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Elizabeth Frankenstein character analysis
Victor frankenstein character analysis
Analysis of frankenstein frankenstein
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What qualifies a creature to be a monster? When the movie Frankenstein came out, monsters were usually big and scary animals that terrified everyone that walked in their path. They were creatures that generally behaved monstrously, doing things that were against society norms and had no consideration for the safety of others. Perhaps looking beyond the physical appearance of a “monster” and just looking at their actions one might see Dr. Frankenstein as a monster himself. Frankenstein was a story about a man who created an individual which led his life to failure and death, because of his desire to play which nature, and attempting the role of God.
The movie Frankenstein explores the consequences of what happens when man tries to play God and chases his ambition blindly. Victor Frankenstein became very involved in his work to create a being out of dead body parts. The doctor had the desire to achieve something that no scientist has ever done before: to give life to a being through science, not human nature. With this pursuit of knowledge, not only did Victor isolate himself from society but also from those who loved him, such as his fiancée Elizabeth and his father. However, it is with this knowledge and ambition, that winds up destroying him and those closest to him. His project he felt would better human kind and possibly make a name for himself, which is ironic because he brought only evil to society and death to his name. Frankenstein is so caught up in his work and his yearning to be remembered for all time that he does not think about what will happen after life is breathed into this being. After his creation comes to life, he refuses to accept his obligation as the creator to his creation. He does not care for it, shelter it, provide it with food or love, nor teaches the creation.
When realizing how to actually make his creation work he found out just how evil and strong his “monster” truly was. By bringing this creation to life; a destructive being that he had no control over, he doomed his own life and his intentions. Dr. Frankenstein was blinded by the fact that he was unable to foresee the effects that a creature could never be fully accepted into the human race. He was ultimately haunted by his own creation. Yet is it his monster’s fault that he doesn’t know right from wrong, or is it Dr. Frankenstein’s fault? Frankenstein is called the creato...
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... just a phase, hoping he could get over his work and forget about his creation and all the havoc he had caused. But unfortunately he couldn’t, the monster haunted him and eventually ruined him. What was once a sought after dream, was now a nightmare. There would be only one solution;to kill the monster. But was the creation really the monster? To the society and Victor he was but to the viewer, he was only a helpless creator who lost his way.
Victor Frankenstein shows that experimenting with the work of God or nature is immoral and will only end in corruption. No one can play God. The movie shows that a person who chases notoriety for his or her own personal intentions may find the consequences of their actions to be truly demoralizing, causing him to become the monster more than his creation. His faults in his creation lead to his demise.
Work Cited
1. Shelly, Mary. Frankenstein. Penguin Group. London, England. 1992.
2. Frankenstein. Produced by Carl Laemmle Jr. Perf. Colin Clive, Mae Clarke, Boris
Karloff, and John Boles. Universal Pictures. 1931.
3.Gods and Monsters. The Flick Filosopher. AF 100:#87
http://www.flickfilosopher.com/flickfilos/archive/004q/frankenstein.html
Although humans have the tendency to set idealistic goals to better future generations, often the results can prove disastrous, even deadly. The tale of Frankenstein, by Mary Shelley, focuses on the outcome of one man's idealistic motives and desires of dabbling with nature, which result in the creation of horrific creature. Victor Frankenstein was not doomed to failure from his initial desire to overstep the natural bounds of human knowledge. Rather, it was his poor parenting of his progeny that lead to his creation's thirst for the vindication of his unjust life. In his idealism, Victor is blinded, and so the creation accuses him for delivering him into a world where he could not ever be entirely received by the people who inhabit it. Not only failing to foresee his faulty idealism, nearing the end of the tale, he embarks upon a final journey, consciously choosing to pursue his creation in vengeance, while admitting he himself that it may result in his own doom. The creation of an unloved being and the quest for the elixir of life holds Victor Frankenstein more accountable for his own death than the creation himself.
The theme of creation in "Frankenstein" touches on the notion of how modern science plays God. This is illustrated through the attempt of replicating a human by means of science, using the main character Victor as the god-figure. Unfortunately, Victor Frankenstein did not consider the effect his creation would have on the outside world and, more importantly, his internal self and his creation.
He toils endlessly in alchemy, spending years alone, tinkering. However, once the Creature is brought to life, Frankenstein is no longer proud of his creation. In fact, he’s appalled by what he’s made and as a result, Frankenstein lives in a perpetual state of unease as the Creature kills those that he loves and terrorizes him. Victor has realized the consequences of playing god. There is irony in Frankenstein’s development, as realized in Victor’s desire to destroy his creation. Frankenstein had spent so much effort to be above human, but his efforts caused him immediate regret and a lifetime of suffering. Victor, if he had known the consequences of what he’s done, would have likely not been driven by his desire to become better than
...y through her tale of Frankenstein gives reasoning as to why man should not play God. Through the creation and neglect of the monster, Victor has created a deadly force. This ruthless pursuit of knowledge proves dangerous, as Victor's act of creation eventually results in the destruction of everyone dear to him, and his obsessive hatred of the monster drives him to his death. He sought the knowledge of life scientifically, and although he achieved it, he totally missed the true meaning of life and happiness. Instead of simply living his life, he probed too deeply into its inner workings. Unlike his monster, he had the chance to live a happy life. He was well off, he had food, shelter, and most importantly people who loved him. Instead, he through that all away. If it were not for his scientific pursuit, Victor would have been poised to live a happy, fulfilling life.
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The wise Uncle Ben once told Peter Parker, “remember, with great power. Comes great responsibility.” There is no greater power than that acquired by the infamous Victor Frankenstein in Mary Shelley’s Frankenstein when he discovers the secret to creating life. Shelley’s Frankenstein is a tale of creation that depicts acts of human conception and discovery. The Oxford English Dictionary defines creation as “the action or process of bringing something into existence from nothing by divine or natural agency; the fact of being so created.” It defies the natural order of things and creates a world of its own. The multiple acts of creation and discovery bring upon a certain set of responsibilities and implications as depicted by David Collings who analyzes the responsibilities that come as a result of these acts in his essay “The Monster and the Maternal Thing: Mary Shelley’s Critique of Ideology”. The main act of creation is evident through Victor Frankenstein’s creation of the Being which is depicted most prominently in the novel. However, there are multiple other acts of creation and discovery that may not be apparent at first sight. One of the most important being, Victor’s discovery of the knowledge required to create life. Apart from initially creating the Being, Victor also plays a critical role in the Being’s evolution into a raging and vengeful creature. Perhaps above all other acts of creation and discovery is Victor’s personal creation of himself into a monster. As stated by Collings most of these acts of creation on Victor’s part are subconsciously brought upon because of their lack of a maternal figure but also in part because of his desire for fame and glory. However, he is blinded by his motives and forgets that with his...
Countless situations created in life will always have some consequence, whether the outcome is a positive outcome or a negative outcome. During the novel, Frankenstein, there are many incidents portrayed through the characters that have both a positive outcome and a negative outcome, no matter the type of situation. The majorities of the situations that are conveyed in this novel almost always have a negative outcome because of the way the effects damage and hurt the innocence of the other characters in the story. In this novel many of the negative outcomes are a consequence of a hideous monster, known as Frankenstein’s monster, which was created by the hands of Victor Frankenstein.
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At first glance, the monster in Frankenstein is a symbol of evil, whose only desire is to ruin lives. He has been called "A creature that wreaks havoc by destroying innocent lives often without remorse. He can be viewed as the antagonist, the element Victor must overcome to restore balance and tranquility to the world." But after the novel is looked at on different levels, one becomes aware that the creature wasn't responsible for his actions, and was just a victim of circumstance. The real villain of Frankenstein isn't the creature, but rather his creator, Victor.
Monsters can come in various physical forms, but all monsters share the same evil mentality. A Monster is a being that harms and puts fear within people. Mary Shelley’s Frankenstein is a prime example of how appearance does not determine whether a creature is a monster or not. In the story, Victor Frankenstein tries to change nature by creating a super human being. The being appears to be a monster. Victor becomes so obsessed with his creation and then rejects it. Victor is the real monster because of his desire for power, lack of respect for nature, and his stubbornness.
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Leming, M., & Dickinson, G. (2011). Understanding dying, death, & bereavement. (7th ed., pp. 471-4). Belmont, California: Wadsworth.
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