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History of Punk Rock essay
History of Punk Rock essay
History of Punk Rock essay
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Punk rock is a unique and changing musical genre that was born in both England and the United States in the late 1970s. A largely underground music scene with a reliance on a rejection of societies norms, dismissal of capitalism and consumption, heavy reliance on community, and a strong attitude of do-it-yourself and self-empowerment, punk continues to have a large influence on the contemporary music scene. Punk rock, however, has faced issues when dealing with concepts of sex and gender. Bands within the scene are usually composed of males, women are objectified in song lyrics, and masculine values like aggressiveness and violence are often glamorized, especially in sub-genres of punk such as hardcore punk. But women have managed, especially through the Riot Grrrl movement, to stake out their own patch of punk rock territory. They have used punk rock to redefine concepts of gender and sexuality in such as way that empowers them and gives them choices in life, rather than having values being forced upon them. To situate concepts of gender in punk rock, a brief look must be given to the history of punk rock. Punk started in the late 1970’s, primarily in New York and London. The New York bands were influenced by artists such as the New York Dolls, Patti Smith, and The Stooges, with the London bands being influenced by glam rock artists such as David Bowie and Mott the Hoople; as well as pub rock performers such as the 101ers. The punk movement flourished briefly between 1976 and 1983, when it lost much of the mainstream popularity that it had gained, especially in England. In America, a thriving underground punk scene developed in California. In the early Eighties, this lead to the rise of hardcore punk bands like Black Flag, Bad... ... middle of paper ... ...y doing this, they take the power away from these words, and force others to look at them for who they are, rather than as an epithet shouted out in anger. Their interactions with each other, through music, zines, and community-based connections with one another plays a significant role in helping them determine for themselves who they are as people. This in turn affects the way they present themselves as gendered beings to the rest of the world. The central themes that come from women within the punk rock culture is that they are no longer going to accept being defined on any terms except the ones that they choose for themselves. They demand to be acknowledged as unique and valuable members of the punk rock community, as well as of society as a whole. They seek empowerment through their actions, and will no longer tolerate being treated as second class-citizens.
I. Introduction Gender plays a big role in music, I became aware of gender role in music when noticing how most songs talks about women and how they are being either exploited or empowered. Most music videos even in the 80s either objectified women or respect sexuality. Women are usually sexually alluring in music videos, stage performances and even in the song lyrics. Most music video uses video vixens or video girls that are usually dressed or performing sexually. For example, “Siouxsie Sioux frequently performed wearing black leather and rubber bondage attire, as well as heavy eye make-up, making overt statements about her sexuality.
Leblanc, L. (1999) Pretty in punk: Girls’ gender resistance in a boys’ subculture. New Brunswick, NJ: Rutgers University Press.
Punk Music and the Punk lifestyle has never gone away. It has evolved and adjusted for a new generation. It still represents as Patti Smith said in 1977 Freedom:
Throughout history, music has been the artistic stage of philosphoical output of both ideas, emotions and stories, enducing emotional and cogitational responses from the audience, through it’s representation of ideas and through ‘words in music’. Victor Hugo says- “Music expresses…. that which cannot remain silent” (26 February 1802 – 22 May 1885), and is a predominant feature in the early 1990s ‘Riot Grrrl’ movement, in which female-empowerment bands would address modern issues of sexual abuse, racism, and the patriarchy through their underground, punk rock music.
...many teenage girls, creating ways for different options and choices. As well, the music industry was characterized by male domination. Brought on mainly by musical influence, teen culture rebels against mainstream culture in order to produce identities that were more expressive and representative. Rock music contributed to ordering and normalizing certain codes of gender and sexual behaviour as women finally found an aesthetic and erotic niche of their own within the narrow sexual confines of rock music.
The American rock band Nirvana impacted American culture and society by paving the way for the punk rock subculture into mainstream corporate America. Punk rock music stems from the rock genre but has its own agenda. The crux of punk rock is that it is a movement of the counterculture against the norms of society. Punk rock in itself is made up of a subculture of people who rejected the tameness of rock and roll music during the 1970s. (Masar, 2006, p. 8). The music stresses anti-establishment and anti-authoritarian ideas in its lyrics as well as scorns political idealism in American society. Before Nirvana unintentionally made punk rock a multi-million dollar commercialized genre of music, underground rock paved the way for the punk rock genre by creating core values that punk rockers drew upon.
The Punk Rock movement of the 1980’s was an explosion of hybrid and eccentric beats and lyrics that caught everyone’s attention, especially the young adolescents of the time period. The movement of Punk Rock took a major role in shaping the culture in the 80’s. The template for the 1980’s Punk Rock emerged from its preceptor of the 70’s Punk Rock which emerged from London. It’s loud and reckless tunes, to some sounded like noise, but to others it imposed many political standings and raised discussions of controversial topics in its lyrics. From this movements figurative and literal expressions through its bold fashion and uncensored lyrics, it definitely made a stance in the history of music and the 20th century.
Rock and roll is a style of music that has roots traced all the way back to the 1800s. It is made up of jazz, blues, folk, country, and rhythm and blues. The rhythm and blues contribution to rock originated from the African American culture (??). Performers like Chuck Berry, Ray Charles, and Little Richard aided in the formation of rock and roll music. The generation that was highly impacted by this new sound was the baby booming population that arose after World War II ended. Black and white teenagers loved every aspect of rock and roll and listened to the music together at the staged concerts Alan Freed created. These young adolescents played a major role in the desegregation movements of the 1960’s and learned a great deal of information from their folk icons Woody Guthrie and Bob Dylan. This new form of music gave them new freedom, thoughts, and expression. Middle aged and older adults would say that the creation and evolution of rock and roll corrupted their children or the youth they saw on the streets. Many believed that rock and roll did not corrupt the young it revolutionized them. Rock and roll desegregated young African Americans and whites, it gave a new way for adolescents to express themselves, and it created a new way for the youth to be involved in social or political causes.
The late 1970s gave birth to a punk culture that further distended into an evolution of the genre during the mid-1980s, particularly in Seattle, USA. A punk inspired movement called grunge became internationally recognized after Nirvana’s debut release album ‘Nevermind’, in 1995. Grunge gained a mass recognition for its punk ideology, attire and music, which stemmed further away, and was in itself a rejection to the mainstream metal and pop boom in the music industry of that time. Grunge incorporated a fusion of cultural and social threads that linked themes like feminism, liberalism, anti-authoritarianism, wry post-modernism, and not least a love of dirty, abrasive music; grunge reconciled all these into a seminal whole. (Standard grunge definition, Internet source)
Seventies punk culture spawned the visually distinctive goth and emo subcultures. Inheriting the folk tradition of the protest song, rock music associated with political activism as well as changes in social attitudes to race, sex and drug use. This was often seen as an expression of youth revolt against adult consumerism an...
My object of analysis is going to be “boy bands” which I am defining as “a band of boys usually playing pop music that is marketed towards young women.” I am going to specifically look at the band 5 Seconds of Summer and I am going to look at how their music and success becomes undermined because their target audience is primarily young women. I am going to do this using feminist theory and this project will examine how ideologies regarding the connection between young women and the band itself being written off artistically are almost embedded within society, in that people say things such as “this band sucks” without ever really listening due to their classification as a boy band. This is primarily linked back to who they are marketed toward,
otherwise they are punks, imagined to be subverting the patriarchal order even as they are the
In rock music its target audience is the youth. And by youth I am not referring to teenagers, but instead to the mentality of youth, the adults and teens still in the sociological stage between being a ‘kid’ and accepting the responsibilities of ‘adulthood’ [Weinstein pg6] These youth negotiate the genre and change it to their liking. For example both males and females have different subgenres of rock targeted specifically at them. Males are seen from a young age as being naughty and rowdy, not very responsible and thus given more freedom. While girls are seen as quiet and polite, with very low aggression. These traits have reflected in the genres that are targeted at the two genders. Males were targeted with Heavy Metal as it expressed the qualities the very qualities they will have to give up in order to become adults and how they will lose their freedom. While for females rock music is soft and romantic, females will typically grow up faster than males and leave youth behind in order to take up responsibilities. An example of how the music was negotiated to fit the two genders is seem in the 1960s when performers such as Carole king and James Taylor transformed themes of protest into sentimental commentaries, romance and illusions of youth. [Weinstein pg 12-13] While heavy metal bands such as Black Sabbath sung about politicians and how disgusting they are for exploiting young people in the name of greed which is shown in the song Wicked World. This very characteristic of rock being created by the youth for the youth is still alive today, for example during the 2004 presidential election Green Day released American Idiot. The song was about how the media and political are brainwashing Americans to remove their individuality. The singer wanted to warn America of this and prevent them from turning into ‘idiots’ and
When Rock arrived on the music charts in the 1950's, a merging of African-American and White music, it made a huge impact on society. As a general rule I am not heavily into music, but I was drawn to Rock for some inexplicable reason. It is just the music I like. This genre will be difficult to write about because the origin of Rock is unclear; there are traces of Rock's style back into the 19th Century. It is also a very broad subject and I will have to compress a lot of information into as few pages as possible. Be that as it may, Rock is, in my opinion the best music genre on the charts.
By communally addressing the common interests of music and feminism, the women decided Riot Grrrl was an essential innovation. As it is noted, two women named Allison Wolfe and Molly Neuman, worked alongside a fanzine editor, Jen Smith, to establish a collectively-authored feminist zine called Riot Grrrl (Dunn and Farnsworth 139). During this timeframe, another woman named Kathleen Hanna was hosting weekly meetings where Riot Grrrl motives and potential aims would be deliberated among various women (Dunn and Farnsworth 139). By incorporating live music, the dynamism, and enthusiasm that the subculture of youth and punk projected further pushed this alternative medium to defy societal norms. Instead of being concerned with individual reactions and social benchmarks, the movement’s biggest concern was to project an affirmative message.