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Religion hypocrisy in TARTUFFE play
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Tartuffe “the Hypocrite”, is one of the most popular comedic plays and was written by Moliere. Throughout the historic play, several different themes are depicted and interpreted through a variety of characters. One of these themes is foolishness. Foolishness is depicted mainly by the character Orgon by his ignorant and gullible characteristics. Another theme interpreted through the characters is religion. The theme of religion plays a crucial part in the play and is especially important in its relationship to the time period of the production of the play. Moliere’s interpretation of his use of religion in the play, by the public and the church was highly controversial, during a time in which, the church was highly corrupt and held significant power. A third theme used in the …show more content…
In the beginning of the play, Orgon seems to be a sane man who is respected by his family and friends. As the play goes on, however, it becomes clearer how easily it is to deceive poor Orgon. Tartuffe particularly takes advantage of Orgon when he says, “Dear Son, do treat me as perfidious / Infamous, lost, a murderer, a thief, / Speak on, because my sins, beyond belief, / Can bring this shameful sinner to his knees, / In humble, paltry effort to appease.” In this quote, Tartuffe neither confirms nor denies that he attempted to seduce Orgon’s wife. By doing this, he sends Orgon’s focus on other matters and deceives him. Orgon’s foolishness is ultimately exposed in the play when Dorine says, “Her son is worse deceived; His folly must be seen to believe” (1.2.3-4), when talking about Orgon. Orgon’s characteristic of easily being fooled and taken advantage of, eventually led to Tartuffe’s progression towards gaining control of Orgon’s possessions because it allowed Tartuffe to manipulate Orgon’s mind and attention from the hypocrite attempting to steal from him, right before his
Orgon refuses to see the fact that Tartuffe is a hypocrite and won't believe it until he sees it with his own eyes near the end of the play. To see how dedicated to Orgon is to Tartuffe, just look at page 319. When Dorine is telling him about the sickness his wife had, Orgon's only concern is Tartuffe, who was doing very well.
This was the age of reason. People at this time began to apply rational thoughts to figure out and understand nature and to guide their human existence. In Moliere’s Tartuffe, this ideal is expressed through the character of the king. In the end, Tartuffe has brought an officer of the king back to take Orgon away. However, in Tartuffe’s attempt to get Orgon arrested, the king saw through him and reasoned that Tartuffe was the one to be accused and put to trial.
Moliere was a moderate and against excess and obsession with all things. In Tartuffe, he has. used Orgon as an example of how the obsessive need to believe can cause man to be taken in by those who would cloak themselves in, and manipulate themselves with, those beliefs. The play is
Tartuffe is a play filled with humor, comedy, and satire written by Jean Baptiste Poquelin Moliere. Tartuffe focuses around a religious hypocrite by the name of Tartuffe, who tries to manipulate a friend for his estate. Moliere demonstrates how misrepresentation of religion can have unwanted repercussion. Madame Pernelle, Orgon’s mother, defends Tartuffe and leaves Orgon’s house after being aggravated and frustrated with the behavior and allegations of everyone there. Tartuffe is viewed by members of Orgon’s house as an imposter, a bigot, and a manipulator. Orgon is a wealthy yet gullible man who defending Tartuffe and is put in an awkward situation between him and his family. Cleante, Orgon’s brother-in-law, tries to keep the structure and
In speeches such as these, Moliere wanted to get across the fact that it was false piety he was condemni...
“Tartuffe” was written by Moliere and was successfully performed for the first time in 1664. “Tartuffe is said to stand for so many contradictory things” (Bold). With the passing of nearly six centuries, this play has demonstrated the idea of authority, given examples of how authority can be manipulated, and “is said to be a mere fact of history” (Cardullo). With respect to the modern denotation of the words authority and hypocrisy and key examples given from the text, it could be argued that the play presents specific examples of authoritative manipulation that could be considered a foreshadow to futuristic occurrences such as: producing a counterfeit reputation by using religion
They becomes smitten by Tartuffe, who exhibits himself as a holy man and appears to be more pious than any other person they have seen before. However, the rest of his family, see through Tartuffe’s façade and realize that he is using Orgon for his wealth. “Yes, but her son is even worse deceived; His folly must be seen to be believed.” (Act 1, scene 2, line 10). Using rational thought, they attempt to persuade Orgon that Tartuffe is deceitful. Yet, Orgon has to witness first hand Tartuffe pursuing his wife before he accepts the truth that Tartuffe is not the holy man as he once perceived. Moliere uses this example to show how using logical thought and reasoning is more sensible than following blind faith. It provides that individual thought triumphs over the contemporary ways before
Through its contrasting scenes, Moliere’s “Tartuffe” illustrates the flaws in human nature with regard to the foundation of morals. Religious hypocrisy plays a major role in each of the characters’ lives. One character, Orgon, in particular falls subject to the deception of Tartuffe, who pretends to be a devout, pious, and humble man. Orgon is a firm believer that morals are derived from religion and that a strong religious conviction is the foundation for morality. He is so convinced that a religious person can do no wrong that he would sacrifice those he loves, as well as his worldly possessions as he is duped throughout most of the play. Most of the characters in the play do not agree with Orgon’s view and believe Tartuffe to be a fake
The role of religion played a major part in Tartuffe and Candide. In both of the stories, they have two different roles. In Tartuffe, the play exposes religious hypocrisy and in Candide, Voltaire uses religious satire to describe the role of religion. In the late seventeenth century, during the Age of Enlightenment period, was a period for great turmoil. The Enlightenment led many thinkers to the conclusion that kings and queens were subjected to death. It was a revolutionary change for political, social and religious thoughts. The Enlightenment incorporated many ideas on the center of reason. It eventually advanced ideals of liberty, tolerance and the acceptance of being able to separate from the church and the state. Before the eighteenth
In humble paltry effort to appease.” Tartuffe tries to drag Orgon’s attention away from the accusations made by apologizing for unspecified sins. He acts as if he is trying to repent for all of his sins he has ever committed and he feels like Orgon should treat him as if he was a naive and lost criminal with no guidance. This provides evidence that Tartuffe manipulated how people saw him in order to become socially accepted and get some sort of selfish benefits. It can be assumed that Tartuffe thought it was necessary to perform with a competitive incentive in order to be successful in his life and have certain connections.
Although most people in the play think that Tartuffe is a bad person, Mme. Pernelle and Orgon both think he is good. Mme. Pernelle says, “he is a good man” and he “leads the way to heaven” (250). Tartuffe is so deceptive that he fools Mme. Pernelle, a
Moliere sets up the exposition of the play in Act I by the apothecary bills Argon is reading aloud. After Toinette, the maid, then enters the scene she sarcastically makes a comment about all of the bills lying on the table. Toinette lets the audience know that Argon is a hypochondriac by rebutting everything he says about his doctors and illnesses with sarcastic comments. For instance, when Argon says, “You leave my insides alone.” She comes back with, “I wish you would. You’d be a different man.” She also lets the audience know by saying, “Why, if it wasn’t for him you wouldn’t even know you were ill,” speaking of the apothecary. The main conflict of the play is Argon’s unwillingness to accept that he is not ill and he is, in fact, a very healthy man. This “illness” leads to the selfishness that he shows his family, especially his daughter Angelica. Later in Act I his “illnesses” prove to have relevance to the conflict when she speaks of Cleante, the man she loves. Cleante is not a doctor; therefore, Argon will not give his blessings for Angelica to marry him.
Orgon is deceived because he cannot or refuses to see Tartuffe for the con artist he is. Tartuffe is hugely successful for most of the play because he is so good at wearing a mask of piety to cover his deception. Orgon regards Tartuffe as his religious guide and is blind to the fact that Tartuffe is deceiving him.
Norman of the University of Chicago Press and Gerturd Mander of the Ungar Press weighed in on the sendup of humor of Moliere’s play. Norman follows Moliere’s Tartuffe into a more religious aspect. Generally, Moliere appears to lecture a sort of individual Christianity that shuns outward shows of devotion intended to awe others and gain riches or influence. The Roman Catholic pastors of Moliere's day may have thought the writer was a nonbeliever, or if nothing else a careless Catholic.
The first example of disorder, found in Act 1. Scene 4. Orgon returns home from a trip and asks his daughter’s maid how the house, and most importantly, his guest Tartuffe, has fared since his departure. He makes a fool of himself, only focusing on Tartuffe’s well-being, without giving any care to the fact that his wife was terribly ill during his absence. Another example in Act 2.