Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Writers of romantic age literature
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Lamb is a man willing to give up a friendship in order to avoid leaving his home city. In his response to Wordsworth’s invitation he uses rhetorical devices such as hyperboles, personification, and comparisons to blatantly deny Wordsworth. Lamb’s choice of wording and use of those words stresses how much he would rather stay in London than visit the countryside. Lamb in the one example of this is “---shall ever be able to afford so desperate a journey.” He used the words “afford” and “desperate” to emphasize how much of a burden the trip would be for him in both time and money. Also as he speaks about London he states that “the wonder of these sights impels [him]” giving the idea that the sights of London draw him in and make him want to stay. He also mentions “the impossibility of being dull in Fleet Street”. The part with “impossibility of being dull” is an exaggeration due to his use of “impossibility” with implying that it is difficult to become bored in the city. …show more content…
He takes pity on Wordsworth because “the mind will make friends of anything” meaning even though he, Lamb, who hates the mountains still managed to become friends with a man who lives in such an area.
This use of personification drives Lamb’s message of strong dislike of the very land Wordsworth resides in. He also refers to his book case as “a faithful dog” that has “followed” him around. This suggested that he takes the bookcase with him to whatever homes he may have moved to and therefore is an important piece of his life. The previous observations make Lamb appear to prefer inanimate objects and the city over his friendship with
Wordsworth. The use of comparisons pushes Lamb’s general message farther. He says that he has “formed as many and intense attachments…as mountaineers....dead nature” to contrast his like for London to the mountaineers’ like of the mountains. All in all he is saying he would rather stay in London than visit Wordsworth by using this comparison. Lamb also calls London a “pantomime and a masquerade” as if he prefers something fake over what is natural like the mountains. And a final example is a question. Lamb asks Wordsworth along the lines of “Why do I have to leave these pretty sights of London to see your mountains and dull nature?” This gives Lamb’s overall tone and further conveys the message of his response. This man makes it so obvious that he simply does not want to go to the mountains doesn’t he? He likes London. He strongly likes London. He loves London. Lamb prefers London over his friendship with Wordsworth, and denies visiting him. Lamb’s response is straight to the point through rhetorical devices. This man comes out as stubborn through the way he used these devices while making Wordsworth seem like something along the lines of a country hick not worth keeping a relationship with. In the end Lamb expresses his message through and it is pretty hard to miss.
In the video “An Evening With MR QUENTIN CRISP (1980)”, the main speaker Mr. Quentin Crisp begins the speech by allowing the audience to acknowledge that the ideas he is presenting are different from world-wide standards and are not accepted by the mass. As he says: this is “consultation with psychiatrist madder than you are” (Mr. Quentin Crisp).
In his letter dated January 30, 1801, Charles Lamb efficiently utilizes a variety of rhetorical techniques to eloquently and politely decline William Wordsworth’s invitation to visit him. Mr. Lamb is an especially well-equipped individual in the field of composition, as indicated by his efficient use of rhetorical devices (Latinate word choice, sentence structure, and other aspects of syntax). He is able to deliver his message of decline politely and eloquently while at the same time avoiding the offense of the reader, Mr. William Wordsworth. He is able to explain why he is unable to accept the offer without giving the impression of being off-put. And he does so with class, sophistication, and skill.
I chose this word because the tone of the first chapter seems rather dark. We hear stories of the hopes with which the Puritans arrived in the new world; however, these hopes quickly turned dark because the Purtains found that the first buildings they needed to create were a prison, which alludes to the sins they committed; and a cemetery, which contradicts the new life they hoped to create for themselves.
In both the Pride and Prejudice excerpt written by Jane Austen and Dickens’ Our Mutual Friends passage, several rhetorical strategies, including assumption, tone, diction, and arguments, are strategically used in order to affect the women that the speakers are addressing in positive ways. However, the probable effects on the receiving end of these statements are not quite the same as the intended effects.
“Lamb to the Slaughter” by Roald Dahl captivates readers as they follow the story of how a loving wife turns into a merciless killer. This passage is told from the point
Negative experiences of belonging within the individual’s place of residence results in low self-esteem and develops the desire to escape and seek belonging elsewhere. We witness this in Herrick’s The Simple Gift in Longlands Road, when Billy says, ‘this place has never looked so rundown and beat’, which conveys his lack of connection to the place through pejorative colloquial personification of place. The “rundown and beat” nature of “place” parallels Billy’s perception of both himself and his home by using the pathetic fallacy of rain. Moreover, his hatred towards “Nowhereville” is expressed using coarse language and the symbolic action of vandalising the houses of his neighbours with pejorative colloquialism in ‘I throw one rock on the road of each deadbeat no hoper shithole lonely downtrodden house.’ This shows the place of residence is an important influence on creating a sens...
In the novel The Stranger by Albert Camus, the narrator’s monotonous tone makes the reader experience a lack of emotion and feeling. The novel starts off describing Mersault’s current job and how he must go on leave in order to attend his mother’s funeral. He and his mother have been disconnected for some time as they had come to a mutual agreement with her staying in an elderly home. Mersault, the main protagonist, did not have the money or time to tend to his mother. The elderly home was the best option for the both of them. When he returns home from the funeral, Mersault gets caught up in external affairs he should not be in. He ends up writing a break up letter to Raymond’s girlfriend, which drives the rest of the story. Raymond beats his
Edgar Allen Poe’s poem, "The Raven" starts off in a dark setting with an apartment on a "bleak December" night. The reader meets an agonized man sifting through his books while mourning over the premature death of a woman named Lenore. When the character is introduced to the raven he asks about Lenore and the chance in afterlife in which the bird replies “nevermore” which confirms his worst fears. This piece by Edgar Allen Poe is unparalleled; his poem’s theme is not predictable, it leads to a bitter negative ending and is surrounded by pain. To set this tone, Poe uses devices such as the repetition of "nevermore" to emphasize the meaning of the word to the overall theme; he also sets a dramatic tone that shows the character going from weary
The Norton Anthology English Literature. Ed. M.H. Abrams. New York: WW Norton, 2000. 238-50 Wordsworth, William. "
Native Americans used a pleather of rhetorical appeals and rhetorical devices in their speech because it enhanced their story telling. It is especially seen in "Sitting Bulls" speech, spoken by Charles A. Eastman. Eastman focused on using specific rhetorical devices in his speech, such as personification and pathos.
In the scene where Lamb prepares to execute Dr. Newgate, he is shown a photograph of a drummer boy; a photograph that triggers a traumatic and dark memory in his past. The scene then shifts from the quiet asylum into Lamb’s memories, where he is inside of a hospital tent filled with dying soldiers. Desperately wanting to save them, Lamb kills them all, including the drummer boy. Later on, when the scene returns to the asylum, Lamb is shown to be mentally broken, as he is unable to do anything another than shake his head and say “I saved them all.”. These two short, significant scenes show the powerlessness of humans when they are faced with the mistakes of their past. Silas Lamb is reminded of his actions through the photograph he is shown, which symbolically represents his dark experiences and depicts one of the many people he has killed. As a result, Lamb hides the photograph so he can pretend it doesn’t exist and hide from the guilt it depicts. However, he can no longer hide, as Newgate reveals the photograph to him. The photograph of the drummer boy reminded him of the powerlessness he felt when he tried to “save” his comrades. He was incapable of doing anything once again when he failed to change his actions in the haunting recollection. In both events, Lamb could not do anything, as he did not have the power to work medical miracles or change the past. When he finally understood this, he broke apart mentally and became insane. Lamb conveys the inability of humans to control their past through his own experiences of the past and his dark persona. Moreover, he shows that all humans are powerless and afraid in the face of their past and their
Jeremy Bentham was born on February 15, 1748 in Houndsditch, London. He was raised in a period of social, economic, and political prosperity that impacted his take on society. Being the son and grandson of attorneys, he was influenced to practice law in his family. By age 12, Bentham attended Queen’s College, Oxford, pursued law and graduated four years later. However, he soon discovered that he had a real passion for writing and on most days, he spent eight to twelve hours devoted to writing. Bentham composed an essay that criticized and ridiculed America’s take on political philosophy after the Declaration of Independence was published in 1776. Although he gained many admirers over the years, most people still weren’t accepting of the ideas
He describes more of the wonderful attraction London has that Wordsworth should see. Lamb says “All these emotions must be strange to you,” when we lists the great things of London that Wordsworth would not be familiar with. But says all the rural attraction Wordsworth wants to show him, is strange to him too. Lamb asks Wordsworth just why he has lived here all his life, and “not to have lent great portions of my heart with usury to such scenes?” Lamb is pulling Wordswoth to the city of London, so he can take Wordswoth on a trip for once, instead of Wordsworth showing Lamb around his rural areas. Before, Lamb mentioned he wasn’t fond of rural areas, and then mentions it again saying, “I have no passion…to groves and
His poem recognizes the ordinary and turns it into a spectacular recollection, whose ordinary characteristics are his principal models for Nature. As Geoffrey H. Hartman notes in his “Wordsworth’s poetry 1787-1814”, “Anything in nature stirs [Wordsworth] and renews in turn his sense of nature” (Hartman 29). “The Poetry of William Wordsworth” recalls a quote from the Prelude to Wordsworth’s 1802 edition of Lyrical ballads where they said “[he] believed his fellow poets should "choose incidents and situations from common life and to relate or describe them.in a selection of language really used by men” (Poetry). In the shallowest sense, Wordsworth is using his view of the Tintern Abbey as a platform or recollection, however, this ordinary act of recollection stirs within him a deeper understanding.
The most charming beauty of romantic literature is the trait of its being intensely autobiographical and subjective. Similarly, "Essays of Elia" unfold the life history and idiosyncratic mind of Charles Lamb in a semi-factual way. The real delight for the Romantic comes from his infusion of fact and fiction as, otherwise, his essays would have become mere boring and passionless statements about his personal and private life. Our charm and fascination do not grow less, for we are never too close to the reality or surrounded by totally imaginary details and accounts. Under the thin layer of mystified names and references, Lamb lays bare his entire existence.