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Basic tenets of the symbolic interaction perspective
Basic tenets of the symbolic interaction perspective
Basic tenets of the symbolic interaction perspective
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Research Methodology Report
My themed research project will centre its focus upon the link between Riot Grrrl and its relation to Third-Wave Feminism. Primarily I aim to analyse Riot Grrrl’s music scene, but also its subculture mentioning its DIY punk ethic, political activism and most importantly its influential Zine network. However the purpose of this report is to demonstrate a grounded understanding in three research methodologies and how I will apply each one in regards to my own project. Firstly I’ll investigate the advantages of an Instrumental Case Study, looking at how it proliferates, rather than narrows a given field of study. Secondly I will delve into Symbolic Interactionism referring to some influential figures involved within this methodology, as well as providing an example in regards to my own topic. Finally I will clarify the subtle difference between Text Linguistics and Discourse Analysis, concluding as to why I have settled upon the latter in my own research.
One qualitative method of research I will employ is a case study. The aim of my case study is to highlight the key components of the Riot Grrrl movement in the 90s. Thomas defines a case study as;
‘An analysis of persons, events, decisions, periods… in which a study is conducted and the case is illuminated and explicated." (1)
With the Riot Grrrl movement of the early 90’s providing my case study’s analytical time frame I will be able to amass a detailed collection of contextual analysis on some of the formal, behavioural, sociological and ideological factors that paved the way for third wave feminism. However I must stress that my main purpose is not to define Riot Grrrl (a task that is almost as futile as trying to generalise the Third-W...
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... 6 (Dec., 1969), pp. 922-934
(11) Andrew Graham-Dixon, "Say It With Flowers." – Symbolism- The Independent, Sep. 1, 1992
(12)Joanne Gottlieb and Gayle Wald – Riot Grrrls, Revolution and women in rock p359
The Popular Music Studies Reader
Routledge; 3rd Revised edition (26 Oct 2005)
(13) Fasold, R. (1990) Sociolinguistics of language. Oxford:Blackwell p 65
(14) Shriffrin, D, The handbook on discourse analysis - Publisher: Wiley-Blackwell (July 7, 2003)
(15) Bourdieu, P (1990) The Logic of Practise (trans. R. Nice). Cambridge, Polity
(16) White, E (1995) ‘Revolution Girl Style Now.’ Rock She Wrote:
Women Write about Rock, Pop and Rap
New York: Dell Publishers, 1995. P396-408
(17) S. Slembrouck (2005:1) 2005, 'Discourse, critique and ethnography: Class-oriented coding in accounts of child protection', in: Language Sciences, 27:6, 619-650.
The origins and types of second-wave feminism provide a background for women’s experiences at the t...
In the book Introduction to Research: Less Fright, More Insight: a Customized Version of Research Methods: Are You Equipped?, the author defines a case study as “an in-depth observation of an individual, animal, event, or treatment method (pp. 73).” In this paper, the student will be writing a case study about herself, and she will explain what it is that she has learned about research. More importantly, the student will then evaluate her experience from a biblical, Christian perspective.
‘From Riot Grrrl to Pussy Riot: to what extent has the underground protest movements ‘Riot Grrrl’ shaped the feminist punk we hear across Europe and America today?’
What is a case study? A case study is a process or record of research in which detailed consideration is given to the development of a particular person, group, or situation over a period of time. There is many different types of cases; rape, robbery, arson, kidnapping and finally murder. Case studies lead to trials;a formal examination of evidence before a judge, and typically before a jury, in order to decide guilt in a case of criminal or civil proceedings. One famous case study that went to trial was Jodi Arias Trial. Her case was her getting convicted of brutally murdering her ex-boyfriend, Travis Alexander.
Throughout history, music has been the artistic stage of philosphoical output of both ideas, emotions and stories, enducing emotional and cogitational responses from the audience, through it’s representation of ideas and through ‘words in music’. Victor Hugo says- “Music expresses…. that which cannot remain silent” (26 February 1802 – 22 May 1885), and is a predominant feature in the early 1990s ‘Riot Grrrl’ movement, in which female-empowerment bands would address modern issues of sexual abuse, racism, and the patriarchy through their underground, punk rock music.
Take a moment and envision yourself accompanying your significant other at a highly anticipated punk rock concert. Upon arrival, he immediately insists that you play the role of a “good girlfriend” by holding his jacket while he and the rest of the male audience move up towards the mosh pit. You soon find yourself pushed and shoved to the back of the room, the farthest distance away from the stage as possible, along with hundreds of other “good girlfriends” as personified coat hangers. This was an issue faced by many women in the early 90’s who were interested in the punk rock scene, yet were unable to have their voices be heard, until now. Riot grrrl, a radical feminist movement that thrived in the underground punk scene has challenged the media to take a step back and recognize the women involved to be able to portray and express themselves without the need of society’s written standards of how or what the ideal woman should be. In Kevin Dunn and May Farnsworth’s article, “We ARE The Revolution”: Riot Grrrl Press, Girl Empowerment, and DIY Self-Publishing, the authors mention how riot grrrl members took matters into their own hands by establishing their own interpersonal sources of positive and influential media through utilization of radio shows, fanzines, television programs, and creative outlets to promote self expression and awareness. They had every good intention to carry these opportunities out since the media has long been known for deliberately distorting every ounce of truth they are given. Misconceptions of feminism have especially emerged through the deceitful tactics of the media and have managed to successfully establish a negative connotation with the movement of feminism. When questioned on the topic of feminism,...
This investigation will examine a few key works by the anonymous female artist group know in popular culture as the Guerrilla Girls. In this essay it will reveal several prominent themes within the groups works that uncover the racial and gender inequalities in politics, art and pop culture with the use of humor. These collaborating artists work and operate with a variety of mediums, their works display a strong message concerned with activism connected by humor allowing the Guerrilla Girls to communicate and resonate a more powerful message to the viewer. The ways in which this collaborating group has employed many questions and facts against the hierarchy and historical ideologies which have exploited women and their roles in art. This investigation will allow the reader to identify three areas in which the Guerrilla Girls apply a certain forms of humor to transform society’s view on the prominent issue of gender in the art world. These specific ploys that are performed by the Guerrilla Girls are in the way they dress, the masks they wear, pseudonymous names of dead women artists and the witty factual evidence in their works. These are all examples to evoke audiences in challenging not only the art society which dictates the value and worth of women in art but also to confront yourself and your own beliefs in a way that makes audiences rethink these growing issues.
The origins of Third Wave feminism are highly debated, as there is no clear commonality that this wave uses to differentiate between the First and Second waves that occurred prior. Emerging during the 1990’s, Third Wave feminism sought to build upon the achievements and ideas that were accomplished during First and Second wave’s, by increasing the significance and accessibility of its ideas to a greater spectrum of people.
Starting in the 1990’s, third wave feminism brought in various feminist outlooks, some known as “radical feminism”, “Marxist feminism”, or “cultural feminism” (Dorey-Stein, 2015). In radical feminism, the oppression of women is seen as the most central form of oppression and overlooks race, ethnicity, and class. In contrast, “…radical feminism was a movement to transform society, [whereas] cultural feminism retreated to vanguardism, working instead to build a women's culture” (“Kinds of Feminism”, n.d.). While radical feminism was working for social change, culture feminism opted out of it and built alternatives that stayed away from changing the dominant society. Furthermore, Marxism and radical feminism are often seen mirroring one another. Under Marxist feminism is the idea that women are oppressed because of the capitalist system, and that the capitalist system needs to be overthrown for oppression for women to end (“Kinds of Feminism”,
Dunn, Kevin, and May Summer Farnsworth. "“We ARE The Revolution”: Riot Grrrl Press, Girl Empowerment, And DIY Self-Publishing." Women's Studies 41.2 (2012): 136-157. Academic Search Complete. Web. 1 May 2012.
Stejskal, S.M. (2010) Quatiative and Qualitative Research Methods are not and should not be Mutually Exclusive, Grinn Verlag.
The Relationship Between Riot Grrrl Feminism and Zines For much of the 1990s, third-wave feminism was in full force. Stemming from the second-wave feminism movement, third-wave feminism arose despite the antifeminist and postfeminist ideologies that were the result of the previous wave of feminism (Garrison, 2000), which included protests against Roe v. Wade as well as the negative stereotyping of female characters within popular media. The focus of this paper will be the subculture of third-wave feminism known as the Riot Grrrl movement, which was considered to be a much more angry, loud, and honest version of feminism than the preceding eras (Rosenberg & Garofalo, 1998, p. 810). Garrison (2000) states that the riot grrrl movement was a combination
Case studies are a collection of data obtained using various methods gathered on an individual or group to record areas of interest in order to assist with analysis and provide recommendations. The study should include the name of the person, although this should be protected to provide anonymity where appropriate, and a brief description of the subject. The setting where the study is to be performed should be included. The aim of the observation must be presented along with a report of the findings. The type of method used will depend upon the subject and the area of interest. Data is gathered on the subject in this case observations were used to provide the data. An interpretation of the study will be made in order to provide a conclusion and recommendations made if applicable. Freud famously used the case studies that he carried out on his patients to develop his Psychoanalytic Theory.
However, the 1990’s saw a flare-up in the music press about a new group of female musicians: the angry women. This new developing genre, Riot Grrrl, created a platform for female artists to express anger through rock music, allowing them to assert their ideas of feminism and sexuality. The Riot Grrrl movement spawned ideals in music and in young-women politics that
A research design is defined as a plan or blueprint of how one intends to conduct research (Mouton, 2005:55). A research design focuses on the end product of the research process, that is, the type of study being planned and the type of results aimed at. Its point of departure is the research problem, and hence it focuses on the type of evidence required to address the problem adequately.