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Creation stories and myths
Mere christianity c s lewis analysis
Creation stories and myths
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A New Approach to Religion through Fantasy
When it comes to magical worlds and the fantasies of being there can be quite hard to relate to. One that relates to me is Chronicles of Narnia, not only because of the fantasy part how C.S Lewis made Christianity more welcoming to non-believers C.S Lewis the writer of the series of Chronical of Narnia takes a surprising approach to this belief that seeing is believing. With the adaptations made from the novel to the big screen of Chronicles of Narnia the Lion, the Witch, and the Wardrobe. Paul Stones (1988) and Andrews Adamson’s (2005) versions of the film incorporated some of the ideas that C.S Lewis wanted to get across to children. Paul Stones version of The chronicles of Narnia is a series
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Even the appearance of Santa clause who they called father Christmas appears in the film. "According to Markos, the archetypes we are all familiar with all appear in world called Narnia and that J.r.r Tolkien, the creator of Lord of the rings didn't like the idea that the movie Chronicles of Narnia had borrowed ideas from legends and culture". (pg.6) I think each creature adds to the effect of just believing in something even if it isn't real. Of course, you can't walk through a wardrobe, and come into a world called Narnia. But watching the film makes you want to believe that could be a possibility. The mythological creatures, father Christmas, Aslan, even the evil witch, all create this mise-en-scene effect of a magical world. In Stones version, he does use the mythological creatures but he also created some of them with animations. In Adamson's version of the creatures, he has large giants, and even real animals. In the fighting scene in Adamson's version, you get a close up look of all the creatures of Narnia. But one interesting factor that can be seen is how certain animals were used for the witches' army, and the ones used for Aslan's army. You can't really say that an animal is evil but the fighting scene alludes the fact that since there on the witches side their evil. The creatures used in Stones version in the battle scene were animation, and didn't really use any real animals. But in the fight scene in Adamson version there are polar bears and cheetahs and tigers. When the fight scene starts the cheetahs, who are on Aslan side, and the white tigers are on the witches side are the first to fight. there is a long-muted pause before they fight which adds to the mise-en-scene of the fight. The diegetic sound of the cheetah and tigers screaming during the pause makes the start of the battle scene
After his conversion, C.S. Lewis' writings became less modernistic. Many of his most famous writings, such as Mere Christianity, The Screwtape Letters, and The Chronicles of Narnia series contain his Christian worldview (Stewart 1), which was completely opposite of the mode...
The fairy tale creatures are seen in the movie when, they are up for sale, when they are in Shrek’s swamp and all together again at the end of the story. “Various references to figures from both fairy tale and children’s nursery rhyme—pigs, wolves, Snow White, Robin Hood, the Gingerbread Man, and the Three Blind Mice. (Tiffin ln 23-25). These are the characters that many would go ahead and pick up on. There are also scenes throughout the movie, however, that are mixed in and used as if they are supposed to be in there. One scene that stuck out after watching the movie closely, is the scene with Robin Hood and Princess Fiona. Princess Fiona fights off Robin Hood and all the men so they do not capture her. Another well-incorporated scene that is from Snow White is when Lord Farquaad is asking the talking mirror who he should marry. Tiffin briefly mentions the magic mirror, and how it is in Snow White, but does not talk about it as closely as she does the other stories. The mirror he is asking and talks to is the talking mirror forms, Snow White. When Lord Farquaad gets the talking mirror, he even starts out by asking it “mirror, mirror on the wall, is this not a perfect kingdom of them all”. In Snow White, the Evil Queen would ask, “mirror, mirror of them all, who is the fairest of them all?” so in Shrek it mimics what is happening in Snow White, having Lord
In Inherit the Wind, a 1960s film adaptation directed by Stanley Kramer, the battle between religion and science was tested, portrayed through the Scopes Trial of 1925. In the trail, John Scopes, a high school science teacher, was accused and convicted of teaching Charles Darwin’s theory of evolution, curriculum that was forbidden by Tennessee state law. It is clear that a focal point of the film was the discussion of whether religion should be the driving force behind education, or if science and empirical study is a better alternative. This discussion is alive and well in 2017, crucial in a time where Secretary of Education, Betsy DeVos, is a known believer in theories of ‘intelligent design,’ a theory that suggests divine guidance in the
The significance of religious beliefs in the tales of Beowulf and Sir Gawain and the Green Knight, portrayed diverse roles in each story. Although it was clear that God was highly-favored and worshipped in each of these tales, the abundance of praising Him was greatly differed. Both Beowulf and Sir Gawain and the green knight are written to be believers of God and his mighty works and miracles. In this passage, the significance of religious beliefs in these tales are explained by presenting how Beowulf and the characters of his time praised the Lord for all of his works, even those that pertained to evil doings, Sir Gawain praised the Lord for blessings and strength instead of his unfortunate times, and how each character was destined to become more like Christ, living their lives being heroes and God-like.
Snow-White is arguably one of the most well-known and revered fairy tales of all time. Versions of it permeate almost every culture, or at least can be recognized by most cultures throughout the world. It has been adopted into film, with later spin-offs and adaptations occurring in recent years. There is certainly some deeper appeal to it, hence its popularity throughout time. Some may find it hard to accept that a portion of its appeal could be due, in part, to the tale’s Christian roots.
Since the first segment of the series was released in 1997, Harry Potter has been challenged by churches and parents due to the practicing of magic by children found within the books. The books have been removed from school shelves, discouraged by churches, and censored by parents. It is claimed that Harry Potter is devilish, satanic, and encourages children to practice the occult, damaging their religious views (LaFond). Therefore, many parents keep their children from reading the book series. Yet, Harry Potter has been such a positive influence on my so many lives. Evident through the movies, theme parks, stores, and much more, J.K. Rowling’s series has been an overwhelming success for many reasons (“Because it’s his…”). In order to encourage
The novels of Harry Potter, written by J. K. Rowling are constantly in debate among Christians whether Harry Potter is preaching sorcery and paganism or that the books have a spiritual meaning deeper than most care to look at. It is easy to look through the books and find sources of witchcraft but one could say the same for sources of the gospel. Author, J.K. Rowland has stated that her own Christian faith has in fact informed her writing of the popular series. Many Christians say Harry Potter is incomparable to Christ, being far from perfection while Voldemort seems to strike a different chord of response as far as his character representing The Devil himself.
Ever since J.K. Rowling first introduced Harry Potter and the Sorcerer’s Stone in 1997, children and adults have read and loved the series. It has gained such popularity that all of the books have been made into major motion pictures, and a Harry Potter attraction has been opened in Universal Studios, Florida. Though the readers love Rowling’s intricate and exciting story lines, many controversies have arisen from these stories, not only in the United States, but also in various countries around the world. Perhaps the biggest controversy is the religious implications perceived by some critics. Although these critics believe that the series promotes paganism and encourages evil actions, these theories should not be taken so seriously.
In the novel "Brave New World" civilized society lives in a world of science and technology. Major changes have occurred during the future; Utopia now revolves a religion of drugs and sex. God and the cross have been replaced by Ford and the symbol T, the founder of the age of machines. Instead of Sunday church, members now attend solidarity services where morals and tradition are not learned, but rather faith is taught in the belief of hallucinations produced by a substance known as "soma." Soma has effectively replaced the belief in a higher being by its elimination of problems and stress resulting in a lack of imagination , creativity, or "soul." Yet religion can still be found in today's society because of man's continuing need for answers to questions that cannot be solved by science or technology.
C.S. Lewis was the 20th century’s most popular proponent of faith based on reason. As a child, he created an imaginary world where personified animals came to life, and later, he wrote the book, Chronicles of Narnia. How did he transform from a boy fascinated with anthropomorphic animals into a man of immense faith? His transformation to the Christian religion happened as his fame began to flourish. People wrote him, asking him about his claims about the truth of Christianity (Belmonte, Kevin). As I attended the drama of Freud’s Last Session, I was engrossed into the plot of the play and was constantly thinking about how it pertained to the objectives of the World Literature class. I not only connected the content of the play to its context, but I also reached out to apply the context to a discussion on a broader scale. I then discovered why the context of literature is imperative for true understanding of the w...
Aslan is the King of Narnia. Lewis tries to resist any recognition that Aslan is Jesus Christ. When readi...
· Wood, Ralph C. "Traveling the one road: The Lord of the Rings as a "pre-Christian" classic." The Christian Century Feb. 93: 208(4).
Although it may not be obvious to many people who enjoy the works of J.K. Rowling, the “Harry Potter” series is actually a series based on many Christian themes and ideology. Beyond the blantant chaacter similarities, J.K. Rowling also uses scripture straight from biblical texts and in her dipiction of death mirror Chrisitan beliefs and the author herself has admitted to basing thing throughout her story on her faith and Christianity. Quoted in an article in The Telegraph, "To me, the religious parallels have always been obvious," Rowling said. "But I never wanted to talk too openly about it because I thought it might show people who just wanted the story where we were going.” There is much debate on the matter, but there are clear comparisons
Before we delve into the temptation of LWW, let’s observe its prolegomena as found in The Magician’s Nephew: In the Genesis’ creation story, there are two rudiments of evil found—Adam and Eve’s direct disobedience to God's commandment (Gen 2-3), and the deception of the serpent (Gen 3). The Witch in The Magician's Nephew may be seen as a representation of the introduction of sin, but also, later in the story, as a figure representing the character of the serpent. This marks a move away from the theme of creation and a step towards the theme of temptation in the Narnia Chronicles. The theme of temptation is present in both the Bible and the Narnia Chronicles, and Lewis often models his presentations of temptation after stories and characters from the Bible. A good example of this is found ...
C.S. Lewis uses a secondary world, Narnia, to convey complex, thought-provoking messages to readers of The Lion, The Witch and the Wardrobe. This paper examines the way a selection of Narnia's key characteristics prompt debates over logic and faith, comment on the nature of spiritual and metaphysical journeys, allow readers to broaden their conception of their own capabilities, encourage new reflection on the story of Christ and help to clarify conceptions of good and evil.