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Is graffiti art,or is it just vandalism
Is graffiti art,or is it just vandalism
Whether graffiti is vandalism or art
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Recommended: Is graffiti art,or is it just vandalism
Maria Shah
Ms. Young
Art History
June 2016
Racism and Street Art When it comes to making a statement, art has always been a way to show it. Graffiti art is the way for artists to spread their viewpoints to the people who are being affected by them. However, graffiti has not always been treated with respect, and even today many people consider it as nothing more than “vandalism” however, it is much more than that. With the rise of street artists such as Shepard Fairey and Banksy, graffiti and street art is slowly becoming more popular and “mainstream.” But while this may seem like a good thing, it also shows the sexism, classism, and therefore racism, that is embedded into the way people view art, and how the culture that surrounds graffiti
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While some form of “graffiti” has always been present, the graffiti that is known today can be traced back to New York City in the late 1960s. This New York City is much different from the New York City known today. As the population increased, the middle-class and the upper-class started to move out into the surrounding suburbs. The city was now filled with lower-class people working low-wage jobs. Crime rates had increased, and New York was truly a terrifying place. Central Park was jokingly referred to as a “death trap” at the time. (Pinker) As people watched the upper class relocate to the safety of the suburbs, they often felt abandoned in the dangerous roads of New York that they were not able to …show more content…
The first documented case of “tagging” was done by a Puerto-rican boy known as “Julio 204.” However, the tag “TAKI 183” received much more attention due to the fact that Julio kept his tag within his neighborhood while Taki put his tag all over the city. (Werwath) Taki, short for “Demetaki” which was a different version of his name, “Demetrius” is known as one of the most influential graffiti artists in history. Tagging was a way for people to show their individuality in a place where they felt they were just another piece in the machine that made up New York. Young artists used tagging as a way to show that they were in fact, living. (Walsh) The way the graffiti culture was able to spread so easily was in part due to New York’s expansive subway system. By “tagging” the cars, young artists were able to spread their name around the city and communicate with other artists.
The most predominant attribute of a graffiti artist is their mindset, for a graffitist is constantly surveying the streets in search for a new spot to “bomb” as well as examining the work of fellow writers. For instance, when a graffiti artist looks at an empty wall or a distant water tower they envision a canvas suitable for displaying their graffiti. A graffiti artist uses specific terminology when speaking to fellow writers as well as average people interested in this illegal art form. The use of terms, such as “tag,” “throw-up,” and “burner” are used to describe different styles of graffiti letters. In addition, the term “bomb” is used when a graffitist paints on numerous surfaces in a given area. When analyzing the desires of a graffitist, they explain the desire to go “all-city.” The term “all-city” describes a writers’ aspiration to display his graffiti throughout the entire city. The lifestyle of a graffiti artist tends to be more active than that of an average person, for graffitist go “bombing” during late hours of the night. The reason for these late-night paint excursions is to avoid cont...
On February 26, 1973, Mayor John V. Lindsay’s graffiti task force drafted an anti-graffiti plan that featured “increased security measures in those areas of the city where security may deter vandalism.” As crime increased in majority black and Latino neighborhoods, police detectives associated graffiti in these areas with the violent crimes surrounding it. Technically, the police had reason to prosecute graffiti as a crime; the term graffiti addressed the illegal defacing of public and private properties. When Bernie Jacobs of the New York City Transit Police asserted that, “graffiti is not an art...I can sure as hell tell you [it’s] a crime,” Style Wars viewers see how vehemently detectives disparaged graffiti work and writers. Despite the fact that writers of color fought hard for free expression, racial profiling continued to constrain the process of getting the materials needed to make graffiti. Writer Skeme stated that, only “niggas who be high when they come from school...break windows,” and then commit violent crime; nevertheless, a white youth commented that “everybody [thought]” black and Puerto Rican kids wanted to rob aerosols and spray-paint from stores. Even though most graffiti writers of color did not commit violent crime, police detectives still labeled graffiti writers of color who wanted to buy artistic
Graffiti or street art is considered an art form because it includes aesthetic criteria, incoherence and nonstandard presentation. Graffiti has been developing since the late 1960’s. The origins of graffiti go back to the beginnings of human social interaction. Graffiti has been found in uncovered, ancient Egyptian monuments and graffiti was preserved on walls in Pompeii. Also, graffiti art is colorful and complex. Graffiti artists need a considerable amount of skills to complete their artwork, they need to have creativity for using spray paint. The concerns of modern graffiti art originated in New York and it was known first as New York Style Graffiti. The novel Let the Great World Spin written by Colum McCann discusses graffiti art in New
From New York to the rest of the world, Jeff Ferrell’s “Urban Graffiti” aims to show how graffiti serves as resistance to social arrangements and political power for many. The youth use graffiti as a way to provide alternate solutions for oppressions and cultural conditions. Ferrell demonstrates how young artists utilize this art form as a way of raising awareness and resisting social constraints. For example, in London, certain billboards in 1982 were aggressively altered to advocate the voice of the feminists and animal activists. Graffiti writing usually takes place in urban areas where discrimination and division of racial groups are heavily seen. Jeff Ferrell recounts how these young taggers work exclusively during late hours to avoid
We all know what Graffiti art is; well we think we know because of the “modern” graffiti art that is still occasionally seen. However Graffiti Art has been tracked back all the way to the time of 1851. Firstly graffiti comes from the Italian word “graffiato” meaning scratched and was later called graffiti through the media as we see it today. ‘Additionally early forms of graffiti were seen back in ancient Italy at the ruins of Pompeii’ in 1851. “Painting on sidewalks, and other forms of graffiti, is still common in Rome today. Whereas Romans consider graffiti as a form of urban art, many westerners consider it vandalism unless property owners give consent to the graffiti artists.” (Cyprus, Sheri, and O. Wallace. "What Are the Origins of Graffiti?" WiseGeek. Conjecture, 02 May 2014. Web. 08 May 2014.) Even though all this might seem surprising to some and maybe even considered arguable to not be graffiti; I want to go in depth on graffiti art in America.
The history of the underground art movement known by many names, most commonly graffiti begins in Philadelphia, Pennsylvania during the mid to late 60's, and started with bombing. The writers who are credited with the first effort are CORNBREAD and COOL EARL. They wrote their names all over the city gaining attention from the community and the local press. Then the movement made way to New York City where the teenagers would write graffiti on the subways. It is unclear whether this concept made way to New York City on purpose or if it was an accident.
Castleman, Craig. "Getting up: Subway Graffiti in New York." The MIT Press (1982): n. pag. Digital file.
Graffiti is an art form that was bred from the rebellion of youths. The first sighting of graffiti was seen on subways, and other impoverished areas around New York. This form involved what is called tagging , where the artist signs his or her name, nickname, or group name, on the side of a building or other surface. It is well known for its bold, colorful presence and intricate script. It is still prominent and visible in those areas of the Bronx today.
Infused with the emergence of the hip hop culture, the graffiti revolution primarily took place in New York City in the 1970s to the 1980s. Graffiti art has historically been viewed as a form of vandalism, a curious enigma viewed by the governing class, and a general menace to society especially in large urban populations such as cities. Within the 1970s to the 1980s the urban youth began extensively spray-painting subway cars, trains, and walls, giving a voice to the disenfranchised, anti-authoritarian rebels who were seeking an identity to be seen and heard by the city that was now discrediting them. This type style of graffiti-inspired art is still present within the many art communities around the world, ever transforming and altering in
Graffiti has been on the rise in popularity since its beginnings fifty years ago. Danielle Crinnion provides a brief history of graffiti arguing that “Philadelphia
Tagging is the most basic form of art, my substitute was looking through my article and she told that to her “...tagging is gang-related, but it's my opinion”. It's not. TAKI 183 is a tagger who would simply go around during the 1960’s tagging his name as a way of ownership to himself, not the wall, not the building, but himself. I asked a friend, who himself paints when he has a chance, and he told me “Tagging isn’t gang related, tagging is Ghetto.” The ghetto, in other words, is the
Looking from the taggers' point of view, one can understand why taggers and graffiti artists draw and do graffiti, but this does not justify the fact that often times this form of self-expression is not acceptable when it is done on other peoples property. Having the opportunity to listen (film, class, talk show) to why taggers and graf...
Although street art and graffiti art seem very similar, upon closer examination the differences in technique, function, culture, and intent are revealed (Weisburg.) ‘“Graffiti (sgraffiti), meaning drawings or scribblings on a flat surface and deriving from the Italian sgraffio (‘scratch’), with a nod to the Greek graphein (‘to write’), originally referred to those marks found on ancient Roman architecture”’(Weisburg). Though, it is unknown when or where graffiti first made an appearance; modern graffiti did not come around until the late 1960’s to early 1970’s in New York. The term “tagging” is the modern form of scratching (Weisburg). It also is considered the origin of all modern graffiti, including street art.
Mention the word graffiti and what typically comes to mind is something unpleasant and distasteful like indecent language scribbled on a wall of a store or crude pictures. Most graffiti is characterized as vandalism on property that does not belong to the culprit. Graffiti also displays negative graphics that promote some type of vulgar message such as violence, sex, drugs, gangs, and racism. On the other hand, when the terms “street” and “art” come together, a blast of colorful creations upon blank slates on the street comes to mind. Although street art is technically considered graffiti, it is a type of graffiti with positive qualities, but certain figures in society find street art to be, in some way, disruptive. If used properly, street art can be appreciated artistically and socially. Despite the negative stigma attached to graffiti, street art has emerged as a progressive valuable art form whose vast history, surge in popularity, and urge for social change warrant its classification as a fine art.
Graffiti started in the 1920s when gangs would tag train cars and walls to mark territory mainly in New York City. Graffiti took a different turn in the 1970s when young adults decided to use street art as an outlet to express their political and social outrage. This movement had soon gained the attention of the “adult” world. Graffiti was known as “creation through destruction” and to this day is still considered illegal in most parts of the world. In modern street art the mediums used have evolved past spray paint and now artists are using different methods with spray paint to progress their works past crude tags.