Going through screenplays, I was at a stalemate as I had never seen a screenplay before. I was put off by the writing, and the contents tried all of my ideas of what good writing is supposed to be. After reviewing all of the background information for the rules and structure of screenplay writing, I came to understand the differences between the writing style of novels in comparison to screenplay writing. Screenplay writers are put to the task of writing a highly visual story, that should contain only what an audience would be able to see and hear, using clear and concise writing, but still keeping the contents creative ( The Script Lab). Following the form set forth for screenplays, M. Night Shyamalan does an artful job with The Sixth Sense.
The Sixth Sense is about two main characters: Dr. Malcolm Crowe a child psychologist and a disturbed young boy named Cole Sear. The simple yet complicated internal and external conflicts of the this screenplay are intriguing: The growing rift between Dr. Crowe and his wife Anna, and their lack of communication; Dr. Crowe's endeavor to solve ...
The Seven Five is a documentary that frivolously reexamines the crimes of Officer Michael Dowd and his team of dirty cops. Dowd is a former New York police officer who was stationed in the 75th Precinct in Eastern New York. The film presents the nefarious deeds of these officers via original interviews with Dowd and his former comrades as they recount their crimes and explain the reasoning behind their unethical behaviors. While working as a cop, he embellished his income through criminal exploits which include stealing guns, drugs, money, and eventually he began working in drug rings selling cocaine. Dowd’s felonious activities were extremely lucrative and earned him approximately $4,000 a week. Dowd was eventually arrested in 1992,
In the film industry, there are directors who merely take someone else’s vision and express it in their own way on film, then there are those who take their own visions and use any means necessary to express their visions on film. The latter of these two types of directors are called auteurs. Not only do auteurs write the scripts from elements that they know and love in life, but they direct, produce, and sometimes act in their films as well. Three prime examples of these auteurs are: Kevin Smith, Spike Lee and Alfred Hitchcock.
The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.
In conclusion, details involving the characters and symbolic meanings to objects are the factors that make the novel better than the movie. Leaving out aspects of the novel limits the viewer’s appreciation for the story. One may favor the film over the novel or vice versa, but that person will not overlook the intense work that went into the making of both. The film and novel have their similarities and differences, but both effectively communicate their meaning to the public.
I thought Sling Blade was written and filmed well. It did get slow in parts, but overall it kept my attention. I picked up on minute details that on a regular basis I wouldn’t have. This paper made me see the underlying aspects such as the music, lighting, and script. It made me pay attention to what the characters were saying and how they were relating. I now look at film in a new light. I don’t just watch the surface. I dig deeper and watch for everything.
Stanley Kubrick is considered to be one of the most visionary directors of all time. He had a unique style of making film, from mise-en-scene to narrative, his films draw lines between real and surreal. Kubrick’s movies often portrayed sex, violence explicitly which is why his movies are different than any other director, because it gives a sense of questioning to the audience. His movies were enormously misinterpreted by its viewers and some of his movies didn’t even make to the cinemas.
“I forgive you, Dad.” (Movie) On the movie screen the tearful Eddie, with his trembling voice, is wholeheartedly trying to reach out to his father inside the Diner in Heaven. It is the moment that Eddie’s sentimental reflection turns into an emotional eruption. At that moment Eddie’s tears almost wet my face. That is just one of stunning visual effects I felt while watching the film, “The Five People You Meet in Heaven.” The film, directed by Lloyd Kramer, is based on the book with the same title, written by Mitch Albom. In terms of plot, general theme, and setting, they are all projected in similar ways both in the book and the movie, such as chronological order of the five people Eddie meets in Heaven, use of flashbacks, and Ruby Pier entertainment park as the central stage. By appearance, both in the book and the movie, Eddie and the five people are naturally the major focus. However, I believe that the relationship between Eddie and his father is specially fabricated by the director and the author with the intention of making the story more complex and captivating. On top of that, I find that Eddie’s father, portrayed as a controversial character throughout the book and all over the film, is really worth further reviewing and discussion. More specifically, I would like to analyze the similarities and differences vividly perceived between the novel and the movie in various ways of portraying the father.
The film ‘Minority Report’ directed by Steven Spielberg was released in 2002 and is set in the future of 2054. The main idea for Minority Report, is about a crime unit, which is set around 3 psychic twins, the ‘pre-cogs’ who have the ability to see brutal crimes before they are to occur. The pre-cogs are rested in a room, also called ‘The Temple’ where they are nurtured and their visions are recorded. The pre-crime unit, equipped with advance tech rush to the scene and stop the crime before they occur. Tom Cruise being the action movie star he is, playing the on-the-run pre-crime cop role of John Anderton, paired with Steven Spielberg at his directional best, make a significant work of art. Spielberg uses various techniques to portray several ideas to directly show the viewers a certain message.
From a structural perspective, movies and novels appear as polar opposites. A film uses actors, scripts, and a set in order to create a visual that can grab and keep the attention of their viewers. However, an author strives to incorporate deeper meaning into their books. Despite these differences in media, 1984 and The Hunger Games present unique, yet similar ideas.
Film and literature are two media forms that are so closely related, that we often forget there is a distinction between them. We often just view the movie as an extension of the book because most movies are based on novels or short stories. Because we are accustomed to this sequence of production, first the novel, then the motion picture, we often find ourselves making value judgments about a movie, based upon our feelings on the novel. It is this overlapping of the creative processes that prevents us from seeing movies as distinct and separate art forms from the novels they are based on.
At this point, the readers create their own movie in a way. They will determine important aspects of how the character speaks, looks like, and reacts. Whereas, in the movie, the reader has no choice but to follow the plot laid out in front of them. No longer can they picture the characters in their own way or come up with their different portrayals. The fate of the story, while still unpredictable, was highly influenced by the way the characters looked, spoke, and presented themselves on screen.
One Flew Over the Cuckoo’s Nest Hoang Tran English 3A - Mr. Nguyen Period 5 11/27/17 One Flew Over the Cuckoo’s Nest, written by Ken Kesey, takes place within the 1960’s and centralizes its plot around the patients of the mental hospital. The asylum is governed with a matriarchy by Nurse Ratched. Nurse Ratched keeps her dominance within the ward through strict rules that keeps the patients in order. Her ways to keep her patient's intact may be a bit extreme
Book Report - Sense and Sensibility 1.) In Jane Austen, Sense and Sensibility, the title is a metaphor for the two main characters Elinor and Marianne. Elinor represents sense and Marianne represents sensibility.We find out early that Elinor does not share her feelings. When Edward comes into the story, there was an immediate attraction. She tells no one of her feelings. It was just assumed that they are meant for each other. When Edward has to leave, Elinor says nothing.
It is entirely possible for any amazing writer to come up with the next big movie. You could have the greatest movie ever written, but if it is not in the write format then it could easily lose the reader’s attention. So long as people follow the rules for screenwriting such as description and dialogue then it will look professional and be take seriously. Whenever you write short lines for a film it is important that you follow the same rules as screenwriting. It is also important to know that not every production company looks at every script handed to
Before any physical shooting can take place, a series of preparation steps must occur to ready the production crew and actors alike. The beginning of any film starts with the story, much like a novel. Instead of words in a book, however, a script serves as the backbone of the film, containing all of the characters, settings, and action that takes place in the story. The script’s story will comprise of a conflict posed at the main character, a goal for that main character, and some sort of resolution. The elements of storytelling generally stay the same for scripts; the format for writing the script accounts for largest difference to that of a regular novel. Instead of ...