Brontё further imposes the reader against this repressive society that emulates Heathcliff’s rejection because of his inexorable revenge. His revenge against Hindley begins to threaten the system because even with his nebulous and “gypsy” background he manages to ascend into the bourgeoisie status, reducing the unequal system to mere superstition. Arnold Kettle argues that these values represented in Wuthering Heights, which Heathcliff rebels, “reflects the specific tyranny of Victorian capitalist society” against gypsies and those with little social economic status, which Heathcliff embodies.
Furthermore, as each outcast appears to achieve their struggle against society, the authors begin to differentiate in how they present them. As Shakespeare and Brontё show Hamlet and Heathcliff negatively, Kesey reveals McMurphy as a saviour and hero amid the ward. As the play develops Shakespeare explores Hamlet’s decent into madness to challenge the conventions of the archetypal hero. To start Hamlet is the typical misunderstood tragic hero, but Shakespeare implicitly begins to develop an immoral and threatening character. Whose inhumanity is truly revealed in Act 5, Scene 2, where Hamlet explains how he sent orders for Rosencrantz and Guildenstern to be “put to sudden death, / Not shriving time allowed” (V, ii, 46). Shakespeare makes this seem like a grandly impulsive moment with such an immoral act because it clearly juxtaposes Hamlet’s initial inaction and philosophical being, which emphasises such a brash and disproportionate action against his childhood friends, that the Hamlet presented at the start would seem incapable of. His initial presentation, though, of black clothing can be read as the physical manifestation of the state of h...
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... Brontё and Shakespeare focus on presenting the outcast as the epitome human complexity; Shakespeare allows a deep insight into Hamlets internal conflictions and the emphasis on how corrupted Claudius becomes to better understand Hamlet’s role as the outsider, where Brontё’s decision to make Heathcliff her hero can be read as an intervention into the Victorian prejudice against outsiders, such as gypsies and beggars. Rather more explicitly, Kesey is unequivocally concerned with the place of the individual within society and the means by which society seeks to impose order at the expense of independence and freedom. Thus they can all be read as fundamentally aiming to expose the oppressions of the unjustifications of capitalism and feudalism, to which these characters rebel, particularly the abuse of power and authority to control and manipulate a conforming society.
Hindley’s obstructive actions, imposed on Heathcliff’s life, expand an internal anger that arouses as Heathcliff’s time at Wuthering Heights draws to a close. The negligent and condemnatory conditions advanced by Hindley transform Heathcliff’s futuristic outcome and supply him with motives to carry out vengeance on multiple personalities involved in the plot. Heathcliff’s troubled social environment renders it difficult to determine the ethical legitimacy behind his decisions, contributing to the moral ambiguity of his
Emily Brontë’s novel Wuthering Heights, set in the countryside of England’s 1700’s, features a character named Heathcliff, who is brought into the Earnshaw family as a young boy and quickly falls into a passionate, blinding romance with the Earnshaw’s daughter, Catherine. However, Heathcliff is soon crushed by this affection when his beloved chooses the company of another man rather than his own. For the remainder of the novel he exudes a harsh, aversive attitude that remains perduring until his demise that is induced by the loss of his soulmate, and in turn the bereavement of the person to whom the entirety of his being and his very own self were bound.
Over a long period of time, an individual’s social status has always had a great impact on relationships between others. Relationships such as friendship, romance and even family relationships are greatly influenced by one’s social status. When people value social status to the utmost importance, it often acts as a barrier to further solidify relations with others. “Wuthering Heights” is a classic novel written by Emily Bronte which illustrates how social status gets in the way of relationships. This story (set in eighteen hundreds) displays the true nature of the people at that time because they excessive had pride. Since they had excessive pride, they often judged people based on their social class; hence changing their relationship between each other. In this novel social class was measured by observing an individual’s wealth, appearance and manners. Heathcliff happens to be the male lead character of this story that lacks social class due to his rebellious relationship with Hindley. Afterwards, Hindley degrades Heathcliff’s status this affects his connections with Catherine and Nelly. Since Heathcliff’s status diminishes, Catherine becomes reluctant to continue her affair with Heathcliff. Nelly also becomes wary of Heathcliff because his personality changes after restoring his own status. Thus, it is clearly seen that social class has an impact on the story by altering Heathcliff’s relationship between Hindley, Catherine and Nelly.
Hamlet. The son of a king. A man who could have had it all, but instead he chose the much more painful route of revenge and a life of bloodshed. The downfall of Hamlet is comparable to trying to hide a lie one has told. The deeper we try to cover the lie, the worse it gets and harder it becomes to do the right thing. The deeper the reader explores into Hamlets life, the messier and messier it becomes. With a mind full of suicidal thoughts and insanity with no effort to contain it can only lead one thing, and Hamlets downfall is the ultimate example. Pain, suffering, and extreme
Hamlet is Shakespeare’s most famous work of tragedy. Throughout the play the title character, Hamlet, tends to seek revenge for his father’s death. Shakespeare achieved his work in Hamlet through his brilliant depiction of the hero’s struggle with two opposing forces that hunt Hamlet throughout the play: moral integrity and the need to avenge his father’s murder. When Hamlet sets his mind to revenge his fathers’ death, he is faced with many challenges that delay him from committing murder to his uncle Claudius, who killed Hamlets’ father, the former king. During this delay, he harms others with his actions by acting irrationally, threatening Gertrude, his mother, and by killing Polonius which led into the madness and death of Ophelia. Hamlet ends up deceiving everyone around him, and also himself, by putting on a mask of insanity. In spite of the fact that Hamlet attempts to act morally in order to kill his uncle, he delays his revenge of his fathers’ death, harming others by his irritating actions. Despite Hamlets’ decisive character, he comes to a point where he realizes his tragic limits.
The impression made by a character in a play is one of its most complex and debatable components, for each individual, from the director to the audience, forms an idea based on their own interpretation of the work. Each character can be read differently, with each perception having its own implications beyond the text. The analysis of alternate perspectives of Hamlet can provide insight into possible hidden motivations and underlying plot elements invisible in the original text.
Shakespeare’s play Hamlet is a complex and ambiguous public exploration of key human experiences surrounding the aspects of revenge, betrayal and corruption. The Elizabethan play is focused centrally on the ghost’s reoccurring appearance as a symbol of death and disruption to the chain of being in the state of Denmark. The imagery of death and uncertainty has a direct impact on Hamlet’s state of mind as he struggles to search for the truth on his quest for revenge as he switches between his two incompatible values of his Christian codes of honour and humanist beliefs which come into direct conflict. The deterioration of the diseased state is aligned with his detached relationship with all women as a result of Gertrude’s betrayal to King Hamlet which makes Hamlet question his very existence and the need to restore the natural order of kings. Hamlet has endured the test of time as it still identifies with a modern audience through the dramatized issues concerning every human’s critical self and is a representation of their own experience of the bewildering human condition, as Hamlet struggles to pursuit justice as a result of an unwise desire for revenge.
Hamlet is a conflicted character. He is maddened by his father’s, the King of Denmark, murder and his mother’s, Queen Gertrude, untimely marriage to his uncle, King Claudius, who is also his father’s murderer. It is a tangled web of lies, death, and duplicity that Hamlet lives in. “Denmark [certainly] is a prison” for him (II.2.262). Hamlet becomes withdrawn in the play, no longer having an enthusiastic and playful demeanor. His relationship with his mother is destroyed, he denounces Rosencrantz, Guildenstern, and Ophelia, and he becomes estranged with society as he feigns insanity. He is the quintessential character for Jean Paul Sartre’s existential principle that “Hell is other people.” Ultimately, Hamlet’s nature completely changes. He states to Guildenstern that as “of late, but wherefore I know not, lost all my mirth, forgone all custom of exercises, an...
The presentation of childhood is a theme that runs through two generations with the novel beginning to reveal the childhood of Catherine and Hindley Earnshaw, and with the arrival of the young Liverpudlian orphan, Heathcliff. In chapter four, Brontë presents Heathcliff’s bulling and abuse at the hands of Hindley as he grows increasingly jealous of Heathcliff for Mr. Earnshaw, his father, has favoured Heathcliff over his own son, “my arm, which is black to the shoulder” the pejorative modifier ‘black’ portrays dark and gothic associations but also shows the extent of the abuse that Heathcliff as a child suffered from his adopted brother. It is this abuse in childhood that shapes Heathcliff’s attitudes towards Hindley and his sadistic nature, as seen in chapter 17, “in rousing his rage a pitch above his malignity” there is hyperbole and melodrama as the cruelty that stemmed from his abuse in childhood has been passed onto Isabella in adulthood.
Hamlet by William Shakespeare is one of the world’s most revered literature. The main character, Hamlet, is arguably one of the most intriguing characters the playwright ever developed. Hamlet is daring, philosophical, mentally unstable at times, and clever. Throughout the play though, these characteristics change and/or diminish as Hamlet is put through a plethora of unfortunate events. His father is murdered by Claudius, his mother soon after marries Claudius, Rosencrantz and Guildenstern betray him, and his girlfriend most likely commits suicide. While Hamlet is incredibly philosophical, indecisive, and full of resentment in the beginning of the play, he becomes violent, instinctive, caring and sympathetic towards the end of the play.
As the play’s tragic hero, Hamlet exhibits a combination of good and bad traits. A complex character, he displays a variety of characteristics throughout the play’s development. When he is first introduced in Act I- Scene 2, one sees Hamlet as a sensitive young prince who is mourning the death of his father, the King. In addition, his mother’s immediate marriage to his uncle has left him in even greater despair. Mixed in with this immense sense of grief, are obvious feelings of anger and frustration. The combination of these emotions leaves one feeling sympathetic to Hamlet; he becomes a very “human” character. One sees from the very beginning that he is a very complex and conflicted man, and that his tragedy has already begun.
Hamlet’s mourning about the death of his father and the remarriage of his mother drives him to madness. This is the main characters inner tragedy that Shakespeare expresses in the play. First he considers suicide but the ghost of King Hamlet sends him on a different path, directing him to revenge his death. Shakespeare uses Hamlet to articulate his thoughts about life, death and revenge. Being a moral character he must decide if revenge is the right thing to do. Shakespeare relays many scenarios of reasoning to the audience about mankind His hero sets the wrongs on mankind right again.
If Brontë encourages sympathy with characters belonging to the lower working classes (for example Michael and Nelly), she does the opposite with Linton and his attitude to life – she emphasises his incompatibility within the insular society of Wuthering Heights and how it struggles to accommodate a person unwilling to work for the benefit of their
Hamlet is the best known tragedy in literature today. Here, Shakespeare exposes Hamlet’s flaws as a heroic character. The tragedy in this play is the result of the main character’s unrealistic ideals and his inability to overcome his weakness of indecisiveness. This fatal attribute led to the death of several people which included his mother and the King of Denmark. Although he is described as being a brave and intelligent person, his tendency to procrastinate prevented him from acting on his father’s murder, his mother’s marriage, and his uncle’s ascension to the throne.
In Emily Bronte’s Wuthering Heights, Bronte uses the issue of social class to focus in on how an outsider, Heathcliff, is treated when he enters in a new society with a changing class structure to show the idea that class is something that begins with ancestors and current members conform into it is present. At the time, the industrialization of England caused the levees in place to yield to allow for a new middle class. This rise of middle, working class stirs up conflict between the dominant upper class and the rising lower classes. This class conflict, the oppression against the lower classes serves as the basis for Heathcliff’s interactions, treatments, and future tyrannical actions in Wuthering Heights to show the class struggle placed on society by industrialization.