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Influence of emily bronte
The literary theme of loss
Relationships in wuthering heights
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Emily Brontë’s novel Wuthering Heights, set in the countryside of England’s 1700’s, features a character named Heathcliff, who is brought into the Earnshaw family as a young boy and quickly falls into a passionate, blinding romance with the Earnshaw’s daughter, Catherine. However, Heathcliff is soon crushed by this affection when his beloved chooses the company of another man rather than his own. For the remainder of the novel he exudes a harsh, aversive attitude that remains perduring until his demise that is induced by the loss of his soulmate, and in turn the bereavement of the person to whom the entirety of his being and his very own self were bound. Catherine and Heathcliff reveal their fervent devotion and affection for each other when the former is lying on her deathbed, and in those tender, moribund moments earnest and ardent confessions are made that signify their mutual adoration and are harbingers of Heathcliff’s adumbrative vengeance. Heathcliff suffers to see Catherine in such a ghostly state, and weeps at the idea of being without her, crying, ““Would you (Catherine) like to live with your soul in the grave?”” (151) In saying this he demonstrates not only his own pain at her imminent fate, but also their metaphorically entwined lives. He does so by connecting the departure of her soul to his own, claiming that when she dies, so too will he. Additionally, by mere fact that the normally stoic Heathcliff was found in a state of grievance over the unfortunate circumstances is indicative of the gravity and desperation that with her passing he regards. Nelly points out as much by her matter-of-fact remark, “...it seemed Heathcliff could weep on a great occasion like this.” (151) Therefore, Heathcliff’s anguish befo... ... middle of paper ... ...ance of Heathcliff’s feeling of being cheated out of his happiness, videlicet, loving and being loved by Catherine. Furthermore, the love that Heathcliff’s young niece and nephew share is one that echoes that of what his and Catherine’s love could have been, which provides even more ground for the fiend to tyrannize the two. The semblence in their relationships can be seen in comparable scenes, the first of which recounts Catherine uttering, “It would degrade me to marry Heathcliff now…” (74) Later, Heathcliff pronounces apropos of Cathy caring for Hareton, “Your love will make him an outcast, and a beggar.” (299) The similarities between their two relationships is therefore outlined in their alluded elements of shame and social degradation that can be found in both occasions , and this likeness further agitates the aching heart of Wuthering Height’s antagonist.
Heathcliff's love for Catherine transcends the normal physical "true love" into spiritual love. He can withstand anything against him to be with her. After Hindley became the master of Wuthering Heights, he flogged Heathcliff like a slave. Although Heathcliff could have simply run away, his decision to endure the physical pains shows his unrelenting devotion to Catherine. Fortunately, Catherine feels as deeply for Heathcliff as he does for her, explaining to Nelly that "Whatever our souls are made of, his and mine are the same…" Their love for each other is so passionate that they can not possibly live apart. At Catherine's death, Heathcliff hopes that she will not rest, but will haunt him until he dies. This absurdity contradicts the traditional norm that one should pray that the dead rest in peace. Near the end of the novel, we learn that Catherine has haunted Heathcliff, allowing him only fleeting glances of her. This shows that despite their physical separation, nothing can part them spiritually. When Heathcliff dies and unites with Catherine once again, the neighbors see them haunt the moors. We finally see the power of their love; Not only does this love transcend physical barriers, it transcends time as well...
The complicated nature surrounding Heathcliff’s motives again adds an additional degree of ambiguity to his character. This motivation is primarily driven by Catherine’s marriage to Edgar and past rejection of Heathcliff, since he was a servant whom Hindley disapproved of. Prior to storming out of Wuthering Heights, Heathcliff overhears Catherine say, “It would degrade me to marry Heathcliff now…” (Brontë 87). The obstacles that ultimately prevent Heathcliff from marrying Catherine provide insight into Heathcliff’s desire to bring harm to Edgar and Hindley. The two men play prominent roles in the debacle, Edgar as the new husband and Hindley as the head figure who refused Heathcliff access to Catherine. Following this incident, Catherine says, “Whatever our souls are made of, his and mine are the same…” (Brontë 87). Catherine’s sentiment indicates she truly would rather be with Heathcliff, but the actions of others have influenced her monumental decision to marry Edgar. Furthermore, Heathcliff is motivated to not only ruin Edgar’s livelihood, but also gain ownership of his estate, Thrushcross Grange. This becomes clear when Heathcliff attempts to use Isabella
Heathcliff is a character who was abused in his childhood by Catherine’s brother, Hindley, because of his heritage as a “gypsy”, and Hindley was jealous of the love that Heathcliff got from Mr. Earnshaw, Hindley’s father. This is also selfishness upon Hindley’s part since he only wanted his father’s love for his sister and himself. So to reprimand Heathcl...
What usually comes to mind when one thinks of Emily Bronte’s Wuthering Heights? Most will visualize tortured lovers against the extraordinary moors. Perhaps one will even recall the scene of one lover, Heathcliff, opening the grave of his Catherine to dig a space where they can be joined eternally. Yet another equally powerful emotion appears throughout the novel as an antithesis to love, that of revenge. Revenge first forms the basis of the actions of Hindley, the Earnshaw son, toward Heathcliff. Later revenge is mirrored in the vengeful actions of Heathcliff after he loses Catherine. In the process of gaining revenge, both characters lose their own humanity and their souls.
The elder Catherine and Heathcliff shared a fantastic loyalty untempered by any civilization. Their dedication to one another to the exclusion of all other society is alluring, but unworkable in real life. In the end, their unchecked ardor is consumed by its own fire: Catherine wastes away on Thrushcross Grange, and Heathcliff turns his thwarted passion on everyone who reminds him of what he has lost.
On the face of it, it would seem that the relationship between Catherine and Heathcliff is self-destructive to an extreme. Due to the lovers’ precarious circumstances, passionate personalities and class divisions, it seems that fate transpires to keep them apart and therefore the hopelessness of their situation drives them to self destruction. However, although the relationship is undeniably self-destructive, there are elements within it that suggest the pain Heathcliff and Catherine put each other through is atoned for to an extent when they share their brief moments of harmony.
Primarily, Heathcliff's hunger for revenge blindsides the character’s, Hindley, Catherine, Hareton, and young Catherine. Revenge is what Heathcliff wishes to
The plot of this story is a seamless transition from Bronte’s book to Wyler’s film. This passionate film begins as Mr. Earnshaw returns from Liverpool with a unique surprise. Cathy and Hindley have negative attitudes towards Heathcliff when he first arrives; however, Cathy’s curiosity drove her to befriend Heathcliff. In contrast, Hindley’s treatment towards Heathcliff remains hostile from childhood to adulthood. Cathy and Heathcliff’s friendship grows to such a bond where they become dependent upon each cannot stand separation. However, an incident while spying on a party at the Linton’s home drives them apart for a period of time. While at the Linton’s, Cathy begins a friendship with Edgar Linton that brings out a lady-like persona that is not present when she is in the presence of Heathcliff. As time passes, Cathy an...
Heathcliff and Catherine have loved each other since their childhood. Initially, Catherine scorned the little gypsy boy; she showed her distaste by “spitting” at him (Brontë 27). However, it was not long before Heathcliff and Catherine became “very think” (Brontë 27). They became very close friends; they were practically brother and sister (Mitchell 122). Heathcliff is intent upon pleasing Catherine. He would “do her bidding in anything” (Brontë 30). He is afraid of “grieving” her (Brontë 40). Heathcliff finds solace and comfort in Catherine’s company. When Catherine is compelled to stay at Thrushcross Grange to recover from her injury, she returns as “a very dignified person” (Brontë 37). Her association with the gente...
(2) Emily Bronte’s purpose in writing Wuthering Heights is to depict unfulfilled love in a tragic romance novel and hence the theme of Wuthering Heights is love is pain. Emily Bronte reveals an important life lesson that love is not sufficient for happiness and if anything, stirs up more agony. This message is important because, although it is difficult to accept, the message is devastatingly honest. In Wuthering Heights, two characters named Heathcliff and Catherine loved each other immensely. However, their pride and adamance disabled them from making any progress on their romantic relationship. In fact, Heathcliff and Catherine purposely hurt each another through reckless and cruel actions. The author is exemplifying a recurring theme in history that love is associated with pain. The message allows readers to be aware that love is not constant perfection and happiness.
The basic conflict of the novel that drives Heathcliff and Catherine apart is social. Written after the Industrial Revolution, Wuthering Heights is influenced by the rise of new fortunes and the middle class in England. Money becomes a new criterion to challenge the traditional criterias of class and family in judging a gentleman’s background. Just as Walpole who portrays the tyrannies of the father figure Manfred and the struggles of the Matilda who wants to marry the peasant Theodore, as depicted in the quote “(…) improbability that either father would consent to bestow his heiress on so poor a man, though nobly born”(p. 89), Brontë depicts a brutal bully Hindley who torments Heathcliff and separates Catherine from him. Heathcliff, a gypsy outcast picked u...
Catherine’s revenge does not make things better for her. Her revenge on Heathcliff by blaming him for her upcoming death does not meliorate her mind. Just before she dies, she ascribes Heathcliff for her “murder.” “You have killed me, and thriven on it, I think” (Bronte 158). Catherine resembles what Oliver Goldsmith said, “When lovely woman stoops to folly, and finds too late that men betray, what charm can soothe her melancholy?
In this scene at the Wuthering Heights manor, right after Catherine marries Edgar, Heathcliff becomes enraged at his wife, Isabella’s, cruel words, which send him into a fit of anger. This anger from within Heathcliff is important to the novel because it sparks the match of evil, which consumes Heathcliff. Catherine has just died after giving birth to a baby girl while Heathcliff sits at home with his wife and foster father, Earnshaw. Isabella, trying to relieve the harsh atmosphere, criticizes Heathcliff about the problems he has with women. Heathcliff yells at his wife, calling her an evil shrew. This banter takes Heathcliff to the edge of his former self and forces him to throw a knife at his wife, forcing Isabella to flee from Wuthering Heights. As Heathcliff realizes what he has done he contains no regret his harsh actions and words to his wife. This action is the turning point in the novel where Heathcliff’s soul clearly becomes dark and evil. It is this evil which acts as a justifiable cause to Heathcliff’s terrible deeds. The reader is initially very sympathetic towards Heath...
Although Wuthering Heights is about the love relationship between Heathcliff and Catherine, the story is told mainly form the perspective of Nelly Dean, a servant in the employ of Ernshaw's who makes it very clear from the outset of her narrative that she never like Heathcliff. One could wonder if her perspective is to be taken as truth, considering the problems of subjectivity of voice, if it were not for the introduction, at the very opening of the novel, in which the minor character, Mr. Lockwood, opens the novel with his observations on the chaos he finds at Wut...
The sympathetic part of Heathcliff shows through when he sees Catherine in the beginning stages of her sickness after childbirth. “He neither spoke, nor loosed his hold, for some five minutes, during which period he bestowed more kisses than ever he gave in his life before, I dare say…” (159). The sympathetic part of Heathcliff kicks in when he sees the woman he loves dying right before him. Heathcliff began to ask Catherine the questions he had not been able to ask her before, whether it had been due to his pride or to his absence - was insignificant., “‘...You loved me - then what right had you to leave me? What right - answer me - for the poor fancy you felt for Linton?” (162). When the novel begins, it is mentioned that Heathcliff is shouting, “‘Come in! Come in!’ he sobbed. ‘Cathy, do come. Oh do - once more! Oh! My heart’s darling, hear me this time - Catherine, at last!’” (28). Heathcliff attempts to get Catherine’s ghost to speak to him, because his main goal is to be united with her in death. Heathcliff’s character changes relatively fast when he sees Catherine dying in her bed. There is a sympathetic side shown that has not been quite expressed before, and also the feelings that Heathcliff kept bottled