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Essay on racial crime in society
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Rabia knows an amazing person, Adnan, could not commit murder. Rabia even tells Koenig “he was like the community’s golden child.” Everyone knew of Adnan’s greatness and him as someone to one day do something big. When Koenig interviews Rabia, Rabia describes Adnan’s greatness in detail with excitement: “He was an honor roll student, volunteer EMT. He was on the football team. He was a star runner on the track team. He was the homecoming king. He led prayers at the mosque. Everybody knew Adnan to be somebody who was going to do something really big.” Rabia exaggerated and Koenig clarifies point-by-point everything that Rabia exaggerated. For example, “Adnan was an EMT, but he didn't volunteer. He was paid for it.” Rabia said that Adnan was a volunteer EMT, and Koenig corrects it by saying Adnan was an EMT, but not a volunteer, he was paid for it. Obviously, Rabia’s personal agenda is to prove Adnan’s innocence. She admits this in the beginning of her podcast when she says: “I also happen to be someone who is connected to the case on a very deep and personal level. I’ve known Adnan since he was 13, and he is my younger brother’s best friend.
In Episode 8 of Sarah Koenig’s podcast, Serial, Koenig claims that Jay isn’t a reliable enough source of information for the state to find Adnan guilty of the murder. She argues that there are too many inconsistencies in the story that he has told police over and over, and that there are too many problems in the story that the police use against Adnan.
Can you imagine being convicted of first degree murder at only 17 years of age? Adnan Syed couldn't believe it either. In fact he was mortified when they charged him of brutally suffocating, his ex-girlfriend Hea Min Lee, to death. Adnan Syed was a pawn that the Baltimore detectives played with, a mere dupe to cast off as the true killer. Syed is like many Americans, he was never granted a fair trial. There is some actors that make Syed guilty, but perhaps it was just pure coincidence that got Adan wrapped up in this whole mess. One simply can't overlook the major factors that make him innocent enough to grant him a second trial. Adan has spent half of his life in prison, due to a wrongful conviction that happened many
When Rabia begins speaking of Adnan the sentence she leads with is that “He was like the community’s golden child”. By using this phrase, Rabia is connoting that he was considered perfect, which is a very bold statement to claim. After she elaborates upon her description Koenig later fact checks her “accolades” as any reporter would. She finds that Rabia “was mostly right, though she sometimes gets a little loosey-goosey with the details”. Rabia would have successfully convinced Koenig, as well as the listeners at hand, of Adnan’s reputation by simply describing him as a ‘boy with potential’ or as one ‘generally known to be respectable’ but by choosing to pronounce him a “golden child” specifically, she identifies him as impeccable, and thus incapable of committing a crime. Rabia personally knows that her descriptions are not entirely true, being that she was close with him, however, she still chooses to make use of them despite their inconsistencies. Not only does she go forth with them, but she chooses to falsely summarize him as a “golden child”, despite knowing that he was not in fact perfect. Rabia could have chosen to just state the facts as they really were, in the less
Teachers, friends, classmates, relatives and parents could not believe he kills his girlfriend. The reality sometimes is very hard to face especially when feelings are involved. Parents never will accept that their own child who was raised with comfort, love and support could be capable of murder somebody. Disturbing people could be disguised very well under a charming appearance. Many serial killers were known as decent, brilliant and admired persons. When a teenager is carrying a burden as Adnan was, probably feeling guilty for giving back to his parents, his religion and customs could transform him in another person for a few moments when he felt betrayed, humiliated, dishonored and abandoned by the person for whom he did all this. Then he kill Hae Min Lee in a rage 's attack or probably as Jay said Adnan was planning the murder in detail; that is why the police could not found enough evidences to probe him clearly
Berkhoffer, Robert F., The White Man’s Indian, 1978, Random House, Inc., New York, 261, nonfiction.
Some people struggle with understanding who they are every day. They constantly look for ways to fit in. Curiosity can make him or her search for their place in society. In the narrative “You don’t look Indian” by Greg Sarris, we follow him in his journey to finding out his true identity.
In the story of how “A Rouge Sociologist Takes to the Streets”, Sudhir Venkatesh finds himself in the projects of Chicago documenting his first hand experiences of his journey on how he is introduced to the black culture. Sudhir, a first year college student in the University of Chicago, decides to participate in a research project regarding “how young blacks were affected by specific neighborhood factors”, when he realizes how ineffective these questionnaires are, he decides to proceed in unconventional ways to retrieve his answers. Sudhir’s accumulated a growing fascination with the housing projects in Chicago the longer he spent in the community. Before long Sudhir had befriended a gang leader, by the name of J.T., who had given him a powerful
Muhammad Ali once said, “He who is not courageous enough to take risks will accomplish nothing in life.” Sherman Alexie makes this a big point in his novel The Absolutely True Diary of a Part-Time Indian. This book, Arnold “Junior” Spirit is faced with the decision of whether he should trade his familiar school life on an Indian Reservation for a slightly better education at an all-White school in a small town named Reardan. This is his only way to achieve a better future. Throughout the novel Junior has to fight against criticism for acting differently in order to protect his mindset. Outside forces such as discrimination of race or social status deeply impact one’s hopes, dreams and self-esteem.
A single story is a misconception and a stereotype of a certain group. A generalization that is formulated through media and everyday interactions. Creating these single stories can cause us to make an unfair and incomplete assumption. This summer, I read the novel, The Kite Runner by Khaled Hosseini, and found myself shocked to see that I made an assumption about the main character’s home-life. The single story I made was based on what I had seen in the media; I assumed that because Amir Jan lived in Afghanistan that he was living in poverty and was in need of basic resources; Khaled proved me wrong by showing the high class and complex childhood Amir had, along with showing me the other social classes present.
The general essence of the article is that the old ways of work and the work ethic of the older generations have broken apart. In place of stable routine and predictable career paths, employees are now expected to be fluid in their jobs, and open to change on very short notice. Workers of today's generation can no longer expect long term work, or the trust and loyalty that were given to the employees of the older generation. In some ways, the writer argues that this change between the generations is positive, as they can make for a more dynamic economy. However, they are also the cause of the article's title, "The Corrosion of Character". The work ethics of the employees are no longer valued. They are taken as face value, and there is no trust and loyalty. These changes are destructive to the worker's sense of sustained purpose, integrity of self and the trust they hold in others within the workplace.
Shyam Selvadurai, the author of Funny Boy, felt the necessity to write about this issue because it is kept in the dark, especially in Sri Lanka. In addition, Sri Lanka is faced with many cultural problems. The Tamils and Singhalese are in constant conflict because of their different moral values. Selvadurai grew up in this type of atmosphere, he was homosexual and was raised in an environment where fighting took place regularly. Selvadurai decided to write this book not only as therapy for himself but also to lend a voice to those who still have trouble expressing themselves about both of these issues especially children. "Selvadurai writes as sensitively about the emotional intensity of adolescence as he does about the wonder of childhood" (Hower, 22). Arjie Chelvaratnam, the protagonist in Selvadurai's novel, finds himself going through similar problems. He feels lost because his attitudes towards life differ greatly from those around him. In his novel, Funny Boy, Shyam Selvadurai uses character and plot to show how conflicting cultural beliefs can lead to confusion and alienation.
Baldick (2008) defines that hamartia is a Greek word for “error” or “failure,” used by Aristotle in his Poetics (4th century BCE) to designate the false step that leads the protagonist in a tragedy to his or her downfall. The term has often been translated as ‘tragic flaw,’ but this misleadingly confines the cause of the reversal of fortunes to some personal defect of character, whereas Aristotle’s emphasis was rather upon the protagonist’s action, which could be brought about by misjudgement, ignorance, or some other cause. This paper examines Artistotle’s emphasis upon protagonists’ “some other cause,” i.e. “caste as tragic flaw.” African American tragic characters’ tragic flaw is race; but, Dalits’ tragic flaw is birth itself.
follow-ups on Rajmonda. This is how Durham finds that Rajmonda not only lied and was already
Social contrasts and gender boundaries create oppression and injustice amongst the characters in Shyam Selvadurai's Funny Boy. This injustice affects the composure and behaviour of the characters throughout the novel and it appears in every aspect throughout Funny Boy. Oppression emerges within the Chelvaratnam family, who are displeased by Arjie's "tendencies", and the likelihood that he will grow up "funny." Oppression also surfaces between the Sinhalese and Tamils with ethnic riots in Sri Lanka's society. Even when Arjie is not involved, he still manages to appear at the center of every oppressive and unjust situation.
Aristotle laid utmost stress on the plot in a story, later on, this emphasis shifted to character. Character is less important in symbolic, satirical, stream of consciousness, technique novel or highly experimental novels. A great novel enables us to identify ourselves with hero or heroine and enjoy characters. The most enjoyable fictional characters seem to be very realistic. The pre-independence novelists showed marked tendency to construct regular plot, so as to convey their messages to the readers more effectively. But with the popularity of psychological novels, the emphasis is being laid more on characters. R K Narayan excels as an artful delineator of character. He says his focus is all on character. If his