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Ethiopian social identity essay
Ethiopian social identity essay
Ethiopian social identity essay
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Next, Absera plays six songs that she thinks would be best for this year dance once and asks the students to remember which one is there favorite. While Absera is playing the music the students are either on their phone or watching the screen. After playing each song once, she asks the students to come up to her one by one and tell her which song they favor the most. After everyone takes their own turn, the majority favored Hamsa Goma, Tembien, and Amanuel Girmay. Absera next explains that with this year theme will be “Road to Identity”. For the skit it’s going to highlight Tigray holidays. To display Tigray holidays, they will have three types of dances; Ashenda, regular guayla tigrigna, and awris. She mentions that the tigrigna portion of …show more content…
From the beginning of January all the way until April, the ESA meeting consist of rehearsal for the show that they put on every year for the Ethiopian community and others. Each year there is a different theme and all the dances and skits are supposed to relate to it. This year theme is called Road to Identity. The skit is about a girl who has lived in America all her life and never fully embraced her background. She never wanted to speak her parents native language and would be embarrassed when they would speak it. However, on the day of her graduation party, her parents gift to her is a ticket back to Ethiopia all by herself. Her parents thought it would be the best time to go before leaving for college and truly forgetting her background. When she arrives in Ethiopia she is greeted by her uncle who she only has seen in pictures. In Ethiopia, she learns about the different holidays and cultures that Ethiopia has to offer while also learning more about her own roots. In the end, she begins to appreciate more of her Ethiopian Identity and her trip spent with her …show more content…
To me, I believe that the ESA show that we have every year helps the younger kids in Ethiopian community learn more about where they come from. Especially with this year theme “Road to Identity” it will help kids learn more about the various parts of Ethiopia. More importantly, it helps unite Ethiopians all over Minnesota for one night.” Melat eloquently explains. It surprises me that she was only sophomore, yet, she spoke like someone who was a senior or even graduated. “Well for me, ESA impacts the Ethiopian community in various ways. We help by providing a Dr.Sirak scholarship which is open to seniors only with an Ethiopian background. The scholarship was created by doctor who became a chiropractor and he decided one of the best ways to give back to the community was by giving away scholarship. Another way it helps impact the Ethiopian community is during the ESA show we promote lots of Ethiopian business that many might not be familiar with so it also helps with Ethiopian business. I also agree with Melat says that it connects with Ethiopians all over Minnesota and help teach younger adolescents about Ethiopia.” Absera
Identity is defined as being oneself and not acting or being something else. The identity that one forms throughout their life time is a slow and tedious process, each and every event in one’s life whether it’s larger or small scale has an effect on developing ones overall identity. In the play Only Drunks and Children Tell the Truth by Drew Hayden Taylor, Janice it caught between two identities and struggles to find a happy medium. Being adopted into a white family at a young age, Janice has become accustom to many of the white traditions and ways. Janice’s native family has recently gotten in touch with her and has put a great deal of pressure on her to regain some of the native culture she was born into. With pressure building Janice begins to question her identity and begins to show signs that she wants nothing to do with her native roots. Drew Hayden Taylor does an excellent job in this play showing how stereotypes and pre-conceived notions affect ones identity and their relationships within society. Each character within the play shows how their identity has been shaped through the relationships they have acquired throughout their lives; Tonto’s identity is heavily influenced by his father and best friend Rodney, Barb is influenced by the customs and traditional ways of her mother, and Janice after being adopted at a young age has formed an identity revolving around that of her adopted parents but she faces a great deal of pressure from her native birth family.
“Who knows only his own generation remains always a child.” This quote from George Norlin echoes the edification that cultural exposure can offer. How does African dance relate to do modern dance? The two are so heterogeneous in their make-up that one would not think of them as having similarities. The truth, however, is that all dance forms are linked in some way or another; they all strengthen and sharpen each other. Modern dance has its roots in African dance with the emphasis placed on the connection of weight and gravity. Brenda Dixon Gottschild names five aesthetics that are present in African dance. A particular piece that draws attention to the relation of the five aesthetics to modern dance is “Split Sides”, choreographed by Merce Cunningham.
While she might think that her plans are working, they only lead her down a path of destruction. She lands in a boarding house, when child services find her, she goes to jail, becomes pregnant by a man who she believed was rich. Also she becomes sentenced to 15 years in prison, over a street fight with a former friend she double crossed. In the end, she is still serving time and was freed by the warden to go to her mother’s funeral. To only discover that her two sisters were adopted by the man she once loved, her sister is with the man who impregnated her, and the younger sister has become just like her. She wants to warn her sister, but she realizes if she is just like her there is no use in giving her advice. She just decides that her sister must figure it out by
This project has helped me in a way to make a decision on how important this upcoming election is to my heritage as a black man and to take full advantage of this opportunity.
New Dance is described as a developing art form; this dance was articulated in the early 20th century. According to Chapter 8 in History of Dance book, “the new dance emerged as a response to the ballet that populated the variety shows and music halls, which had a rigid formula of steps and poses” (Kassing). The New Dance was a product of several strands that interlaced together dancers’ studies and backgrounds; these strands and others were woven together in a historical, political, and societal framework. For instance, one strand of New Dance consisted of the concepts, techniques, costumes, and stage settings from around the world. These strands influenced major dancers and choreographers, such as, Isadora Duncan, Loie Fuller, Ruth St. Denis, and Ted Shawn.
Her realization that she is not alone in her oppression brings her a sense of freedom. It validates her emerging thoughts of wanting to rise up and shine a light on injustice. Her worries about not wanting to grow up because of the harsh life that awaits her is a common thought among others besides the people in her community. As she makes friends with other Indians in other communities she realizes the common bonds they share, even down to the most basic such as what they eat, which comforts her and allows her to empathize with them.
When we think about our identity we often think about the way we look. Such features as hair color, eye color, skin tone, height and weight come to mind. Whilst these features are part of our identity, there are many more complex factors that make us who we are. Whilst psychological issues are paramount to the formation of our identity, I will be addressing the nature of our identity in relation to socio-cultural factors (Austin, 2002, p.9). During the course of this essay I will be discussing the term of Identity and some of the axes of identity, including Race, Class and Gender. It is important to understand some of the significant issues of identity so that we have more of an understanding of who and what we are, which in turn may help us to begin to better understand others.
“Sex and the Social Dance” was a streaming video which examined the sexuality of social dances around the world. Regardless of geographical location or decade of popularity, dance conveyed social values. In particular, the sexuality was expressed through physical contact or lack thereof, in the gender roles of the dance, and in the purpose of the dance.
Who am I; my beliefs, values, morals, and views on society have assisted in molding me into the person that I am considered to be today. I was raced with specifics values, traditions, and norms. Being raised in a small town made being socially aware very easy. I was raised under the southern Baptist Christian religion. Church was always the same and it had a majority of women in attendance although the men and elderly people ran the church overall. It was always the same, repetitive habits and events that occurred in my town but after a while I became accustomed to always being near or known by others.
Zora Neal Hurston’s book, Their Eyes Were Watching God, reveals one of life’s most relevant purposes that stretches across cultures and relates to every aspect of enlightenment. The novel examines the life of the strong-willed Janie Crawford, as she goes down the path of self-discovery by way of her past relationships. Ideas regarding the path of liberation date all the way back to the teachings of Siddhartha. Yet, its concept is still recycled in the twenty-first century, as it inspires all humanity to look beyond the “horizon,” as Janie explains. Self-identification, or self-fulfillment, is a theme that persists throughout the book, remaining a quest for Janie Crawford to discover, from the time she begins to tell the story to her best friend, Pheoby Watson. Hurston makes a point at the beginning of the novel to separate the male and female identities from one another. This is important for the reader to note. The theme for identity, as it relates to Janie, carefully unfolds as the story goes on to expand the depths of the female interior.
You expect a ‘comedy’ to tickle your funny bone so you can walk out chuckling. Yes, Shall We Dance does raise laughs. But - it also raises some interesting questions. The DVD says it’s ‘A New Comedy About Following Your Own Lead’ and a pun like that is bound to appeal to the individualistic age we are supposed to be living in. It does indeed – and yet, what is happiness and contentment? Is it a lovely, loving and loved spouse and all the trappings of a comfortable settled life? Can there be a sense of incompleteness in spite of having ‘everything’? Is that then ingratitude? Should one be allowed to pursue individual goals? At what cost?
Contemporary dance first originated from ballet, however changed when Isadora Duncan decided that she didn’t want to dance ballet. She disregarded the refined technical Classical ballet and thus the concept of Contemporary dance was born. This style incorporates movements where the body moves freely and doesn’t have restrictions, embodying raw human emotion. Pioneers of contemporary dance comprise of the internationally known Isadora Duncan, Martha Graham and Merce Cunningham (The Conversation, 2014, online) + (Bibliography, 2012, online). These three dancers helped to revolutionise contemporary dance and express their interpretation of it, all unique but added layers to the genre. A range of movements that originated from these dancers are
Have you ever thought about the history of dance, or how long human life has known it? Dance has been here longer than we actually think. We can take dance back all the way to 600 BC to Now. Dance has made very big changes overtime. It went from doing it in honor for only the dead or religious situations to now just doing it for fun. The way or different moves have also changed over this big course in time. It ways and moves have changed, and the outfits used to perform these different types of dances. There has been clean and dirty dancing all along, some of things in those dances have stayed, others haven’t. Dance has been a very great thing and will stay being a great thing during human life because it expresses a lot. It expresses itself, and a person can express their feelings, in the different kind of moves. It does take time to get to know the moves but you can get through.
The Northern Territory is known for its culturally diverse population and some would say it is the ‘multicultural hub’ of Australia. With all of these cultures comes distinctive customs and traditions. Throughout history dance has been used to help people develop a sense of identity, the younger generations are also taught social patterns and values through the different dances. The significance of these traditional dances was to reinforce and celebrate cultural law and practices including the celebration of the passage from child to adulthood or spiritual worship. The predominantly Western culture in Australia often causes minority groups to struggle for recognition regarding their beliefs and traditions. This is parallel to the Australian dance industry, where many cultural dance groups feel they have to justify who they are and are often
“Dance, the art of precise, expressive, and graceful human movement, traditionally, but not necessarily, performed in accord with musical accompaniment. Dancing developed as a natural expression of united feeling and action.”