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Cultural aspects in dracula
Cultural aspects in dracula
Interpretation dracula
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Religiously Connected to Science “Science and religion are the two most powerful sources in the world” and E.O. Wilson firmly believes that “having them at odds is not productive”. Bram Stoker links religion and science in the novel Dracula, by showing how one idea alone will not be enough to defeat the evil creatures in the world and positive outcomes will come from combining these concepts. The religious ideas that the characters depend on instill a fear that continuously motivate them to defeat Dracula. Stoker integrated modern individuals with scientific backgrounds to demonstrate how the ideas which come with science cannot handle the supernatural alone. A beneficial balance between modern scientific technologies and religious faith …show more content…
Consequently, the characters depend on the concept of God and religious objects to protect themselves from Dracula. The book promotes the idea of religion being pure while the supernatural is dangerous and unclean. Stoker demonstrates this in the novel when Van Helsing placed the holy “wafer on Mina’s forehead,” and the religious object continuously “burned into her flesh” (Stoker). As a vampire, Mina represents uncleanliness while religion is symbolic for purity. The use of the religious object displays a protective mechanism that sets a tone in the novel, deterring characters from neglecting their religious beliefs. Even though the action representing God and Christianity seems to put the idea of religion and faith in an unfavorable light, the characters still worship and look to God for guidance during the novel in various ways. All the individuals often pray, even when Mina was burned the “incident [did] not shake her faith” and devotion to God (Sanders 92). This shows how the characters depend on God and religion, even in situations where lack of faith had consequences as seen in characters such as Mina. The most important inclination to maintain religious belief was to resist and defeat the wrath of vampires, and this was demonstrated by Stoker by the use of religious …show more content…
A number of main characters with positive intentions are from the less superstitious regions of the world. Van Helsing provides a positive collaboration between the more modern aspects of science and religion. Although he is "’one of the most advanced scientists of his day,’ Van Helsing is also a Roman Catholic,” who uses superstitions achieves his goals (Jann 275). By applying rational thought to Dracula's deficiencies they are able to explore these weaknesses to defeat him. Rational thought gives the modern characters advances that allow them to integrate the powers of faith and God’s holy items to “afflict Dracula so that he has no power” (Stoker). Using these items strategically to fight off Dracula shows how modern knowledge and religion are coupled in order to work together-- defeating the vampires. Both physically and emotionally the individuals use spiritual faith and the defense mechanisms that science offers to cope with the fear of the supernatural. Even when in combat with the paranormal, the characters hold weapons of “the spiritual in the left hand, the mortal in the right" (Stoker). This illustrates the balance of faith and modern technologies of science and how it is only through this balance use of religion and science that the characters are able to
There is a classic "good versus evil" plot to this novel. The evil of course being Count Dracula and the Good being represented by the Harkers, Dr. Seward and Lucy, Arthur, Quincy and the Professor. It is the continuing battle between Dracula and the forces of good. Good in this case is the Christian God. The battle is foretold by the landlady where she says, "It is the eve of St Georges Day. Do you no know that tonight, when the clock strikes midnight, all the evil things in the world will have full sway?" and she hands Harker a crucifix (p 12).
The story of Dracula has many components of it used in the film The Lost Boys. The comparison’s begin with the vampire. Dracula is centered around the main vampire, Dracula. Dracula has many powers and ways he can alter reality. In the novel Bram Stoker's Dracula we see that there is a power struggle. In all of the universe, no one being has complete control over another. In Dracula God, Dracula, Nature, and Humanity have some form of dominance over another, whether it be direct control or as the instrument through which another must exert its power. In this paper we will examine the different ways that control and power are used.
Bram Stoker’s Dracula includes themes of death, love, and sex. Stoker’s use of empiricism utilizes the idea that everything is happening “now”. The book offers clear insight into who is evil without explicitly saying it. Stoker’s interest in empiricism uses British womanhood as a way to distinguish between good and evil.
Life is a cruel. It, will attempt to take one down; it will humble one; it will attempt to break many down. In moments one may not know what to do, instead he/she must a find a way to use what they have around them as an advantage to defeat the problems that stands their way. Throughout dark fiction, authors utilise different elements as a tool to defeating the antagonist. the story Dracula uses completely different approaches in taking down the mighty Dracula. In the novel Dracula, Bram Stoker effectively employs the different elements that are used to defeat Dracula. Stoker effectively demonstrates the elements that are used to destroy Dracula through act of Religion, the aspect of Science and the setting.
...are depicted in many instances in order to draw upon a source of superstition for added affirmation. Finally, original narrative elements are conceived in order to bring together a central theme of unity, which stresses the teamwork by which the protagonists defeated the vampires. Bram Stoker applies these elements to create an enriching, compelling plot in the novel Dracula.
Religion was a big part of people’s lives back in Stoker’s time. A belief against religion was evil; therefore one who was not devout would be deemed bad or wicked. Dracula, was as evil as a creature gets and a nightmare for the pious; he was a symbol of an Anti-Christ and could even be called Satan. “I drew away, and his hand touched the string of beads which held the crucifix. It made an instant change in him, for the fury passed so quickly that I could hardly believe it was ever there.” (Stoker 24-25). Because Dracula was harmed by holy items, it could mean that he was pure evil, which would be true in Stoker’s time. As a result the main weapons the men had to fight against Dracula with was sacred matter; their struggle was like a fight was like a battle between the holy and satanic. The Count was invading Lond...
In the universe, no one being has complete control over another. In Bram Stoker's novel Dracula, God, Dracula, Nature, and Humanity have some form of influence over each other, whether it be direct control or as the instrument through which another must exert its power. In this paper I will examine the ways that power and control are presented in Dracula.
Dracula, a gothic novel by Bram Stoker, prominently displays three gothic motifs -- the supernatural, entrapment, and nightmares. Throughout the entirety of the novel, the main characters were being harmed or attempting to destroy the vampire, Count Dracula. Without this supernatural character, there would not have been a plot line to the story. Count Dracula makes his victims feel physically entrapped as well as entrapped in their own minds. The characters in the novel that had direct interaction with Dracula seem to confuse reality with nightmares, making it hard for them to understand what was happening to them.
Dracula, as it was written by Bram Stoker, presents to us possibly the most infamous monster in all of literature. Count Dracula, as a fictional character, has come to symbolize the periphery between the majority and being an outsider to that group. Dracula’s appeal throughout the years and genres no doubt stems from his sense of romanticism and monster. Reader’s no doubt are attracted to his “bad-boy” sensibilities, which provide an attraction into the novel. Looking first at his appearance, personality, and behaviour at the beginning of the novel, we can easily see Dracula’s blurred outsider status, as he occupies the boundaries of human and monster. Related to this is Dracula’s geographic sense of outsider. For all intents and purposes, Dracula is an immigrant to England, thus placing him further into the realm of outsider. To look at Bram Stoker’s Dracula as solely a monster in the most violent sense of his actions would to be look at a sole aspect of his character, and so we must look at how he interacts with the outside world to genuinely understand him.
In society, the significance of social status and role is observable with both genders. This includes the acceptable behaviors and responsibilities for both men and women within one’s culture. It is a constant struggle to follow these established guidelines in order to preserve a good reputation and not possess a low social status. In Bram Stoker’s novel, Dracula, the different characters each represent a different stand in the transformation from “True Woman” to the “New Woman” that surfaced in the late nineteenth century. This new idea made women more independent, with their lives no longer revolving around their husbands, and most importantly created a big change in social expectations. The characters Lucy, Mina, and the three brides of Dracula play a part in revealing Stoker’s belief that social status is changed for the worse with this change in women’s roles.
Through the gothic writing of Stoker, there was a huge intimidation of Dracula coming forth from it. “Stoker spared no effort to present his demonic vampire as dramatically as possible” (Leatherdale 105-17). With this sinister presence of death, people start to panic. As a vampire hunter, it was Helsing’s job to help notify people on how to rid themselves of this demon. Stoker portrays survival in the form of teamwork between the men and women of the novel. These characters soon take survival into their own hands. “‘We must trace each of those boxes; and when we are ready, we must either capture or kill this monster in his lair; or we must, so to speak, sterilize the earth, so that no more he can seek safety in it’” (Stoker 373). At this point in the novel, the characters know about the existence of vampires. The consequences are also put on top priority. The men know of the consequences, yet still want to go after this demon. “By chasing Dracula, the men risk being sentenced to an immortal life as a vampire. This immortality is endless time lived in physical form” (Poquette 35). Knowing the risks of hunting a vampire, the characters ignore them to protect their loved ones. A vampire hunter is an important factor in the novel because without one, the other characters wouldn’t know what to do. Stoker chose right in including
Stoker has rendered the reader to see the Count as physically strong and powerful, through Jonathan Harker and his confinement and Lucy Westenra and her failing health. Although the reader does not understand all the omniscient powers and control that Count Dracula possesses over people, they are brought to light through Dr Steward’s accounts of his patient R.M. Renfield. The ‘strange and sudden change’ (Stoker, 86), that has happened in Renfield evokes the reader to contemplate the Count’s influence over people. Dr Steward suggests it is as though a ‘religious mania has seized’ Renfield (Stoker, 87), and is controlling him. The reader is aware that Renfield can feel the Counts presence and that there is a connection between them. This eventually leads Van Helsing to recognize the bond between Mina Harker and the Count, which helps them to find Dracula and finally kill him. Dracula’s invasion over Renfield also reveals a weakness in the Counts power. Renfield, an obedient servant of Dracula, claims he is ‘here to do Your bidding, Master. I am Your slave’ (Stoker, 88). Renfield’s devotion is quickly reversed when he sees that the Count is taking life from Mina. It is his care for her that causes him to turn against Dracula and try to fight for her. Again Renfield’s actions mimic that of the other men as it becomes their goal to save Mina from the invasion running through her body. The key to this invasion is the blood.
One of the well-known characters in Dracula is, Mina Murray, virtuous, kind and good-natured, schoolmistress. Murray is the embodiment of the, “New Woman”. She empathically embraces the anti-Victorian feelings of that time in front of the rea...
From the whispers of townsfolk spreading legends and tales of what goes bump in the night to the successful novels, plays and film adaptations, the story of the vampire has remained timeless and admired. One of the main writers responsible for this fame and glory is Bram Stoker with his rendition Dracula, written in 1897. Dracula follows the accounts of Jonathan Harker, Mina Murray, Dr. John Seward, Lucy Westenra, and Dr. Van Helsing, through their journal entries and letters, newspaper articles, and memos. Bram’s vision for Dracula is both terrifying and captivating as the reader follows a small group of men and women led by Dr. Van Helsing through their attempt to retaliate against Count Dracula’s efforts to spread his undead chaos and blood
... issues in science that the author addresses by showing us science and its negative aspects. Whether or not Frankenstein has created a monster or a creature worthy of human sympathy, understanding, and respect is always a situation that must remind us that there are always dangers in the misuse of many technological developments as well as of human abilities. Humans playing God must utilize their capabilities in ways that will deepen and enrich the lives of human beings keeping in mind that the effect of much of scientific advance can lead to an arrogant aping of God’s power and reject accept what nature or God brings. Therefore the act of playing God as man is created in the image and likeness of God is not the ability to create life, but is the moral responsibility of humans that echoes the moral responsibility of God as in the capacity to act wisely and in love.