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Recommended: Heian era poetry
In the Heian period, Japanese literature and prose was beginning to take shape, starting with things like the Man’yōshū and Kokinshū leading the way to taking poetry to the level of art. Ki no Tsurayuki said that he wanted to make Japanese poetry or waka a higher cultural thing to be enjoyed by the whole country and he succeeded. Poetry became wildly popular with people reciting and creating on the spot, whenever something struck their fancy or they felt that a poem would do the situation well. To consider yourself cultured, it was almost necessary to dabble in poetry as well.
As poetry fit into everyday life, it also took a place in narrative prose of the time. One could scarce read something without coming across some poetry here or there. In fact, some works were mostly all poetry with a paragraph or two of text between them to set up a bit of introduction plot or purpose. With such a big role in narration, poetry found itself with multiple usages and functions. First and maybe most importantly, was the usage of poetry to invoke pathos and feelings, and to give descriptions of a variety of items, locations, weather conditions, etc. Next, it was also used to give a sense of realism, to show relationships, and just express what two people say to each other in a written form. Poetry was, for the most part, a necessary and convenient method of prose in the Heian period.
The Japanese always had a deep appreciation for the transience of life and the beauty that lent to all existing things. They looked at dying flowers, or summer rains, and saw the fleetingness of life and how important it was to treasure the time you had. Disregarding even that aspect of Japanese appreciation, they still often spent time looking at and ...
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..., it was naturally included in the prose of the time as well. It was used for a lot of different things. It gave a sense of pathos and sophistication, and concisely stated a couple of different things that would have been hard or space consuming to do with just prose. Relationships, dialogue between lovers, and common themes that everyone from the period recognized could be easily and eloquently expressed by poetry, giving it a big role in written works of the Heian period.
Works Cited
Ki, Tsurayuki. "The Tosa Diary." Anthology of Japanese Literature. 'Comp' . Donald Keene. New York: Glove Press, 1955. Print.
"Kagero Nikki." Anthology of Japanese Literature. 'Comp' . Donald Keene. New York: Grove Press, 1955. Print.
Shikibu, Izumi. The Izumi Shikibu Diary. Print.
Shikibu, Murasaki, and Royall Tyler. The Tale of Genji. Penguin Classics, 2006. Print.
Utilizing their natural forces, they personified an idea of trust and the past by being the deliverers of truth and also history. The Muses came into his life and transformed it for the better; this is apparent because he focuses on them in the beginning and the end of his poem. Hesiod’s overall purpose of including the Muses was to create a base of authority and reliability while reading his poem; the presence of the Muses did that exactly. The nine daughters of Zeus led Hesiod’s stories and that is obvious when you simply read them. The stories that he tells have a lyrical rhythm to it as they are read to resemble the song and dance of the Muses as heard by Hesiod long
Things like imagery, metaphor, and diction allow poetry to have the effect on the reader that the poet desires. Without these complex and abstract methods, poetry would not be the art form that it is. In Alan Dugan’s poem “Love Song: I and Thou”, he uses extended metaphor and line breaks to create tone and meaning in this chaotic piece.
As seen in examples of monogatari such as Tales of Ise or nikki with The Tosa Diary, poetry is a very much used tool in the writings. While other examples of the two writing styles use poetry, these two examples best demonstrate the breaks in the writing style changes from a narrative and turns into something that takes on a more personal voice when it clearly goes into its poetic style. These poems are made to compliment the setting, such as in a poem credited to the former governor in The Tosa Diary where there is a description of the waves as they illustrate the governor’s sadness as he leaves Kyoto (83). Another point seen from this poem is that the governor is meant to be very good at constructing his poems and with it comes an example of a good poem as opposed to something that a commoner would have to write. Likewise, in the tenth of the Tales of Ise there are poems describing the love a man has for a woman while he is also comparing the physical setting, such as the mountains. There are comparisons to Mt. Fuji and Mt. Utsu while they represent the waiting for his love or the beautiful vision that the man sees in his dreams with his love respectively (75-6). Such images of the scenery as seen alongside the desires or longing of those who write the poems are examples of how the poems are used to strengthen the narrative prose. Without the poems, the narrative prose in either the monogatari or the nikki would simply be a story and the significance would be lessened as there would not be the personal impact emanating from the characters and their feelings since a reader would only be able to read the description of the events and not get a feel of the thoughts from any of the characters.
Ogawa, D. (1993) The Japanese of Los Angeles. Journal of Asian and African Studies, v19, pp.142-3.
The indigenous Japanese culture, arts and literature have flourished in the Heian period of Japan. One can tell that exchanging short poems and messages between each other was the most prominent device of communication for both men and women at the time. Composing and exchanging love poems and messages were mostly us...
21 Pitts, Forrest R., Japan. p. 113. -. 22. Davidson, Judith. Japan- Where East Meets West, p. 107.
The Heian period(794-1185), the so-called golden age of Japanese culture, produced some of the finest works of Japanese literature.1 The most well known work from this period, the Genji Monogatari, is considered to be the “oldest novel still recognized today as a major masterpiece.”2 It can also be said that the Genji Monogatari is proof of the ingenuity of the Japanese in assimilating Chinese culture and politics. As a monogatari, a style of narrative with poems interspersed within it, the characters and settings frequently allude to Chinese poems and stories. In addition to displaying the poetic prowess that the Japanese had attained by this time period, the Genji Monogatari also demonstrates how politics and gender ideals were adopted from the Chinese.
...to help express the theme of the poems by illustrating the role the subject matter played in the life of the persona during their grieving period. Furthermore, metaphors helped communicate the thoughts and feelings of the personas by providing the reader with insight into the relationships and emotions covert in the poem. All in all, the poetic devices incorporated in each individual poetic composition played vital roles in the emotional and dramatic impact of these poems. And who knows, the immaculate use of these fundamental literary devices could be the key to successful love poems all around the world.
Keene, Donald. Anthology of Japanese literature, from the earliest era to the mid-nineteenth century. New York: Grove P, 1955.
In his preface of the Kokinshū poet Ki no Tsurayaki wrote that poetry conveyed the “true heart” of people. And because poetry declares the true heart of people, poetry in the minds of the poets of the past believed that it also moved the hearts of the gods. It can be seen that in the ancient past that poetry had a great importance to the people of the time or at least to the poets of the past. In this paper I will describe two of some of the most important works in Japanese poetry the anthologies of the Man’yōshū and the Kokinshū. Both equally important as said by some scholars of Japanese literature, and both works contributing greatly to the culture of those who live in the land of the rising sun.
Denison. B. (2002, January 1). A Basic Overview of Japanese Culture . . Retrieved May 3, 2014, from http://www.mizukan.org/articles/culture.htm
Ito, Teiji. The Japanese Garden—An Approach to Nature. Trans. By Donald Richie. Yale University Press, 1972.
Poetry is continously seen as a way of leaving a mark in various poems, especially those of Sonnet 18 by William Shakespeare, as well as Sonnet 75 by Edmund Spenser. Spenser states to his love, that his “verse your virtues rare shall eternize,” basically declaring that through his poetry she will live forever (Spenser 11). It seems vain of the speaker to say that his poems will live forever, since he seems to regard himself in such a high standard. Shakespeare was also confident of his skills, as proven when he writes; “When in eternal lines to time thou grow’st” (Shakespeare 12). He seems to also be giving the ultimate proclamation of love to his special one by implying that he will have her in the history books with amazing poems about her.
Alexander Pope and John Dryden’s Writings of late 17th to 18th century referred to as neoclassical literature. Neoclassic structure emerged from Greek and Roman literature and is a new form of classic. This literature is quiet efficiently designed by using Regular meter, proficient use of strenuous figurative devices and anxiously controlled rhyme. We find such form of work mostly in Greek and Latin poetry.