Wilfred Owen: Human Cruelty

World War One had an inevitable effect on the lives of many young and naive individuals, including Wilfred Owen, who, like many others, joined the military effort with the belief that he would find honour, wealth and adventure. The optimism which Owen initially had toward the conflict is emphasised in the excerpt, in which he is described as “a young poet…with a romantic view of war common among the young” (narrator), a view which rapidly changed upon reaching the front. Owen presents responders with an overwhelming exploration of human cruelty on other individuals through acts of war and the clash of individual’s opposed feelings influenced by the experiences of human cruelty. This is presented through the horrific nature of war which the

In ‘Dulce Et Decorum Est’, Owen compares the solders who are men to ugly, old, sick women through the simile “coughing like hags”, highlighting that the men no longer possess strength, masculinity, exceptional physical skills and potency. As a result, the soldiers’ eradicated youth and innocence portrays the dehumanising effect that the soldier’s have faced through their experiences of the war. Additionally, Owen further explores this dehumanising effect through the exaggerated movement of the soldiers in the hyperbolic metaphor “We cursed through sludge”, illustrating the ghastly and gruesome environment made up of a mix of materials such as body parts of other fellow soldiers, blood and mud. The horrendous conditions the soldiers faced for a long period of time had a drastic impact on the soldier’s mental health which in turn lead to post-traumatic stress disorder or shell-shock disorder and lost of potency. Owen also portrays that not only did the war affect a few soldiers, but all the soldiers through the repetition of “all”. Ultimately, it is conveyed that the soldiers had to unwillingly sacrifice their human attributes and was dehumanised as a result of human conflict. Similarly, in ‘The Next War’, Owen

Owen as a young soldier held the same romantic view on war as majority of the other naive soldiers who thought that war would be an exciting adventure. The documentary extract illustrates how markedly Owen’s perspective of the war changed, as noted in a letter to his mother while he was still in the front lines: “But extra for me, there is the universal perversion of ugliness, the distortion of the dead ... that is what saps the soldierly spirit.” In ‘Dulce Et Decorum Est’, Owen’s change of heart is evident through the irony of the poem title and the ending line “The old Lie; Dulce et Decorum est, Pro patria mori.”, an allusion to the Roman axiom made famous by Horace, which translates to “The old Lie; It is sweet and right to die for your country.”. The line depicts Owen’s realisation that the horrific nature of war through human conflict is not sweet and right at all, rather, it is appalling and “bitter as the cud” as death is always present on the battlefield. Additionally, Owen indirectly responds to Jessie Pope’s poetry, a pro-war poetess, through the reference “My friend, you would not tell with such high zest… The old lie…”, further highlighting his changed perspective towards the war which has been influenced