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Sandra Cisneros
As a Latina America who holds dual citizenship in the United States and Mexico, Sandra Cisneros frequently draws inspiration from her heritage as well as from her experiences as a Latina America (Cisneros).
As both a writer and activist, Cisneros “explores issues of race, class, and gender through the lives of ordinary people” who, like herself, have connections to multiple cultures (“Sandra Cisneros Biography”).
Cisneros encourages women to use “all [their] energy and [their] anger” regarding the inequality and inferior social status they face to turn those negative experiences into something positive; be a “chingona” (“Sandra Cisneros: Be a [#&%@?]”).
Cisneros feels that society as a whole “glorifies” beautiful, young girls,
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While growing up, Cisneros’ family frequently traveled between Chicago, where she was born, and Mexico to visit relatives, leading to a feeling of displacement throughout her childhood …show more content…
Works Cited
Cisneros, Sandra. “About My Life and Work.” Sandra Cisneros, 2018, www.sandracisneros. com/mylifeandwork/. Accessed 12 May 2018.
Reyes, Alyssa. “5 Things You Didn’t Know about Sandra Cisneros.” Culture Trip, 16 Dec. 2016, theculturetrip.com/north-america/usa/illinois/articles/five-things-you-didnt-know-about-sandra-cisneros/. Accessed 21 May 2018.
“Sandra Cisneros: Aspiring to a Big Butt.” Makers, Oath, 2018, www.makers.com/profiles/591f2
77e5bf6236c3464b1a2/5548b240e4b042cdf628f260. Accessed 16 May 2018.
“Sandra Cisneros: Be a [#&%@?].” Makers, Oath, 2018, www.makers.com/profiles/591f277e
5bf6236c3464b1a2/5548cc61e4b08df3b6f07129. Accessed 12 May 2018.
“Sandra Cisneros Biography.” Biography.com, A&E Television Networks, 23 Sept. 2016, www. biography.com/people/sandra-cisneros-185853. Accessed 12 May 2018.
“Sandra Cisneros: The Danger of Beauty.” Makers, Oath, 2018, www.makers.com/profiles/591f
277e5bf6236c3464b1a2/5548d6e6e4b08df3b6f0babb. Accessed 16 May
Blackwell puts together the first book-length study that talks about the roots of the Chicana movement. She talked about all the struggles that they faced for being activist; and the real life stories of what other women went through. Being an activist does not seem easy but the way they fight for what they believe in, can influence many other women who are scared to stand up for what they believe. As Blackwell stated in the acknowledgement vii, stories do have the power to inspire, transform and
Sandra Cisneros “Never Marry a Mexican” and Junot Diaz’s The Brief Wondrous Life of Oscar Wao are stories that reflect on the cultures in which the characters grew up in. In Never Marry, Clemencia, the narrator, reflects on her past sexual relations as well as her childhood. She speaks of her parents’ marriage and then transitions into her relationship with college professor and his son. In Oscar Wao, Yunior, the narrator, gives a second-hand retelling of Oscar’s experiences in New Jersey growing up as well as in the Dominican Republic. A person’s identity is largely influenced by their culture, this is especially the case in Hispanic cultures. The social constraints that these cultures place on social class, sexuality, and gender norms can be very detrimental to a person’s self-esteem.
What Viramontes and Cisneros have demonstrated in their writings is that; women take on a much-needed role, and the work that women do is tough, but we will get through it, if you stay strong and become the smiling lady on the raisin box.
Sandra Cisneros was born in Chicago and grew up in Illinois. She was the only girl in a family of seven. Cisneros is noted for her collection of poems and books that concentrate on the Chicano experience in the United States. In her writings, Cisneros explores and transcends borders of location, ethnicity, gender and language. Cisneros writes in lyrical yet deceptively simple language. She makes the invisible visible by centering on the lives of Chicanos--their relationships with their families, their religion, their art, and their politics.
She felt that breaking the standards placed on her by her cultural norms it would displease her tradition loving father. He felt that Cisneros should find a husband and not focus on her education so much. Cisneros writes “I am the only daughter in the Mexican family of six sons” (Cisneros 366). This not only exemplifies the internal family issues of being the only female, but also the external problems of the norms placed on women in a Hispanic culture to be an ideal wife. Tan’s essay emphasized the fact that her race, gender, education and up-bringing played a role in people knowing her writing, even though she does not want it to.
Martinez, Demetria. 2002. “Solidarity”. Border Women: Writing from la Frontera.. Castillo, Debra A & María Socorro Tabuenca Córdoba. Minneapolis: University of Minnesota Press, 168- 188.
In this short story Sandra uncover the tension between Mexican heritage and demands of the American culture. Cleofilas life consisted of never ending chorus, no good brothers, and a complaining father. She is so excited when the day come for her to become married so she can move away from her town where she grew up, were there isn’t much to do except accompany the aunts and godmothers to the house of one or the other to play cards. She was excited to be far away, all she could think about was to have a lovely house and to wear outfits like the women on the tele. Her picture of the ideal Mexican wife soon became a nightmare when she finally arrived to Texas, where she
... middle of paper ... ... Sandra Cisneros took a risk and got remarkably far with her passion for mixing the cultures and the identities of women. Her voice is what emphasizes the article to show how the goal is to redistribute the language and culture, not criticizing the “New World”.
Judith Ortiz Cofer, a professor of english and creative writing, tackles gender roles as well as cultural stereotypes in “ The Myth of the Latin Woman” and challenges them by attempting to replace the stereotypes with the realities. In “The Myth of the Latin Woman” Cofer discusses her life in America as a Puerto Rican woman. She also shares her stories of when she was stereotyped and how gender roles play a role in how Latinos are viewed. Stereotypes will follow you around because of your appearance and how the media portrays Latinas.
The eternal endeavor of obtaining a realistic sense of selfhood is depicted for all struggling women of color in Gloria Anzaldua’s “Borderlands/La Frontera” (1987). Anzaldua illustrates the oppressing realities of her world – one that sets limitations for the minority. Albeit the obvious restraints against the white majority (the physical borderland between the U.S. and Mexico), there is a constant and overwhelming emotional battle against the psychological “borderlands” instilled in Anzaldua as she desperately seeks recognition as an openly queer Mestiza woman. With being a Mestiza comes a lot of cultural stereotypes that more than often try to define ones’ role in the world – especially if you are those whom have privilege above the “others”.
Cofer, Judith Ortiz. "The Myth of the Latina Woman." Bullock, Richard, Maureen Daly Goggin and Francine Weinburg. The Norton Field Guide to Writing. Ed. Marilyn Moller. 3rd. New York: W.W. Norton and Company, 2013. 806-812. Print.
The Myth of the Latin Woman: I Just Met a Girl Named Maria, an essay written by Judith Ortiz Cofer, discusses the racial stereotypes Cofer struggles with as a Latin woman who travels across America. Throughout her life, Cofer discusses her interactions with people who falsely misjudge her as a Latin woman. Additionally, Cofer mentions other Hispanic women she has met in her life, who also suffer with racial assumptions. Although several people would disagree with Cofer and claim that she is taking racial remarks too seriously, racial stereotyping is a significant issue that should not be overlooked in our society. People should not base someone’s worth by their outward appearance or their ethnic background.
Suaréz, Lucia M. “Julia Alvarez And The Anxiety Of Latina Representation.” Meridians: Feminism, Race, Transnationalism 5.1 (2004): 117-145. SocINDEX with Full Text. Web. 25 Mar.2014.
Cisneros starts the essay by reflecting on an anthology for a work that she wrote where she stated “I am the only daughter in a family of six sons. That explains everything” (Cisneros 366). Right after she introduces herself as how she sees herself now as the statement that she had written she feels does not explain enough about her to the reader. Next, she then goes into her story of how she sees herself and what has made her who she is. This explanation is taken throughout the entire essay as she explains how she got to where she was in her career. Her thesis is that growing up alone in isolation made her work hard to prove herself to her father. The thesis is very obvious in the essay and Cisneros successfully uses proves her thesis as she explains her childhood with her dad in the center of attention. Although others may argue that Cisneros’ relationship affects who she is in a negative way, Cisneros successfully proves the relationship between the two positively affects who she
The Mexican culture that her father was pushing onto her believed that the women’s place was at home with a husband. Which is the reason why her father encouraged her to go to college only because it would mean to him that she would find a husband. Cisneros's went through college without finding a husband as she writes “After four years in college and two more in graduate school, and still no husband, my father shakes his head even now and says I wasted all that education. In Sandra’s eyes her education is not going to waste as she is pursuing her dream of becoming a professional