Romantic love is the centre of conflict and takes many forms in A Streetcar Named Desire, Wuthering and Much Ado about Nothing. Despite these three texts being of different genres they present romance similarly. In A Streetcar Named Desire, the audience perceive that Stanley’s and Stella’s relationship is mostly based on physical attraction. We recognise this when Stanley says that he wants to get rid of Blanche so that he and Stella “can make noise in the night” without Blanche “behind the curtains to hear us!” the staging her demonstrates that there is no privacy in their small apartment as the only barrier between Stanley and Blanch is “the curtain”, this would create the effect of claustrophobia and make the audience feel uncomfortable. So Stanley sees that their marriage is suffering when Blanche is in the picture as they cannot relate to each other the way they used to. The conflict between Stanley and Stella is provoked by Blanche’s presence as she disturbs the power he has over Stella and she flirts with Mitch. This causes his outburst of violence which results in Stella getting punched as a “sound of a blow” is heard, despite the fact that Stella “is going to have a baby” thus he is not scared to put the welfare of Stella and his unborn child at risk just to impress Blanch. This shows just how desperate he is to impress Blanch and demonstrate his masculinity through his outburst of violence to show that he has power in their relationship. Comparably in Much Ado about Nothing, Claudio and Hero’s romance is also based on appearance, when Claudio meets Hero for the first time in the play he tells Benedick “In mine eye she is the sweetest lady that ever I looked on” So despite never having met her before the start of the pla...
... middle of paper ...
...atherines materialistic side emerge as she aspires to be a “lady” and Heathcliffs evilness develop as he constantly dwells about how he will “pay Hindley back”, it is also through this relationship that Bronte is able to interrogate the portrayal and attitudes surrounding women and class. Debatably in A Streetcar Named Desire Williams shows aggravation for the relationship imbalance between husband and wife through Stanley and Stella’s relationship and the change of dynamic created by Blanch that causes Stanley to say things to Stella like “Since when do you give me orders?” We see that this stems from William’s personal experiences. Shakespeare, however, shows this conflicting relationship a little more light heartedly as his play ends in multiple marriages with almost everyone happy which contrasts with the other texts as audiences may see this to be unrealistic.
Exploring Love in Much Ado About Nothing In Much Ado About Nothing Shakespeare depicts different kinds of loving relationships - romantic love, family support and loyal friendship - and shows how various characters react to love and marriage. By exploring the effects of this powerful emotion Shakespeare highlights its universal relevance, a relevance that transcends time. The main plot of Much Ado About Nothing is that of the relationship between Claudio and Hero. Their story is a melodramatic saga concerning the realities of relationships based on love at first sight.
Isn't it true the relationship between Stella and Stanley is praiseworthy, since it combines sexual attraction with compassion for the purpose of procreation? Isn't it true that as opposed to Stanley's normalcy in marriage, Blanche's dalliance in sexual perversion and overt efforts to break up Stanley and Stella's marriage is reprehensible? Isn't it true that Stella's faulty socialization resulting in signs of hysteria throughout the play meant that she probably would have ended her life in a mental hospital no matter whether the rape had occurred or not?
In many modern day relationships between a man and a woman, there is usually a controlling figure that is dominant over the other. It may be women over man, man over women, or in what the true definition of a marriage is an equal partnership. In the play A Streetcar Named Desire by Tennessee Williams Stanley is clearly the more dominant figure over Stella. Throughout the play there are numerous examples of the power he possesses of her. Williams portrays Stella as a little girl who lives around in Stanley’s world. She does what he wants, takes his abuse yet still loves him. Situations likes these may have occurred in the 1950’s and lasted, but in today’s time this would only end up in a quick divorce.
In the play, A Streetcar Named Desire by Tennessee Williams, a main theme was domestic violence and how women were not respected before the 1970’s. Beating your wife was considered “family matters” and many people ignored this huge issue. Women were supposed to take care of the situation by themselves or ignore it. Ruby Cohn argues that Stanley is the “protector of the family” and that his cruelest gesture in the play is “to tear the paper lantern off the light bulb” (Bloom 15). Even though critics tend to ignore the ongoing domestic violence occurring in the play, it is a huge issue that even the characters in the play choose to ignore. This issue does not surface because of the arrival of Blanche and her lunacy. While the audience concentrates on Blanche’s crumbling sanity, it virtually ignores Stanley's violence.
Centuries ago in Elizabethan England there were many traditions about marriage and the treatment of women. One strong tradition of these times was the practice of marriage between races. Interracial marriages were considered extremely taboo. (High Beam). In this era marriages were arranged by the parents with strong help from the local church. The individuals had little choice as to who they would marry. (Elizabethan England Life). Yet another example of these traditions was the respectable treatment of women. While the husband was in charge of his wife, as was the father, the husband were expected to treat the women right (Elizbethi). In spurning all of these traditions, Shakespeare demonstrates a view of marriage far different from that of Elizabethan England, in doing this he is trying to plant new ideas in the people who read or view the play.
Within Tennessee Williams's story about love and abuse within marriage and challenging familial ties, there lie three very different characters that all see the world in vastly different ways. These members of a family that operate completely outside of our generation’s norms, are constantly unsure of themselves and their station within the binary not only of their familial unit, but within the gender binary that is established for them to follow. Throughout the story of the strange family, each character goes through a different arch that changes them irrevocably whether it is able to be perceived or not by those around them. The only male, Stanley is initially the macho force in the home who controls everything without question. He has no consequences for his actions against his wife and is never held accountable for treating the people around him poorly; this lasts until Blanche arrives. Blanche is an outwardly demure, but spirited young woman who after experiencing untold misfortune breaks mentally and decides to no longer care what others may think of her. She lives her life lavishly and foolishly by having dalliances with younger or richer men who shower her with gifts and attention to get sex from her all too willing form. Her effect on Stanley is one of temptation and challenge; she continually tries to convince her sister that she is too good for the man and in turn fosters a resentment for her in him. Stella acts as the antithesis of Stanley and Blanche’s extreme personalities. She is innocence and purity where they are the darkness that threatens to overtake her life. Throughout, Stella is a pawn that they both try to use against the other to no real avail as she is determined to make the best choice for herself. In th...
The essential conflict of the story is between Blanche, and her brother in-law Stanley. Stanley investigates Blanche’s life to find the truth of her promiscuity, ruining her relationships with Stella, and her possible future husband Mitch, which successfully obtain his goal of getting Blanche out of his house. Blanche attempts to convince Stella that she should leave Stanley because she witnessed a fight between the two. Despite these instances, there is an essence of sexual tension between the two, leading to a suspected rape scene in which one of their arguments ends with Stanley leading Blanche to the bed. Branching from that, Stella has an inner conflict because she does not know whether to side with her husband or her sister in each situation. Blanche and Mitch ha...
Tennessee Williams gives insight into three ordinary lives in his play, “A Streetcar Named Desire” which is set in the mid-1930’s in New Orleans. The main characters in the play are Blanche, Stanley, and Stella. All three of these characters suffer from personalities that differentiate each of them to great extremes. Because of these dramatic contrarieties in attitudes, there are mounting conflicts between the characters throughout the play. The principal conflict lies between Blanche and Stanley, due to their conflicting ideals of happiness and the way things “ought to be”.
Stella represents an important part in this drama by providing a contrast to how life can change people when they go down different paths. In Contrast to her sister, Stella is bound to love. Although she fell in love with a primitive, common man, she most definitely loves him. Stella desires only to make Stanley happy and live a beautiful life together. She wants to find peace between her sister and her husband yet instead she finds conflict afflicting her on both sides. Blanche uses her dilutions and tries to sway Stella away from Stanley yet Stella takes all these slanders and belittles them. Stella does this because she loves Stanley and since she is pregnant with his baby.
but he also includes real-life public opinions from the past (some of which are contemporary.) These opinions were likely to raise controversies on issues such as prejudice, social gender expectations and men and women's roles in society. There have been numerous occasions when symbolism has taken place in A Streetcar Named 'Desire.' Firstly, Stanley is insulted several times by Blanche (his sister-in-law) Stella (his beloved wife) and other residents of the 'Quarter'.
A Streetcar Named Desire is a play of multifaceted themes and diverse characters with the main antagonists of the play, Blanche and Stanley infused by their polarized attitudes towards reality and society ‘structured on the basis of the oppositions past/present and paradise lost/present chaos’(*1). The effect of these conflicting views is the mental deterioration of Blanche’s cerebral health that, it has been said; Stanley an insensitive brute destroyed Blanche with cruel relish and is the architect of her tragic end. However, due to various events in the play this statement is open to question, for instance, the word ‘insensitive’ is debatable, ‘insensitive’ can be defined as not thinking of other people’s feelings but Stanley is aware of what he’s doing understanding the mental impairment he causes Blanche.
William accumulates these ideas to suggest that conventional thinking and traditions should be used solely as a guide, being changed and refined as society progresses. This idea is revealed through the shift from the aristocratically and pretentious society old south possessed, embodied by the Blanche and Belle Reve, to the industrialized New South, which is represented by Stanley. While Blanche tries to cling to the past, relying on her manners and pretensions, Stella adapts to the changing times, committing the taboo of marrying Stanley, a polish immigrant who is a whole social class lower than her. This social pyramid is shown to lose value, as the brutality of the new world, as shown in Stanley’s dominant physique and actions, overtakes the politeness and gentleness of the old, with Blanche’s departure from reality signaling the death of the Old South.
In 'A Streetcar Named Desire' we focus on three main characters. One of these characters is a lady called Blanche. As the play progresses, we gradually get to know more about Blanche and the type of person she really is in contrast to the type of person that she would like everybody else to think she is. Using four main mediums, symbolism and imagery, Blanche's action when by herself, Blanche's past and her dialogue with others such as Mitch, Stanley and the paperboy, we can draw a number of conclusions about Blanche until the end of Scene Five. Using the fore mentioned mediums we can deter that Blanche is deceptive, egotistical and seductive.
In Tennessee Williams play "A Streetcar Named Desire" two of the main characters Stanley and Blanche persistently oppose each other, their differences eventually spiral into Stanley's rape of Stella.
In Shakespeare’s Much Ado About Nothing and Williams’ A Streetcar Named Desire, the female protagonists of the play, Beatrice and Hero, and Blanche and Stella, are submitted to battles against misogyny. Unlike the stereotypically submissive Elizabethan woman, Beatrice is ready to be ‘a man’ (Act 4.1.315) for the sake of her wronged cousin Hero and duel against ‘Count Comfit’ (Act 4.1.314). Blanche, while fighting against Stanley as ‘he advances’ (Scene Three, page 41) towards, and hurt, Stella, became relatable to a modern day audience when fighting against Domestic Violence. These women challenge the status quo of their eras, whether it is effective or not.