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Cultural effects of dance
Cultural effects of dance
Dance in popular culture
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Power of Dance in Music Videos
When VH1 got a panel of “music industry experts” together to decide on a list of the greatest music videos ever, it was Fatboy Slim’s “Weapon of Choice” that was the video of choice. Close behind on the list were videos for songs such as Madonna’s “Vogue” and Jackson’s “Thriller.” It seems to me that there is a significant theme all of these videos share…DANCE!
Berkeley had it right. If you want a song to catch on, put it with a moving body. And if the body happens to be the king or queen of pop, that doesn’t hurt. So what if the dancer is a certain Hollywood bad boy wearing TAP SHOES?
The equation between Walken and Fatboy Slim’s song results in one of the most thought provoking and fresh musical video ideas ever. There is such a strong power that lies within the combination of the music and dance, especially when it is caught artistically within the eye of a camera.
The “Weapon of Choice” video begins with a normal middle-aged man, Walken, sitting in a hotel lobby. Once the music fades in, the scene comes to life with motion. From then on all rules of expectation are broken. As Michael Abernethy notes, “It is a fantasy many of us have had, to dance abandon in an environment that screams for civilized behavior”(1). This scene, although not impossible in our everyday lives, is very rare. Once Walken takes his hoofing steps right on out to the balcony and into mid-air this is when the camera begins to works its magic. The camera enables the character to bound across the screen and back again, which gives Walken an unexpected power. The simple concept of fantastically and unexpectedly losing control in a civilized environment is shown in a complex and artistic manner.
So, you see, dance choreographed for the camera is a powerful form of expression.
“Who knows only his own generation remains always a child.” This quote from George Norlin echoes the edification that cultural exposure can offer. How does African dance relate to do modern dance? The two are so heterogeneous in their make-up that one would not think of them as having similarities. The truth, however, is that all dance forms are linked in some way or another; they all strengthen and sharpen each other. Modern dance has its roots in African dance with the emphasis placed on the connection of weight and gravity. Brenda Dixon Gottschild names five aesthetics that are present in African dance. A particular piece that draws attention to the relation of the five aesthetics to modern dance is “Split Sides”, choreographed by Merce Cunningham.
...’s work. Although dancing Taylor’s choreography, Grossman was allowed the freedom to experiment and this factor allowed him to develop as a performer. Grossman has admitted that he had some fear in dancing in Taylor’s Company; however he has further added that in doing so his fears were gradually diffused and he in fact reached “a sense of peace or calm”.
Dance can be described as an art that can express meaning through movement. The dance video “Barrier” by NobleMotion Dance was performed at the City Wide Dance Festival in 2009. “Barrier” is a well known theatrical dance used to please others. The choreographer of “Barrier”, Andy Noble uses two dancers to describe a romance that is trying to overcome a dark place in their relationship, together they reveal that love conquers all using the choreographic elements space, time and energy. The choreographic element space refers to the amount of space or distance that the dancer’s body moves.
... social dance. Many people in today’s society enjoy social; dancing. Chapter eleven dance concert, properly planning and establishing a dance concert is of the utmost importance. The partnership with the lighting designer usually takes priority over all other factors. One of the most important issues concerning customers has to do with mobility. The dancer must be able to move comfortably in the costume. The task of producing a dance concert is an overwhelming and tiring one. Chapter twelve dance in education and career in dance, many dance educators present the argument that teaching and learning dance as an art form is obviously absent from the American student education. There has always been and always will be people who have a love, desire, and passion to instruct and learn the art of dance, will ensure an important place for dance in higher education.
Goldhagen's book however, has the merit of opening up a new perspective on ways of viewing the Holocaust, and it is the first to raise crucial questions about the extent to which eliminationist anti-Semitism was present among the German population as a whole. Using extensive testimonies from the perpetrators themselves, it offers a chilling insight into the mental and cognitive structures of hundreds of Germans directly involved in the killing operations. Anti-Semitism plays a primary factor in the argument from Goldhagen, as it is within his belief that anti-Semitism "more or less governed the ideational life of civil society" in pre-Nazi Germany . Goldhagen stated that a
In, “I Ain’t Scared of You Motherfuckers,” Bernie Mac begins the routine walking onto stage with the DJ playing an old Hip-Hop music beat that Mac dances in to, thrusting his hips, lifting his legs, and bobbing his head to the catchy beat. The beat is so intriguing that the audience members can be seen moving along to its sounds and I found myself moving along with Mac’s movements in addition. Righto off the bat, Mac has the attention of both myself that the audience present in the video because he has intrigued us with happy rhythms which in turn prepare us ...
The freedom of the American life and culture of the 1970’s overflowed to make a major impact on music and dance during this period. American culture flourished. The events of the times were reflected in and became the inspiration for much of the music, literature, entertainment, and even fashion of the decade. Choreographers wanted to motivate the dancers to leap into the unknown and experience the contact of dance in their own way.
The events which have become to be known as The Holocaust have caused much debate and dispute among historians. Central to this varied dispute is the intentions and motives of the perpetrators, with a wide range of theories as to why such horrific events took place. The publication of Jonah Goldhagen’s controversial but bestselling book “Hitler’s Willing Executioners: Ordinary Germans and the Holocaust” in many ways saw the reigniting of the debate and a flurry of scholarly and public interest. Central to Goldhagen’s disputed argument is the presentation of the perpetrators of the Holocaust as ordinary Germans who largely, willingly took part in the atrocities because of deeply held and violently strong anti-Semitic beliefs. This in many ways challenged earlier works like Christopher Browning’s “Ordinary Men: Reserve Police Battalion 101 and the Final Solution in Poland” which arguably gives a more complex explanation for the motives of the perpetrators placing the emphasis on circumstance and pressure to conform. These differing opinions on why the perpetrators did what they did during the Holocaust have led to them being presented in very different ways by each historian. To contrast this I have chosen to focus on the portrayal of one event both books focus on in detail; the mass shooting of around 1,500 Jews that took place in Jozefow, Poland on July 13th 1942 (Browning:2001:225). This example clearly highlights the way each historian presents the perpetrators in different ways through; the use of language, imagery, stylistic devices and quotations, as a way of backing up their own argument. To do this I will focus on how various aspects of the massacre are portrayed and the way in which this affects the presentation of the per...
For the dancer, music and choreography are paramount. The music guides the dancer, and the moves express the music. However, the dance has to start from somewhere.
Dancing is something that the Jacksons are just naturally gifted at, not only because of how they execute it, but the way they can tell a story just from their movements. The dance moves in this music video reminded me of a fluid robot. When it comes to Michael Jackson’s legendary moonwalk, it truly embodies what I think of someone from the future. His dance moves resemble to me, what I would think a robot or alien-like lifeform would move like. His dancing is so animative and futuristic, but he completes each move with such ease to the human eye, but that if we were to try it we would fail
Jonas, Gerald. Dancing: The Pleasure, Power, and Art of Movement. New York: Abrams, 1992. Print.
“Call and response” is also utilized, which is when the DJ and the dancers will communicate in order to maintain a certain hip hop flow, and to encourage audience enthusiasm. The moves, along with the music works together to emphasize the rapid rhythm breaks. The dancers perform moves that involve flips, upside down movement, and spinning, along with “drops” that were smooth transitions to “front swipes, back swipes, dips, and corkscrews”.” One dancer even performs a “chair freeze” which was originally one of the most popular break dancing moves, and is when the arms and upper body support the body while the legs and lower half of the body are free flowing (Forman & Neal, 2012, pg. 58). These moves require much momentum and balance, which according to popular b-boy Ken Swift, is an essential aspect to this hip hop movement (Forman & Neal, 2012, pg. 59). In both films, b-boying or breakdancing is a way to resolve some type of conflict or competition due to being able to “attack without mercy yet still see their opponents as distinct and valuable human beings” and avoid any unnecessary violence that already occurs in drastic rates within inner city neighborhoods (Chang, 2006, pg.
Goldhagen, Daniel Jonah. Hitler's Willing Executioners: Ordinary Germans and the Holocaust. New York: Vintage, 1997. Print.
does our society fail to respect dance as a sport? Dancing as a career requires an incredible
The authors of the article “Violent Video Games Affecting our Children,” offer a solution to this issue (Vessey and Lee 2000). Addressing parents, they suggest that they monitor the type of video games children play and how much time they spend playing (2000). As long as the parents assume responsibility on this matter, choosing which games are appropriate for their children, they decrease the chances of their children overexposing themselves to the graphic images from video games intended for older audiences