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Racism and ethnicity novels
Contribution of Race in America Paul Laurence Dunbar
Literary analysis research paper on paul laurence dunbar
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Jonathan Price Proposal for Essay 3 10/7/13 What is your view about racists? Do you feel as if racism today has evolved to be better than what it was in the past? In the poems “We Wear the Mask” by Paul Laurence Dunbar and “White Lies” by Natasha Trethewey there is a racial barrier. I chose these two poems because to me they have more of a meaning behind them. The two poems show how things were historically but yet how things have remained the same yet today. With these two poems I will be comparing and contrasting them using literary devices. When comparing the poems I will be using literary devices, such as, assonance, metaphor, imagery and how both poems use lies. I will also be showing how literary devices contrast these two poems by using devices such as allusion, hyperbole, and personification. I will be using research questions such as: How have the girls in the poems changed to fit into society during their time? How do you feel the characters in both poems felt about their racial difference? How did diversity affect the characters? Where the characters in these poems trying to hide themselves because they felt if they did not they would have no respect in public? When comparing the poems “We Wear the Mask” by Paul Laurence Dunbar and Natasha Trethewey’s poem “White Lies” I think one has to start with the writers themselves. Dunbar was born to a mother who was a former slave and his father had escaped slavery and served in the 55th Massachusetts Infantry Regiment and the 5th Massachusetts Colored Regiment during the Civil War. Ms. Trethewey frequently likes to utilize the American Civil War in her literary works. They both appear to have a love for those who are racially different as indicated in the ... ... middle of paper ... ...rent kinds of people. I have showed you how things were historically compared to the twenty first century. I showed you how Paul Laurence Dunbar’s “We Wear The Mask” and “White Lies” by Natasha Trethewey’s poems compare and contrast using the literary devices. The literary devices that I used to compare them were assonance, metaphor, imagery and how both poems use lies. Than when contrasting these poems I used the literary devices allusion, hyperbole, and personification. The questions that I answered for you in this paper were; how have the girls in the poems changed to fit into society during their time? How do you feel the characters in both poems felt about their racial difference? How did diversity affect the characters? Where the characters in these poems trying to hide themselves because they felt if they did not they would have no respect in public?
Poems and other readings with strong racial undertones such as Strange Fruit allow me to reflect back on the role race plays in my life as a black young woman and analysis if much has changed in terms of racism in the American society today.
The poem with the same title as the collection ’’I am not a racist but…’’ she uses satire to show how easy racism is not recognised or played down. She was hurt at a very young age by racist attitude and words as she wrote about her school years in the poem ‘’Making...
While exploring an unknown island and struggling to survive, a group of schoolboys reveal their primitive, barbarous identities in William Golding’s work, Lord of the Flies. Similarly, Paul Laurence Dunbar, an African American poet, describes the hidden nature of individuals in order to protect themselves and conceal their pain. Golding’s novel and Dunbar’s poem, “We Wear the Mask,” both express masks as means of escaping reality and a source of strength; however, the pressures of society suppress the characters in Dunbar’s poem while the boys in Lord of the Flies unleash true feelings through their innate savageness.
Both Zora Neale Hurston and Langston Hughes were great writers but their attitudes towards their personal experience as an African American differed in many ways. These differences can be attributed to various reasons that range from gender to life experience but even though they had different perceptions regarding the African American experience, they both shared one common goal, racial equality through art. To accurately delve into the minds of the writers’ one must first consider authors background such as their childhood experience, education, as well their early adulthood to truly understand how it affected their writing in terms the similarities and differences of the voice and themes used with the works “How it Feels to be Colored Me” by Hurston and Hughes’ “The Negro Mother”. The importance of these factors directly correlate to how each author came to find their literary inspiration and voice that attributed to their works.
Sociologists often employ intersectionality theory to describe and explain facets of human interactions. This particular methodology operates on the notion that sociologically defining characteristics, such as that of race, gender, and class, are not independent of one another but function simultaneously to determine our individual social experiences. This is evident in poetry as well. The combination of one poet’s work that expresses issues on class with another poet’s work that voices issues on race, and so forth, can be analyzed through a literary lens, and collectively embody the sociological intersectionality theory.
In the poem “White Lies” by Natasha Tretheway the narrator opens the poem with vivid imagery about a bi-racial little girl who is trying to find her true identity between herself and others around her. She tells little lies about being fully white because she feels ashamed and embarrassed of her race and class and is a having a hard time accepting reality. The poem dramatizes the conflict between fitting in and reality. The narrator illustrates this by using a lot imagery, correlations and connotation to display a picture of lies. The narrator’s syntax, tone, irony and figurative language help to organize her conflict and address her mother’s disapproval.
Paul Lawrence Dunbar, an African-American poet, describes the suffering that blacks were subjected to in his 1913 poem, “We Wear the Mask”. In his poem, Dunbar asserts that blacks are partially responsible for the suffering of African Americans due to their belief that a deceptive “mask” was necessary for their survival.
Racism has been and always will be a form of segregation concurrently and in the history of humanity. From Ancient times to current, the status of segregation by some means of oppression privied by power, wealth, and prestige has been as second nature as drinking water. While Coates has his own perspective of reality and its structure, it’s interesting that a so called genius had taken almost 30 years to finally see the true nature of “the beast” he frequented. That Beast known as Racist America and all if its capitalist racial qualities. While some have their own experiences and perspectives, “Between The World and Me”, past historical events on racism in America including the Civil Rights Movement, correlative measures of other countries on racism and the slave trade, and the many obstacles that are implemented to secure such advantages will continue to be the key topics of discussion.
...ites a short 33-line poem that simply shows the barriers between races in the time period when racism was still openly practiced through segregation and discrimination. The poem captures the African American tenant’s frustrations towards the landlord as well as the racism shown by the landlord. The poem is a great illustration of the time period, and it shows how relevant discrimination was in everyday life in the nineteen-forties. It is important for the author to use the selected literary devices to help better illustrate his point. Each literary device in the poem helps exemplify the author’s intent: to increase awareness of the racism in the society in the time period.
The contradiction of being both black and American was a great one for Hughes. Although this disparity was troublesome, his situation as such granted him an almost begged status; due to his place as a “black American” poet, his work was all the more accessible. Hughes’ black experience was sensationalized. Using his “black experience” as a façade, however, Hughes was able to obscure his own torments and insecurities regarding his ambiguous sexuality, his parents and their relationship, and his status as a public figure.
Within the works of Langston Hughes the theme of prejudiceness is portrayed in many pieces (Ed 2). Growing up as an African American boy there were situations where people prejudged him just because of his skin tone, of course the situations were hurtful, but it later on helped build a powerful story or poem (Ed 2). For this reason, Langston Hughes often narrowed in on the African American working class (Williams 2). Coupled with the African American working class, an individual 's race created a separation between people (Sundquist 2). The separation of individuals for no other reason but their skin tone infuriated Hughes and he took it to pen and paper to express the differences and opposing treatment of civilians (Sundquist 2). When it came to Langston Hughes the achievement of being the best was not his goal, rather it was to get his words across and let people relate or realize what he is telling. Along with the process of seeking awareness, Hughes worked with the categories “racial insights and national attitudes” (Emanuel 119). In addition to the way African Americans were treated, the chances of working and education were also unequal. The opening for a job tended to be much easier for a white citizen to get when being compared to someone with darker skin (MacNicholas 318). White citizens also believed they were superior and that African Americans were outsiders, therefore African Americans education wasn’t taken as seriously or wasn’t available to them (MacNicholas 318). Keeping the focus of racial prejudiceness in mind, Langston Hughes’ works pinpointed mainly cities and when being interviewed about what his goal in his writings is “Hughes replied “I explain and illuminate the Negro working condition in America. This applies to 90 percent of my work” (Emanuel 68-69). Langston Hughes, being an African
“I have a dream that my four children will one day live in a nation where they will not be judged by the color of their skin, but by the content of their character” (Martin Luther King Jr., “I had a dream speech”). Racism, a strong weapon used against equality. Langston Hughes portrayed his view of societal racism in poetry and songs. Quite a strong soldier in the war against prejudice, his train of thought was precisely what society needs, yet fears. Racism should be distinguished, but is as strong as ever. The end of its reign would enhance the ability of minorities in terms of jobs, societal acceptance, and life in general. Langston Hughes communicates his theme of racism and overcoming it through his use of Symbolism, Tone, and Anthropomorphism.
Paul Laurence Dunbar’s “We Wear the Mask” is a lyric poem in which the point of attraction, the mask, represents the oppression and sadness held by African Americans in the late 19th century, around the time of slavery. As the poem progresses, Dunbar reveals the façade of the mask, portrayed in the third stanza where the speaker states, “But let the dream otherwise” (13). The unreal character of the mask has played a significant role over the life of African Americans, whom pretend to put on a smile when they feel sad internally. This ocassion, according to Dunbar, is the “debt we pay to human guile," meaning that their sadness is related to them deceiving others. Unlike his other poems, with its prevalent use of black dialect, Dunbar’s “We Wear the Mask” acts as “an apologia (or justification) for the minstrel quality of some of his dialect poems” (Desmet, Hart and Miller 466). Through the utilization of iambic tetrameter, end rhyme, sound devices and figurative language, the speaker expresses the hidden pain and suffering African Americans possessed, as they were “tortured souls” behind their masks (10).
This essay is about a girl who sees the different ways “Negroes” are perceived in a small town. She states that white people constantly remind her that she comes from grandparents who were slaves. It does not bother her, because it happened years ago and slavery was a price they paid for civilization that had nothing to do with her. The only time she feels like her identity is seen as something dangerous is when she 's in a white neighborhood. She feels that she sometimes is not a race but she 's her own self; she identifies herself as a human and not someone who people should be afraid of. The narrator feels discriminated against, but doesn 't feel angry about it. This essay shows that the narrator felt different when it came to skin beautiful dark skin and people with lighter skin than her, like people would discriminate against her for her skin color. Her racial identity was represented as someone was dangerous and someone whose background was from the times when there was slavery and thats how the whites see her; that is how she is identified but she says that it really doesn 't bother
Unlike the earlier era, in which they had received freedom but it was so new to them, and they truly didn’t understand what it meant to be a free group, they began to move into a time period where they were finding their voice, and “finding their freedom”. Instead of writing about becoming free, and wanting freedom, they begin to act free. They begin to prove they were free by giving off confident in their culture and in their work. In her writing she has many different subsections where she rebuttals the ideas pushed onto the African American race. She proves the stereotypes wrong using the truth. The first example is, under the section titled “originality” she wrote, “it has been said so often that the negro is lacking in originality that has almost become a gospel. Outward signs seem to bear this out. But if one looks closely its falsity is immediately evident.” and , “So if we look at it squarely, the Negro is a very original being. While he lives and moves in the midst of a white civilian, everything that he touches is re-interpreted for his own use. He has modified the language, mode of food preparation, practice of medicine, and most certainly the religion of his new country, just as he adapted to suit himself the sheik haircut made famous by Rudolph Valentino.” this passage shows how much she believes in her race. She isn’t asking for anything from anyone. She doesn’t beg for respect, acceptance, or freedom, she is telling them to treat them like they are free. This passage really exemplifies the theme of accepting themselves and their culture during this time period. The African Americans were able to begin to stand up for themselves and up against the falsely acclaimed stereotypes that have been made against them. During this time period they were recreating the culture that had been taken away from them. They were finding their voice through