Essay On Reoccurring Archetypes In The Movies Of Quentin Tarantino

147 Words1 Page
bulb-icon

Recommended: Analysis of tarantino

Director and screenwriter Quentin Tarantino has a unique style that is easily recognizable and sets him apart from other film directors. Witty dialogue and blood and violence have become a staple of a Tarantino film. However, another crucial element to his films are the characters. The characters throughout Quentin Tarantino's most popular films share attributes with one another. The three most reoccurring archetypes in his movies are the anti-heroes, avengers, and the double agents. The anti-heroes of the Tarantino films are usually the main characters; they're depicted by the ruthlessness and lack of sensitivity in their persona. Examples of these types of characters in the movies of Quentin Tarantino is the protagonist group from the film

Show More
Related

  • Spike Lee Kevin Smith and Alfred Hitchcock as Film Auteurs

    2016 Words  | 5 Pages

    In the film industry, there are directors who merely take someone else’s vision and express it in their own way on film, then there are those who take their own visions and use any means necessary to express their visions on film. The latter of these two types of directors are called auteurs. Not only do auteurs write the scripts from elements that they know and love in life, but they direct, produce, and sometimes act in their films as well. Three prime examples of these auteurs are: Kevin Smith, Spike Lee and Alfred Hitchcock.

    Read More

  • Literary Devices Utilized in Thomas Foster's Book "How to Read Literature Like a Professor" Put to Use in "Pulp Fiction"

    1048 Words  | 3 Pages

    The only real way to truly understand a story is to understand all aspects of a story and their meanings. The same goes for movies, as they are all just stories being acted out. In Thomas Foster's book, “How to Read Literature Like a Professor”, Foster explains in detail the numerous ingredients of a story. He discusses almost everything that can be found in any given piece of literature. The devices discussed in Foster's book can be found in most movies as well, including in Quentin Tarantino’s cult classic, “Pulp Fiction”. This movie is a complicated tale that follows numerous characters involved in intertwining stories. Tarantino utilizes many devices to make “Pulp Fiction” into an excellent film. In this essay, I will demonstrate how several literary devices described in Foster's book are put to use in Tarantino’s film, “Pulp Fiction”, including quests, archetypes, food, and violence.

    Read More

  • Analysis Of Neil Breen's Pass Thru

    1231 Words  | 3 Pages

    In 1954 François Truffaut, in ‘Cahiers du Cinéma’, elaborated on this idea further with his essay ‘Les Politique des Auteurs’. He argued that ownership in a film, or the creative voice that drives a movie, is always inextricably linked to the director. As such, when looking at any director’s body of work there will be recurring themes, stylistic trends, and preoccupations that define these movies as belonging solely to the director. Accordingly, there are never “good or bad movies, only good and bad directors”. Greatness in a movie is a measure of originality and vision. Village Voice’s Andrew Sarris, in his Notes on Auteur Theory (1962), refined this concept by applying a visual aid of three concentric circles to help identify an auteur - the outer circle being technique, the middle circle, personal style, and the inner circle, interior

    Read More

  • Essay On The Anti-Hero In The Crucible By Arthur Miller

    1544 Words  | 4 Pages

    An anti-hero has the role of a hero thrust upon them. They do not particularly want to be brave or noble but their actions lead them to be a hero. Facing difficult decisions and doubt are also classic traits of an anti-hero. They often lack confidence in themselves, refuse to accept their fate as a hero or don't even realise their status or ability. At a certain point, anti-heroes usually transcend into either a tragic or romantic hero. Anti-heroes can be identified in many different texts, however, all of them consist of those traits.

    Read More

  • Eternal Sunshine Of The Spotless Mind Hero's Journey Analysis

    1643 Words  | 4 Pages

    ...fers from the typical hero’s journey most is the role of the anti-hero as the central character. In discovering the conflicting ideologies and qualities of heroes versus anti-heroes, it is interesting to see that an anti-hero can follow the narrative structure of a hero’s journey to some extent. The skeletal structure of the journey stays much the same, however, the motivations of the anti-hero are drastically different to those of the hero and therefore produce a drastically different outcome in the journey itself. The fact that many of these motivations and outcomes are complete opposites to me also shows their similarities. It is my belief that the anti-hero must follow the narrative structure of the hero’s journey for them to be considered an anti-hero at all. If the structure is ignored completely the character is no longer an anti-hero but a villain.

    Read More

  • Analysis Of Martin Scorsese's Film Auteur

    918 Words  | 2 Pages

    Think about your favorite movie. When watching that movie, was there anything about the style of the movie that makes it your favorite? Have you ever thought about why that movie is just so darn good? The answer is because of the the Auteur. An Auteur is the artists behind the movie. They have and individual style and control over all elements of production, which make their movies exclusively unique. If you could put a finger on who the director of a movie is without even seeing the whole film, then the person that made the movie is most likely an auteur director. They have a unique stamp on each of their movies. This essay will be covering Martin Scorsese, you will soon find out that he is one of the best auteur directors in the film industry. This paper will include, but is not limited to two of his movies, Good Fellas, and The Wolf of Wall Street. We will also cover the details on what makes Martin Scorsese's movies unique, such as the common themes, recurring motifs, and filming practices found in their work. Then on

    Read More

  • Martin Scorsese

    1474 Words  | 3 Pages

    Movie critic, Roger Ebert, has called him a “directing god”. He has been called the “most influential and best director of their time” by fellow director, George Lucas. Director Martin Scorsese has been an influential director for the past twenty years. In the 60’s class of directors that included, Francis Ford Coppola, George Lucas, Brian De Palma, and Steven Spielberg. Scorsese ranks with this class of artists, and his movies have changed the film industry of America (Friedman I). The impact of Scorsese can be shown in a number of ways, such as his style of directing, the films that he has made, and also the relationships that he has made in the film industry.

    Read More

  • Analysis Of 'Cahiers Du Cinéma'

    1649 Words  | 4 Pages

    When looking at his work as a whole, the elements that qualify a director as an Auteur are easily identifiable. Godard’s unique style radiates from all of his films, and his signature is everywhere:

    Read More

  • Pulp Fiction

    1383 Words  | 3 Pages

    "Tarantino has lifted up the dark rock of crime cliche and found a brilliantly colorful world thriving undern...

    Read More

  • Revenge of the Killer Genre

    1490 Words  | 3 Pages

    After years of repeated thematic motifs and unchanging, stereotypical characters, films within a genre often lose their vitality. The conventions become predictable and the underlying myth becomes boring and banal. The innovative director will seek to revitalize a popular myth through a "generic transformation" (Cawelti 520). This essay shall demonstrate how Quentin Tarantino borrows a traditional myth from the gangster genre, subverts it and subsequently installs a new, unorthodox myth in its place. The end result is a new type of film that reaches beyond the established confines of the gangster genre.

    Read More

  • The Analysis of Quentin Tarantino as a Director

    973 Words  | 2 Pages

    The Analysis of Quentin Tarantino as a Director The director I have chosen to look at is Quentin Tarantino. His films have achieved a cult ang global status and I dont think anyone is going to argue that he is not an auteur. I am more interested in examining his style and seeing how this makes him an auteur and if it has changed when he was receiving a higher budget. Tarantino was born in Noxville Tennessee on 27th march 1963. Tony

    Read More

  • Archetypes In Spaghetti Western

    1154 Words  | 3 Pages

    Eye to eye and face to face is where Harmonica and Frank found themselves. They were both seconds away from pulling the trigger, but who draws first is the question? This grand showdown was produced by one of the best western directors in the game. His name is Sergio Leone. Sergio Leone combined the smallest and largest details to create a “spaghetti western” movie. The so called “Spaghetti western” film that I will be focusing on will be, Once Upon a Time in the West. I found that Leone is very precise with his facts about the historical western era plus his ability to put us in the setting of the film. Leone demonstrates in this film how he brings together the different camera angles, the mise-en-scene, but also the musical composition aspect

    Read More

  • Comparing The Films Invincible, Batman, And The Furious

    663 Words  | 2 Pages

    During my free time I enjoy watching movies. Netflix is one of my favorite programs to watch movies. They have many movies from all genres that interest me. Some of my favorite movies are based on true stories or are filled with lots of action scenes. However, I do have some memorable movies that seem not be forgotten because of great performances. Therefore I will analyze the films Invincible, Batman, and The Fast and the Furious. By implementing the terms protagonist, anti hero, and epic.

    Read More

  • Hitchcock's Auteur Theory

    1259 Words  | 3 Pages

    When we think of the greatest films in history, certain names come to mind: Griffith, Murnau, Kuleshov, Hitchcock, Spielberg, Tarantino, and the list goes on. Good movies allow actors to be praised for years, but great movies make their directors indelible for centuries. The director of a film is equal to a novel writer, which defines the auteur theory (Module 13). The auteur theory(politique des auteurs) gives special attention to film directors over any other role in the filmmaking process, arguing that a film is a reflection of the director’s artistic vision. The man behind the theory just so happened to be one of the most recognized directors of the French New Wave, François Truffaut, who stood at the heart of the movement, starting in

    Read More

  • Horror Film Analysis

    983 Words  | 2 Pages

    The protagonist in a horror film is usually one person or a group of people. The protagonist in Sinister 2 is a mother and two sons which is provides a good example of the group protagonist This being is the antagonist. The antagonist brings a great aspect to every horror movie especially because it can change forms. An example of it changing forms is in The Boy.

    Read More

More about Essay On Reoccurring Archetypes In The Movies Of Quentin Tarantino

Open Document