Rhetorical Analysis Of We Are The Many

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A rhetorical analysis of We are the many
Introduction
The song We Are the Many is written at the time when Occupy Movement was undergone and people were gaining increasing awareness of their rights to democracy and social and economic equity (Khatib, Killjoy and McGuire 2012). The writer is Makana, a Hawaii guitarists, is one of the advocators of this movement. As the slogan of the movement is “We are the 99%”, this song is named We Are the Many. The song is penned when the Occupy Wall Street Movement has spread nationwide to Hawaii, Manaka creates this song to provide action support to call for US government to restructure its economic, political, legal, social system and ask for a more democratic community. This song has received 0.37 million …show more content…

People will rethink their situation and take action to flight for changes to develop an equal and democratic community for the majority of residents-the low and middle class. Logos, Ethos and Pathos-these three appeals can be fully shown in it. Since the main purpose of rhetoric is for persuading, Makana choose to the deliberative rhetoric may be probably suitable to serve for persuading people to participate in the movement.

Logos
When trying to form a logic argument, Makana uses lots of indicators and examples to show the invention of the inefficient current political system, which is attributed to the few own the most power when conducting policies and regulations. “Law”, “lobbyists”, “bureaucrats”, “government”, etc. These words have exposed the reason of the movement and the focus. There are five paragraphs in the song and at the end of each paragraph, the chorus will be repeated:
“We’ll occupy the streets
We’ll occupy the courts
We’ll occupy the offices of …show more content…

The tempo and chords have no significant change within the song, but it does highlights the repetition part- the chorus. As the chorus is often the most memorable section of a song, Makana rises his volume in this section to exploit a stronger feelings and have an effect on naturally emphasis the content. Similarly, it floats to transit to the next paragraph. Also at the end of last paragraph, Makana slows down the tempo and volume down in singing “we are the many’ and back to its normal tempo and volume at the last sentence “you are the few”. In performance, the suddenly change smoothly indicates the song goes to the end and in expression, simply emphasising the lyrics without trace. And this sound like he is speaking out the slogan of the movement with an authority

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