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Greek and roman art
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Greek and roman art
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I visited the Art Institute Chicago to learn about Greek and Roman Art on October 7, 2014. It was really fascinating to view the different types of art of Greek and Roman cultures. I learned about Greek pottery, Roman glass, coins of different emperors, and various sculptures. It helped me to understand more about the class material by letting me imagine the people during those times, the lifestyle conditions that they were experiencing, and how they communicated and essentially wrote history through art.
Pottery was a common art form of the Greeks. Pottery was used for eating and drinking, and also for the storage of wines and oils. Many of the pottery works exhibit scenes from daily life. Pottery was made into many unique shapes and sizes
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Two techniques that especially stood out to me were the black-figure technique and the red-figure technique. The black-figure technique was a method where black figures were against a red backround. The red-figure technique was the opposite, where red figures were against a black background. These techniques were used in Athens as a way of decorating jars, bowls, wine cups, mixing bowls, and vases. The Greeks developed geometry into art. The pottery had geometric designs and patterns that were used as decorations on the pottery. One specific medium that I noticed in a lot of the art was terracotta. This is a type of clay that was used to create pottery. It was especially interesting to see what Greeks used in their daily lives in comparison to what we use now. Some of our daily china is made of pottery like stoneware, but in those times one could clearly see the handmade results versus the modern day machine-made …show more content…
Portraits and sculptures of empires was a big part of Roman art and were made out of marble. The sculptures consisted of naked men and women that showed various stories.
The museum also featured many marble statues. The greek marble statues had two names. The male statues were called kouros and the female statues were called kore. The art institute presented many vessels that was also a form of art that was produced in ancient Greece. The vessels varied from shape and size. The vessels were made in diverse materials, some of which were made from silver, gold, bronze, stone, glass, and terracotta. They were often shaped into animals figures, mythical creatures, human figures, and decorated with geometric patterns.
I got to see the different coins that portrayed different emperors. One side of the coin was a picture of the emperor and the other side was the emperor’s accomplishments. Being able to see Greek and Roman Art was truly a great experience. It helped me understand both Greek and Roman art by being able to read and see the art that was made in those times. It was really interesting to see the different types of pottery and sculptures that were created in Greek and Roman times. I got to see different portraits of empires that were made out of marble and also read the significance of them and what they accomplished. The museum contains a limestone head of bearded man, a portrait of man who was
Throughout the history of Ancient Greece thousands of great works of art were produced. Works were created in many different media, ranging from life-size statues to larger than life architectural structures. One type of art that can sometimes be overlooked, though, is pottery. There are many examples of great Greek pottery, but the two that will be used as a sample are Artemis Slaying Actaeon and Woman and Maid. By considering the backgrounds of these works, and comparing them directly we are able get a taste not only of the artistic styles of the time, but also a taste of ancient Greek culture.
Change in Greek Art Greece is famously known world widely for its spectacular artworks. People are familiarized with its sculptures, paintings, and mosaics, but not many know how its art has been transforming from time to time. An explicit example would be the drastic changes from Aphrodite of Knidos to The Old Market Woman. The Egyptians had influenced Early Greek art for several years; it was during the time of war (Archaic Period) and art was not their top priority. Most of their sculptures were similar to those in Egypt and there was no sense of personal style.
The Statue of a kouros and the Portrait statue of a boy both depict similar subjects, however are greatly different in how they accomplish this task. Through detail, or lack there of, the Greeks and Romans are able to display a certain value they have in its members. These two statues were made about 500 years apart and approach the sculpting process quit differently. The Greek statue seems to use geometric exaggerated lines to form the body while the Romans use a more realistic approach and sculpt the body with a more rounded finish. Statue of a kouros, from about 590 B.C and Portrait of a boy, from about the first century, do not share any great technical aspects and are basically nothing alike.
The Ancient Middle East the Roman time periods brought about many different works of art. The Votive Statue of Gudea, an Ancient Near Eastern work, and the Augustus of Primaporta, a Roman work, are good representations of art from their respective time periods. The two works have many similarities and differences within their formal elements, iconography, and historical significance to the time periods in which they were crafted.
Ancient Greek sculpture is celebrated for its ground-breaking representation of the human figure. Nevertheless, this prominent artistic established practice did not just emerge fully developed. Ancient Greek sculpture is generally branched in the various stages of progression: the three fundamental stages are the archaic, classical, and Hellenistic periods. It is also worth noting that there is an earlier phase referred to as the Geometric Period in which the characteristics that would come to define ancient Greek sculpture were starting to take shape.
He discusses that Roman statues appear greatly similar to those of Ancient Greece, both in material and in style. The statues both from Greece and Roman Republic were made from slabs of marble and bronze. In both cultures, portraits were used as expressions of honor to both the living and the dead. They were often used in funerary spaces and sanctuaries. Stewart supports the same principle that the other critics have stated, that portraits and statues were used primarily by the wealthy and elite members of the republic. They decorated the public spaces of the people, as a reminder of leadership within the community and as a way to honor the authority’s power. Imperial portraits were used as a symbol of devotion and established the presence of a powerful empire, bringing the devotion towards the emperor
The Greek believed the human body was the measure of all things, therefore the artists created sculptures in a very detailed fashion which made them very life-like although the size of
The trip to the metropolitan museum was a great trip to learn and to study art. What is art you may ask, well art is an expression you use to show a visual picture. It can be through painting or through sculptures. Some other example of art is music, literature and dancing. For today 's paper we will be talking about art as a sculpture. The two sculptures in this photo are King Sahure and a Nome God and Marble Statue of Dionysos leaning on archaistic female figure (Hope Dionysos). You can find these statues in the Metropolitan Museum of Art. King Sahure and a Nome God is an Egyptian art that was made in 2458-2446 BCE. The artist is unknown. It was during the 5th dynasty and it also belong to the old kingdom. The Marble statue of Dionysos Leaning in the archaistic female figure is a Greco-Roman art. Belonging to the Roman imperial period of the late first century A.D. Augustan or Julio-Claudian period 27 B.C., to 68 AD. It is classified as a stone sculpture and it is made out of marble. The height of the statues is 82 ¾ inches. There is no evidence who was the original artist.
"Greek artists…explored people’s experienced, interactions with the natural world,and human relations to the gods. Everyday people were represented in Greek art…" (Emory)
The Romans have adopted many features from the Greek style of art and architecture during the third and second centuries B.C. During that time period the Romans discovered that they have taking a liking to Greek statues, which they placed in many different places. The Roman sculptors then decided to also start making statues alongside the Greeks. The statues that the Romans created were realistic looking with, sometime, unpleasant details of the body. The Greeks made statues with, what they thought of, ideal appearances in the statues figure. Sculpture was possibly considered the highest form of art by the Romans, but figure painting was very high considered as well. Very little of Roman painting has survived the tests of time.
In Ancient Greek and Roman times, Romans often made replicas of Greek statues. The Greek were extremely good at art and the Romans wanted to possess the art themselves and thus, created copies of the most famous and beautiful Greek sculptures. However, it seems to be for the better since most Greek statues were created in bronze and were later repurposed for war. The Roman duplicates of these statues remained, due to their stone medium. What there is to ponder, however, is if there are any differences between a Greek and a Roman statue. “The Seated Boxer” is a famous work of Greek sculpture that remained preserved so that we might be able to view it
In modern society, Greek pottery is considered an art which is regarded as much for its aesthetic splendor as its historical significance. However, the role of pottery in ancient Greek culture was far more functional as its primary use was for the transportation and storage of such liquids as water and wine (Encyclopedia Britannica). Due to the durability of the fired clay material, Greek pottery is the only remaining art form that allows us to explore the evolution of this ancient culture. Through that examination, three distinct stylistic periods have been unveiled: Geometric, Orientalizing and Archaic. This analysis will detail these distinct periods as well as three design techniques prevalently used: black figure, red figure and white ground
Roman art was also deeply influenced by the art of the Hellenistic world, which had spread to southern Italy and Sicily through the Greek colonies there. The Etruscans and Babylonians can also be seen as inspirations. “With the founding of the Republic, the term Roman art was virtually synonymous with the art of the city of Rome, which still bore the stamp of its Etruscan art” (Honour and Fleming,1999). During the last two centuries, notably that of Greece, Roman art shook off its dependence on Etruscan art. In the last two centuries before Christ, a distinctive Roman manner of building, sculpting, and painting emerged. Indeed, because of the extraordinary geographical extent of the Roman Empire and the number of diverse populations encompassed within its boundaries, “the art and architecture of the Romans was always eclectic and is characterized by varying styles attributable to differing regional tastes and the...
The Roman sculptures have a close relation and influence of Greek sculptures. Rome was known for incorporating different aspects of other cultures; the style of clothing, architecture, military techniques, art, etc. to the Roman culture. The Bust of Cicero and Augustus of Prima Porta are examples of unbelievable statuary techniques and style that Rome achieved and improved as their own art.
Even the few sculptor’s names known to us, usually by chance, from the imperial period are Greek names and seem to confirm the assumption that these artists’ work should be regarded simply as a late phase of Greek art” (Hanfmann, 12). The Greeks were the first western culture to figure out how to accurately depict the human form which they did through the use of geometric ratios. It is also widely accepted that it was even Greek artists who first made marble portraits for the Romans as the Romans originally had no skill with the stone. “It was certainly at first Greek artists who were entrusted by eminent Romans with the execution of portraits of themselves and of important personalities in the Roman state, just as it was Greeks who depicted Aemilius Paulus victory at Pydna and later were largely responsible for the portraits of the emperors” (Kahler 16). The Romans mainly used terracotta for their sculptures and it was only when Augustus reigned that the marble quarries at Carrara were opened and marble was used on a large scale. The Romans inherited the use of realistic proportions, the sense of movement (contrapposto), and the overall beauty of Greek sculptures. A great example of Roman sculpture that was clearly carved by a Greek artist who was familiar with the Hellenistic styles of Greece, is the Relief of the Wedding of Amphitrite and Neptune. It “shows a mythological