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Frankenstein literary analysis
Victor frankenstein character development
Victor frankenstein character development
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The monster in Mary Shelly’s novel Frankenstein is a creature somewhere in between human and non-human being. Through learning and observation, the monster acquires the basic skills to live in the human world. He perceives the world and himself through the view of human, and he develops the emotion and taste similar to human. However, his human identity is constantly rejected by people—even his creator, Doctor Victor Frankenstein refuses to acknowledge him as human and refers to him as “the monster”. Throughout the whole novel, the monster struggles to pursue a human identity yet suffers from the sorrow of failure, which ultimately leads to his hatred and retaliation. It is extremely difficult for the monster to find a sense of belonging in …show more content…
It is only after he learns about human relationship that he begins to grieve “no father had watched my infant days, no mother had blessed me with smiles and caresses; or if they had, all my past life was now a blot, a blind vacancy in which I distinguished nothing.” (Chapter 13) As he gets familiar with the history of the cottagers, he is “impressed deeply” and “learns to admire their virtues”. From this we can see that the intimate household environment not only triggers the monster’s pain but it also makes him more eager to establish relationships with human. His attempts all turn out to be failure—when he finally becomes friends with the blind old man, he is kicked out by Felix and Agatha only because they are terrified by the monster’s experience (Chapter 15); when he saves a drowning girl, his only reward is getting shot by the girl’s father (Chapter 16). The desire to build relationships keeps the monster approach human, yet his appearance continuously renders his attempts in vain. The monster is thus caught up in a painful vicious cycle—the more he learns about the human society, the more eager he is to establish relationships with human; the more times he attempts to do so, the more times he is
Throughout the book, the creature doesn’t show emotions that lead towards being a monster. Animals do show emotions, for example, I watched a video about a mother seal who had a miscarriage and she did not understand why her baby was not moving, it resulted in her having real tears. In the beginning, we see the first emotion that the creature has, which is a sense of belonging. After the creature was forced to fend for himself, he finds a family in the woods that he starts to observe and want a place of belonging in their family. . The creature knows that he is ugly and doesn’t look like a human, but he still wants to belong. To belong to a family and feel wanted, he wants to be beautiful. This is a human desire. He shows how much his looks
The creature who has been leading a solitary existence by observing the Delacey family, exclaims “The more I saw of them, the greater my desire to claim their protection and kindness; my heart yearned to be known and loved by these amiable creatures” (Shelley 112). Being isolated from most of society, the creature’s only contact with mankind is through observing the Delaceys. Unlike any base monster, the creature has “yearning” that originates in his heart. Because the creature relates with the Delaceys as “amiable creatures” his desire for companionship with them is brought forth, further distinguishing him as distinctly human. Miserable and lonely, the creature desires to also “claim their protection and kindness” which demonstrates how the creature desires even more than just mere companionship but also to be loved. Most importantly, the creature desires acceptance into their family as one of their own. Although he observed the family, the creature took a radical and somewhat desperate choice to abduct Victor’s younger brother: “If I could therefore seize him, and educate him as my companion and friend, I should not be so desolate”. (Shelley 121). Such extremes show to what lengths the creature was willing to go to gain companionship and acceptance. Without companionship, the creature cannot survive in happiness, but he yearns for it and cannot do without it. Once again, the human need for companionship comes to the forefront of the creature’s purpose and endeavors and he is not fulfilled without it. Far from being an emotionless, brutish monster, the creature need for a friend aligns it to mankind’s basic
In Frankenstein, Victor’s monster suffers much loneliness and pain at the hands of every human he meets, as he tries to be human like them. First, he is abandoned by his creator, the one person that should have accepted, helped, and guided him through the confusing world he found himself in. Next, he is shunned wherever he goes, often attacked and injured. Still, throughout these trials, the creature remains hopeful that he can eventually be accepted, and entertains virtuous and moral thoughts. However, when the creature takes another crushing blow, as a family he had thought to be very noble and honorable abandons him as well, his hopes are dashed. The monster then takes revenge on Victor, killing many of his loved ones, and on the humans who have hurt him. While exacting his revenge, the monster often feels guilty for his actions and tries to be better, but is then angered and provoked into committing more wrongdoings, feeling self-pity all the while. Finally, after Victor’s death, the monster returns to mourn the death of his creator, a death he directly caused, and speaks about his misery and shame. During his soliloquy, the monster shows that he has become a human being because he suffers from an inner conflict, in his case, between guilt and a need for sympathy and pity, as all humans do.
Throughout the year Professor Prudden has been teaching us the idea of the individual and when and how it came about. We have studied The French Revolution, Scientific Revolution, Colonialism, and Reformation, all stressing what made this time period important to the individual. We finished the class reading the novel Frankenstein with does a great job of demonstrating a man or “monster” creaking his own being. We have already determined that an individual is; the habit or principle of being independent and self-reliant. Mary Shelley demonstrates individuality through Frankenstein and leads to his internal isolation and loneliness. She shows that uniqueness is the most important aspect of individualism not only through Frankenstein but Victor
When the monster meets the DeLaceys, he first learns the meaning of a family. The monster enjoys the “pleasure [he] experience[s] in watching [his] human neighbors…and…the divine sound that enchant[s] [him]” (94). This shows the monster how families act together and the way they care for each other. He also learns that even a beautiful family like the DeLacey’s can be unhappy like him. However, unlike the DeLacey’s, the monster does not have that special connection with anyone because he was abandoned by his own creator. By observing the family, the monster becomes a “master of their language, which knowledge might enable [them] [to] over look the deformity” (98). Old man DeLacey being blind, overlooks the monsters physical appearance and feels the kindness and tenderness in his soul. Because of the old man’s treatment towards the monster, he, for the first time feels welcomed into a society of judgmental humans. Sadly, the more the monster learns, the more he realizes that acceptance might but will never be due to prejudice within the
The creature’s narration in the novel Frankenstein demonstrates through his experience with mankind the underlying theme of rejection from society. He is even rejected by his own creator, Victor whom “beheld the wretch -- the miserable monster whom [he] had created” with disgust. The creature seeks to find acceptance by man but instead is faced with the cruel reality of rejection. It can be seen by his encounters with man, all of whom react with abhorrence to him, his sufferings: “The creature’s alienation, isolation, and eventual rebellion also correspond to the romantic concept of the self, which involves the struggle of individual consciousness against an insensitive universe” (Howes). His creator who spent almost two year constructing him,
In the 1818 text of Frankenstein, written by Mary Shelley, various forms of human exploitation and oppression lead to the dehumanization of two major characters in the novel: the creature which Victor Frankenstein brings to life, and Victor himself. The creature is deemed an outcast just by his very existence. Victor oppresses his creation solely based on the creature’s grotesque features. Although the creature shares qualities, feelings, and emotions that categorize him as a human, Victor’s oppressive behavior and rejection of the his creation immediately lead to the creature’s dehumanization. Victor is driven by human exploitation, and treads on the laws of nature as he successfully attempts to cheat death and create an artificial being.
“Frankenstein” by Mary Shelly explores the concept of the body, life, ‘the self’ and most of importantly humanity, which is repeatedly questioned throughout the novel. The definition of humanity is the quality of being humane or in other words someone that can feel or possess compassion. Despite all the facts against the “monster” in “Frankenstein” he is indeed what one would consider being human. Humanity isn’t just about ones physical appearance but also includes intellect and emotion. Some people argue that the “monster” is not a human for he was not a creature that was born from “God” or from a human body. That being said, the “monster” is not only able to speak different languages, he can also show empathy - one of many distinct traits that set humans apart from the animals. Both the “monster” and his creator, Victor, hold anger and feel a sense of suffering throughout the novel. Victor is a good person with good intentions just like most individuals, but makes the mistake of getting swept up into his passion of science and without thinking of the consequences he creates a “monster”. After completing his science project, he attempts to move forward with his life, however his past – i.e., the “monster” continues to follow and someone haunt him. While one shouldn’t fault or place blame on Frankenstein for his mistakes, you also can’t help but feel somewhat sympathetic for the creature. Frankenstein just wants to feel accepted and loved, he can’t help the way he treats people for he’s only mimicking how people have treated him, which in most cases solely based on his appearance. Unlike most of the monsters we are exposed to in films past and present, the character of the “monster” ...
Monsters can come in various physical forms, but all monsters share the same evil mentality. A Monster is a being that harms and puts fear within people. Mary Shelley’s Frankenstein is a prime example of how appearance does not determine whether a creature is a monster or not. In the story, Victor Frankenstein tries to change nature by creating a super human being. The being appears to be a monster. Victor becomes so obsessed with his creation and then rejects it. Victor is the real monster because of his desire for power, lack of respect for nature, and his stubbornness.
Tragedy shows no discrimination and often strikes down on those undeserving of such turmoil. In Mary Shelley’s Frankenstein, a creature more repulsive than one can imagine is brought to life by a young scientist. Although this creature is horrifying in sight, he is gentle by nature. Unfortunately, the softer side of the creature is repeatedly overlooked and the so called “monster” is driven to a breaking point. Even though the Creature committed many crimes, Mary Shelley’s Creature was the tragic hero of this story because of his efforts rescue the life of a young girl and helping destitute cottagers.
In the story Frankenstein, Frankenstein creates a creature. So the creature doesn’t know any better than to think that he is a regular human being. But, he is not he is very different from normal humans. His appearance is the first thing that you can notice about him that is monstrous. He has all different
In past and present, society has always put an emphasis on external appearance as opposed to inner personality. As a result, social classes are formed, such as upper and lower, wherein members of each class must uphold the norms defined by the prestige of the class. Upper classes are deemed to be perfect, as they contain the wealthy and the beautiful. This class distinction is heightened in Gothic literature where emotions and the persona of the characters are externalized. Emotions are literalized as characters, supernatural phenomena, and the protagonist and antagonist roles.
The Monster’s confusion about the world and his inability to understand why he cannot simply be accepted in society drives his actions. Dutoit elaborates on the not so apparent truth that The Monster goes to great lengths to assimilate by acquiring language, understanding mannerisms and participating in customs. The Monster grows fond of a family, at first he watches them carefully, paying close attention to the details of their life and even steals food, unaware of their poverty. Supporting evidence which allows for the conclusion that he is innately good and simply longing for domesticity is shown by The Monsters willingness to help the family with chores, in secret of course. Nevertheless, he is universally shunned by everyone he encounters, except for the old blind man who was willing to have a social connection with him, until his family returned home and in fear rebelled against The Monster. This constant exile only leads to a greater alienation from the social world he deeply longs to be a part of. Unfortunately, due to his outward appearance, his good intentions are ill received by the people he
In Mary Shelley 's timeless novel Frankenstein, Victor Frankenstein refers to his creation as an abhorrent "monster". However, throughout relating his tale to Captain Walton, Frankenstein shows that he is the true monster. While "the monster" is overcome with a desire for revenge and a feeling of hatred towards man only after he is treated like a monster, Victor acts heartlessly while putting himself before anyone else, the true definition of a monster. Throughout the novel, Frankenstein demonstrates his selfish nature; his creation, on the other hand, shows selflessness and generosity even after being shunned by man. Shelley makes is very evident that although Frankenstein 's creation is referred to as "the monster", Victor Frankenstein is the real monster in Frankenstein.
Mary Wollstonecraft Shelley’s Frankenstein (sometimes also known as The Modern Prometheus) is the classic gothic novel of her time. In this eerie tale, Dr. Victor Frankenstein – suffering from quite an extreme superiority complex – brings to life a creature made from body parts of deceased individuals from nearby cemeteries. Rather than to embrace the Creature as his own, Frankenstein alienates him because of his unpleasant appearance. Throughout the novel, the Creature is ostracized not only by Frankenstein but by society as a whole. Initially a kind and gentle being, the Creature becomes violent and eventually seeks revenge for his creator’s betrayal. Rather than to merely focus on the exclusion of the Creature from society, Shelley depicts the progression of Dr. Frankenstein’s seclusion from other humans as well, until he and the Creature ultimately become equals – alone in the world with no one to love, and no one to love them back. Frankenstein serves as more than simply a legendary tale of horror, but also as a representation of how isolation and prejudice can result in the demise of the individual.