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Essay on graffiti problems
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Essay on graffiti problems
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"Graffiti-Art Exhibit Is Artless to Police Commissioner Bratton" by Pia Catton covers the opinion of a police commissioner about graffiti art being portrayed as vandalism. Police commissioner Bratton views graffiti as a destructive force that has defaced the streets and subway cars of many neighborhoods and considered to be vandalism. Needless to say that Bratton doesn't even think that it's appropriate for kids to see, because according to him it's an atrocious depiction of what art is supposed to be. On the other hand for graffiti, Susan Henshaw Jones only intended for graffiti to be looked as a form of art "not to glorify vandalism". From the different standpoints of the article, graffiti can be a beautiful piece of artwork or inappropriate vandalism. The form that graffiti takes when on the streets doesn’t make it art because it was placed without permission. …show more content…
Graffiti is a form of art, but can have its downside when portrayed in a wrong fashion.
Even though graffiti, in general, has had a rough past, it has started a movement where it's a form of expression through the artist. Graffiti can be a wonderful work of art when it has a space where it doesn't disturb public or private property. The artist creating graffiti often wants to send a message. In many cases, the street art made on public property is to invoke a reaction or conversation to intrigue the viewer. A key element in graffiti and street art is to create a space where the artist can do his/her work and even receive compensation from art
venues. However, graffiti as a form of street art can also be viewed as a form of vandalism(no matter how good the piece). With commissioner Bratton and Susan jones on two opposing sides of graffiti, Bratton brings a good point on how "celebrating graffiti and what a great impact it has had on the city". On the other hand, Susan Jones's intention was "to show how graffiti became an art form". Furthermore, if graffiti becomes a controlled form of art, then there shouldn't be a reason to call it vandalism. The article states, "there is a wonderful graffiti when there is a designated space". In other words, graffiti is a form of art just as long it doesn't involve destroying other people's property. The only time graffiti can be called vandalism is when it destroys or defaces another person's property without permission. According to "Legal Venues Celebrate Graffiti as an Art Form." by Eric Felisbret “If you don’t have permission to write or paint, it is a crime.” A street artist can't just come up to someone's property and deface it; that's wrong and the person deserves to be prosecuted for it. But the streets aren't the places to create street art, there are now legal venues that can be made available to the artist that want to promote their pieces without participating in vandalism. Felisbret also states, “Legal venues for the art form are great – they allow artists to perfect their works and, perhaps get paid for them.” The legal venues give the artist to promote and sell their art and perhaps become more popular within the community. Graffiti is a form of art because it has revolutionized what we call art in museums and exhibits. Even though Bratton views graffiti as a form of vandalism, others such as Jeffrey Deitch view it as part of history. Deitch states, "but graffiti deserves to be considered as art because it emerged as a visual language of a particular time of New York's history". As part of New York history, it should be commemorated because of its profound effect on people living in that period. Just by a simple reaction it makes you feel in different ways. Just as like artists like Pablo Picasso and Andy Warhol revolutionized the meaning of art, so are an artist like "Banksy" and "King Robbo" in the modern era trying to show their form of street art. Most of the time it will clash to the norms people have put over the definition of art. The comparison with the artist and the street artist both have made an impact (if some ways) the art community. "Not All Graffiti Is Vandalism – Let's Rethink the Public Space Debate." by Liam Miller “Genuine street art does not aim at ownership, but at capturing and sharing a concept. Street art adds to public discourse by putting something out into the world; it is the start of a conversation.” Many may disagree with graffiti, but it has its place in history that changed what we call art. Graffiti is a form of art just as long as it doesn't involve destroying other people's property. Studying how graffiti is made reveals that it is unmistakably an art form. At a glance, it might be treated as graffiti but there is artistic value in the work the artist put into the design. Through the years, graffiti has revolutionized how art is portrayed with respect and expression that comes from the artist. The street art or graffiti we see on a daily basis tries to grab our attention to provoking us in a positive or negative way.
The identity of a graffiti artist is hardly ever known unless they want to tag their art with their name or a nickname. Graffiti writers as a subculture are trying to express their political views through civil disobedience by painting pictures that speak out against the government. This subculture developed because they were tired of being oppressed by the government. Graffiti is one of the most enduring acts of protest. It is an important tool for the resistance movement as a way to publicize their protest. It is a visible and powerful form of protest that is going to promote change in the social justice by allowing oppressed groups of people express their viewpoints without being penalized by the
Graffiti is an art form that was bred from the rebellion of youths. The first sighting of graffiti was seen on subways, and other impoverished areas around New York. This form involved what is called tagging , where the artist signs his or her name, nickname, or group name, on the side of a building or other surface. It is well known for its bold, colorful presence and intricate script. It is still prominent and visible in those areas of the Bronx today.
Graffiti has been around for a long time, far back to the prehistoric times, where cavemen would spend hours drawing on walls, reflecting their daily lives. However, these walls were not walls of their own homes; they drew on walls that might have been someone else’s home, yet no one sees their “works of art” as vandalism. Archaeologists have even used graffiti on the walls of many areas to better understand different ancient cultures. Graffiti is a type of art that is popularly used among many young and middle-aged males, although it is considered vandalism, it is still an important piece of popular culture because of it’s ability to act as an effective form of communication and expression of identity, which can be used to reveal problems in society.
The main issue dealing with graffiti these days is how to prevent it. At the same time there are parties that argue we need graffiti and it is an important form of art. Most people trying to prevent graffiti are usually only against the art being produced illegally, that is on private property without permission of the owner.
Around the world, and for thousands of years, public areas have been illicitly defaced by criminals wielding all types of instruments to write, draw, or scratch with their individual purposes. Graffiti, as it’s called, is of course illegal, and is beginning to become hefty a problem in many urban areas. The amount of money put into cleaning buildings and cracking down on the offenders is outweighing the detestability the graffiti actually brings to a community; and that’s exactly where the argument lies. What about those who see graffiti in an optimistic manner? Many can urge that graffiti enlightens a society and should be cherished with the same amount of care as any other work of art. I, for one, strongly acknowledge that graffiti is in fact illegal, but also as an art; only when the purpose is an expression of those who made it. On the other hand, some see any form of public defacing as strictly vandalism, and therefore showing no artistic value.
Graffiti was made a long time ago and it started to become more popular (explode) in the 1900’s. This indicates that Graffiti illustrated the past because the people would design pictures of what was happening in their life or how they felt about someone or something, furthermore,Graffiti started to explode because more people wanted to express themselves. In addition,Graffiti reflects life because it is creating more criminals. When viewers see Graffiti, it encourages them to do it as well, but it is subversive. Graffiti reflects the lives of people because when viewers see it, they think it is okay to do it as well, but it is not okay. Graffiti is vandalizing a building or train which is against the law. Therefore, Graffiti is reflecting the people's lives by showing them that is is okay to break the law, but in reality it is not okay. Lastly, Graffiti reflected the people's lives because their artwork illustrated something about their life or their community. Graffiti is a way people can express their emotions towards something or someone. Therefore, Graffiti reflects life and/or a community because it shows them how they are feeling so, a community can identify and then fix the problem. In addition, to Graffiti, Karen Kilimnick helps connect art to the
Graffiti is an artform, and graffiti writers are artists. Graffiti is not bound to the aesthetic or conventional practices of art. It is an artform in which the artists motive disregards arguments on legality and enables the artist to take control. Graffiti is the act of scribbling, drawing, or spray painting illicitly in a public space in order to display a name or “ tag “. It is graffiti in the way of writing a name that is stylized and done illegally.
For ages now, strain has been lingering and bubbling under the surface between the graffiti writers and street artists. The majority of passers-by merge and confuse one with the other. Unquestionably, there are notable distinctions between them. Most people that carry out graffiti are not coached or shown how to and they are constructed mainly on words, usually names or foul language scribbled on the walls. It arisen for teenagers as a way to reveal themselves. Typically, it is observed as self-centred as they use “tags” as a way to build up their own status. Conversely, street artists are predominantly those that have been professionally taught- their paintings will hold immense thoughts and a symbolic (hidden) meaning behind it, sometimes political. The prime difference, explained by Kate Murphy, an employee of Graff Tours is, “Street art is relatable, graffiti isn’t” In contrast to the writers, most artists prefer to remain anonymous. Artists do not do what they do for money, fame or attention. Conventionally, it will be to express themselves and other times it will be to convey an important and thought-provoking message, for instance, the renowned Banksy. While graffiti would come under the term ‘vandalism’, street art should
Graffiti is a form of art that people use to express themselves and to convey various messages to people in a particular community. In the movie "Graffiti Verite':. One of the graffiti artist explained that his purpose in doing graffiti is that it allows him to "express his anger' on the wall. Another kid by the name of "Jipsie" said that graffiti is a "form of growth". There were several different explanations that artists shared as well as several different reasons why they like graffiti. The common theme among the graffiti artist and taggers was that graffiti is simply a form of self-expression (Bryan). At the end of the film one tagger made a comment and said, "graffiti is not vandalism, but it is a beautiful crime". This comment did not make sense to me. Committing a crime, a hideous act, is not a beautiful thing to do by any means. Graffiti does not mean people can go around and draw and spray paint on other peoples property. Regardless of what types of graffiti are being expressed by the tagger, this type of self expression is considered vandalism when people decide to draw, destroy, or violate any persons property without consent. As a result of taggers committing the crime of vandalism, property owners, concerned citizens, and law enforcement officers spend too much time, money, and energy trying to put an end to the unlawful act of vandalism.
What is the whole purpose of it? How come someone does graffiti if it’s illegal and you can be fined or go to jail if caught. What we really have to look at is who is mostly creating graffiti and why are they creating graffiti? Is there more to it than what we can see?
One can also consider graffiti as another form of art and not as a crime or as something that has a negative effect on society. It is a way for people to show their own thoughts, feelings, creativity, to show how they conceive the world beyond what anyone can see. According to Michael DeNotto graffiti is now recognized as a legitimate source of academic study, and it is being studied as a reaction to injustice and disenfranchisement, a cry for revolution, a way to create awareness of socio-political issues, an expression of hope for the future, an effort to reclaim public spaces, or an attempt to beautify the urban environment, among others.
Simply, graffiti is the illicit scribbling, scratching or spraying of public property in a public place to convey a message. The history of graffiti can be traced back to Pompeii where… and has occurred in varying forms since then.
When you think of graffiti do you think of gang tags and inappropriate invasion of space? Without question, graffiti is found most frequently in the underprivileged sections of town more so than the upper middle class neighborhoods. Although none are immune if the opportunity presents itself – say at 3 a.m. to a passerby who just happens to be in possession of a spray can or two of paint.
No matter what people say about it, Graffiti is a form of self-expression. It is important to realize the amount of talent and work required to create a piece of graffiti. The scale of such a piece can be small found on a corner to massive one taking up an entire wall. However, there are varying
We are constantly seeing in the news how people have painted entire city walls; often times though, the news fails to mention the one beautiful piece out of the hundred other tags. The news is making these masterpieces look ugly and juvenile, even though street art can be just as stunning as art you would find in a museum. ‘Street art’/Graffiti is a form of art because of the precision painters are using, because of the fact they play off our emotions just as any other artist would, and because they can make something that is old and dying into something new and vibrant. Most artists tend to know what they are doing when they are painting and are able to envision how many people’s thoughts and choices will be changed when they see that particular piece when they pass by.