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Frankenstein as a portrayal of power
Power in frankenstein essay
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The Necessity of Pairing Power with Responsibility One billion, five hundred and fifteen million, three hundred and eight thousand. This is the alarming number of humans ruled by a communist government, a negative outcome of power in the absence of responsibility. Mary Shelley explores this relationship in Frankenstein, a novel concerning Victor Frankenstein's hasty decision to make a hideous being and the intense and devastating consequences of such a creation, which included abundant bloodshed and tears. By specifically examining each stage of the circle of life, Shelley explores how when power and responsibility aren't paired, unfavorable results consistently occur, and vice versa. Through the birth of Victor and creation of The Creature, However, Victor's irresponsibility is merely a continuation of how he deals with The Creature. One terrible way he treats The Creature is he cruelly withholds a companion from the helpless and lonely Creature. This irresponsible action causes The Creature to wail, saying, "'Shall each man,' cried he, 'find a wife for his bosom and each beast have his mate, and I be alone?'" (204). This is the turning point for The Creature: this cry of pain marks the end of his hope for an enjoyable life. No longer can he realistically wish for someone who will love him for who he is. Despite being the sole human who can provide for this dire need, Victor chooses to irreparably break The Creature's heart. Instead of rehabilitating him, altering his emotions from deep sorrows to jubilation, he plays with The Creature's emotions by starting to create a mate but then ripping it to pieces. Though he has power, Victor, by not assembling a suitable companion, demonstrates total irresponsibility. By creating a new race, it becomes his, and only his, responsibility to provide him a similar partner. The Creature, distraught by this new reality, one without any chance for love, decides immaturely to ruin his creator's life. In vengeance, The Creature leads his creator on a chase for him, in which Victor attempts to end The Elizabeth, Victor's wife and sister, is an unfortunate victim of The Creature's seemingly endless wrath only a day after her marriage to Victor. Foolishly, Victor sent Elizabeth to a room alone and after hearing a piercing scream, he found "the murderous mark of the fiend's grasp was on her neck, and the breath had ceased to issue from her lips […] I hung over her in the agony of despair" (238). This passage indicates the death of The Creature's final victim. Aware of how much misery would engulf Victor following the death of c his sister and new wife, he happily commits this wrong. Yet he chooses to use such power for evil, killing an innocent bride. This despicable choice is the epitome of The Creature's wickedness; nothing more starkly displays his lack of responsibility. However, Victor, an emotional victim of Elizabeth's death, too made an equally shameful choice. When The Creature murdered Victor's younger brother, William, a trial is set for a second casualty of The Creature's heinous crime: Justine. In spite of Victor being the only one with solid proof of Justine's innocence, he resolves not to speak up. Making an excuse he thinks, "A thousand times rather would I have confessed myself guilty of the crime ascribed to Justine […] but [it] would have been considered the ravings of a madman" (99). Not wanting to diminish his reputation,
After abandoning the Creature, it vows “eternal hatred and vengeance to all mankind” which ends up being in direct correlation with Victor’s life (Shelley 143). The Creature is able to carry out this deed by not directly attacking his creator and abandoner, but the one’s of his creator’s affections. The Creature not only makes Victor feel pain through the killings, but also through the guilt that Victor experiences since he knows that he (Victor) is the reason that all the people are now dead. After all the killings had happened, “yet one duty” remained for Victor, to silence the Creature and all feelings of sorrow rooted from death (Shelley 176). This was Victor’s act of revenge in which only one of the two could live while the other was dead. Victor was so influenced by all the death he had experienced, that his revenge took him to his deathbed. The ending years of Victor’s life had been spent focusing and caring for the matters concerning the Creature and himself, which differs of how Zeus felt about his revenge, as it was only of current importance and had no impact on his
Victor animated the creature from dead body parts, effecting his creature’s appearance when he came alive. He couldn’t even look at his creation, and thought that it was malodorous, without thinking how unwanted and helpless the creature feels. With little hope for the creature because of his unappealing appearance, Victor does not bothering to wait and see if he has a good interior or not. As a result of Victor not taking responsibility, the monster decides to take revenge. The monster is repeatedly denied love and deals with the loneliness the only way that he can, revenge, killing Victor’s loved ones making him lonely just like
...or was not thinking of others in his actions, but only of himself. He did not consider the tumult the abnormally large creature could cause in the world, nor what the feelings of the monster would be towards him if he abandoned him. Victor also did not contemplate the safety of his friends, as he had the chance to stop the creature’s misdoings but failed to do so, risking the life of his friends. Therefore, Victor was a selfish being, who only concerned himself with his wishes and never evaluated the situation of his loved ones, ultimately causing their demise. The misfortunate events that occurred through Victor’s life could have been prevented, and also discontinued when Victor had the chance. However, Victor’s irresponsibility overcame these opportunities and he in turn, caused misfortunes for himself as well as his loved ones.
On the night that Victor got married the creature killed his wife, Elizabeth, in order to get revenge from Victor. “She was there, lifeless and inanimate, thrown across the bed, her head hanging down” (Shelley, 186). The moment when he killed Elizabeth was not the same as when he killed the little brother. When the creature had murdered Elizabeth it had been much more violently than the first, showing that his desire for revenge had become much more stronger, as it was the only feeling he showed. He had begun to act like the monster that everyone had believed he was, showing no more of the humane feelings he had showed previously in the
The fact the creature refers to a Biblical story teaches us that what Victor has done is not ethical or morally right as the bible connotes truth and wellbeing, the creature feels he is not treated as Adam because he is rejected like the fallen angel is from heaven; the philosophy is that one should absolve themselves of all sin, leaving the creature feeling like his is owed something from Victor. Furthermore during the romantic period it was said that ‘All man is born good’ however this contradicts the creatures life as he is sinned against, hated by Victor and feared by society from the day he was created although he did no wrong. The creature is given no chance in life like Adam was; he is simply a creation who is isolated fr...
...e all the evil things they have done. When he goes to Victor's coffin, the creature does the opposite of what a evil being would do. He grieves over Victor despite all the horrible things the creature has done to Victor. The creature even feels guilt over the innocent people he has killed and the torment he put his creator through. Despite Victor's actions leading the creature to commit evil deeds, the creature finds in himself to feel regret in the end.
Victor is not able to see past the metaphorical clouds that seem to shroud his mind from seeing the truth. Furthermore, Victor is not able to let go of his hatred for the creature. In contrast, the creature admits, “But it is true that I am a wretch. I have murdered the lovely and the helpless” (275). The creature is able to recognize that he has made mistakes and as a result, he loathes himself.
Social and Individual Responsibility in Frankenstein Mary Shelly wrote Frankenstein in a time of wonder. The main wonder was whether you could put life back into the dead. Close to the topic of bringing life back into the dead was whether you could create your own being, like selective breeding, but a bit more powerful. Close to where Mary lived, there was a man named Vultair who was experimenting with putting electricity through frogs to see if they could come back to life. With that going on close to her, as well as the fear of a revolution and the pressure on her to think of a ghost story, it is not surprising she thought of a horror story that would still be popular in the 21st Century.
Most people agree that Victor Frankenstein holds the most power in the text. In creating the monster, he not only has the power to create life but also the power to, indirectly, save or destroy others lives. Critics of his character speculate that Justine could have been saved had be only confessed his actions in Ingolstadt.
Locked in a perpetual struggle for dominance, both struggle to gain internal peace. Victor Frankenstein feels obligated to destroy his creation for the good of society, and the Monster wishes to come to terms with his abandonment – both are unable to find happiness. Here there is a contrast of power: Frankenstein’s intellectual power contrary to the Monster’s physical power (this is however, not to say the Monster lacked intellectual power, only that Frankenstein possesses greater fear of the physical aspects of the Monster). The first instance of this battle for power can be seen when the Monster demands of Frankenstein to “create a female…with whom [he] can live in the interchange of those sympathies necessary for [his] being.” (p174) – here Frankenstein is in control. He is the only one that has the knowledge to create another being like the Monster, and thus, when the Monster asks this favour of Frankenstein he places his happiness in the hands of another. The Monster is dependent on the actions of another. However, there is a power reversal when Frankenstein denies the monster his ‘female’ (p174). Frankenstein dashes the Monster’s last hope at happiness, so the Monster threatens the life of his loved ones. Here, Frankenstein is at the mercy of his creation. For though “[Frankenstein is the] creator… [the Monster is his master” (p205) – here the Monster establishes his dominance over Frankenstein by outwardly stating his power over his creator. This power struggle is most effectively culminated in the chase around the globe. Yet it must be seen that neither Frankenstein and his Monster are in control. The Monster leaves clues for Frankenstein, demonstrating his need for Frankenstein to follow him, for without Frankenstein the Monster has no purpose in life. On the other hand, Frankenstein is following his creation all over the world, through desert, sea, and cold. Thus, it is clear that as a
Acting as a hypocrite Victor explains how parents should be there to teach you to become great ,“ The innocent and helpless creature bestowed on them by heaven, whom to bring up to good, and whose future lot it was in their hands to direct to happiness or misery, according as the fulfilled heir duties towards me” (Shelley 16) Victor says that his parents are a big role on how their child turns out; if the parents treat you bad then the child will come out bad but if he learns from good then he will come out to be a perfect little angel. Not taking his own advice, Victor abandon the creature to suffer life for himself. After months of looking for Victor, the creature in need of companionship says ”I, the miserable and the abandoned, am an abortion, to be spuned at, and kicked, and trampled on.”(Shelley 165) He journeyed on his own looking for companionship, no one liked him and to top it off reading Victor’s journal just made him feel even as bad as before. So he then looks for victor and asks if he can create another but victor thought to himself and says “I thought with a sensation of madness on my promise of creating another like to him, and trembling with passion, torn to pieces the thing on which I was engaged.” (Shelley 124 )Victor making the decision to not make another made the creature furious but Victor had his reasons like what if the creatures create more what if he doesn’t leave him alone just what ifs. He worries about making another creature because he wonders if the female would be as bad as the creature he first created. Victor does not make the second creature and tore it apart. Abandoning the creature caused him to learn for himself. This turns out horrible and makes the creature need a companion and goes on a
He not only turned away the being he had brought into the world; he also denied the creature companionship, friendship, and happiness while continuing to seek his own. Victor gained new purpose and even on his deathbed holds to the principle that he is justified in desiring the death of his enemy. Moment before his death he turns to Captain Robert Walton and says, “I feel justified in desiring the death of my adversary. During these last days I have been occupied in examining my past conduct; nor do I find it blamable” (156). He even begins to lose the small amount of compassion he had for the creature’s struggle.
After Victor destroys his work on the female monster meant to ease the monster's solitude, the monster is overcome with suffering and sadness. These feelings affected his state of mind and caused him to do wrong things. He did not deserve to see his one and only mate be destroyed.
The Creature successfully wins justice over Victor by outliving him. Victor tells the reader, “I dare not die and leave my adversary in being,” (Shelley 189). It is his last wish to kill the Creature, but the creature is granted this instance of justice when he is the one to live while Victor is the one to die. Victor is truly the only one the Creature ever wanted to hurt. Now that Victor has died, the Creature feels like that desire of his is justified. The Creature says, “The completion of my demonical design became an insatiable passion. And now it is ended; there is my last victim,” (Shelley 207). The Creature’s desire to hurt has been received justice. This transitions into an area in which the Creature is partially successful in receiving justice and partially unsuccessful. This occurs when the Creature hurts others. At first he does not intend to hurt people, but he soon realizes the power that he holds in his ability to hurt people. The Creature says, “I too can create desolation; my enemy is not vulnerable; this death will carry despair to him, and a thousand other miseries shall torment and destroy him,” (Shelley 131). He knows that by hurting people close to Victor, he might also hurt Victor himself. It is justified to him as he is simply hurting someone who has hurt him since the moment he
In Frankenstein, Mary Shelley highlights on the experiences her characters undergo through the internal war of passion and responsibility. Victor Frankenstein lets his eagerness of knowledge and creating life get so out of hand that he fails to realize what the outcome of such a creature would affect humankind. Mary Shelley’s novel, Frankenstein, highlights on how Frankenstein’s passion of knowledge is what ultimately causes the decline of his health and the death of him and his loved ones.