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Recommended: Hamlet moods
In occasion, madness can lead to sadness, while in others madness can lead to anger. In act II of William Shakespeare’s Hamlet, through the words of Hamlet’s long Rogue soliloquy, Shakespeare uses a series of poetic devices such as: mood, understatement, rhythm, simile, and symbol to identify that Hamlet is indeed going mad, specifically mad at himself.
Primarily, mood can be identified in the following passages: ‘“O, what a rogue and peasant slave am I!”’(II, II, 577) and ‘“For Hecuba!”’(II, II, 585). From Hamlet’s sudden outbursts, it is identifiable through the Shakespeare’s use of words and exclamation marks that Hamlet’s soliloquy is not going to be pleasant. The mood is set when Shakespeare uses words such as “Rogue”, “Slave” and “Hecuba”
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Am I a coward? Who calls me ‘villain’? ” (II, II 597-599). In this case, calling Hamlet a villain would be considered an understatement because although Hamlet has thoughts and has wicked ways up his sleeve to confront Claudius to make him look like the criminal. He really hasn’t done anything life threatening yet to Claudius, that would provoke the audience to think of him as the villain. In the opposite hand, calling Hamlet a coward would be more accurate, because not only is he torn in between what to do next and how a play is going to help his next motive, Hamlet has so much upon his shoulders like the ghost of his father, Claudius taking the throne before Hamlet. That he wants to be able to do something according to seeking vengeance against his uncle, but wouldn’t want it to be so malicious that he becomes known as the noble villain rather the sulking, mad noble son. Furthermore, as Hamlet is torn in between what to do next and whether his inquiries will make him a coward or a villain, Hamlet is even more mad, because not only is it hard for him to come to a conclusion, but Shakespeare empathises that Hamlet wants to see his uncle be pleaded guilty, through actions like a play which can toy with human emotions. But by doing so, Hamlet doesn’t want to be identified as neither a villain nor a coward, like he is too weak to do something …show more content…
In this case, Hamlet is comparing himself to a prostitute because he is caught in not knowing what to do about seeking revenge against Claudius. Like a prostitute, if she was refused for her service it’s possible she’d be mad and start cursing to let out her frustration in where things went wrong. Akin to Hamlet, he is not refraining from seeking in revenge, but because he’s frustrated and he’s criticising one thing after another, as well as madly expressing himself, Shakespeare made his actions mimic a prostitute as he “unpack my heart with words” (614), in other words, unloads his feelings by expressing what is on his mind. As well, madness within Hamlet himself is identified when he bluntly compares himself to a prostitute. He says it because his behaviour honestly mimics what a prostitute would do. Likewise, Hamlet has a lot coursing through his mind and the number one thing on his mind is getting Claudius to confess his sin. Therefore, because Hamlet has to think so much and he is genuinely not happy, his current madness is turning to anger in which his outbursts,
“He is far gone, far gone” (2.2.8). The play Hamlet written by William Shakespeare is the story of young Hamlet whose father was killed by his uncle, Claudius, then his uncle took the throne and married Hamlet’s mother, Gertrude, which ultimately caused hamlet to become melancholic or ‘mad’. In the essay ‘Madness and Melancholy in Hamlet’ written by Kate Flint she explores the idea of madness and melancholy in the Elizabethan time in reference to the actions of Hamlet. She states that Hamlet is neither mad nor melancholy but does display symptoms of each. Flint states that to categorize Hamlet as either mad or melancholy the characters would have to be viewed as real people which they cannot be. She shows that Hamlets madness is only an excuse to expose the truth and teach the audience a lesson. The essay takes the position that hamlet’s strange behaviour was neither madness nor melancholy because those are human emotions but that they were a way to break the barrier between player and audience.
In William Shakespeare’s tragedy, Hamlet, Prince of Denmark, we, as readers, increasingly question the sanity of the protagonist, Hamlet, as the play continues. His seemingly psychotic banter with the other characters of the play begins to convince us that Hamlet is, indeed, insane. Hamlet, however, states, “How strange or odd soe’er I bear myself, as I perchance hereafter shall think meet to put an antic disposition on” (1.5.171). He specifically tells Horatio and Marcellus that he will be acting mad, as a front. Hamlet has an exceptional grasp on mental philosophy and the uses and effects of logic, more so than the other characters of the play. Because of this, Hamlet appears insane to others, but in fact remains true to his original statement of simply using an “antic disposition.”
Moreover, Hamlet is mad or so he seems to be. By looking at Hamlet and all his actions everyone is convinced he has gone mad. His mood changes a lot throughout the play, he speaks "wild and whirling words" (I.v.127-134) when he found our about his father’s death, has violet outbursts towards his mothe...
Throughout the play, Hamlet, written by William Shakespeare, the unclear representation of the protagonist’s actions is present. The protagonist, Hamlet, conducts the idea that he is turning mad. Although, there are many indications which support that this so-called “madness” is part of an act that Hamlet portrays. The other characters within the play try to understand the reasoning behind Hamlet’s madness, but cannot figure out the truth behind it. The main cause of Hamlet’s madness is the realization of his father’s death and the numerous influences his father’s death has on his life. Hamlet can control his actions of madness and specifically acts differently around certain characters. The characters who are more concerned
He criticizes women for making men behave like monsters and for contributing to the world’s dishonesty by painting their faces to appear more beautiful than they are. This illustrates Hamlet shifting from sane to insane. During Hamlets talk between him and his mother, he hears a noise behind the bars. Hamlet storms into the room and asks his mother why she has sent him. She says that he has offended his stepfather.
Hamlet only claims madness because it allows him to say and perform actions he otherwise would be prohibited from, while keeping people from taking his actions seriously. This seems to be part of his initial plan that is first mentioned when he asks Horatio and Marcellus not to make any remarks in relation to his ?antic disposition (1.5.192).? Hamlet?s madness allows him to talk to Claudius, Gertrude, Ophelia, and Polonius in a manner unsuitable for a prince. He is often disrespectful and insulting in his remarks. Although his acting backfires during his speech to Gertrude, Hamlet is able to severely criticize her for her actions because she thinks he is insane. During the play he also makes many sexual innuendos and even blatantly sexual remarks towards Ophelia such as ?That?s a fair thought to lie between maids? legs (3.2.125).? His convincing insanity act gives him the chance to vent his anger towards Ophelia for her abandonment.
Throughout the Shakespearian play, Hamlet, the main character is given the overwhelming responsibility of avenging his father’s "foul and most unnatural murder" (I.iv.36). Such a burden can slowly drive a man off the deep end psychologically. Because of this, Hamlet’s disposition is extremely inconsistent and erratic throughout the play. At times he shows signs of uncontrollable insanity. Whenever he interacts with the characters he is wild, crazy, and plays a fool. At other times, he exemplifies intelligence and method in his madness. In instances when he is alone or with Horatio, he is civilized and sane. Hamlet goes through different stages of insanity throughout the story, but his neurotic and skeptical personality amplifies his persona of seeming insane to the other characters. Hamlet comes up with the idea to fake madness in the beginning of the play in order to confuse his enemies. However, for Hamlet to fulfill his duty of getting revenge, he must be totally sane. Hamlet’s intellectual brilliance make it seem too impossible for him to actually be mad, for to be insane means that one is irrational and without any sense. When one is irrational, one is not governed by or according to reason. So, Hamlet is only acting mad in order to plan his revenge on Claudius.
Hamlet decides to portray an act of insanity, as part of his plan to seek revenge for his father's murder. As the play progresses, the reader may start to believe Hamlet’s “insane” act, but throughout the scenes, Hamlet shows that he knows right from wrong, good from bad, and his friends from his enemies. Hamlet shows that he still has power and control over his actions. As Elliot says “Hamlet madness is less than madness and more feigned”. Hamlet portrays a mad man, in order to be free from questioning, thus allowing him to have an easier path towards revenge.
The quickest take over of madness is exhibited in Hamlet’s love interest, Ophelia. The most important example of madness is shown in Hamlet after his meeting with the Ghost and his plot for revenge upon his uncle. The most unexpected example of madness is in Laertes who in a fit of rage loses all gentleman like qualities and almost upsets the kingdom. All of these characters add up to the idea that to lose someone a person cares about dearly, ultimately ends in losing one’s composure and going mad. If we take away anything from Shakespeare’s play, it should be that each of us should think over our decisions prior to making them to insure we don’t have the same fate as the characters stated
By the time Hamlet was written, “madness” was already a popular element within revenge tragedies in the Elizabethan period. But, the role of madness in Hamlet was deeply ambiguous, which set it apart from the other revenge tragedies in its time. Whereas other revenge tragedy protagonists were the complete opposite and just simply insane. Hamlet fiddles with the idea of being insane, which is where it all began. Hamlet states, “How strange or odd soe'er I bear myself, / As I perchance hereafter shall think meet/ To put an antic disposition on” (1.5.58-60) but his sane mental state began to decay over time leaving him actually insane. As the play goes on the role of madness becomes much larger and more crucial, and begins to sweep the spotlight from the other themes within it.
I thought Hamlet demonstrated his madness greatly here because it seemed like Polonius knew he was mad and just played along. Polonius didn't want Hamlet to get annoyed because Polonius disagreed with him. If Polonius didn't have any idea that Hamlet was going mad he probably would have said something about what Hamlet was talking about and would have asked him why he was acting like he was. Polonius also would have done something to change the way he had been acting or help him out.
In William Shakespeare’s Hamlet, one of the most evident and important themes is the theme of madness. The theme is apparent throughout the play, mainly through the actions and thoughts of Hamlet, Ophelia, and Laertes. Madness is defined as the quality or condition of mental illness or derangement (being insane). Madness is at the center of the conflicts and problems of the play and is conveyed through Shakespeare’s elaborate use of manipulation and parallels between Hamlet, Ophelia, and Laertes to contribute to Hamlet’s tragic character. All examples of madness begin and end with death.
What is a coward? A coward is one who lacks the courage to do or endure dangerous or unpleasant things. In William Shakespeare’s play Hamlet a grief-stricken prince of Denmark comes home to his father’s funeral and he seeks revenge against the murderer. There are many different lesser plots to Hamlet, but revenge central theme that the play follows. Those in the play who seek revenge may be able to act on it or may not. Hamlet is one of those who seems to not be able to act on his revenge. Hamlet lacks the courage to complete take his revenge against the antagonist of the story Claudius, who is Hamlet’s uncle and the King of Denmark. By observing and reading the scenes from Hamlet show how Hamlet as a character is a coward.
“ (II, ii. II 523-527). The actor can put on a “mask” and express emotions that are not true, which is Hamlet's flaw. Hamlet resents that he is unable to do this which is the sole reason that his plan is being hindered. The emotional connection he had to his father overpowers his ability to act more passionate about his role in the revenge. Shakespeare focuses Hamlet's thoughts on the fact that he thinks of himself as meaningless. We see this further when Hamlet says, “Am I a coward?” ( II, ii. I 543). Hamlet judges himself as a “coward” as a result of his inability to act. Shakespeare's goal of the speech is embodied by this simple phrase. Hamlet feels vulnerable because so much is expected out of him, and the things he has to do are his weaknesses. To kill Claudius, he has to cut off his emotions and act like a different person, which he cannot
..., disrespect the girl he loves, and dress in a manner that is unlike him. Hamlet’s primary motive in life becomes to obtain revenge for his father’s death. He is no longer concerned with upholding the image that he once had. Hamlet’s madness ultimately consumes him.