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Criticism of emily bronte
Themes in the gathering heights
Themes in the gathering heights
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Purpose of article
Written by Turki S. Althubaiti, Race Discourse In Wuthering Heights, is a critical essay that is part of the European Scientific Journal - an online peer reviewed, open access journal, that is issued monthly and contains high quality research articles. The critical essay was written on March 15, 2015, and was produced in order to explore Emily Bronte’s use of racial discourse within her novel Wuthering Heights. The essay would appeal to those interested in humanities or more specifically, the way nineteenth-century race is explored in Wuthering Heights.
Summary
The essay begins by stating Emily Bronte’s novel Wuthering Heights ‘somehow embodies’ racial discourse (p201). Described as a well written, mysterious and racially explorative text, Wuthering Heights is a novel that is constructed in the essay to be a text that explores race in the nineteenth century. The essay, containing much critical analysis, suggests the novel and Heathcliff more specifically break away from the traditional nineteenth century thought and cultural understanding whilst highlighting the notion of white superiority to be
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nothing more than a myth, that was overruled in the end by the once unprivileged, faceless and excluded Heathcliff. The essay, Race Discourse In Wuthering Heights also draws on Terry Eagleton’s exploration of Heathcliff and how he was portrayed in the novel. Heathcliff was constructed as ‘savage, lunatic, violent, subversive and uncouth-all stereotypical nineteenth-century Britain images of the Irish’(p205). Thus, further highlighting Wuthering Heights is an exploration of race in the nineteenth century as it clearly explores the notions and racial discourses of the time in which it was written. Althubaiti also makes reference to how Slavoj Sizek suggested nineteenth century race is highlighted through Heathcliff, particularly with Heathcliff’s treatment and how he is never accepted ‘as fully human and always deprived of his rights and equality’ (p209). This is a clear indication and depiction of the British attitudes of the time, whereby the white race was considered superior and any ‘other’ race therefore inferior. Relevance/Evaluation Turki Althubaiti’s study of Wuthering Heights is impressive and appreciable.
A well written and analytical inquiry, the essay is effective in highlighting the ways in which Wuthering Heights is an exploration of race in the nineteenth century. Turki Althubaiti uses many secondary sources in order to effectively consider how race and racial prejudice is reflected through the character Heathcliff. Althubaiti beautifully describes Emily Bronte’s authentic novel as an ‘imaginative art’ that ‘embodies the tensions and conflicts- racial, social, personal and spiritual - of nineteenth century capitalist society’ (p222). He also concludes Wuthering Heights proves to be a place where racial and societal norms were displaced and the dark skinned man with deep black eyes, is not a goblin or a ghoul, rather, ‘a human being, and free, like everyone else’
(p233).
Ever since the abolition of slavery in the United States, America has been an ever-evolving nation, but it cannot permanently erase the imprint prejudice has left. The realities of a ‘post-race world’ include the acts of everyday racism – those off-handed remarks, glances, implied judgments –which flourish in a place where explicit acts of discrimination have been outlawed. It has become a wound that leaves a scar on every generation, where all have felt what Rankine had showcased the words in Ligon’s art, “I feel most colored when I am thrown against a sharp white background” (53). Furthermore, her book works in constant concert with itself as seen in the setting of the drugstore as a man cuts in front of the speaker saying, “Oh my god, I didn’t see you./ You must be in a hurry, you offer./ No, no, no, I really didn’t see you” (77). Particularly troublesome to the reader, as the man’s initial alarm, containing an assumed sense of fear, immediately changing tone to overtly insistent over what should be an accidental mistake. It is in these moments that meaning becomes complex and attention is heightened, illuminating everyday prejudice. Thus, her use of the second person instigates curiosity, ultimately reaching its motive of self-reflections, when juxtaposed with the other pieces in
Brontё further imposes the reader against this repressive society that emulates Heathcliff’s rejection because of his inexorable revenge. His revenge against Hindley begins to threaten the system because even with his nebulous and “gypsy” background he manages to ascend into the bourgeoisie status, reducing the unequal system to mere superstition. Arnold Kettle argues that these values represented in Wuthering Heights, which Heathcliff rebels, “reflects the specific tyranny of Victorian capitalist society” against gypsies and those with little social economic status, which Heathcliff embodies.
Emily Brontë’s novel Wuthering Heights, set in the countryside of England’s 1700’s, features a character named Heathcliff, who is brought into the Earnshaw family as a young boy and quickly falls into a passionate, blinding romance with the Earnshaw’s daughter, Catherine. However, Heathcliff is soon crushed by this affection when his beloved chooses the company of another man rather than his own. For the remainder of the novel he exudes a harsh, aversive attitude that remains perduring until his demise that is induced by the loss of his soulmate, and in turn the bereavement of the person to whom the entirety of his being and his very own self were bound.
. The reader sees an extraordinary inwardness in Emily Bronte’s book Wuthering Heights. Emily has a gloomy and isolated childhood. . Says Charlotte Bronte, “ my sister’s disposition was not naturally gregarious; circumstances favored and fostered her tendency to seclusion; except to go to church, or to take a walk on the hills, she rarely crossed the threshold of home.”(Everit,24) That inwardness, that remarkable sense of the privacy of human experience, is clearly the essential vision of Wuthering Heights. Emily Bronte saw the principal human conflict as one between the individual and the dark, questioning universe, a universe symbolized, in her novel, both by man’s threatening and hardly-to-be-controlled inner nature, and by nature in its more impersonal sense, the wild lonesome mystery of the moors. The love of Heathcliff and Catherine, in its purest form, expresses itself absolutely in its own terms. These terms may seem to a typical mind, violent, and even disgusting. But having been generated by that particular love, they are the proper expressions of it. The passionately private relationship of Heathcliff and Catherine makes no reference to any social convention or situation. Only when Cathy begins to be attracted to the well-mannered ways of Thrushcross Grange, she is led, through them, to abandon her true nature.
Emily Bronte’s Wuthering Heights is a novel about lives that cross paths and are intertwined with one another. Healthcliff, an orphan, is taken in by Mr. Earnshaw, the owner of Wuthering Heights. Mr. Earnshaw has two children named Catherine and Hindley. Jealousy between Hindley and Healthcliff was always a problem. Catherine loves Healthcliff, but Hindley hates the stranger for stealing his fathers affection away. Catherine meets Edgar Linton, a young gentleman who lives at Thrushcross Grange. Despite being in love with Healthcliff she marries Edgar elevating her social standing. The characters in this novel are commingled in their relationships with Wuthering Heights and Thrushcross Grange.
Baldwin and his ancestors share this common rage because of the reflections their culture has had on the rest of society, a society consisting of white men who have thrived on using false impressions as a weapon throughout American history. Baldwin gives credit to the fact that no one can be held responsible for what history has unfolded, but he remains restless for an explanation about the perception of his ancestors as people. In Baldwin?s essay, his rage becomes more directed as the ?power of the white man? becomes relevant to the misfortune of the American Negro (Baldwin 131). This misfortune creates a fire of rage within Baldwin and the American Negro. As Baldwin?s American Negro continues to build the fire, the white man builds an invisible wall around himself to avoid confrontation about the actions of his ?forefathers? (Baldwin 131). Baldwin?s anger burns through his other emotions as he writes about the enslavement of his ancestors and gives the reader a shameful illusion of a Negro slave having to explai...
Deborah E. McDowell offers two prominent reasons as to why Douglass’s Narratve being seen as the center and most notably the origin of African-American literary tradition is flawed; these reasons are because of the structures that endorse the exclusion of femininity, and patriarchy of white di...
Charlotte Brontë’s Jane Eyre entails a social criticism of the oppressive social ideas and practices of nineteenth-century Victorian society. The presentation of male and female relationships emphases men’s domination and perceived superiority over women. Jane Eyre is a reflection of Brontë’s own observation on gender roles of the Victorian era, from the vantage point of her position as governess much like Jane’s. Margaret Atwood’s novel was written during a period of conservative revival in the West partly fueled by a strong, well-organized movement of religious conservatives who criticized ‘the excesses of the sexual revolution.’ Where Brontë’s Jane Eyre is a clear depiction of the subjugation of women by men in nineteenth-century Western culture, Atwood’s The Handmaid’s Tale explores the consequences of a reversal of women’s rights by men. This twentieth-century tradition of dystopian novels is a possible influence, with classics like Aldous Huxley’s Brave New World and George Orwell’s 1984 standing prominence. The pessimism associated with novels of this genre—where society is presented as frightening and restrictive—exposes the gender inequality between men and women to be deleterious.
In comparison, Catherine has not only grown up with Heathcliff, allowing her access to a myriad of interactions which Brontë’s audience wasn’t previously privy to, but she has developed her understanding of societal norms alongside him. Thus, the unabashed sympathy Cathy initially feels for her “poor Heathcliff” provides a new narrative altogether—a narrative that focuses on the individual, closely following Heathcliff’s transmogrification from a “starving, and houseless, and as good as dumb [child] in the streets of Liverpool” to a man who Lockwood interprets as filled with cruelty and “savage vehemence” (22, 37, 27). In addition, Catherine’s possible retelling of Wuthering Heights through her diaries eventually allows for Heathcliff’s cruelty to be put into conversation with his upbringing as a non-white subject in a wholly white
Varghese, Dr. Lata Marina. "Stylistic Analysis of Emily Brontë’s Wuthering Heights." IOSR Journal of Humanities and Social Science 2.5 (2012): 46-50. Print.
The calamities between the Lintons and the Earnshaws provide the readers with the bleak and austere aura of the Gothic era and, thus, explain the various themes expressed in the novel Wuthering Heights written by Emily Brontë. The two families are similar by their aristocracy, but the conflicts between the characters provide insight into many underlying meanings throughout the novel. Heathcliff’s arrival at Wuthering Heights carries on the plot of the story, allowing the readers to interpret the themes about social class, love, and suffering.
Conflict as a result of class and gender division is a common theme seen throughout Emily Brontë's novel Wuthering Heights. Social contrasts and gender boundaries create oppression and tension amongst the characters, affecting their composure and behaviour throughout the novel.
Emily Bronte's Wuthering Heights can be considered a Gothic romance or an essay on the human relationship. The reader may regard the novel as a serious study of human problems such as love and hate, or revenge and jealousy. One may even consider the novel Bronte's personal interpretation of the universe. However, when all is said and done, Heathcliff and Catherine are the story. Their powerful presence permeates throughout the novel, as well as their complex personalities. Their climatic feelings towards each other and often selfish behavior often exaggerates or possibly encapsulates certain universal psychological truths humans are too afraid to express. Heathcliff and Catherine's stark backgrounds evolve respectively into dark personalities and mistaken life paths, but in the end their actions determine the course of their own relationships and lives. Their misfortunes, recklessness, willpower, and destructive passion are unable to penetrate the eternal love they share.
Bronte's Use of Language and Setting in Wuthering Heights Between pages 15 and 18 there are identifiable ways in which 'Bronte' uses 'language and setting' to establish the characters and create a distinguishable atmosphere. In this essay, themes, genres and styles will be discussed to show how 'Bronte' establishes the characters; there will also be a discussion of the 'gothic' elements which Wuthering Heights contains. Many people would argue that the style of 'Wuthering Heights' is peculiar and complex, the power of Wuthering Heights owes much to its complex narrative structure and to the device of having two conventional people relate a very unconventional tale. Bronte importantly introduces the element of 'the supernatural' into chapter 3 which is an important technique as it grips the reader. Lockwood has come into contact with the ghost of Cathy, who died 18 years before, Some might argue that she is a product of Lockwood's imagination, and it is clear that Bronte has presented these facts in this way so that the reader can make up their own mind on the subject.
In Emily Bronte’s Wuthering Heights, Bronte uses the issue of social class to focus in on how an outsider, Heathcliff, is treated when he enters in a new society with a changing class structure to show the idea that class is something that begins with ancestors and current members conform into it is present. At the time, the industrialization of England caused the levees in place to yield to allow for a new middle class. This rise of middle, working class stirs up conflict between the dominant upper class and the rising lower classes. This class conflict, the oppression against the lower classes serves as the basis for Heathcliff’s interactions, treatments, and future tyrannical actions in Wuthering Heights to show the class struggle placed on society by industrialization.