Wait a second!
More handpicked essays just for you.
More handpicked essays just for you.
Nature of theater in education
5. The role of theater in education
Don’t take our word for it - see why 10 million students trust us with their essay needs.
Recommended: Nature of theater in education
Description: Readers Theater is a reading strategy used in all grade levels to improve compression and fluency within literacy. Students are given a script that they must dramatically perform. Unlike within theater productions, costumes, props, and memorization are not needed. By cutting out these aspects of theater, students are able to solely focus on their interpretation and performance of their script. Students must practice their individual scripts through repetition. The idea behind this strategy is for students to have a deep understanding of this text. In other words, this strategy focuses on text in a qualitative way instead of a quantitative. Teachers are encouraged to alter scripts to fit the needs of the class. For example, if …show more content…
A., discusses the advantages of implementing Readers Theater into any class. The author states that Readers Theater promotes the deeper understanding of literacy; because students are given the opportunity to understand the character's time, setting and circumstance on a deeper level. Another advantage explained throughout the article is that Readers Theater teaches students the value of working together because they must depend on each other throughout the process. Students also learn how to empathize, and understand that everyone is learning and improving as they are. The article also suggests that the biggest advantage of using this method in the classroom is that is energized and motivates students. The success of Readers Theater is rooted in the participation of all students. When students see other students invested they are more likely to invest their time and feel a sense of belonging for doing so. It's important for educators to understand the importance of creating a class culture that is a judge free zone and inviting to all. Along with energizing students, this method also provides students with motivation because it transforms curriculum into student-centered instruction. For example, if student choices from a list of different scripts to read or a character they would like to play, they are more likely to be motivated to analyze, embody, interpret, and present the script. If implemented …show more content…
Students with special needs and different learning styles struggle with traditional teaching methods such as lecture and textbook focused instruction. As described in the article, these students learn best when their task are broken up into smaller units and when they have the opportunity to preview material. These methods are important to implement when educating students because it makes the workload seem less overwhelming. Another reason to implement Readers Theater in a classroom with distinct learners is that it provides students with the opportunity
Woolway, Joanne. Drama for Students. Eds. David Galens and Lynn M. Spampinato. Vol. 1. Detroit: Gale, 1998. 292-94. Print.
1). The student will adapt part of a novel into a dramatic reading makes students more intimate with the author's intentions and craft.
Fountas, I., C., & Pinnel, G. S., (2009). When readers struggle: Teaching that works. Portsmouth, NH: Heinemann.
There are several advantages to using narrative text in the middle school classroom environment. The first advantage is that the reader is entertained when reading narrative text. Second advantage involves narrative text attains and contains the interest of the reader. Third advantage consists of narrative text teaching or instructing the reader. Fourth advantage focuses on narrative text inconstant demeanor or social opinions of the reader. For example soap operas. The Bold and the Beautiful displayed in one of the episodes concerning homeless people and how their circumstances caused these individ...
While I believe every child is a reader, I do not believe every child will be enthralled with reading all the time. All students have the capability to read and enjoy reading, but just like any other hobby, interest will vary from student to student. The students in my classroom will be encouraged in their reading, be provided with choice, taught how books can take you into another world but, my students will not be forced to read. This paper will illustrate my philosophy of reading through the theories I relate to, the way I want to implement reading and writing curriculum, and the methods I will use motivate my students to read and help them become literate.
Growing up, many women dream of one day becoming a mother. Conceiving may be a blessing, however, finding out you have had a miscarriage is a horror that no woman in this position wants to go through. Seeing how certain governments view a miscarriage or stillbirth to be an aggravated homicide, this can be very detrimental to women's freedom. In the short story, “Theatre 6”, author Sarah Hall exposes how the workers in the hospital go against the government laws to avoid being incarcerated for an act of nature that can't be avoided.
Applied Theatre Practitioners and the Dynamics of Conversion By implication, the task of dialoguing with the people or explaining the consequence of taking critical action suggests the presence of a third party beside the oppressed and oppressor. The third party in the Applied Theatre context is any of the middle-class practitioners who must have been “sold” to the cause of the oppressed. For the liberation to be complete, the conversion of the agent must be correspondingly holistic. By implication, we interpret Freire’s position to mean that the agent have to be “transformed” to an “insider” through inner conviction for him to function effectively. James Thompson (2008) departs from Freire’s position of comradeship with the oppressed by averring
As part of the Art Symposium we recently had the opportunity to tour both the Performing Arts Center and the Hyman Fine Arts Center. The PAC’s tour focused on the technical qualities of the performance space and how the theater is able to accommodate a wide variety of performance. During the tour of the Hyman Fine Arts Center, staff and students were busy putting the finishing touches on this semester's production of The Tempest. Recently I was able to enjoy a performance of Crimes of the Heart at another theatrical venue, Florence Little Theater. With the abundance of performance spaces in our community, I started to weigh the pros and cons of each space.
Socio-dramatic play benefits children by developing social and oral interaction with peers, and extending their vocabulary with topic related language. Educators can set up socio-dramatic play areas so that they contribute to developing the children’s emergent literacy skills. Fellowes and Oakley state that educators can facilitate emergent literacy learning in a socio-dramatic play area by including writing materials that can be easily included in play, for example, note pads and clipboards. Another way to facilitate emergent literacy is to include real texts such as signs in the play area, but these texts must be relevant to the experiences of the children (2011). An example of a socio-dramatic play area that helps develop emergent literacy skills is a restaurant or café. To allow the children to have opportunities to develop their emergent literacy knowledge while playing in this socio-dramatic play centre, the educator could add these literacy related
Process drama according free Wikipedia encyclopedia is a method of teaching and learning, where both the students and teacher are working in and out of role. Cecily O'Neill, Brian Way (et al) (1995) further postulates that it is a teaching methodology used to explore a problem, situation, theme or series of related ideas. Process drama is unscripted; it eliminates some of the elements that other genres of drama consist such as a script and writing and memorizing of the script. It entails mostly the use o language skills, listening and speaking but not reading, writing or memorizing. Because of this, process drama is appropriate for students of all ages, as there are no steadfast rules of how to perform and no script is needed. It is an imaginary world created by students and teachers to solve conflicts that arise daily, placing themselves in another person’s position. Process drama is a self motivated tool that assists facilitators to reflect in action. To reflect in action facilitators strategize and constantly add creative and distinctive changes to situations that need a novel approach. Process drama is used to promote literacy among students. Literacy is developed, while a vast am...
This strategy, which is essentially an acting exercise, asks students to recall characteristics of various literary pieces, so it aids recall of material. Conversely, it could also help to build prediction skills by having students relate existing schemata with a new character, which could make the strategy a precursor to a piece of literature by helping the students relate to various characters in the literature covered in class. Within my own classroom, I could use this exercise to introduce The Great Gatsby by having students act out how the believe “a character who is newly wealthy and trying to impress a woman would act” or “how a character who is a poor mechanic who finds out his beloved wife would act.” In this way, I could introduce the many cast of characters within the novel. Then, later on throughout the novel, I could use this as exercise to assess how well my Russian CLD and ELL students were grasping the characters’ motivations, backstories, and attitudes. For instance, I could ask them “how would Jay Gatsby walk when Daisy comes over” or “how would Daisy Bucannon walk when she finds out Jay had been shot.” In these ways, I could use this strategy as an assessment, the introductory tract to assess how well I was verbalizing what I wanted my students to do or how well my students were able to understand the verbal cue and put it in action. The second way in which I could use “walking this way” as assessment would be to judge how well students were engaged in the plot of the story and how they are able recall various characters and personify the attitude of the character. The goal of this acting exercise is to have students hypothetically “walk in the shoes” of the literary characters as a method of once again, physically
My ASC Introduction to University Life class was told we would have to read the book and our midterm will be over the reading. What immediately came to mind upon she noting that was “How are we suppose to read a play by ourselves?” All through out high school we always read plays together as a class, we were a unity when it came to reading plays and that made it so much more fun when everyone was a part. As I set one day trying to read the book, I felt as if I was schizophrenic trying to act the part of three characters and still remember what I read at the same time.
Throughout the course of the study, the students will participate in four standards based literacy stations during our reader’s workshop block. The stations that the students will attend are (1) independent reading and response (students will read for twenty minutes and then answer a response question related to topics recently learned), (2) quick-write (students will produce quick-writes in either the narrative form or the informational form), (3) standard of the week practice (this standard will vary), and (4) a standards based game (again this standard will vary). Students
It is a way for them to ‘act out’ and be themselves as they will say. Drama in the classroom is also another way of learning without having to go and sit to learn. Another advantage is that learners will get to know one another better and also learn how to work in groups. They will have to tolerate each other even if they don’t like each other so that they can get better marks. That is also a lesson for them. Another lesson is that they will learn from one another different ways of acting, etc. The teacher can also learn something new from the learners, every time that someone read the book there is something new to discover, maybe they do or say something in the drama that the teacher haven’t seen yet. Also in the drama the different learners may act out there scene differently and that is also interesting to see how the different people interpret parts of the book
readers: A perspective for research and intervention ―[Electronic version]. Scientific Studies of Reading, 11(4), 289-312.