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Importance of mother tongue essay sample
Significance of mother tongue within family and society
Importance of mother tongue essay sample
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Poems From Other Cultures and Traditions
From 'Search For My Tongue' Tatamkhulu Afrika, Maqabane (1994)
When you read this poem, bear in mind that language and the use of the
mother tongue (our own language, the one we were brought up speaking)
are very important to any individual. We all take it for granted that
we can use our language if we live where we were born. We don't even
have to think about it. But when you go to live in another country you
have to learn another language, and it can be very confusing. The use
of another language, one that is not your own, often functions on an
emotional level. Also, after a while you start mixing the two
languages. This is the problem faced by the speaker in this excerpt.
Those of you who were not originally English speaking will recognise
the dilemma expressed in this excerpt!
Read the poem once or twice. Go through it slowly after that, in your
mind relating the use of language (tongue) to the physical tongue.
Some of you will, of course, recognise and understand the Gujerati in
the centre of the extract. For some of you this will be your mother
tongue! But most of you will be unable to decode it.
So there will be many different reactions to reading this poem. I wish
I were present to hear these reactions!
Point of view
Here we have a first-person speaker addressing 'you'. There appears to
be a conversation going on, as the 'you' has just asked the question
that prompts the rest of the poem. A conversation is appropriate for a
poem on language and communication.
Grasping the dilemma
Imagine you had two physical tongues in your mouth. That's how Bhatt
asks the listener to perceive the problem. We unconsciously relate
language to the tongue. How often have we said to people, 'Have you
lost your tongue?' when they fail to give us an answer or when they
remain silent? That's because the tongue is one of the crucial organs
we use when speaking.
The speaker here has taken a new slant on the question and has said
her tongue has indeed been lost, but she means her mother language has
been lost, not her physical tongue.
The extended metaphor
Notice as you read and study the poem that the whole extract builds on
an extended metaphor - the physical tongue as a metaphor for language.
The idea of having two actual tongues (of course the speaker means
languages) in your mouth provides a strong physical equivalent of the
discomfort felt by someone operating in a foreign language
environment.
The nature of this discomfort if elaborated in lines 5-6.
The essence of this poem is the author’s mastery of sound and rhythm and his excellent use of figurative language. Richard Wilbur purposely chose words that have few a syllables and require little to no change in mouth size and tongue movements to appease to the reader when read aloud. There is an ABAB rhythm scheme
Words: Were the words in this poem difficult or easy to understand? Was there any word or phrase that was powerful to you?
The most noticeable aspect of the structure of the entire poem is the lack of capital letters and periods. There is only one part in the entire forty lines, which is at the very end, and this intentional punctuation brings readers to question the speaker’s literacy. In fact, the speaker is very young, and the use of punctuation and hyphens brings to attention the speaker’s innocence, and because of that innocence, the
The poem is a combination of beauty and poignancy. It is a discovery in a trajectory path of rise and fall of human values and modernity. She is a sole traveler, a traveler apart in a literary romp afresh, tracing the thinning line of time and action.
Another way that Trethewey brings this poem together is through the use of
Figurative Language in used throughout poems so the reader can develop a further understanding of the text. In “The Journey” the author uses rhythm and metaphors throughout the poem. “...as you left their voices behind, the stars began to burn through the sheets of the clouds..”(25-27). The author compares the star burning to finding your voice. Rhythm also develops the theme of the poem because throughout the story rhythm is presented as happy showing growing up and changing for the better is necessary and cheerful. In “The Laughing Heart” the author uses imagery and metaphors to develop the theme throughout the book. “There is a light somewhere. It may not be much light but it beats the darkness”(5-7). Always find the good out of everything, even it
To help Year Twelve students that are studying poetry appreciate it's value, this pamphlet's aim is to discuss a classic poem and a modern song lyric to show that even poetry written many years ago can still be relevant to people and lyrics today. By reading this may you gain a greater knowledge and understanding of poetry in general, and not just the two discussed further on.
Language can bring people together but can also isolate. The United States is known as a melting pot, not only does that refer to culture but also the many different languages. We know of language barriers, but very seldom do we think of the language barriers within our borders. Even with the language barriers it solidifies the need for a national language, the United States of America should allow the freedom to express one’s culture while maintaining English as our national language, therefore offering common ground to its citizens.
This poem “ Read from the Bottom up” has every element to be consider a great poem, it inspires to think different the diction of words seem weird but yet it accomplished it point to go beyond a normal point of view and see things further then are. The purpose was accomplished the central theme is challenging to understand, but that was the whole of the poem to challenge traditional thinking and think beyond ourselves.
As a reader I felt that the poem had a combination of both a cultural and social framework. Our society
Language is universal, but there are different meanings and sounds, which vary from one culture to another. In China citizens speak many languages, but about 94% speak the Chinese language. The difference in dialects was overcome by the written word and eventually a version of Mandrin became the “official speech” (The Cambridge Illustrated History of China, 1996,p.304). In America there are many ethnic groups with many varieties of language. The U.S. was created through many people from different countries migrating to the new states. In the U.S. there is an “official speech” which is the English language. The language of both these countries are not only different in meaning and sound, but also reflect the way in which the people in these societies live, believe, and function.
According to the 2011 census, over 20.8 percent of the United States population spoke another language other than English (www.us-english.org). Language barriers, cultural differences, and immigration have been a part of life in the United States for decades. Language is considered a vital tool in the construction of someone’s identity and an expression of culture. In the last 200 years immigrants have chosen to make the United States their home, but some proceeded with caution by slowly adapting to the English language and culture.
The speaker reflects on the teenage girl’s childhood as she recalls the girl played with “dolls that did pee-pee” (2). This childish description allows the speaker to explain the innocence of the little girl. As a result, the reader immediately feels connected to this cute and innocent young girl. However, the speaker’s diction evolves as the girl grew into a teenager as she proclaims: “She was healthy, tested intelligent, / possessed strong arms and back, / abundant sexual drive and manual dexterity” (7-9). The speaker applies polished language to illustrate the teen. This causes the reader not only to see the girl as an adult, but also to begin to grasp the importance of her situation. The speaker expresses what the bullies told this girl as she explains: “She was advised to play coy, / exhorted to come on hearty” (12-13). The sophisticated diction shifts towards the girl’s oppressors and their cruel demands of her. Because of this, the reader is aware of the extent of the girl’s abuse. The speaker utilizes an intriguing simile as she announces: “Her good nature wore out / like a fan belt” (15-16). The maturity of the speaker’s word choice becomes evident as she uses a simile a young reader would not understand. This keeps the mature reader focused and allows him to fully understand the somberness of this poem. The speaker concludes the poem as she depicts the teenage girl’s appearance at her funeral: “In the casket displayed on satin she lay / with the undertaker’s cosmetics painted on” (19-20). The speaker elects not to describe the dead girl in an unclear and ingenuous manner. Rather, she is very clear and
The development of this poem moves from one attitude to another, and there is a change of tone in each stanza starting from happy to becoming depressed and finally angry. This poem tells a story with a meaning behind it.
Let us begin by recognizing that one comes to a poem--or ought to come- -in openness and expectancy and acceptance. For a poem is an adventure, for both the poet and the reader: a venture into the as yet-unseen, the as-yet unexperienced. At the heart of it is the notknowing. It is search. It is discovery. It is existence entered. "You are lost the instant you know what the result will be," says the painter Juan Gris, speaking or and to painters. But what he is speaking of is true of art in general, is as appropriate to poetry as to painting. What he is reminding us of is the need to remain open to discovery, to largess--the need to give over our desire to define, to interpret, to reduce, to translate, We need to remind ourselves, in short, that in a poem we find the world happening not as concept but as percept. It is the world happening. The world becoming. The world allowed to be--itself. Another way of putting the same thing, this time from the per-spective of thinking (the perspective of the mind in its engagement of the world), would be to say that the poem is an enactment of thinking itself: the mind in motion. Not merely a collection of thoughts, but rather the act of thought itself, the mind in action. The poem is not trying to be about something, it is trying to be something. It is trying to incorporate, to realize. Not ideas about the thing, writes Wallace Stevens, but the thing itself. As Denise Levertov has said, "The substance, the means, of an art, is am incarnation--not reference but phenomenon."