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Hitchcock film analysis
Psycho alfred hitchcock film analysis
Psycho alfred hitchcock film analysis
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Briefly explain how Hitchcock blended genres. -Hitchcock blended action and drama for North by Northwest. You know it’s an action film because Roger Thornhill is the “good guy” that you root for against Vandamm in the film. However, by adding Roger’s love interest Eve Campbell, drama is also introduced in the film. Throughout the film, after Roger meets Eve, the plot has a focus concerning their relationship to one another and its development. Find a few key words to describe Roger Thornhill at the beginning of the film. Describe his appearance, mannerisms, and personality. -Womanizer, sly, smooth-talking, professional-looking, witty, in control, dapper Do you notice any changes as the film progresses? If so, when? To what extent does he emerge as a new man by the final scene? …show more content…
Every time Roger tries to be honest, whether it is convincing Vandamm that he is not Kaplan or the police that Townsend made him drink and drive, his situation gets worse. However, Eve is one of the most honest characters in the film, which is a change that Roger seems to like, and once she is introduced, the truth seems to set Roger free in terms of the plot. What do you think of the ending of this film? Is it an example of brilliant editing, or do you want more information? -I think it is clever editing more than anything else. I don't really care to see how they survived or what happened between the Mount Rushmore scene to the ending scene. I think it is more important to see that they did survive and get a happy ending. Also, Roger saying, “C’mon, Mrs. Thornhill,” gives enough information to satisfy my curiosity. Also, it is cool to see how Hitchcock related that dire moment on Mount Rushmore and countered it with putting Eve and Roger in their comfort place: the train where they first met. What makes this finale both a typical Hollywood ending and a parody? Consider the lighting, music, costuming, and that parting shot of the train into the
Hitchcock has characteristics as an auteur that is apparent in most of his films, as well as this one.
“Men want to be as lucky and enviable as he is—they want to be like him. And women imagine landing him.” The influence of North by Northwest on the action and spy film is immeasurable. It influenced the James Bond series, the Die Hard movies, and even science fiction films such as Total Recall. What Hitchcock did, basically, was create an action film of such quality that directors ever since have been trying to equal its success in story, action, and characterization.
Freedom of Speech is a fundamental right that makes America the “land of the free.” But this right is abused by many people, and Philip Malloy is one of those individuals. Philip Malloy’s First Amendment Rights regarding his Freedom of Speech were not violated because there was a rule that he was informed about multiple times, but he still disrespected it.
In conclusion in “Rear Window” Hitchcock is shown off as an auteur and realist though his modification and implementation of his own creative mind and as a realist by conveying reality and occurrences of everyday life respectively. He also used methods such as eye line matching, cinema as window and frame, and potentially character specific lighting to connect the audience with the characters and to give the main characters more individualized
...ormation of novel to film, sees Hitchcock’s responsibility as auteur. Suggesting Hitchcock as ‘creator’, attributes to Vertigo’s “perfection” (Wood, p.129) as Wood argues. Stylistic features known classically to Alfred Hitchcock movies is also what defines Hitchcock as a classic auteur, his style generates a cinematic effect which mixes effectively with his use of suspense. In returning to Cook’s discussion, she references Andrew Sarris, who argues that the “history of American cinema could be written in terms of its great directors,” (Cook, p. 411) showing the legitimacy of authorship in popular American cinema. Ultimately Cook goes on to address the changes in authorship from the 1950’s until today, featuring developments in authorship within Cinema. Overall, both Cook and Wood presented a balanced discussion on the legitimacy of Alfred Hitchcock’s auteur status.
In the film, “North by Northwest” we see a series of shots that creates suspense and danger. The point of the film is very vague and it ends without a resolution to the main conflict. The incredible camera work and techniques that Alfred Hitchcock did created a feeling of danger and suspense, making the audience want to see more. Also, Hitchcock's film main character Roger O. Thornhill creates suspense with his mistaken identity and fight for his escape. The film uses a handful of shots, for example, medium shots, close ups, long shots and shot-reverse-shots. I found particularly interesting how a handful of shots can create suspense and the feeling of danger can create a misleading plot.
Suspense is only one of Hitchcock’s many techniques and themes. His themes range from the obvious violence, to the depths of human interaction and sex. From Rear Window to Psycho, Hitchcock’s unique themes are present and evident. Rear Window starts with something we all do at times, which is nosing in and stalking on others business, and turns it into a mysterious investigation leaving the viewer second guessing their neighbors at home. Psycho on the other hand, drags
Alfred Hitchcock’s unique sense of filmmaking and directing has allowed him to become a very famous and well known film maker of his time. He uses similar recurring themes, elements, and techniques in many of his films to engage the viewers in more than just the film, but the meaning and focus behind the story.
Edgar Allan Poe’s “The Cask of Amontillado” is a horror story about revenge and murder that occurred half a century ago. Through the haunting confession of the narrator, Montresor, the reader is able to feel what Fortunato had endured half a century ago. In this tale of revenge and murder the dark, damp, and bone-filled catacombs provide a contrast to life during the “madness of the carnival” (553).
This paper has attempted to investigate the ways in which Alfred Hitchcock blended conventions of film noir with those of a small town domestic comedy. It first looked at the opening scenes of the film in which the two conventions were introdruced. It then went on to analyse the film with the aid of Robin Wood's article Ideology, Genre, Auteur. From these two forms we can see that film noir and small town comedy were used as a means of commenting on the contradictions in American values.
There are three key scenes that best exemplify Hitchcock’s technical competence. After Alicia’s party and run in with the police, she is shown lying in bed with a hangover. We see a close up of a concoction Devlin made Alicia for hangovers. The next shot is a Dutch angle of Devlin, arms crossed and in shadow. Alicia drinks more of the concoction and camera’s perspective is in Alicia’s point of view. The Dutch angle slanted to the right rotates clockwise to an upside down shot of Devlin because Alicia is lying upside down on the bed. Coincidently, after the elaborate camera work, Alicia sits up and says, “What’s this all about? What’s your angle?”. Hitchcock’s technical competence in this scene is a testament to his authorship.
As a filmmaker, whose individual style and complete control over all elements of production, Alfred Hitchcock implied a great deal in the motion pictures that he made.
... middle of paper ... ... Throughout the story he changes physically, mentally, and emotionally from a young child to an old man, which makes him a dynamic character. He became a very dynamic character because he found a need for materialistic things such as statues and homes such as Xanadu, his large home on a vast plot of secluded land.
Hitchcock employs plenty of unique visuals, including camera tricks that confuse depth perception, invasive close-ups, film noir lighting, and rapid cuts to show nudity with out showing nudity or extreme violence / killing without much blood. The movie “Psycho” was a first for several filmic elements making it sometimes more notable than effective. At its heart, however it’s a extreme thrilling murder/ mystery that boasts a climax unlike any other before its time. The suspense and anticipation are almost unbearable, keeping the ultimate, answers brilliantly stowed until the very
All of these characters refashioned themselves into something new for different reasons, and for the most part with different outcomes. They all show though that man is put into situations where he has to change. He has to refashion himself to survive. Sometimes we gain friends. Others we gain materialistic things. Then others we learn about whom we are or want to be and grow even more.