. When one plays with the secrets of nature, the results sometimes can turn into disastrous problems.
Frankenstein faced numerous consequences as he used his power of knowledge to bring the dead to life. Frankenstein used science to play the role of God and tossed his creation aside as if he was no use, just as how God had abandoned Adam. He created life without the need of women, mistreated the dead, and played the role of nature. Frankenstein not only used science to take the role of nature but also stole God’s part when he performed the unnatural. He also failed to take proper responsibility and care for the creature he had put into this world (Belt). The creature’s rejection from humanity including his creator proves that Frankenstein has failed in creating a creature with human-like qualities which has caused harm to the creature’s life. The first consequence of his actions is the murder of his relatives. Frankenstein’s act of disregarding his creation allows for the creature to take the life of his loved ones, despite the creature’s initial goodness. He acts as if he is God and makes the decision to remain quiet about the death of William, even though he knew the culprit. After the death of his loved ones, Frankenstein realizes the consequences that one has to face for playing Gods role which would have been avoidable if he had not built a “devil.”
When one attempts to use their power of science to portray God, it often includes the death of humans even if one's intentions are to bring change to the science community. Although Frankenstein successfully brought his creation to life, and the creature considered him as God, Shelley warns her readers of the consequences that one has to face for abusing science and playing God`s role. Frankenstein`s intentions were not to misuse his power of science but, the results of his attempt to re-define nature was harmful to society, himself and the
creature.
New medications are discovered daily. However, had Mary Shelly's proposition of "playing god" been a reality in the late 18th century, and had Victor Frankenstein been able to take this dramatic shortcut in the slow process of evolution by creating life from death, the crisis between the church and science would have been decidedly against science. Such were the sentiments of Victor's headmaster at Ingolstadt, as well as the rest of the European scientific community. Frankenstein's intentions were good. He had wanted to rid the world of genetic defects and bacterial disease by creating the perfect man. He would do so by applying electricity to the polar regions of a body, which he had constructed from pieces of freshly executed villains, while submerging them in an elemental pool of life. However, he was so driven towards his goal that he never considered the consequences of his actions. He was in many ways acting like the benefactor of Jurassic Park, hastily creating a life form without consideration of possible detriments. When Frankenstein had created his monster, he didn't know what to do with it and immediately wished it dead, but ironically he had made it so strong that it would not die.
Since the beginning of time man has been infatuated with the idea of pushing the human body to its limits by the use of science. The Space program is the best example of science helping humans accomplish things never before thought possible. In the age of technology and scientific advancement ideas that once seemed like science fiction, for example people walking on the moon, are now a reality. In order to push human development, ethics and morals have been pushed to the side. Necessary evils have been accepted as part of science without a second thought. In Mary Shelley’s Frankenstein a scientist, Victor Frankenstein, plays God by creating a monster out of body parts and bringing it to life. When Frankenstein realizes the full extent to what he’s done, he abandons the monster leaving it confused and lonely. The monster then
Frankenstein, in his Faustian quest for knowledge, comes to symbolise ‘the man of science’ within the text. His family background and social position places him as a man of the enlightenment. It is therefore arguable that Frankenstein represents the empirical strand of Enlightenment science and thus his quest for knowledge symbolises a large push for scientific knowledge in the 19th century. However, Shelly portrays Frankenstein’s project as defiling nature. This is seen in Frankenstein’s assemblage of the creature.
Mary Shelley’s Frankenstein is a nineteenth century literary work that delves into the world of science and the plausible outcomes of morally insensitive technological research. Although the novel brings to the forefront several issues about knowledge and sublime nature, the novel mostly explores the psychological and physical journey of two complex characters. While each character exhibits several interesting traits that range from passive and contemplative to rash and impulsive, their most attractive quality is their monstrosity. Their monstrosities, however, differ in the way each of the character’s act and respond to their environment. Throughout Frankenstein, one assumes that Frankenstein’s creation is the true monster. While the creation’s actions are indeed monstrous, one must also realize that his creator, Victor Frankenstein is also a villain. His inconsiderate and selfish acts as well as his passion for science result in the death of his friend and family members and ultimately in his own demise.
Over thousands of years, creating life is a divine power of God, giving people the right to be born and live. However, many scientists have attempted to play the role of God for the pursuit of knowledge in the scientific world by cloning or in-vitro fertilization, stirring up many encounters of moral dilemmas and ethical debates. In the book Frankenstein, Mary Shelley has captured this controversial concern by portraying Doctor Frankenstein’s enthusiasm of chasing the dangerous knowledge, which becomes a heated discussion of morality for readers and evaluators.
Mary Shelley’s Frankenstein, or the Modern Prometheus, explores the monstrous and destructive affects of obsession, guilt, fate, and man’s attempt to control nature. Victor Frankenstein, the novel’s protagonist and antihero, attempts to transcend the barriers of scientific knowledge and application in creating a life. His determination in bringing to life a dead body consequently renders him ill, both mentally and physically. His endeavors alone consume all his time and effort until he becomes fixated on his success. The reason for his success is perhaps to be considered the greatest scientist ever known, but in his obsessive toil, he loses sight of the ethical motivation of science. His production would ultimately grieve him throughout his life, and the consequences of his undertaking would prove disastrous and deadly. Frankenstein illustrates the creation of a monster both literally and figuratively, and sheds light on the dangers of man’s desire to play God.
Mary Shelley expresses various ethical issues by creating a mythical monster called Frankenstein. There is some controversy on how Mary Shelley defines human nature in the novel, there are many features of the way humans react in situations. Shelley uses a relationship between morality and science, she brings the two subjects together when writing Frankenstein, and she shows the amount of controversy with the advancement of science. There are said to be some limits to the scientific inquiry that could have restrained the quantity of scientific implications that Mary Shelley was able to make, along with the types of scientific restraints. Mary Shelley wrote this classic novel in such a way that it depicted some amounts foreshadowing of the world today. This paper will concentrate on the definition of human nature, the controversy of morality and science, the limits to scientific inquiry and how this novel ties in with today’s world.
In the novel Frankenstein written by Mary Wollstonecraft Shelly, Knowledge is power for Victor Frankenstein. Mary Shelly explains that Dr. Frankenstein’s hunger for the knowledge to create life out of death only leads to Victor’s unfortunate monster. The consequences that Victor Frankenstein experiences from creating a creature from his own madness leads to his death as well as the creature. Mary Shelly explains in her novel Frankenstein that Victor’s need to study life and how it is created is dangerous; furthermore, the abomination that the doctor creates should have never been created; however, the monster that Victor creates is his own monstrosity.
The movie Frankenstein explores the consequences of what happens when man tries to play God and chases his ambition blindly. Victor Frankenstein became very involved in his work to create a being out of dead body parts. The doctor had the desire to achieve something that no scientist has ever done before: to give life to a being through science, not human nature. With this pursuit of knowledge, not only did Victor isolate himself from society but also from those who loved him, such as his fiancée Elizabeth and his father. However, it is with this knowledge and ambition, that winds up destroying him and those closest to him. His project he felt would better human kind and possibly make a name for himself, which is ironic because he brought only evil to society and death to his name. Frankenstein is so caught up in his work and his yearning to be remembered for all time that he does not think about what will happen after life is breathed into this being. After his creation comes to life, he refuses to accept his obligation as the creator to his creation. He does not care for it, shelter it, provide it with food or love, nor teaches the creation.
Victor Frankenstein’s creation of human life is not only the pinnacle of his study into the secret of life, but the pinnacle of his story as well. The creation of the monster
Many scientific pursuits have advanced throughout time lacking any catastrophic events. However, defying natural laws of life/death and violating the sanctity of human life crosses a line in the great chain of being, as a human utilizes godly powers. Violating this hierarchy causes dire consequences for the violator. Just as Prometheus stole fire from the gods and gifted it to man, Victor Frankenstein also transgressed the boundaries between the mortal and divine worlds and pursued the dangerous knowledge of reanimation, which ultimately lead to his demise.
In the novel Frankenstein by Mary Shelley, Shelley portrays Victor Frankenstein as an ashamed, selfish, and weak creator; when compared to the other creation stories of “Genesis” and the “Myth of Prometheus” these flaws are even more apparent. In the stories of “Genesis” and “Myth of Prometheus” God, and Prometheus provided for their creation by giving them the means to survive whether it be giving them fire or a perfect Garden they could live in (Genesis 1:1 - 3:24 [King James Bible]); however, the story of Frankenstein and his monster is unlike them because when Frankenstein's’ monster (creation) comes to life he abandons it saying “.. Breathless horror, and disgust..” (Shelley 35) talking about his shame to create such a horrid, ugly abomination.
Victor’s obsession is driven by his belief that he possesses knowledge that no other human can possibly obtain without him. This enlarged ego causes the downfall of his sanity as he becomes consumed in his single pursuit of creating life. Victor believes he has found a way to, “renew life where death had apparently devoted the body to corruption” (Shelley 32). He falls deeper into his consuming passion, becoming a slave to his own ego, as he attempts to develop a method to cheat death. He slowly drifts away from his family and friends to work on his own projects in isolation. Victor’s true character is made blatantly obvious when he exploits his arrogance saying that, “A new species would bless me [Frankenstein] as its creator and source; many happy and excellent natures would owe their being to me. No father could claim the gratitude of his child so completely as I should deserve their’s” (32). Victor does not care for the potential positive effects his research could have for the scientific community and beyond. He is solely concerned for the praise and recognition he believes he “rightfully” deserves. Victor craves to receive eternal affection from a “new” species that will see him as the God he sees himself to
At the start of life, humans are revealed to the outside world with an open and empty mind. A newborn baby has no comprehension, no concern, or panic which only tries to obtain main essential. Surrounded by the outside world, many live through experiences where knowledge is accepted. Three characters show the pursuit of knowledge in the novel Victor Frankenstein, Robert Walton, and the creature. Victor who becomes obsessed with playing God by taking dead bodies and creating a creature so powerful.The creature learns of a family that teaches him to speak and interact with others, but when the creature comes head to head with the Delacey family they reject him. Finally, Robert Walton when he tries to reach the North Pole, but gets stuck in the
With creating the creature, the creator Victor Frankenstein has a tremendous responsibility to mankind. He has achieved a phenomenon in science. Just as anyone who has created something amazing