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Similarities between pop music and classical music
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Richard Wagner was born on May 22nd 1813 in Leipzig, Germany to Friedrich and Johanna Wagner. His father later died that same year in October from typhoid fever and Ludwig Geyer, who was a close friend to the family, became Wagner’s adoptive father after marrying Wagner’s mother on August 28th 1814. ½ Wagner began his formal studies in Dresden in December of 1822, but he was much less interested in school studies than he was in aspects of music and theatre. Eventually he enrolled in Leipzig University to study music in February of 1831. 3 Wagner’s first professional career was being a chorus master at a theatre in Wurzburg from 1833 to 1834. However upon return to Leipzig in 1834 he met Heinrich Laube, and became involved with the literary and political movement Junges Deutschland, and began to follow not only musical philosophies such as the rejection of the classicalism of Mozart but also a favoritism towards hedonism and sensuality, straying away from Catholic Morality. From there Wagner held many positions and traveled to many places, including musical director for a traveling theatre company where he met his future wife Christine Wilhelmine Planer, who was one of the lead singers of the company.
Wagner’s life was very troubling during his career however, his wife almost abandoning him for a merchant and having racked up a significant debt Wagner had to be smuggled with his wife and dog from Riga to Paris on account of their passports being impounded. Yet it was his experiences during his career that inspired many of his essays and operas, such as Der fliegende Hollander which was inspired by his journey onboard the merchant ship Thetis while being smuggled to Paris. Upon arrival in Paris Wagner lived there from 1839 to 1842 ...
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...y believes musical text is far superior to purely instrumental text as having more ability to capture the human spirit and emotion. Yet despite his belief in superiority of musical text over instrumental music he does still find worth in symphonic music, particularly in the music of Beethoven. Wagner also goes on to state that while both forms of music are not on an equal level they both still are the ultimate embodiment of emotion and expression, and that each style of human expression through music is more powerful alone than with both forms together.
Richard Wagner was an operatic composer who faced much adversity during his career. However it is his adversity that shaped much of his musical beliefs and ideals, which have influenced not only the world of music and opera but that how society should hold music to the same worth and value as the ancient Greeks did.
Johannes Brahms was born on Tuesday 7th may 1833, in the city of Hamburg the birthplace also of Mendelssohn. Johann Brahms was himself a musician, and played the double bass for a time at the Karl Schultze Theatre, and later in the Stadttheater orchestra. In 1847 Johannes attended a good Burgerschule (citizens? school), and in 1848 a better, that of one Hoffmann. When he was eight years old his father requested the teachers to be very easy with him because of the time that he must take for his musical studies.
Wolfgang Amadeus Mozart and Ludwig van Beethoven are very famous past composers that have created many pieces that have influenced not just people of their time, but people in modern times as well.
Gustav Mahler was born in 1860 in the small town of Kalischt, Bohemia. He was a late romantic-era composer. He was one of the leading conductors of his generation. Mahler was a bridge between the 19th-century Austro-German tradition and the modernism of the early 20th century. In 1897 he was the director of the Vienna Court Opera. He stayed in Vienna for 10 years, but during that time he got a lot of opposition from the Anti- Semitic Press. His awesome productions and high production standards gave him the name of Greatest of Opera Conductors. Composing was only his part time job as living as a conductor was his full time. Most of his pieces are for large orchestra forces, symphonic choruses, and operatic soloists.
Mahler was one of the most important and influential conductors of the period. Although Mahler had originally studied piano and composition, he was not a virtuoso pianist and his student and youthful works were already too forward looking for him to win the conservative judged composition contests of the time. As a result, Mahler was forced into a conducting career.
George Frideric Handel made an incredible impact on several other well known musical composers. “He has generally been accorded high esteem by fellow composers, both in his own time and since. Bach apparently stated, “ He is the only person I would wish to see before I die, and the only person I would wish to be, were I not Bach.” Mozart is reputed to have said of him, “Handel understands effect better than any of us. When he chooses, he strikes like a thunder bolt,” and to Beethoven he was “the master of us all…the greatest composer that ever lived. I would uncover my head and kneel before his tomb.” (Classic Cat, Legacy)
Classical music can be best summed by Mr. Dan Romano who said, “Music is the hardest kind of art. It doesn't hang up on a wall and wait to be stared at and enjoyed by passersby. It's communication. Its hours and hours being put into a work of art that may only last, in reality, for a few moments...but if done well and truly appreciated, it lasts in our hearts forever. That's art, speaking with your heart to the hearts of others.” Starting at a young age Johann Sebastian Bach and Ludwig van Beethoven have done just that with their musical compositions. Both musical composers changed the world of music and captivated the hearts of many. Their love of composing shared many similar traits, though their musical styles were much different.
There is a growing body of work in the philosophy of music and musical aesthetics that has considered the various ways that music can be meaningful: music as representational (that is, musical depictions of persons, places, processes, or events); musical as quasi-linguistic reference (as when a musical figure underscores the presence of a character in a film or opera), and most especially, music as emotionally expressive. Here I will focus on the last topic, for I believe it will be useful for researchers in music perception and cognition to avail themselves of the distinctions that aestheticians have worked out regarding the musical expression of emotion.
“Music” as defined by the Oxford Dictionary, is “vocal or instrumental sounds combined in such a way as to produce the beauty of form, harmony, and expression of emotion.” Emotion, and the treatment of emotion, is indubitably an important aspect of music from all eras, but the manner in which emotion is expressed, has changed over time. Throughout the Baroque period (c. 1600 – 1750) musicians attempted to cause a specific extreme emotion in the listener, while during the Classical period (c. 1750-1825) composers sought to produce a balance of emotions. Due to philosophical and artistic movements that occurred, emotion, a critical element of music, was conveyed differently between the Baroque and Classical periods.
In this essay, I’m going to discuss two composers- Wolfgang Amadeus Mozart and Ludwig van Beethoven. I will first tell you about the life of these men. Then, I’ll compare and contrast their music, the time period of which they lived in, the purpose of their music and more.
Hans Christian Andersen (1805-1875) was born in a small fishing village in Denmark. (If a last name ends in sen, the person is probably from Denmark; in son, probably from Sweden). At age fourteen Andersen journeyed to Copenhagen to pursue either an acting or writing career. He auditioned as an opera singer, was a humiliating failure and spent the next three years anguishing in abject poverty.
Schopenhauer claimed that only instrumental music could express both the full range of human emotions and impressions and the greater truths that lie behind the facade of everyday life” (L40). A quote from Schopenhauer’s writings: "instrumental music is entirely independent of the phenomenal, that is, the conscious, everyday world. It ignores it altogether. It is a copy of the will, the great inner truth itself. That is why the effect of instrumental music is so much more powerful and penetrating than that of the other arts. It expresses the essence behind appearance. Thus, the creator of instrumental music reveals the inner truth of the world," According to Green berg (2009), this philosophy influenced Wagner to shape his concepts of both leitmotif and
Hoffmann’s criticism is like a turning point. After that, music is being accorded powers at once transcendent and transformative. Beethoven’s music hovers far above the ordinary world, yet it also reaches down and alters the course of human events. Appearing at an appropriate moment in the history of music, Beethoven was able to connect polities, societies and music. 4.
He expresses classical music as a beautiful feeling as it sometimes makes you cry and sometimes it makes you feel happy. He wanted to change the mindsets of people who didn’t like classical music and wanted them to experience the sweetness in classical music. He believed in what he had to share. Classical music has been essential and unavoidable ingredient in our
1- Wagner wrote that Jewish music is bereft of all expression, characterized by coldness and indifference, triviality and nonsense. The Jew, he claimed, has no true passion to impel him to artistic creation. The Jewish composer, according to Wagner, makes a confused heap of the forms and styles of all ages and masters. To admit a Jew into the world of art results in pernicious consequences. In Deutsche Kunst und Deutsche Politik, Wagner spoke of the "harmful influence of Jewry on the morality of the nation," adding that the subversive power of Jewry stands in contrast to the German psyche.
In conclusion towards the arguments and observations, musical expression consists in presenting emotion characteristics in appearance. It turns out people listen to music as having a purposeful nature and that it has an effect on psychological emotions. If there is a case in which music showing emotional qualities with no reference to feelings, there is a case of happy music that is not powerful of happiness.