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Critical analysis of kurt vonnegut
Critical analysis of kurt vonnegut
Kurt Vennegut
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Relationships and Interdependence in the Works of Kurt Vonnegut
While on the surface Kurt Vonnegut's works appear to
singularly contain the pessimistic views of an aging, black
humorist, his underlying meanings reveal a much more
sympathetic and hopeful glimpse of humanity that lends
itself to eventual societal improvement. As part of
Vonnegut's strategy for enhanced communal welfare, the
satirist details in the course of his works potential
artificial family groups to connect the masses and alleviate
the lonely. Through his science fiction tales of
misinterpreted, downcast protagonists and outrageous
observations of real life, Vonnegut shines a light on
America's problems, proposing a widespread cooperation of
common decency and interdependence as viable solutions.
Whether or not such notions actually augment the quality of
relations, Vonnegut's well-reasoned and starkly ironic
scenarios entertain, challenge, and enliven his design for
relational welfare through synthetic families. Throughout
his works Vonnegut's development of artificial families and
expression of common decency between characters helps
illuminate his universal theme of societal interdependence
in family groups and proves that life is only worth living
when individuals support each other.
Throughout his writings, Vonnegut illustrates man's
necessity of family, whether hereditary or artificial, as
a vital contribution to his survival and healthy intercourse
with society. All relatives, be they naturally procured or
synthetically acquired, possess the unique ability, and
responsibility, to support, contribute t...
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...te. Vol. 25. Detroit: Gale, 1973. 451.
Vonnegut, Kurt. Bluebeard. New York: Delacorte Press, 1987.
Vonnegut, Kurt. Breakfast of Champions. New York: Delacorte
Press, 1973.
Vonnegut, Kurt. Cat's Cradle. New York: Dell Publishing Co.,
1976.
Vonnegut, Kurt. Deadeye Dick. New York: Delacorte Press/
Seymour Lawrence, 1982.
Vonnegut, Kurt. Galapagos. New York: Dell Publishing Co.,
1985.
Vonnegut, Kurt. Mother Night. New York: Dell Publishing Co.,
1963.
Vonnegut, Kurt. Slapstick. New York: Dell Publishing Co.,
1976.
Vonnegut, Kurt. The Sirens of Titan. New York: Dell
Publishing Co., 1959.
Vonnegut, Kurt. Timequake. New York: G.P. Putnam's, 1997.
Vit, Marek. Kurt Vonnegut Corner: Kurt Vonnegut Essay
Collection.
http://www.geocities.com/Hollywood/4953/kv_essays.html
Vonnegut, Kurt. Harrison Bergeron. New York: The Magazine of Fantasy & Science Fiction, 1961. Print
Oscar Wilde, an acclaimed Irish Poet, novelist, dramatist and critic once aptly commented, “Men become old, but they never become good”. The philosophical aspect of this quote relies on the basis that human beings are inherently malevolent. Through his pessimistic perspective, Wilde clearly captures the ill-disposed mindset of mankind. Moreover, there are various deductive arguments that discredit the optimistic depiction of human nature. One of the prime examples can be found in Kurt Vonnegut’s literature. In Kurt Vonnegut’s Cat's Cradle, through the illustration of his characters, the author symbolizes the four elements of human fallibility.
Harper American Literature, Inc. Harper & Row Publishers: New York, 1987, pp. 113-117. 1308 - 1311 -.
Known today as two of the most prominent American satirists, Joseph Heller and Kurt Vonnegut both served time as soldiers during World War II, Heller serving as a bombardier in Italy (Scoggins) and Vonnegut as a soldier and prisoner of war in Germany (Parr). Not coincidentally, both Heller’s 1961 novel Catch-22 and Vonnegut’s 1969 novel Slaughterhouse-Five, or The Children’s Crusade: A Duty-Dance with Death follow the journeys of young men in combat during the Second World War – Captain John Yossarian of the US Army Air Forces and soldier Billy Pilgrim, respectively. While it is evident that these fictional novels are both set during the World War II era and convey bleak images of war, closer inspection of both texts brings to light the common
Kurt Vonnegut’s background had an endless influence upon his writing. In his early years, Vonnegut was a private in the 106th infantry division in World War II. He and five scouts were caught behind enemy lines, and then captured. They were held POWs and were beaten on various occasions. In 1945, they witnessed the fire-bombing of Dresden, Germany. Kept during this time in a slaughterhouse, this is part of the inspiration for Slaughterhouse-five. After being released from the Slaughterhouse, Vonnegut called Dresden “utter destruction” and “carnage unfathomable”. This distressing time in his life led to one of the many themes of Slaughterhouse-five which is that nothing good can come from war and a massacre. This theme is expressed in the story when Billy Pilgrim says “Birds were talking. One bird said to Billy Pilgrim ’Poo-tee-weet?’” After the bombing, the POWs had to gather the bodies for a mass grave and then all the remains were set on fire. Vonnegut and the other prisoners were only there for a few more months, until they were rescued. The lasting effect this awful war caused Vonnegut had significant affect upon his writing; on return to the U.S., he was awarded a purple heart.
What is war? Is war a place to kill? Or is it a place where something more than just killing happens? War, as defined by the Merriam Webster is “a state or period of usually open and declared fighting between states or nations.” War, can also be viewed with romantic ideals where heroes and legends are born. Even the most intelligent of us hold some rather naïve notions of war. Upon reading Kurt Vonnegut’s Slaughterhouse Five, intelligent readers have been divested of any romantic notions regarding war they may have harboured.
Satire in American literature has evolved in response to the development of the American mind, its increasing use of free will, and the context that surrounds this notion. Satire is the biting wit that authors (labeled satirists) bring to their literature to expose and mock the follies of society. Satirists can be divided, however, into two groups with very different purposes. One type mocks simply for the enjoyment of mocking. These satirists are found almost everywhere in the world, on every street corner, household, and television sitcom. It is the second type of satirist who is a strong force in the world of literature. The satirical author will mock to heighten the reader's awareness of the problems that threaten to destroy the world that they believe has so much potential. They do this with the hope that their satire will encourage others to better society. "I have often hoped that the arts could be wonderfully useful in times of trouble" (32) says the writer who is perhaps the king of this second type of American satire, Kurt Vonnegut Jr. Vonnegut uses his literature to help guide a disillusioned America, in which free will has been fundamental since the writing of the Constitution. As a humanist, Vonnegut uses the idea of free will as a constant motif in his writing. He believes that every soul has the freedom to do anything, but that the problem with society is that people lack direction. Free will, used as a theme in Timequake, is an enormous responsibility. Acknowledging the free will that one has also involves accepting the responsibility that is necessary to use this privilege in a way that will benefit humanity. In several essay...
Meursault shows very little love or sorrow at the fact of his mother's death. A normal man would feel pain and regret for not being by her side while Meursault does not even care much about the date she passed away. Immediately on the first page in the novel, we confront the situation where Meursault's mother dies, and he does not care about it. "Maman died today. Or yesterday maybe, I don't know. I got a telegram from the home: `Mother deceased. Funeral tomorrow. Faithfully yours.' That doesn't mean anything. Maybe it was yesterday" (3). Meursault does not bother to call back and find information about his mother. Meursault shows no emotion or care for his mother because he sends her away for someone else to take care of her. During the last years of an elder person's life, they are invited to stay with the family in order to become closer with one another. Meursault could care less as he shows no sign of pain, and goes off to do something else. He resembles a figure where an issue as important as death does come as a priority. "We are the hollow men/ We are the stuffed men/ Leaning together/ Headpiece filled with straw" (Lines 1-4).
... social life issues. Supporting to these Todd et al. (1993) demonstrated that nurses with 8 hour shifts had a high level of satisfaction than nurses worked for 12 hour shifts. However, contradictory results were found in Stone et al.(2006) study. They reported a significant level of nurse’s satisfaction was revealed with 12-hour shifts than those with 8-hour shifts. Furthermore, in 1996 Golec et al. carried out a study to compare the effect of 8 and 12 hour shifts among ICU nurses. The finding revealed that the nurses with 12-hour shifts demonstrate less social and family disruption than 8-hour shifts. Nevertheless, 12-hour shifts reported more health, and wellbeing complains s than 8-hour shifts. In addition, the study indicated that although 12-hour shifts provide more days off, it appears to be insufficient to dispel the adverse effects on health and wellbeing.
Witkoski Stimpfel, Amy , Douglas M. Sloane, and Linda H. Aiken. "The Loger the shifts for hosital nurses, the higher the levels of burnout and patient disstisfaction." Health Affairs 31.11 (2012): 2501-2509. Proquest. Web. 11 Mar. 2014.
Meursault is very much like someone autistic. Autism is a developmental disorder which affects a person’s communication skills, social restrictions and behavior. Like people with autism, Meursault doesn’t know when to show emotions nor think they are important. You can see this pattern in Meursault when he is informed about his mother’s passing. It does not seem to affect him at all and shows this by saying “Maman died today. Or yesterday maybe, I don’t know” (Camus 3).
The Thought-experiments in Kurt Vonnegut's Slaughterhouse Five or the Children's Crusade: A Duty Dance With Death
Working in a fast-paced environment and being on their feet can really take a toll on a person. In addition they have to be prepared for anything to happen during their shift. A study of overworked and stressed nurses found that nurses are overworked suffered from physical sickness like type two diabetes (Stress and overworked 2006). For most nurses, their work week consists of more than sixty hours. Working that many hours can double their chances of sicknesses. When they compare the working week hours of nurses who worked the normal 21 to 40 hours with those that work more than 40 or 60 hours a week, they found that in comparison the ones who worked 40 hours or more a week increased the risk by almost 50 percent for type 2 diabetes (Stress and overwork 2006). If nurses were to work their normal work hours without mandatory overtime, then their health would improve.
On the day of the funeral Meursault immediately notices details such as, “the screws on the casket had been tightened and that there were four men wearing black in the room.” Throughout the day he does not display any signs of grief, and hardly seems to pay any attention to the fact that he is at his own mother’s funeral.
Nurses are cautioned on working longer than 8 hour shifts by the Occupational Safety and Health Administration. According to ( ) about 23,000 nurses who provide direct care are working 12 hour shifts. These 12 hour shifts are contributing to an increased amount of fatigue. When nurses are unable to recover after long periods of time this effects their ability to be alert when driving home. There is a serious concern of the long term wear and tear 12 hour shifts can have on the body. These hours can also negatively affect ones physical and mental health state. * states it is critical to not push ourselves beyond our human limits. A cross- cultural experiment conducted by () focuses on the recovery levels of nurses working 12 hour shifts. The study uses the Occupational Fatigue and Exhaustion Recovery scale (OFER). This study was conducted in three hospitals. The OFER scale used three subscales to reference important categories. The first subscale is chronic fatigue/ exhaustion while at work. The next subscale is acute fatigue, which emphasizes on the desire to engage in outside activities after the work shift is over. The last subscale the experiment looked at was the length of time it took a subject to recover from one shift to the next effectively. The outcome of this study shows that one’s ability and mental awareness is seriously