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Women sexism in the media
Women sexism in the media
Women sexism in the media
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Take a moment and envision yourself accompanying your significant other at a highly anticipated punk rock concert. Upon arrival, he immediately insists that you play the role of a “good girlfriend” by holding his jacket while he and the rest of the male audience move up towards the mosh pit. You soon find yourself pushed and shoved to the back of the room, the farthest distance away from the stage as possible, along with hundreds of other “good girlfriends” as personified coat hangers. This was an issue faced by many women in the early 90’s who were interested in the punk rock scene, yet were unable to have their voices be heard, until now. Riot grrrl, a radical feminist movement that thrived in the underground punk scene has challenged the media to take a step back and recognize the women involved to be able to portray and express themselves without the need of society’s written standards of how or what the ideal woman should be. In Kevin Dunn and May Farnsworth’s article, “We ARE The Revolution”: Riot Grrrl Press, Girl Empowerment, and DIY Self-Publishing, the authors mention how riot grrrl members took matters into their own hands by establishing their own interpersonal sources of positive and influential media through utilization of radio shows, fanzines, television programs, and creative outlets to promote self expression and awareness. They had every good intention to carry these opportunities out since the media has long been known for deliberately distorting every ounce of truth they are given. Misconceptions of feminism have especially emerged through the deceitful tactics of the media and have managed to successfully establish a negative connotation with the movement of feminism. When questioned on the topic of feminism,...
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... permanent mark on today’s world. It may be considered a man’s world for now, but with the efforts of millions who support the same values that riot grrrl enforces, it will soon it will be a world of equality where both men and women have equal opportunities to have their voices be heard.
Works Cited
Downes, Julia. Women Make Noise: Girl Bands from Motown to the Modern. Twickenham: Supernova, 2012. Print.
Dunn, Kevin, and May Summer Farnsworth. "“We ARE The Revolution”: Riot Grrrl Press, Girl Empowerment, And DIY Self-Publishing." Women's Studies 41.2 (2012): 136-157. Academic Search Premier. Web. 5 Dec. 2015.
Leonard, Marion. Gender in the Music Industry: Rock, Discourse, and Girl Power. Aldershot, Hampshire, England: Ashgate, 2007. Print.
Meltzer, Marisa. Girl Power: The Nineties Revolution in Music. New York: Faber and Faber, 2010. Print.
In "Where the girls are: Growing Up Female With the Mass Media," Susan Douglas analyses the effects of mass media on women of the nineteen fifties, and more importantly on the teenage girls of the baby boom era. Douglas explains why women have been torn in conflicting directions and are still struggling today to identify themselves and their roles. Douglas recounts and dissects the ambiguous messages imprinted on the feminine psyche via the media. Douglas maintains that feminism is a direct result of the realization that mass media is a deliberate and calculated aggression against women. While the media seemingly begins to acknowledge the power of women, it purposely sets out to redefine women and the qualities by which they should define themselves. The contradictory messages received by women leave women not only in a love/hate relationship with the media, but also in a love/hate relationship with themselves.
... Popular Music Studies 23, no. 1 (2011): 19-39. Accessed April 28, 2014. Academic Search Complete.
In society today, media such as movies and music share huge roles in the dynamics of culture especially concerning communication. In Dream Worlds 3: Desire, Sex, and Power in Music Video we see how famous singers and producers in the making of their music videos have the power of illustrating our language and beliefs. From the music we listen to and things we watch, we are constantly gaining new knowledge by the message that is being presented to us. The main focus of this specific documentary was how women in the music or media industry all together are treated. From this documentary and lectures in class we see that media objectifies, stereotypes, and degrades women and their bodies as advertisements and money makers. Themes in the film discussed
Over the last twenty years the Guerrilla Girls have established a strong following due to the fact that they challenged and consistently exhibited a strong supportive subject matter that defies societal expectations. In an interview “We reclaimed the word girl because it was so often used to belittle grown women. We also wanted to make older feminists sit up and n...
Popular music in the United States throughout the decades have always consisted of different genres of music and during the late 70’s and early 80’s, many of the popular bands consisted of only male artists and members. In an era dominated by male artists, Fleetwood Mac featured their lead female singer Stevie Nicks, who went on to transcend the gender expectations of the time and pursue a solo career in the midst of heavy adversity. Fleetwood Mac’s lead singer, Stevie Nicks, is a prime example of the evolution female artists have endured as they struggled to gain equal footing in this male dominated industry. This essay will examine the different factors contributing to Stevie Nicks’s popularity, along with her breaking these normative masculine roles and the way she combined different genres and personal
This project will use a feminist media analysis of mainstream newspapers to explore the discourse around the ideology of sexual assault and women protesting in public space. I argue that the coverage of sexual assaults during Occupy Wall Street used a “blame the victim” narrative to link the participation of women protesting in public space to gender based violence. Feminist researc...
Women have consistently been perceived as second-class citizens. Even now, in times when a social conscience is present in most individuals, in an era where an atmosphere of gender equality 'supposedly' exists, it is blatantly apparent that the objectification and marginalization of women is still a major social issue. In reality, progression in terms of reducing female exploitation has been stagnant at best. Not only is the degradation of women a major problem that to date has not been eradicated, but it is actually being endorsed by some music celebrities. There are a growing number of people who purchase rap albums that support the fallacy that women are mere objects and should be treated as such. As the popularity of rap continues to climb at unprecedented rates, so too does its influence on the perception of women. In the vast majority of hip-hop songs, the depiction of women as sexual objects, the extreme violence directed towards them and the overall negative influence these lyrics have on the average adolescent's perception of women make rap the absolute epitome of female exploitation.
Madonna is a controversial legend whose attitudes and opinions on sexuality have forced the public to take notice and change the image of females in society. Madonna believed women’s sexuality was a natural aspect of life; therefore, she dared to challenge the rules and definitions of femininity and sought to expand the meaning of it. In a male dominated world, she wanted to focus on the importance of women and let them have a voice of their own. Madonna shattered all the myths on traditional beauty standards and made her statement on sexuality and feminism, which changed how society viewed the standards of beauty. She impacted female power by encouraging sex- positivity into her music and her style. It is mainly because of Madonna that ordinary women, and women in modern entertainment have more choices and freedom which continues to influence further generations.
Ouellette, Laurie. "Inventing the Cosmo Girl." Gender, Race, and Class in Media: A Critical Reader. By Gail Dines and Jean McMahon Humez. Thousand Oaks, CA: SAGE Publications, 2011. 228-29. Print.
De Boer, Jennifer Anne. On the Margins of the Mainstream: Queen, the Rock Press, and Gender. Open Access Dissertation and Theses, 1999. Print.
In rock music its target audience is the youth. And by youth I am not referring to teenagers, but instead to the mentality of youth, the adults and teens still in the sociological stage between being a ‘kid’ and accepting the responsibilities of ‘adulthood’ [Weinstein pg6] These youth negotiate the genre and change it to their liking. For example both males and females have different subgenres of rock targeted specifically at them. Males are seen from a young age as being naughty and rowdy, not very responsible and thus given more freedom. While girls are seen as quiet and polite, with very low aggression. These traits have reflected in the genres that are targeted at the two genders. Males were targeted with Heavy Metal as it expressed the qualities the very qualities they will have to give up in order to become adults and how they will lose their freedom. While for females rock music is soft and romantic, females will typically grow up faster than males and leave youth behind in order to take up responsibilities. An example of how the music was negotiated to fit the two genders is seem in the 1960s when performers such as Carole king and James Taylor transformed themes of protest into sentimental commentaries, romance and illusions of youth. [Weinstein pg 12-13] While heavy metal bands such as Black Sabbath sung about politicians and how disgusting they are for exploiting young people in the name of greed which is shown in the song Wicked World. This very characteristic of rock being created by the youth for the youth is still alive today, for example during the 2004 presidential election Green Day released American Idiot. The song was about how the media and political are brainwashing Americans to remove their individuality. The singer wanted to warn America of this and prevent them from turning into ‘idiots’ and
Dixon, M. (1977). The Rise and Demise of Women's Liberation: A Class Analysis. Marlene Dixon Archive , Retrieved April 12, 2014, from the Chicago Women's Liberation Union database.
5) Lumby, Catherine. Bad Girls: The Media, Sex & Feminism in the 90s. Australia: Allen & Unwin Pty Ltd. 1997.
...ages of women. Ultimately the purchaser and listener of all kinds of music, influences the pace of this movement.
The lyrics of music play an important part of interpreting the meaning of the song. The roles which women have been allowed by the society to embody have changed drastically. Women may question their roles because of what they see portrayed by popular culture or media. Change in female’s identity can be seen in how women are viewed or how they portray themselves in popular culture specifically through music. In general, music continues to...