Explore the Ways the Writers Present the Outcast in Hamlet, Wuthering Heights and One Flew Over the Cuckoo’s Nest in View of this Statement.

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Brontё further imposes the reader against this repressive society that emulates Heathcliff’s rejection because of his inexorable revenge. His revenge against Hindley begins to threaten the system because even with his nebulous and “gypsy” background he manages to ascend into the bourgeoisie status, reducing the unequal system to mere superstition. Arnold Kettle argues that these values represented in Wuthering Heights, which Heathcliff rebels, “reflects the specific tyranny of Victorian capitalist society” against gypsies and those with little social economic status, which Heathcliff embodies.
Furthermore, as each outcast appears to achieve their struggle against society, the authors begin to differentiate in how they present them. As Shakespeare and Brontё show Hamlet and Heathcliff negatively, Kesey reveals McMurphy as a saviour and hero amid the ward. As the play develops Shakespeare explores Hamlet’s decent into madness to challenge the conventions of the archetypal hero. To start Hamlet is the typical misunderstood tragic hero, but Shakespeare implicitly begins to develop an immoral and threatening character. Whose inhumanity is truly revealed in Act 5, Scene 2, where Hamlet explains how he sent orders for Rosencrantz and Guildenstern to be “put to sudden death, / Not shriving time allowed” (V, ii, 46). Shakespeare makes this seem like a grandly impulsive moment with such an immoral act because it clearly juxtaposes Hamlet’s initial inaction and philosophical being, which emphasises such a brash and disproportionate action against his childhood friends, that the Hamlet presented at the start would seem incapable of. His initial presentation, though, of black clothing can be read as the physical manifestation of the state of h...

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... Brontё and Shakespeare focus on presenting the outcast as the epitome human complexity; Shakespeare allows a deep insight into Hamlets internal conflictions and the emphasis on how corrupted Claudius becomes to better understand Hamlet’s role as the outsider, where Brontё’s decision to make Heathcliff her hero can be read as an intervention into the Victorian prejudice against outsiders, such as gypsies and beggars. Rather more explicitly, Kesey is unequivocally concerned with the place of the individual within society and the means by which society seeks to impose order at the expense of independence and freedom. Thus they can all be read as fundamentally aiming to expose the oppressions of the unjustifications of capitalism and feudalism, to which these characters rebel, particularly the abuse of power and authority to control and manipulate a conforming society.

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