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Jane Harrison’s play Rainbows End and Rosemary Dobson’s poem Cock Crow comprehensively explore how the process of discoveries may result in new understandings by exploring the characters who's values and sense of self is challenged.
In Rainbow’s End, Dolly discovers how important culture and family are through her encounters with Errol as they have differentiated views, which results in a new understanding of her collective identity. Errol declaratively insists that Dolly should move to the city:
‘ You should come to the city… you'd like the city’.
His assertive tone that Dolly would ‘like the city’ reveals a presumptive attitude in regards to Dolly’s feeling and wishes. The breakdown in communication challenges her values, as she is
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When Gladys attends the council meeting she discovers the prejudice by the attitude of white society in their exclusionary exclamations:
‘ Eject this interloper…Eject her!’
Gladys’ response acknowledges the new understanding of her indigenous identity in her assertive tone:
‘ I’m not an interloper- I belong here-this is my land!’
The stage directions represent the enduring struggle Gladys has been challenged with throughout the play in which she has to fight” to be heard, much like the necessity to constantly fight in an attempt to fit in. Gladys’s courage to address the racism, shows a new understanding of white society which is shown through her changing aspire to be a part of white culture:
“Where’s my white gloves?’
In Cocks Crow, the persona has a renewed understanding of her family duties and her own desires. She says:
‘And I that stood between denied’
which alludes to the idea that she denied the chance to discover herself because she was always between ‘my mother and daughter'. However, we see a new perception in the following
She sees her father old and suffering, his wife sent him out to get money through begging; and he rants on about how his daughters left him to basically rot and how they have not honored him nor do they show gratitude towards him for all that he has done for them (Chapter 21). She gives into her feelings of shame at leaving him to become the withered old man that he is and she takes him in believing that she must take care of him because no one else would; because it is his spirit and willpower burning inside of her. But soon she understands her mistake in letting her father back into he life. "[She] suddenly realized that [she] had come back to where [she] had started twenty years ago when [she] began [her] fight for freedom. But in [her] rebellious youth, [she] thought [she] could escape by running away. And now [she] realized that the shadow of the burden was always following [her], and [there she] stood face to face with it again (Chapter 21)." Though the many years apart had changed her, made her better, her father was still the same man. He still had the same thoughts and ways and that was not going to change even on his death bed; she had let herself back into contact with the tyrant that had ruled over her as a child, her life had made a complete
In Act 1, “ Voices can be heard,” Winn shows how these girls express themselves through theatre and can act out different kinds of stories about their lives and the lives they aspire to have. She also proposes that the youth need to be heard in order to find their way in life. Winn explains “ this act will explore theories of play in order to understand its critical role in the lives of incarcerated and formerly incarcerated girls” (P.17). With this in mind, it is clear from the play that each one of these women's performances reflects their deepest desires for life out of jail. Also, it demonstrates how aware they are of why they ended up there, including the social issues and cultural influences that led them to their
The play The Colored Museum is a pleasant change in pace, in how a play projects itself to the audience. I found that the interaction with the audience to be an exceptional manner to add humor to the play, which was made evident in the exhibits pertaining to the play. However, the theme is constantly present in each unique exhibit, although it would appear that each exhibit could stand on its own. The play is a satire on the stereotypes or clichés seen in African-American culture, both past and present, but at the same time there is some praise or a form of acceptance towards the same diverse heritage. Despite this inherent contradiction, the play does well to spark thought in the viewer on what was said and done and how it can be relatable
...he opposite of her father, she probably learned a lot of the positive things in her life from her mother (even though her mother still abandoned her).
Previously, the narrator has intimated, “She had all her life long been accustomed to harbor thoughts and emotions which never voiced themselves. They had never taken the form of struggles. They belonged to her and were her own.” Her thoughts and emotions engulf her, but she does not “struggle” with them. They “belonged to her and were her own.” She does not have to share them with anyone; conversely, she must share her life and her money with her husband and children and with the many social organizations and functions her role demands.
...ther is losing her daughter to time and circumstance. The mother can no longer apply the word “my” when referring to the daughter for the daughter has become her own person. This realization is a frightening one to the mother who then quickly dives back into her surreal vision of the daughter now being a new enemy in a world already filled with evils. In this way it is easier for the mother to acknowledge the daughter as a threat rather than a loss. However, this is an issue that Olds has carefully layered beneath images of war, weapons, and haircuts.
Her family life is depicted with contradictions of order and chaos, love and animosity, conventionality and avant-garde. Although the underlying story of her father’s dark secret was troubling, it lends itself to a better understanding of the family dynamics and what was normal for her family. The author doesn’t seem to suggest that her father’s behavior was acceptable or even tolerable. However, the ending of this excerpt leaves the reader with an undeniable sense that the author felt a connection to her father even if it wasn’t one that was desirable. This is best understood with her reaction to his suicide when she states, “But his absence resonated retroactively, echoing back through all the time I knew him. Maybe it was the converse of the way amputees feel pain in a missing limb.” (pg. 399)
herself and her attempt to break through the strict bonds of society that all the other
Although bigotry and segregation were pointed in majority towards blacks, other accounts towards whites were also heard of, though not as commonly. There are acts that are so discreet that you almost don't catch them, but along with those, there are blatant acts of bigotry that would never occur in our time. Lee addresses many of these feelings in her novel. One subtle example of discrimination the reader sees is the treatment of Calpurnia, a black woman, the housekeeper/nanny for the Finch family. Although she is treated fairly, it is obvious that she is considered to be on a lower social level than the Finches.
I think this play is a lot about what does race mean, and to what extent do we perform race either onstage or in life:
...cts of the mother and the descriptions, which are presented to us from her, are very conclusive and need to be further examined to draw out any further conclusions on how she ?really? felt. The mother-daughter relationship between the narrator and her daughter bring up many questions as to their exact connection. At times it seems strong, as when the narrator is relating her childhood and recounting the good times. Other times it is very strained. All in all the connection between the two seems to be a very real and lifelike account of an actual mother-daughter relationship.
was no mother figure spoke of, just her father, which she lived with alone other then
Discoveries can be both confronting and meaningful. This can be seen through the depiction of discrimination, the act of putting another group or person down due to their differences, within the texts, an example of which can be seen in ‘Rainbow’s End’ by Jane Harrison. On page 127, Gladys returns home after travelling to the nearby city of Shepparton, in hopes of glimpsing the arriving British monarchs. She states how her trip was to no avail, as her view was blocked by large hessian fences that were erected by the government to hide t...
...inds that she can be happy and content having her own life, without being treated like a doormat by others. She is finally truly happy with her life and the way it is going, except for one thing. Her life is complete when, after years of wondering about her sister, and then years of waiting, Nettie finally comes home, bringing “their” children, and Adam’s wife from Africa. As Celie puts it, “I feel a little peculiar around the children. For one thing, they grown. And I see they think me and Nettie and Shug and Albert and Samuel and Harpo and Sophia and Jack and Odessa real old and don’t know much what going on. But I don’t think us feel old at all. And us so happy. Matter of fact, I think this the youngest us ever felt.”(295) With her long lost sister, and her kids reunited with her after so much time, there really wouldn’t be any other way to feel besides young again, except for maybe an urge to make up for lost time. Now that she’s being treated like she should be, it should be easier to make up the time to her family, because she can be herself, and be happy about it. That’s saying a lot after all she’s been through, and Celie will surely make the best of her from this point on.
...the characters show how loosing their write to vote and therefore express their opinion, and especially having to carry an identity booklet all the time (just because of the colour of their skin) can generate an inside crisis on one's identity. Is our identity determined by our name? Can we change name and be able to keep a stable identity? This play also raises the issue of being actors, just to survive in the society they lived in. Not being able to show their feelings and their disappointment at any time, obliged them to smile, sing, and fake.