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An Article on War poetry
Theme of death in poetry
An Article on War poetry
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Owen expands on the shelling in lines 3 and 4, noting, “Only the stuttering rifles’ rapid rattle/ can patter out their hasty orisons” (Lines 3 and 4). Owen repeats “only” to build momentum and to truly explain the sounds of the guns. He uses alliteration in “rifles’ rapid rattle” and onomatopoeia in “stuttering” and “rattle” to imitate the harsh and repetitive sounds of rifles. The alliteration creates a sense of the rapidity and frequency of the firing. Owen again personifies the guns, this time by using “stuttering” like the stutter of people. To him, the guns represent people and the people appear as animals. He compares the shelling to the guns rattling out prayers. Ironically, these prayers do not help the soldiers; they wound or kill …show more content…
He writes, “And bugles calling for them from sad shires” (Line 8). A bugle is a small simple brass instrument without valves, similar to a trumpet. Bugles are used for three main purposes: at a funeral, to mark time, and to call a retreat. The “sad shires” are the towns from which the men come. They are “sad” because many of the men are away, most of them dead. We could interpret this line in three ways. First, the sound represents the mourning of the soldiers in the home towns. Since the sound is rather frequent, it shows the massive amount of death and the herd-like killing of the soldiers as referenced in Line 1. Second, the sound could mark the time of the day, reminding the aimless and purposeless soldiers of how slowly time is moving. This slowing of time contrasts with the fast-paced life of the soldiers before the war and shows how war ages men. Third, the sound from the shires could be a calling of retreat, asking the men to return home. This sense of hope appears only here in the poem – the remaining lines all have a sombre mood emphasizing on death. However, this could also be interpreted as the notification of death at home. This imagery of the bugle varies greatly from its value in previous wars. Before World War I, trumpets were played before battle to generate patriotism and to remind the soldiers to fight for glory. Now, in World War I, it only represents the slowing of time, a retreat, or
The Greek god of love, Eros, is seen in varying perspectives. To some, he is a powerful force that takes a leadership role in life. He is mighty and unwavering. To others, he is a servant of the people. One such concept of servitude is portrayed in the poem “Eros,” written by Anne Stevenson. Through the use of rhyme, alliteration, and other literary devices, Stevenson produces the reader with a clear image of a beaten god. Because of this, “Eros” can easily be approached with the formal critical strategy.
According to Sigmund Freud, “the uncanny is that class of the frightening which leads back to what is known of old and long familiar” (825). In Robert Hayden’s poem The Diver, the uncanny sneaks upon the reader as the speaker is descending further into the depths of the sea, and the unconscious. The use of Freud 's uncanny evokes fear and uncertainty in the reader as they delve deeper into the unconscious. Hayden uses alliteration to play with repression and turns familiar scenes into the unfamiliar to emphasize swimming in and out of the conscious and unconscious mind.
trumpets do not call. The poet is trying to make the start of war a
The number of beats and stresses in each line during the poem are scattered, but this serves a purpose by letting ideas flow from one to another. Each idea is connected by using the word “ring” or “ringing.” The overall message of the poem is the constant “ringing” Turner remembers from war experiences affects his everyday life. Turners tone of voice in the beginning of the poem differs from the tone of the voice in end of the poem. In the first couple of lines Turner introduces what the ringing is and why it is constantly in his head. Then towards the end of the poem, Turner uses more vivid language to describe certain images and events he went through to get the constant ringing playing in his mind. For example, in the beginning, words like; “this ringing,” “bullet borne,” and “static,” are used to describe what the ringing represents, and what it can be compared to. Then in the end language like, “muzzle-flash,” and “gravestones,” describe images he remembers from war. The change in the language creates different atmospheres. In the beginning the reader just feels they are reading descriptive language, but the language in the end makes the reader feel they are there in the setting of the poem. This specific structure is important for ideas to flow
...ths, but it lasted years. Owen betrays the men of the young generation being brutally slaughtered, like cattle, and were fated to death. Owen recognizes the feelings of the family and friends of the victims of war, the people mourning over the loss of their loved ones. Owen also uses personification in the poem, “monstrous anger of the guns” which reinforces the concept of the senseless slaughter of the soldiers. This makes the audience think about the war, and the image of heavy machine guns can be pictured in their minds, bringing them into the poet’s world of poetry.
The personification in the poem is presented in line 29 where it states “A troop of Echoes whose sweet duty/ Was but to sing” (Poe). Echoes don't necessarily come in “troops,” like an army, but rather in ...
Owen opens his poem with a strong simile that compares the soldiers to old people that may be hunch-backed. ‘Bent double, like old beggars like sacks.’ ‘like sacks’ suggests the image that the soldiers are like homeless people at the side of a street that is all dirty. This highlights that the clothes they were wearing were al...
In ‘Dulce Et Decorum Est’, Owen compares the solders who are men to ugly, old, sick women through the simile “coughing like hags”, highlighting that the men no longer possess strength, masculinity, exceptional physical skills and potency. As a result, the soldiers’ eradicated youth and innocence portrays the dehumanising effect that the soldier’s have faced through their experiences of the war. Additionally, Owen further explores this dehumanising effect through the exaggerated movement of the soldiers in the hyperbolic metaphor “We cursed through sludge”, illustrating the ghastly and gruesome environment made up of a mix of materials such as body parts of other fellow soldiers, blood and mud. The horrendous conditions the soldiers faced for a long period of time had a drastic impact on the soldier’s mental health which in turn lead to post-traumatic stress disorder or shell-shock disorder and lost of potency. Owen also portrays that not only did the war affect a few soldiers, but all the soldiers through the repetition of “all”. Ultimately, it is conveyed that the soldiers had to unwillingly sacrifice their human attributes and was dehumanised as a result of human conflict. Similarly, in ‘The Next War’, Owen
The first set of bells that we come across in this piece are the silver bells. These bells represent the first stage of human life: youth. Firstly, the color silver is pure and shiny. This is the way humans come into the world: pure, without harshness. Silver bells are associated with the winter season, which, to some, appears beautiful and untouched, just like a child. The words "merriment" and "jingling",along with the line "In the icy air of night", seem to infer that these bells are being rung around the holiday season. The ringing of these bells brings to mind a child-like anticipation of what the season will bring. The words in this first stanza are light-hearted, giving it a jubilant feel. It is also interesting to note that the first stanza has fourteen lines, making it the shortest stanza in the poem. This goes back to the idea of youth.
The words Owen chooses to use in the poem describing the soldiers are peculiar choices. The speaker refers to them as “[b]ent double, like beggars in sacks” (line 1), very different from a typical idea of a soldier. From the beginni...
The poem is divided into three sections with each part dealing with a different stage of the experience. In the first stanza, Owen describes the state the soldiers are in. The first line states that the platoon is “Bent double, like old beggars” (1). This gives the reader a vision that they are exhausted and compares them to the look of beggars on the street, who often times, look very ragged and shabby. The line “coughing like o...
The similes and metaphors used by Owen illustrate very negative war scenes throughout the poem, depicting extreme suffering of young men fighting during World War I. The first simile used by Owen describes the soldiers as “Bent double, like old beggars under sacks”, giving them sickly, wounded, and exhausted attributes from battle and lack of rest (1). Next, the soldiers are described as “Knock-kneed, coughing like hags”, which once again portrays these young men as sick...
Owen presents us a sarcastic view towards the idea of being honorable to sacrifice for their country and buttresses it with abundant of horrific images. It is a war sonnet that captures the feelings of survivors to those who lost their lives in war. The use of a sonnet creates a sense of intensity in his poem, briefness and portrays the nature of death on a battlefield. Moreover, Owen uses the rhyme scheme of “ababcdcdeffegg” to show the strong division between the lines. The choice of a sonnet allows Owen to convey his message effectively and remain emotional to keep the readers interested. His tone in the poem is gloomy and proposes the reader to consider the question at the beginning of the poem: “What passing-bells for these who die as cattle” (1). Their deaths are significant to those of cattle and it occurs in masses. This leads the reader to consider t...
In Birdsong, Faulks considers the idea of the War as an ‘exploration of how far men can be degraded’ in terms of the impact that war had upon the individual characters, resulting in dehumanisation. The main feature of being human is individuality. During his three-day-rest, the character Jack reflects that each soldier had the potential to be an individual, but because of the ‘shadow of what awaited them, [they] were interchangeable’ which is an allusion towards the politics of the War; the men were simply seen as statistics. The men search for a fate within the War, demonstrated when Stephen plays cards with the men and claims that Weir would rather have a ‘malign providence than an indifferent one’ which suggests that the men want to feel that someone is planning their future. During a heavy bombardment, Faulks describes that Tipper’s ‘iris lost all light and sense of life’ during his ‘eruption of natural fear’ when the shells land near him. The eyes here are a metaphor for life; it is a human’s eyes which represent individuality and are often described as the window to the soul. Faulks’ description of the loss of light in the eyes suggests that, as a result of the War, Tipper has lost what makes him human. The natural fear and ‘shrill demented sound’ that arises from Tipper is a ‘primitive fear’ which su...
Owen goes on to expand his use of figurative language by adding metaphors here and there. “in the hearts of lads, or give him cartridges of fine zinc teeth” (6-7), is Owen 's first use of a metaphor, and he uses it to compare the bullets in the gun 's cartridges to zinc teeth. Owen 's comparison works as a suggestion that the bullets can be seen as zinc teeth, which act as savage flesh-biting things. A couple more metaphors are noted on the last stanza: “lurk no claws behind his fingers supple” (10) and “antlers through the thickness of his curls” (12). Owen 's uses these metaphors to compare the evil sounding body parts to the innocent young boy and are extremely effective at getting to the reader (Pride Web). As noted before, Owen 's use of clever alliteration begins in line 3: “malice, like a madman 's flash... famishing for flesh” (3-4). Owen goes on to add more alliteration: “to stroke these blind, blunt bullet-leads” (5). Another important type of figurative language that Wilfred Owen effectively uses is personification. The poem reads “How cold steel is, and keen with hunger of blood;”