On our daily commute, we are confronted with issues concerning waste, whether it's walking passed littered debris on the street or incorrectly disposing a plastic bottle in the garbage. These conscious decisions we make every day have effects and a number of artists are currently working with post-consumer material to create new works of art out of something which was deemed unfit for further use and left for dead. By no means is this a new trend, reusing to produce art has been slowly gaining momentum since before the 20th century. The Amish for example salvaged fabric left over from trimmings of fashioned clothing to create quilts. Pablo Picasso first publicizes found objects in art when he pasted a printed image of chair caning on to his painting Still Life with Chair Caning, 1912. Marcel Duchamp’s Bicycle Wheel, 1913 consisted of a bicycle fork with a front wheel mounted upside down on a wooden stool. Although Bicycle Wheel is considered his first, Duchamp’s most well-known ready-made and possibly his most controversial is Fountain created in 1917. Besides for Duchamp’s ready-mades, other art techniques produced from the Dada movement were; collage, photomontage and assemblage. Picasso’s Bull Head, 1942 continues the trend, the artist stated, “Guess how I made the bull's head? One day, in a pile of objects all jumbled up together, I found an old bicycle seat right next to a rusty set of handlebars. In a flash, they joined together in my head.” Artists continued to create art from found objects through a minor movement known as Neo Dada of the late fifties. Robert Rauschenberg as well as Jasper Johns helped revive some of the ideas that rose from Dada, but placed more emphasis on the art produced rather than o...
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...Brooke, K. Jean Shin’s Accumulation of Ephermera, Sculpture Magazine. July/ August 2008.
Marsh, Joanna. Jean Shin Common Threads. Smithsonian American Art Museum. May 1, 2009 - July 26, 2009
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By the late 1950s, Voulkos had established an international reputation for his muscular fired-clay sculptures, which melded Zen attitudes toward chance with the emotional fervor of Abstract Expressionist painting. Some 20 works -- including five "Stacks" (4-foot-tall sculptures) as well as giant slashed-and-gouged plates and works on paper -- recently went on view at the Frank Lloyd Gallery. This non single show is his first at a Los Angeles gallery in 13 years, although a survey of his work was seen at the Newport Harbor Art Museum (presently carries a different...
DeWitte, Debra J. et al. Gateways To Art. New York City, NY: Thames & Hudson, 2012. Print.
The Metropolitan Museum of Art has one of the finest Asian art collections that has enlightened and strengthened my understanding in my personal art experience. The Museum itself is an artistic architectural structure that graces the entire block on 82nd Street in Manhattan. Entering inside, I sensed myself going back into an era, into a past where people traded ideas and learned from each other. It is a past, where I still find their works of yesteryears vividly within my grasp, to be remembered and shared as if their reflections of works were cast for the modern devoted learner.
Benjamin, Walter, and J. A. Underwood. The Work of Art in the Age of Mechanical Reproduction. London: Penguin, 2008. Print.
Stokstad, Marilyn. Art History. New York: Prentice Hall Inc. and Harry N. Abrams Inc. 1995.
Baxandall, Michael. "Exhibiting intention: Some preconditions of the visual display of culturally purposeful objects." Exhibiting cultures: The poetics and politics of museum display (1991): 33-41.
“Art Museums and the Ritual of Citizenship.” in Exhibiting Cultures. Eds. Ivan Karp and Steven Lavine. Washington: Smithsonian Institution Press, 1991. Print.
When studied with World War 1, “Dada was not an artistic movement in the accepted sense; it was a storm that broke over the world of art as the war did over the nations (Tucker).”
One of the most unique figures in the continuum of the art world, Marcel Duchamp changed the way we look at and produce art today. Marcel Duchamp was by far, one of the most controversial figures in art. Two of the most well known and talked about pieces by him are The Fountain and The Bride Stripped Bare by her Bachelors, Even . Duchamp created many other pieces that caught the attention of critics, other artists, and the population in a negative way; however, these two pieces alone, brought about the greatest amount of controversy.
Support action by central and native government, businesses and civil society take advantage of these opportunities (The best recycling programs in US & around the world, 2012)
...p 25 Things In Japan Most Likely To Blow Foreigners’ Minds | RocketNews24. Retrieved February 9, 2014, from
Throughout the vast history of visual art, new movements and revolutions have been born as a result of breaking past conventions. This idea of moving past traditional styles was done by many artists in the 1950s and 1960s, including those artists who participated in the many different abstract movements. These artists decided to abandon old-fashioned techniques and ideas such as those of classical Renaissance, Baroque, or even Impressionist art. One of these new conventions, as discussed by art historian Leo Steinberg in his essay, “The Flatbed Picture Plane,” is the concept of a flat and horizontal type of plane in a work that does not have a typical fore, middle, or background like that of the traditional art from classical periods previously mentioned. The flatbed picture plane that Steinberg refers to is similar to that of a table in which items can be placed on top of, yet they are merely objects and do not represent any space. In his article, Steinberg explains that the opposite of this flatbed plane is the
Trans. By Donald Richie. Yale University Press, 1972. Kincaid, Mrs. Paul, Japanese Garden and Floral Art. New York: Hearthside Press, Inc., 1966.
Sillito, D. (2011). Free museums: Visits more than double. Available: http://www.bbc.co.uk/news/uk-15979878. Last accessed 4th Nov 2013.
Recycling is extremely important for the environment; in the UK recycling is estimated to save more than 18 million tonnes of C02 a year, furthermore the 1,500 landfill sites based in the UK in 2001 produced a quarter of the methane emissions from the UK (Recycle now, 2014). Recycling is therefore an important aspect to sustainable disposal, due to kerbside collections, recycling has become convenient for the consumer; all recyclable objects can be classed as waste and recycled accordingly. Shim (1995) and Joung (2013) have investigated the links between a general recycling attitude and a consumer’s environmental concerns and product disposal behaviours.