Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Feelings and emotions in hamlet
Characterisation in Hamlet
Psychological aspect of hamlet
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Feelings and emotions in hamlet
“He is far gone, far gone” (2.2.8). The play Hamlet written by William Shakespeare is the story of young Hamlet whose father was killed by his uncle, Claudius, then his uncle took the throne and married Hamlet’s mother, Gertrude, which ultimately caused hamlet to become melancholic or ‘mad’. In the essay ‘Madness and Melancholy in Hamlet’ written by Kate Flint she explores the idea of madness and melancholy in the Elizabethan time in reference to the actions of Hamlet. She states that Hamlet is neither mad nor melancholy but does display symptoms of each. Flint states that to categorize Hamlet as either mad or melancholy the characters would have to be viewed as real people which they cannot be. She shows that Hamlets madness is only an excuse to expose the truth and teach the audience a lesson. The essay takes the position that hamlet’s strange behaviour was neither madness nor melancholy because those are human emotions but that they were a way to break the barrier between player and audience.
Kate Flint takes the position that Hamlets ‘antic disposition’ is neither madness nor melancholy because those are human characteristics and Hamlet is a character in a play. She states "we cannot place a character in a play or novel on a couch and ask searching questions of them; they have no past” (Flint 64). She is saying that characters cannot be given lives outside of what is written down on paper. All that is known about Hamlet is that his father died and he knows that his uncle murdered him obviously making him depressed and angry but not melancholy. She is also states that to know if someone is mad or melancholy it must be known what a ‘real’ person is in which a societal norm has to be acknowledged which contrasts madness and mela...
... middle of paper ...
... is a fictional character. This is also true because to categorize a person as ‘mad’ or melancholic there has to be a defined societal norm but that norm is different for everyone making that classification nearly impossible. Hamlets madness also acts as a buffer for speaking the truth so bluntly that it seems impossible to agree upon. His language ensures no one is able to decide if he is sane or not. Ultimately Shakespeare uses Hamlets ‘madness’ to share the truth that humans categorize each other to affirm their own sanity against someone different.
Works Cited
Flint, Kate. “Madness and Melancholy in Hamlet”. Critical essays on Hamlet, William
Shakespeare. Ed. Linda Cookson and Brian Loughrey. Harlow: Longman, 1988. Print.
P.61-9.
Shakespeare, William, Marilyn Eisenstat, and Ken Roy. Hamlet. Toronto: Harcourt Canada,
1988. Print.
After demolishing the theories of other critics, Bradley concluded that the essence of Hamlet’s character is contained in a three-fold analysis of it. First, that rather than being melancholy by temperament, in the usual sense of “profoundly sad,” he is a person of unusual nervous instability, one liable to extreme and profound alterations of mood, a potential manic-depressive type. Romantic, we might say. Second, this Hamlet is also a person of “exquisite moral sensibility, “ hypersensitive to goodness, a m...
The Tragedy of Hamlet is a play written by William Shakespeare about a young prince trying to avenge his father’s death. In the beginning of the play, young Hamlet is visited by the ghost of his father, who tells Hamlet that his uncle, Claudius, killed him. Meanwhile Hamlets mother, Gertrude, has gotten married to said uncle. Now it is Hamlet’s job to kill his Uncle-father to avenge his dead father, a task that may prove to daunting for Hamlet. In Shakespeare’s, The Tragedy of Hamlet, the author uses diction and syntax to make Hamlet portray himself as mentally insane when in reality, he is sane thorough the duration of the play, tricking the other characters into giving up their darkest secrets.
Throughout William Shakespeare’s play, Hamlet, Hamlet undergoes a transformation from sane to insane while fighting madness to avenge his father’s death. The material that Shakespeare appropriated in writing Hamlet is the story of a Danish prince whose uncle murders the prince’s father, marries his mother, and claims the throne. The prince pretends to be feeble-minded to throw his uncle off guard, then manages to kill his uncle in revenge. Shakespeare changed the emphasis of this story entirely, making his Hamlet a philosophically minded prince who delays taking action because his knowledge of his uncle’s crime is so uncertain.
In Shakespeare’s play Hamlet the main character Hamlet experiences many different and puzzling emotions. He toys with the idea of killing himself and then plays with the idea of murdering others. Many people ask themselves who or what is this man and what is going on inside his head. The most common question asked about him is whether or not he is sane or insane. Although the door seems to swing both ways many see him as a sane person with one thought on his mind, and that is revenge. The first point of his sanity is while speaking with Horatio in the beginning of the play, secondly is the fact of his wittiness with the other characters and finally, his soliloquy.
Riddled with ambiguity by its very nature, the text of William Shakespeare's Hamlet has been a commonly debated subject in literary circles since its first performance. The character Hamlet undergoes intense physical and emotional hardship in his quest for revenge against his despicable uncle. This hardship, some argue, leads to an emotional breakdown and, ultimately, Hamlet's insanity. While this assessment may be suitable in some cases, it falls short in others. Since Hamlet is a play, the ultimate motivation of each of the characters borrows not only from the text, but also from the motivations of the actors playing the parts. In most respects, these motivations are more apt at discerning the emotional condition of a character than their dialogue ever could. Thus, the question is derived: In Kenneth Branagh's film adaptation of Hamlet, does the character Hamlet suffer from insanity? Giving halt to the response, this paper will first endeavor to establish what insanity is and will then provide sufficient examples both from the text, film, and Branagh's own musings on his motivations as proof that Hamlet's character, at least in Branagh's version of the play, is not insane.
In act three, he even admits that his actions are insane, horrible and evil. He says, “I essentially am not in madness, but mad in craft” (3.4.191). For Hamlet to admit that his actions are mad or insane, is the most insane trait of Hamlet. For him to openly admit that he is fully aware that his actions are mad, only ignites the flame of his insanity. This quote seals the deal for the reader that Hamlets mind is a wasteland of madness, but also of planned insanity and horrible actions.
In Hamlet, Shakespeare incorporates a theme of madness with two characters: one truly mad, and one only acting mad to serve a motive. The madness of Hamlet is frequently disputed. This paper argues that the contrapuntal character in the play, namely Ophelia, acts as a balancing argument to Hamlet's madness or sanity. Ophelia's breakdown and Hamlet's "north-north-west" brand of insanity argue for Hamlet having a method to his seeming insanity.
Throughout Shakespeare’s play, Hamlet, the main character, Hamlet, must seek revenge for the murder of his father. Hamlet decides to portray an act of insanity, as part of his plan to murder Claudius. Throughout the play, Hamlet becomes more and more believable in his act, even convincing his mother that he is crazy. However, through his thoughts, and actions, the reader can see that he is in fact putting up an act, he is simply simulating insanity to help fulfil his fathers duty of revenge. Throughout the play, Hamlet shows that he understands real from fake, right from wrong and his enemies from his friends. Even in his madness, he retorts and is clever in his speech and has full understanding of what if going on around him. Most importantly, Hamlet does not think like that of a person who is mad. Hamlet decides to portray an act of insanity, as part of his plan to seek revenge for his fathers murder.
Hamlet, a Shakespearean character, constantly struggles in a battle with his mind. He leads a very trying life that becomes too much for him to handle. Hamlet experiences hardships so horrible and they affect him so greatly that he is unable escape his dispirited mood. In speaking what he feels, Hamlet reveals his many symptoms of depression, a psychological disorder. While others can move on with life, Hamlet remains in the past. People do not understand his behavior and some just assume he is insane. However, Hamlet is not insane. He only pretends to be mad. Because Hamlet never receives treatment for his disorder, it only gets worse and eventually contributes to his death.
To put an antic disposition on” (1.5.58-60) but his sane mental state began to decay over time leaving him actually insane. As the play goes on, the role of madness becomes much larger and more crucial, and begins to sweep the spotlight from the other themes within it. Hamlet’s intentions of appearing “mad” did have an advantage in the play, which automatically impacted it. He basically simulated madness as a strategy to direct the suspicion of his plotted revenge elsewhere. It does not sound very complex, but his performance of madness ended up slightly distracting him from his plot rather than benefitting him.
The tragedy of Hamlet by William Shakespeare is about Hamlet going insane and reveals his madness through his actions and dialogue. Hamlet remains one of the most discussed literary characters of all time. This is most likely due to the complex nature of Hamlet as a character. In one scene, Hamlet appears happy, and then he is angry in another and melancholy in the next. Hamlet’s madness is a result of his father’s death which was supposedly by the hands of his uncle, Claudius. He has also discovered that this same uncle is marrying his mom. It is expected that Hamlet would be suffering from some emotional issues as result of these catastrophes. Shakespeare uses vivid language, metaphors, and imagery to highlight how Hamlet’s madness influences several important aspects of his life including his relationships and the way he presents himself.
Hamlet’s plan of faking insanity to avenge his father’s death eventually backfires and he winds up hurting those closest to him. What began as feigned madness slowly becomes reality. In the beginning of the play, Hamlet could be characterized as a respectful, well-mannered son who is mourning the death of his father and shows signs of depression. In the end of the play, Hamlet turns into an irrational, unforgiving maniac who is unaware of the complete and utter chaos that he inflicts on himself and everyone he loves. Instead of controlling his “antic disposition”, Hamlet's antic disposition controls him, resulting in tragedy and death.
Hamlet is one of the most often-performed and studied plays in the English language. The story might have been merely a melodramatic play about murder and revenge, butWilliam Shakespeare imbued his drama with a sensitivity and reflectivity that still fascinates audiences four hundred years after it was first performed. Hamlet is no ordinary young man, raging at the death of his father and the hasty marriage of his mother and his uncle. Hamlet is cursed with an introspective nature; he cannot decide whether to turn his anger outward or in on himself. The audience sees a young man who would be happiest back at his university, contemplating remote philosophical matters of life and death. Instead, Hamlet is forced to engage death on a visceral level, as an unwelcome and unfathomable figure in his life. He cannot ignore thoughts of death, nor can he grieve and get on with his life, as most people do. He is a melancholy man, and he can see only darkness in his future—if, indeed, he is to have a future at all. Throughout the play, and particularly in his two most famous soliloquies, Hamlet struggles with the competing compulsions to avenge his father’s death or to embrace his own. Hamlet is a man caught in a moral dilemma, and his inability to reach a resolution condemns himself and nearly everyone close to him.
The psychological aspect of Hamlet which is most prominently displayed is his melancholy. This condition is rooted in the psyche and the emotions, the former causing the latter to go awry. Lily B. Campbell in “Grief That Leads to Tragedy” emphasizes ...
Hamlet is one of Shakespeare’s most well-known tragedies. At first glance, it holds all of the common occurrences in a revenge tragedy which include plotting, ghosts, and madness, but its complexity as a story far transcends its functionality as a revenge tragedy. Revenge tragedies are often closely tied to the real or feigned madness in the play. Hamlet is such a complex revenge tragedy because there truly is a question about the sanity of the main character Prince Hamlet. Interestingly enough, this deepens the psychology of his character and affects the way that the revenge tragedy takes place. An evaluation of Hamlet’s actions and words over the course of the play can be determined to see that his ‘outsider’ outlook on society, coupled with his innate tendency to over-think his actions, leads to an unfocused mission of vengeance that brings about not only his own death, but also the unnecessary deaths of nearly all of the other main characters in the revenge tragedy.