Recovery Of Significant Characters In Truman Capote's In Cold Blood

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Arya Ahmadi Mrs. Durio English 1 AAC-1 14 April 2024 Unveiling the Veil of Fiction Many argue that a novel should be an author’s form of art; others believe that is not the case when writing a non-fiction novel. In the true-crime novel In Cold Blood, Truman Capote explores the recovery of significant characters after the tragic loss of the Clutter family through shifts in perspective, using chronological order to reveal the development of the case. By reconstructing real-life events and conversations within the Clutter case, Capote expresses his stance on capital punishment, provides flashbacks of the assailants to distort the reader’s perception of them, and prompts the reader to question the morality of the executions. Capote utilizes his …show more content…

Translated from French, it insinuates that the reader has committed wrongdoings in the past, prompting them to show compassion towards the persecuted, suggesting that “If you could pity [them] instead, then God may sooner pity you” (Villon). Capote’s opinions on criminal punishment are expressed through the epigraph, provoking considerable empathy within the reader to convey his point. Rather than factually approaching the novel, Capote attempts to persuade the readers to sympathize with criminals, setting the stage for future characters within his book while showcasing his subjective stance. Through his stance, Capote distorts the personality of Perry, one of the perpetrators involved in the Clutter murders. By introducing a snippet of Perry’s bleak childhood, Capote attempts to spark a sense of tenderness within the reader, stating that “...[his] mother put [him] to stay in a Catholic orphanage. The one where the Black Widows were always at [him]. Hitting [in] the [him]. Because of wetting the bed... she put [him] some place …show more content…

In another vein, Capote delves into the morality of the executions, given the mental capacity of the perpetrators. In a conversation between Dick and Perry, Perry expresses his desire to conceal their identities through black stockings; however, Dick refuses to purchase “...a useless expense...” and insists that “...anyone they encountered would not live to bear witness...for what seemed to Perry the millionth time” (Capote 37). This interaction underscores the calculated and rational approach the two men devised prior to the Clutter murders. The methodical planning by the perpetrators suggests that their capacity to discern right from wrong was intact, challenging Capote’s interpretations of their actions as merely impulsive responses due to psychological trauma. Some argue that Capote’s inclusion of fictional elements offers readers different perspectives of the characters. Through the dialogue and use of flashbacks, Capote’s novel becomes more entertaining and descriptive, departing from a traditional historical

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