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Augsten Burroughs’ “Running with Scissors” leaves the reader questioning if Burroughs is the funniest man alive or just the most psychotic. In Burroughs memoir, his childhood is exemplified by outrageous comedy, which leaves you believing that you are watching a sit-com rather than reading about an actual person’s life. From watching his adopted brother defecate on the living room floor to dating a 34-year-old man at the age of 13, Burroughs memoir appears to be a fantasy which would be virtually impossible to read without his dark sense of humor. Augsten Burroughs was born Christopher Richter Robinson the youngest of the two sons of his mother, poet Margaret Robison, and his father, John G. Robison who was a professor at the University …show more content…
of Massachusetts. His parents divorced when he was 12 years old and he was later adopted by his mother’s psychiatrist, this childhood is the main plot for the memoir “Running with Scissors.” The reader is introduced to Burroughs dysfunctional life rather quickly as we are introduced to his mother, a delusional poet, and his father who was “occupied in his role of a highly functional alcoholic professor at the University of Massachusetts.” Being a product of these parents, Burroughs is a flamboyant character who likes to boil his change and shine it with metal polish and only values celebrities and medical doctors. His childhood is defined by memories of his verbally abusive mother and his manipulative father who would go to great lengths to mentally affect his wife. His mother constantly explains to her son that “’ He’d rather suffocate me with his horribly oppressive manipulation and then wait for me to cut my own throat.’” This manipulation becomes too much for his mother to withstand and she hires a psychiatrist who will completely change Burroughs’ life forever, if this is better or worse is up to interpretation. Dr.
Finch, his mother’s psychiatrist, is characterized by being even more psychotic than his mother as Burroughs questions “‘Your father. That room of his. He doesn’t really… it’s not his Masturbatorium is it?” As Burroughs’ mother’s relationship with her ex-husband becomes more dangerous, Burroughs is abandoned and begins to live with Dr. Finch. Burroughs describes the opulent home he imagines the doctor owns as he says, “I pictured a silver Mercedes 450 SL parked sideways in the crushed clamshell driveway, roof down, M.D. plates glinting in the sun.” He is instead greeted by “a lady hunchback with kinky, grayish, almost purple hair.” Being greeted by Agnes, Dr. Finch’s wife, causes Burroughs to realize he might be stuck in another family that’s more dysfunctional than his own. Burroughs is away from his psychotic mom but now must live with the psychotic Dr. Finch, Agnes, an OCD confined woman named Joranne, the overly sexualized Hope and Natalie, an uncontrollable 6-year-old named Poo, and a 34-year-old Neil Bookman who will have a great impact on Burroughs’ life. Burroughs becomes close with Natalie and Hope by playing with Dr. Finch’s old electroshock therapy machine and remodeling the kitchen but especially close with Neil. Burroughs life has him yearning for freedom and to be normal as he says, “I recognized the people for what they were- normal. I also recognized that I was more like a Finch and less like one of them.” While living with the doctor, Burroughs comes
out as he says, “The fact that I was gay had never been a big deal to me- I’d known all my life.” He also almost agrees to statutory rape as he says, “I also think, I didn’t come here for this.” All these purely psychotic events in the Finch household are used as comedy for Burroughs and emphasizes this almost sit-com like comedy of life. “Running with Scissors” uses stylistic humor to lighten the mood of these dark situations he experienced in his childhood. Although this humor often makes these unbearable images easier to read, it sometimes causes all these events to just become jokes, taking away the seriousness these events should be taken with.
Born in 1959, author Debra Oswald began writing as a teenager. She rose to prominence with the debut of Gary’s House where it was shortlisted for the NSW Premier’s Award. Many of her works features abandoned and neglected children that grow into adults to fight their own demons in the past. Oswald writes about the importance of a family’s psychology, both real and surrogate. In Gary’s House, Gary had a bad relationship with his father that lead to neglection and eventually hate but when Gary himself becomes a father he disregards his past to provide for his future child. This is the author’s intention of representing how important family is.
Miss Hancock, her personality and beliefs were contrasted entirely by her character foil, Charlotte’s mother, “this civilized, this clean, this disciplined woman.” All through Charlotte’s life, her mother dictated her every move. A “small child [was] a terrible test to that cool and orderly spirit.” Her mother was “lovely to look at, with her dark-blond hair, her flawless figure, her smooth hands. She never acted frazzled or rushed or angry, and her forehead was unmarked by age lines or worry. Even her appearance differed greatly to Miss Hancock, who she described as,” overdone, too much enthusiasm. Flamboyant. Orange hair.” The discrepancy between the characters couldn’t escape Charlotte’s writing, her metaphors. Her seemingly perfect mother was “a flawless, modern building, created of glass and the smoothest of pale concrete. Inside are business offices furnished with beige carpets and gleaming chromium. In every room there are machines – computers, typewriters, intricate copiers. They are buzzing and clicking way, absorbing and spitting out information with the speed of sound. Downstairs, at ground level, people walk in and out, tracking mud and dirt over the steel-grey tiles, marring the cool perfection of the building. There are no comfortable chairs in the lobby.” By description, her mother is fully based on ideals and manners, aloof, running her life with “sure and perfect control.” Miss
While she might think that her plans are working, they only lead her down a path of destruction. She lands in a boarding house, when child services find her, she goes to jail, becomes pregnant by a man who she believed was rich. Also she becomes sentenced to 15 years in prison, over a street fight with a former friend she double crossed. In the end, she is still serving time and was freed by the warden to go to her mother’s funeral. To only discover that her two sisters were adopted by the man she once loved, her sister is with the man who impregnated her, and the younger sister has become just like her. She wants to warn her sister, but she realizes if she is just like her there is no use in giving her advice. She just decides that her sister must figure it out by
Michael Patrick MacDonald lived a frightening life. To turn the book over and read the back cover, one might picture a decidedly idyllic existence. At times frightening, at times splendid, but always full of love. But to open this book is to open the door to Southie's ugly truth, to MacDonald's ugly truth, to take it in for all it's worth, to draw our own conclusions. One boy's hell is another boy's playground. Ma MacDonald is a palm tree in a hurricane, bending and swaying in the violent winds of Southie's interior, even as things are flying at her head, she crouches down to protect her children, to keep them out of harms way. We grew up watching Sesame Street, Reading Rainbow and Peanuts. Michael Patrick MacDonald grew up watching violence, sadness and death.
In the short story “On the Sidewalk Bleeding”, Andy suffers with the inner conflict of his self-identity
In his book, Grassian looks at Alexie’s works from The Business of Fancydancing and Old Shirts and New Skins to Ten Little Indians and analyzes each work such that readers can understand what Alexie is trying to convey. In Chapter 1, Grassian gives some background on Alexie’s childhood, which helps readers understand how Alexie quickly learns the power of humor. An analysis of Alexis’s use of humor in “The Approximate Size of My Favorite Tumor” is included in Chapter 3.
At age sixteen, Janie is a beautiful young girl who is about to enter womanhood and experience the real world. Being joyous and unconcerned, she is thrown into an arranged marriage with Logan Killicks. He is apparently unromantic and unattractive. Logan is a widower and a successful farmer who desires a wife who would not have her own opinions. He is set on his own ways and is troubled by Janie, who forms her own opinions and refuses to work. He is unable to sexually appeal or satisfy Janie and therefore does not truly connect with her as husband and wife should. Janie's wild and young spirit is trapped within her and she plays the role of a silent and obeying wife. But her true identity cannot withhold itself for she has ambitions and she wills to see the world and find love. There was a lack of trust and communication between Logan and Janie. Because of the negative feelings Janie has towards Logan, she deems that this marriage is not what she desires it to be. The pear tree and the bees had a natural att...
Baby narrates her story through her naïve, innocent child voice. She serves as a filter for all the events happening in her life, what the narrator does not know or does not comprehend cannot be explained to the readers. However, readers have reason not to trust what she is telling them because of her unreliability. Throughout the beginning of the novel we see Baby’s harsh exposure to drugs and hurt. Jules raised her in an unstable environment because of his constant drug abuse. However, the narrator uses flowery language to downplay the cruel reality of her Montreal street life. “… for a kid, I knew a lot of things about what it felt like to use heroin” (10). We immediately see as we continue reading that Baby thinks the way she has been living her life is completely normal, however, we as readers understand that her life is in fact worse then she narrates. Baby knows about the impermanent nature of her domestic security, however, she repeatedly attempts to create a sense of home each time her and Jules move to another apartm...
John Burroughs was an American naturalist whose essays contributed to ...Burroughs was the seventh child born to Chauncy and Amy Burrough’s on April 3,1837. He grew up along with nine other brothers and sisters on his family's farm in the Catskill Mountains. While he worked on the family’s farm as a young boy he was always captivated by the birds, wildlife, and frogs who returned each spring. Burrough loved to learn as a child and was frequently reading, but his dad did no support Johns interest in attending college. So, at the young age of seventeen John left home in hopes of raising enough money to pay for college. To earn his money for school he mainly taught at a school in Olive, New York. Burroughs eventually attended Cooperstown Seminary. While there he read the works of Ralph Waldo Emerson and William Wordsworth who became two of his lifelong influences.
At 10 years of age, Kemper began showing signs of true violence. He was sent to live with his father after his mother found the remains of their two pet cats in his closet, one decapitated and the other cut into pieces, from the use of a machete. Once in his father’s care, he ran away and was then quickly shipped off to live with his paternal grandparents on a remote California ranch. At this point in Kemper’s life he was a young teen that stood six feet four and weighed well over 200 pounds. Not only dealing with the strict rules and dysfunctional lifestyle at home, Kemper also endured teasing and torment from peers at school. Most days he would sit and daydream about killing everyone in the world. Kemper later described himself as a “walking time-bomb” (Ramsland, 2006a).
Introduction:The road to maturity and adulthood can be a long and difficult road for teens, especially when it comes to decision making and changing your view on the world. The popular short story, “On the Sidewalk Bleeding”, written by world-renowned author, Evan Hunter in 1957, displays this perfectly. Hunter uses the protagonist, Andy, to illustrate his development from adolescence into adulthood as he shifts from a state of ignorance to a state of knowledge, from a mindset of idealism to realism and from a selfish personality to a selflessness personality. Hunter expresses the major theme of coming of age through this protagonist character who is seen shifting from a state of adolescence to a more matured state of adulthood throughout the story.
... the novel. Ranging from clothes, to birds, to the “pigeon house”, each symbol and setting provides the reader with insight into Edna’s personality, thoughts, and awakening.
...f the bad that is going on in her real life, so she would have a happy place to live. With the collapse of her happy place her defense was gone and she had no protection from her insanity anymore. This caused all of her blocked out thoughts to swarm her mind and turn her completely insane. When the doctor found her, he tried to go in and help her. When the doctor finally got in he fainted because he had made so many positive changes with her and was utterly distressed when he found out that it was all for naught. This woman had made a safety net within her mind so that she would not have to deal with the reality of being in an insane asylum, but in the end everything failed and it seems that what she had been protecting herself from finally conquered her. She was then forced to succumb to her breakdown and realize that she was in the insane asylum for the long run.
Since Ma’s kidnapping, seven years prior, she has survived in the shed of her capturer’s backyard. This novel contains literary elements that are not only crucial to the story, but give significance as well. The point-of-view brings a powerful perspective for the audience, while the setting and atmosphere not only affect the characters but evokes emotion and gives the reader a mental picture of their lives, and the impacting theme along-side conflict, both internal and external, are shown throughout the novel. The author chooses to write the novel through the eyes of the main character and narrator, Jack. Jack’s perception of the world is confined to an eleven foot square room.
For instance, Joelle wonders if “the allegedly fatally entertaining scopophilic thing Jim alleges he made out of her unveiled face here at the start of Y.T.S.D.B a cage or really a door?” (230). Her complex relationship with the film—starring in it, having never seen it, yet possessing the most intimate knowledge of it, at least in comparison with other characters in the book— is compounded with her role as Mme. Psychosis, her appearance as death in Gately’s dream, her relationship with the real mother-death’s (Avril) son, her veil covering both improbable beauty and grotesquity, the conjunction between the drug and cleanliness, and her father’s incestual desire for her. Yet, as one attempts to piece these fragments together, searching for points of connection with the multitude of other problematics in the text, one finds her engaging in the initial stages of AA’s program, meant to do precisely the opposite: de-intellectualize the problem and actively immerse oneself in the