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Essays on the seafarer
Essays about the seafarer
Essays on the seafarer
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The Seafarer: Response to Literature “The Seafarer” is an Old English poem told from the first-person point of view. In the story, the main character, an old seafarer, is reminiscing his life. He describes everything he went through and all the feelings he had on the lonely sea and the land. The themes of the story is religion, word choice, and literal view. The poem is often noticed as a penitential exile; however, some argue that if the Seafarer was a religious exile, why weren’t the “joys of the spirit” mentioned. John C. Pope and Stanley Greenfield have argued about what the word sylf means in the poem. The poem has a detailed description of the voyages without much of a figurative meaning, justifying it’s about a literal penitential
The story describes the protagonist who is coming of age as torn between the two worlds which he loves equally, represented by his mother and his father. He is now mature and is reflecting on his life and the difficulty of his childhood as a fisherman. Despite becoming a university professor and achieving his father’s dream, he feels lonely and regretful since, “No one waits at the base of the stairs and no boat rides restlessly in the waters of the pier” (MacLeod 261). Like his father, the narrator thinks about what his life could have been like if he had chosen another path. Now, with the wisdom and experience that comes from aging and the passing of time, he is trying to make sense of his own life and accept that he could not please everyone. The turmoil in his mind makes the narrator say, “I wished that the two things I loved so dearly did not exclude each other in a manner that was so blunt and too clear” (MacLeod 273). Once a decision is made, it is sometimes better to leave the past and focus on the present and future. The memories of the narrator’s family, the boat and the rural community in which he spent the beginning of his life made the narrator the person who he is today, but it is just a part of him, and should not consume his present.
Some of the most intriguing stories of today are about people’s adventures at sea and the thrill and treachery of living through its perilous storms and disasters. Two very popular selections about the sea and its terrors are The Perfect Storm by Sebastian Junger and “The Wreck of the Hesperus” by Henry Longfellow. Comparison between the two works determines that “The Wreck of the Hesperus” tells a more powerful sea-disaster story for several different reasons. The poem is more descriptive and suspenseful than The Perfect Storm, and it also plays on a very powerful tool to captivate the reader’s emotion. These key aspects combine to give the reader something tangible that allows them to relate to the story being told and affects them strongly.
In the first five stanzas, the author discusses the already submerged ship. ?Stilly couches she,? describes the ship resting on the bottom of the ocean. The lines, ?Jewels in joy designed?lie lightless, all their sparkles bleared and black and blind?, point out the waste of money, technology and craftsmanship going down with the ship which is consistently mentioned in these stanzas. In the next six stanzas he describes the iceberg and the ship meeting together as one in destiny.
The Seafarer highlites the transience of wordly joys which are so little important and the fact thet we have no power in comparison to God.
The Seafarer is a poem about an Anglo-Saxon man who, having apparently been banished from his home, has taken to the sea. John Pope, one of the foremost critics of the poem, postulated, and it is now generally accepted, that it is composed of three parts. Part A1, covering lines 1 through 33a, is believed to be the story of an inexperienced young sailor who tells of his hardships at sea. Part A2, lines 33b to 64a or 66a, and part B, 64b or 66b through 124, is told by an eager young sailor who loves the sea. An epilogue is usually believed to be contained in lines 103 through 124 (Pope, 177). Jove Pope's greatest critical adversary, Stanley Greenfield, believed that A1 is details a voyage the speaker was forced to undergo, and that the purpose of A2 is to emphasize the speakers choice to undertake a current journey (Greenfield, 107).
In Coleridge’s Rime of the Ancient Mariner the reader finds an enduring tale. Although the poem is nearly 200 years old it remains a popular piece by way of the novel juxtapositions and contradictions that are so eloquently described that the reader is both drawn in by the logic of the descriptions as well as fascinated by the complete unreality depicted in the poem. It is highly unlikely anyone could claim an understanding of the events told by the Ancient Mariner—the reader today, as well as in Coleridge’s time is akin to the man in the wedding party, listening to the Mariner’s tale with a mix of horror, astonishment and disbelief. However, also like this man we are compelled to continue reading (in his case listening) to the story and are left changed by it. Today’s reader is more profoundly affected by the intricacies of Coleridge’s ideas than the man confronted by an eerie old man in the poem. This reader found the juxtaposition of living versus non-living things particularly gruesome and compelling for it is the backbone of this and any horror(ific) story.
As the ancient Mariner described his adventures at sea to the Wedding-Guest, the Guest became saddened because he identified his own selfish ways with those of the Mariner. The mariner told the Guest that he and his ship-mates were lucky because at the beginning of their voyage they had good weather. The mariner only saw what was on the surface -- he did not see the good weather as evidence that Someone was guiding them. Also, when he shot the Albatross, the Mariner did not have any reason for doing so. The Albatross did nothing wrong, yet the Mariner thought nothing of it and without thinking of the significance of the act, he killed the bird. At this, the Guest was reminded of how self-absorbed he, too, was, and the sinful nature of man. At the beginning of the poem he was very much intent on arriving at the wedding on time. He did not care at all about what it was that the Mariner had to tell him; he did not want to be detained even if the Mariner was in trouble. Instead, he spoke rudely to the mariner, calling him a "gray-beard loon", and tried to go on his own way.
In the ballad, the woman leaves her house and family to go away with her previous lover when he promises her “ four-and-twenty bold mariners, \ And music on every hand” (Ballad 20). But after they “sailed a league,../A league but barely three”, the woman “wept..bitterly” and at the end she died when the man “stuck the top-mast with his hand.../And sank her in the sea”(20, 21). Her disobedience and her infidelity to the marriage caused her to suffer as she died when the man sunk the ship to the sea. The parable presented in the ballad reveals the suffering and punishment caused by the woman’s infidelity to her marriage. When the woman's lover is describing how he will take care of her and how he promises her a ship with “sails [made] of the teffeta,/ And the masts of the beaten gold” he is exaggerating the truth in order to convince the woman that she should escape with him (Ballad 20). In addition when the woman began to cry about leaving her husband and kids, the man “stuck the top-mast with his hand,/ The fore-mast with his knee;/ And he broke that gallant ship in twain, / And sank her in the sea” (Ballad 21). This gross over statement of the truth helps convey the severity of the punishment that women who cheat and are not faithful to their marriages are going to receive. The
In regards to the Titanic, normally it is seen as a depressing tale of many passengers losing their lives in the horrific accident. Yet the attitude presents in the poem generate a unique perspective towards those lives lost. Although death is the same for everyone, it is made clear that the fate of those of the Titanic is far more noble and should not be looked upon in a depressing
In The Rime of the Ancient Mariner, Samuel Coleridge writes of a sailor bringing a tale to life as he speaks to a wedding guest. An ancient Mariner tells of his brutal journey through the Pacific Ocean to the South Pole. Coleridge suffers from loneliness, because of his lifelong need for love and livelihood; similarly, during the Mariner’s tale, his loneliness shows when he becomes alone at sea, because of the loss of his crew. Having a disastrous dependence to opium and laudanum, Coleridge, in partnership with Wordsworth, writes this complicated, difficult to understand, yet appealing poem, which becomes the first poem in the 1798 edition of Lyrical Ballads. The Mariner’s frame of mind flip-flops throughout the literary ballad, a songlike poem that tells a story, which could be a result of Coleridge’s horrible addiction. Using the senses of seeing, feeling, and hearing as the Mariner tells his tale to a wedding guest in The Rime of the Ancient Mariner, Coleridge demonstrates the use of many sensory details as the ancient Mariner speaks to a wedding guest.
We, as readers, are Coleridge’s Wedding Guest. Coleridge writes a story within a story and makes us believe the Mariner’s story is Coleridge’s own. Though, by separating both stories from each storyteller, we see that Coleridge’s story is about forgiving oneself from guilt. The Mariner was unable to do this ever since his youth and, thus suffered for the rest of his life. Works Cited Coleridge, Samuel.
In the Anglo-Saxon era, exile was an essential aspect to the type of literature that was written. The word exile, in the age of the Anglo-Saxon, was an extremely feared word because it meant being barred from one’s village, which in many cases meant death. If one was barred from a village, they could not join another village or get back into their homeland because other kingdoms would not let strangers in due to their history. The exiled were stuck out in the wilderness alone with only their thoughts and the harsh climate. Not only was the word “exile” feared, it also helped the ruling king gain more power because of the constant fear of being banished from their loved ones.
The writer of this poem uses symbolism, imagery, and alliteration to develop a theme that relates to individuals finding their true passion and getting caught up with themselves isolating them from corruption of the world. II.) BODY PARAGRAPH 1 a. The writer uses vast examples of symbolism to help amplify why the seafarer does not wish to find land and why he constantly sails the ocean thus
The second section of the stanza shows the mere observations the narrator made of his fellow passengers from a distance in his “meditations” in an attempt to better understand them and their “curious” behaviours, almost suggesting the narrator to be the figurative vessel between mankind and “the physical world”. A rocking motion is created by the phrase “similitudes of the past and those of the future” which not only mimics the movement of the boat, and the ebb and flow of the tide, but also represents a distance between the reader and the narrator as a result of the generation gap. This also mirrors the “ebb-tide” and the “flow-tide” of the poem, as the poem itself moves closer and becomes more personal through the intimate address of nature in Section 1, then moves further away through the distant observations made of humans from the periphery during “meditation”. The significance of the relationship between humans and nature is also explored in ‘In Cabin’d Ships at Sea’, in which the sea represents the immensity of the world whilst the “cabin’d ships” are symbolic of the individuals who inhabit
Fear has taken a hold of every man aboard this ship, as it should; our luck is as far gone as the winds that led us off course. For nights and days gusts beyond measure have forced us south, yet our vessel beauty, Le Serpent, stays afloat. The souls aboard her, lay at the mercy of this ruthless sea. Chaotic weather has turned the crew from noble seamen searching for glory and riches, to whimpering children. To stay sane I keep the holy trinity close to my heart and the lady on my mind. Desperation comes and goes from the men’s eyes, while the black, blistering clouds fasten above us, as endless as the ocean itself. The sea rocks our wood hull back and forth but has yet to flip her. The rocking forces our bodies to cling to any sturdy or available hinge, nook or rope, anything a man can grasp with a sea soaked hand. The impacts make every step a danger. We all have taken on a ghoulish complexion; the absence of sunlight led the weak souls aboard to fight sleep until sick. Some of us pray for the sun to rise but thunder constantly deafens our cries as it crackles above the mast. We have been out to sea for fifty-five days and we have been in this forsaken storm for the last seventeen.