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Review on claude debussy
Review on claude debussy
Essay on debussy and his music
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“Clair de Lune” by Claude Debussy Achille-Claude Debussy was born on August 22, 1862 in St. Germain-en-Laye, France. He was the oldest of five children and homeschooled by his mother. He came from a very humble upbringing, his mother (Victorine Manoury) was a seamstress, his father (Manuel-Achille Debussy) his father took on any job he could that most likely didn’t have much prestige. The family moved to Paris, France in 1867 when Debussy was just a mere five years old. In the southern part of France called Cannes is where he took his first piano lessons from Jean Cerutti. According to Edward Lockspeiser, a writer for Encyclopaedia Britannica, “Debussy showed a gift as a pianist by the age of nine.” In 1872 Claude was accepted into the Paris …show more content…
Most musicians in his time used impressionistic paintings as inspiration for their pieces, Claude instead turned to symbolistic poetry to guide and shape his music. “His constant preoccupation with sound color led to instrumentation experiments of unique refinement, possibly equaled only in some of Maurice Ravel’s works(Florea.)” Debussy is considered “France’s true musical modernist.” Many critics did not like his music, they found it lacked passion and was static. One of his most famous pieces composed in his early years as a musician, when he was still developing who he was as an artist. In this time he was influence by many difference people and shaped by many different poems and paintings, this fragile state he was in contributed greatly to his new style. “This early style is well illustrated in one of Debussy’s best-known compositions, Clair de lune(Losckspeiser.)” He was truly a unique soul who helped music make the transition into modernism. Suite Bergamasque was composed by Debussy in 1890 and revised and published in 1905. This composition was written for a piano solo. It is best known for its’ third movement titled “Clair de lune.” The first movement, called Prelude, is very light and legato; similar to the mood of Clair de lune. The second and fourth movements provide quite the contrast, they are more lively and contain much staccato. It is because of this …show more content…
This movement is my favorite piano piece, and it seems to be widely favored by people living in the 21st century. Even though this piece was written at the end of the 19th, nearly 200 years later this song is still adored. Musical prodigies are performing Clair de lune by the time they are eight years old, Hollywood uses it in many movies and television series, and students across the globe listen to it to help them study. It is used more frequent and in more ways than Claude Debussy ever dreamed! It is one of the most influential pieces he has ever composed, I would go so far as to call it the MOST influential. If you were to play Clair de lune in a classroom full of students and ask them if they have heard it before, I would guess that nine out of ten people would know it. THAT is how moving this masterpiece is, that is Debussy reaching beyond the bands of time, that is him doing what he devoted his whole life to, that is him evoking moods and portraying colors that all of humankind can feel and
It is also the piece that had enough of an effect to make the evil man go away, in the film, Fantasia. My strongest reaction to this piece, is the warm and chilled feeling I get hearing it. The idea of developing “chilled” bones from music is amazing. I arrived at this certain place, by truly diving into the song. I really listened to it, and could hear the seriousness in the singer’s voice. I could hear and understand the passion that the musicians felt when they pressed the piano’s keyboards. The singing, along with the instruments complimenting, is astonishing. I caught myself listening to this piece during the interview, and I could imagine even an evil monster falling in love with this tune enough to turn good. I felt the drama and power in the singing, and the seriousness in the playing of the
Each individual player in this orchestra is a soloist of sorts, playing a completely different piece than the musician seated directly next to them or across the stage. Rather than being written as a concerto, this piece, written in three movements, allows for each of the accomplished musicians to display their skill individually though each solo is not brought to the forefront of the piece, creating a what sounds like a disgruntled compilation of individual pieces that come together. This piece both begins ends with the Funeral March of Beethoven’s Eroica Symphony directly tied into the basses, at first it is quiet and difficult to recognize but as the third movement is introduced it becomes more pronounced and evident. Those who were present for this pieces introduction to society were able to see its emotional effect on its composer who had obvious emotional ties to the music. Strauss never showed up to see his work debut instead he attended the dress rehearsal, asked Sacher if he could conduct this work. Strauss was said to have given a beautiful reading of the score that many view as his most...
The dynamic levels at the beginning were in piano, but it did not stay that way, there were changes in the sound there were crescendos and decrescendos but mostly toward the end. The harmony was very polyphonic it had many sounds play at one and the texture was also thick it had many layers of sounds because of the number of instruments and the variety of instruments playing simultaneously. The instruments played in this composition were strings, woodwind, brass, and percussion like, cello, flute, French horn, and timpani and they for the tone color the instruments did have a high pitch range. The form for this was theme and variation because he had a theme and variation he took the melody and used it over and over and over again by changing different elements. Prokofiev’s Piano Concerto No. 2 in G Minor, Op. 16 rhythm was a medium walking pace and the steady beat was recognizable. For dynamics, the composition started off mezzo and had changed where it was forte and had crescendos. The melody seemed to be in minor scale
Volondat, Pierre-Alain, perf. Variations OP 20. By Clara Schumann. Rec. 15 May 2010. Saphir Productions, 2008. Florida College's Classical Music Library. Web. 17 Nov. 2013.
The first movement is in sonata form - Allegro ma non troppo, un poco maestoso. Strings and horns appear from the distance as if they had already been playing out of earshot. The music gradually intensifies in volume until the final explosion into the first subject. Then this whole process is repeated. The first movement shows a contrast of emotion that seems to return in the recapitulation before moving firmly into the minor in the coda, with the movement ending with an emphatic statement based on the first subject.
This piano concerto adheres to the tradition way of composing a piece in this genre as it consists of three movements:
The CD hit number one on Billboard charts almost immediately. This album reminds me of my childhood because I watched the movie over and over. All of the songs have a magical feeling to them. The orchestra in the background of the songs is absolutely beautiful. Some of the songs are just the orchestra and it's amazing that you can tell exactly what emotion is happening in the movie without seeing it. I love every track but my favorites are “Bibbidi-Bobbidi-Boo” by Walt Disney Records and “A Dream is a Wish Your Heart Makes” by Walt Disney Records which are both Disney
...n end. Debussy started to find inspiration from Musorgsky. In 1889 he heard Javanese Gamelan orchestra. Hearing this exotic music from the orchestra he later applied it to some of his work. He also drew his inspiration from poems, songs, and other composers, such as, Stéphane Mallermé poem, Mary Gardens song, and Louis Bourgault-Ducoudray compositions.
...s to keep its beautiful array of melody, intensity and control by reminding the audience that it’s still a contemporary and classical piece of work.
'It seems to me, my dear friend, that the music of this ballet will be one of my best creations. The subject is so poetic, so grateful for music, that 1 have worked on it with enthusiasm and written it with the warmth and enthusiasm upon which the worth of a composition always depends." - Tchaikovsky, to Nadia von Meck.
Chopin’s third sonata is a masterwork filled with pianistic elements, daring harmonies, experimental form, and a wealth of expressivity. In this four-movement work, references to other Chopin compositions and influences from fellow composers are found. At the same time, there is a progressive element; it looks forward to the heights which would be achieved by Chopin and later composers.
...re was very interesting transitions between the variation, for example, string section plays the variation from low to high, when they reach the highest note, the brass family takes over and continue with the scale and make it more higher. Tremolo style was used in this piece, which is a quick ups and downs stroke mode. The music were very soothing and attracted the audience. Lastly, they end the piece with the same variations that was played at the beginning.
middle of paper ... ... ignature of four sharps, the music never settles comfortably in E major or c-sharp minor, with many more keys suggested than actually reached; this is heightened by his general avoidance of 'traditional' diatonic cadences. Debussy is representing the latter end of the harmonic development and it has been interesting to depict this evolution from Schumann through Brahms to Debussy's Sarabande, exploring the ways the composers innovated previous works, creating new experiences for the audience. The fundamental developments are the depth of texture, the use and building up of different intervals, the movement of the parts on top of one another and finally the harmonic movement through keys; be it ambiguous (Debussy), established via writing around the key (Brahms) or a cocktail of diatonic and tonal writing (Schumann).
The main different between the two movements is the second piece have more of a ‘here I am’ persona. This feel continue on until the piece change to pianissimo where the feeling of the piece becomes suspenseful. This tension of the piece help with piece intensity. Right before the piece accelerate, the beginning of the second movement is repeated again. When the triplet section starts, the mood of the piece change to a prideful feel, as if a king is entering in the town.
Claude Debussy is one of my favorite composers of all time. Claude Debussy’s music has had the ability to alter how I perceive music and, has made me gain a greater appreciation for all types of music. Growing up playing piano my entire life it was always hard for me as a child to follow all of the “rules” of what traditional classic music was interpreted as. Sheet music seemed so dull and boring to me, because I would be playing the piece but certain parts just did not sound appealing to my ear. My instructor always frowned upon me for this because it was different from what every other person was doing at the time. I recognized that Debussy’s style of music was also criticized much in the same way as mine was one day while I was listening to my favorite piece Clair De Lune. The song in my mind is simply perfection, the harmonies all flow beautifully but, according to others it is not what they want to hear because it is considered to be vague and lacks image. My struggle at being restricted to these so called rules of piano made me like Debussy more and more.