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Susan sontag woman’s beauty
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Susan sontag essays
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Isiah Sanchez Short Essay Response #3 Reid Kerr 23 September 2014 Sontag: “In Plato’s Cave” As I take pictures of different views to portray Glendale Community College, the first thing that I noticed was the beautiful scenery that I have never seen before. The sunshine’s light casting perfectly shaped shadows, the campus’ mid-afternoon being noiseless, and the students who are either walking, laughing, studying, or just sitting, make the perfect setting of “College Life” at GCC. So I looked for the perfect setting where I could put all of these in a single frame. Soon, I got the perfect picture at the right timing just outside the San Gabriel Building. The experience of finding a good setting for photography was really hard. I had to find …show more content…
a good location where a good angle of a school building should be a good background for my photo. I walked all around the campus trying to imagine how each building would look like as my background. I also wanted to search for a place where most students are hanging out. While, I’m trying to snap a few shots for testing, I found it really awkward and trying not to be bashful because I was scared that I might irritate the people out. I knew that when taking photographs, I would really need to invade their privacy. Even if taking photos of people at GCC was quite embarrassing and unusual, I learned that the school has some unique scenery that I have never given attention to before. It was truly an experience for me to capture certain images of GCC because it opened my eyes on how beautiful GCC is through photography. The essay “In Plato’s Cave” by Susan Sontag, her views about photography is a strong disapproval. She considers photography as an impending danger to the people and society. For her, photographs can be easily modified and misunderstood while people view these photographs. Sontag argues that photography has a powerful influence on people and it produces psychological effects, which is somehow intimidating. Photography can also have the motives of hidden desires behind each image, which can be really frightful. Her outlook about photography focuses on the severe effects of how society signals the consequences because of their dependency on photographs. Photography has a great caution because people don’t really know what is actually taking place while photographs are taken. Although photography has a good side and a bad side, it still depends on how the people would receive and judge so that these photographs would earn their trust. In relation of my photography experience to Susan Sontag’s essay, I agree with her insights about the effects of photography that these images can be costly.
First, In the book, On Photography, the excerpt “In Plato’s Cave”, renowned novelist Susan Sontag asserts that photographs have falseness too. According to Sontag, “Photographs, which fiddle with the scale of the world, themselves get reduced, blown up, cropped, retouched, doctored, tricked out” (4). People might actually think that the girl with the laptop is actually studying really hard because she has a midterm exam tomorrow. But what others might think is that she’s just checking out her facebook and twitter because she’s bored and has nothing else to do. Even if people believe that the photo is true based on its appearance, it could still be completely wrong. Photographs can manipulate our minds and make us think in another perspective. Just because the girl looks busy with her laptop at GCC, it doesn’t certainly mean that she is studying hard for her test. Second, in “In Plato’s Cave”, Sontag argues that photography can be used in a harmful way to others. According to Sontag, people should be warned about photography because it is “predatory” since a captured image can be photoshopped or altered in a desired way while the victims remain unaware of these, in which they are “violated” and “possessed” by others (14). It is really disturbing for people who want to make fun of others, destroy their reputation or just …show more content…
plainly degrade them. In the photo that I have, imagine if I have a friend before who became my enemy. I could photoshop the guy and the girl sitting at the chair and make them sit closer to each other and send them to the boy’s girlfriend so that the boy’s girlfriend would think that he’s cheating on her and soon break up just to get revenge. Clearly, a photo of anyone can be altered in a terrible way for the use of the obsessed or just a humiliating usage of it. Lastly, Sontag claims that photography presents more depth and meaning compared to life. According to Sontag, people are more likely to choose to photograph the scene rather than taking action to aid whoever is injured or in need of assistance to “immortalize” the scene, which is truly heartbreaking (11). Imagine the guy wearing a blue shirt in the middle of my photo is having difficulty from putting on his backpack because he might have a broken arm or some injury. Instead of me helping the guy out, I’d rather choose to take a photo of him struggling with his backpack. People do this because they think that they can never bring back the moment the same exact way as how they took the shot. Other people do this because in our society today, the recordings of events/scenes are important to commemorate. All of these are the costly causes of photography. On the other hand, Sontag suggests that photography also has psychological effects on society.
According to Sontag, “It is mainly a social rite, a defense against anxiety, and a tool of power. Memorializing the achievements of individuals…” (8). Photography of family members is what cameras are made to do these days because we want to memorialize our loved one through their photographs. It becomes a social rite where photographs are used to unite families and keep them intact. Their achievements and successes in life are best distinguished through family pictures. And when it comes to family problems, these photographs lessens the worry as problematic people are always reminded that their families are always there to support them. Furthermore, Sontag explains that other people, especially the ones with psychological problems, use photography for hidden desires. According to Sontag, “The camera doesn’t rape, or even possess, though it may intrude, trespass, distort, exploit, and, … assassinate – all activities that… can be conducted from a distance… “ (13). Taking a picture of a person requires some distance, but one of the hundreds of reasons could be due to a person’s hidden fascination of others. Let’s say my photo was taken by an obsessed creep, he could be planning to use the photo either in a violent way or sexual way. There will always be that subconscious aspiration present when people aim the camera and then
shoot. In conclusion, in “In Plato’s Cave”, Sontag basically contends that photography is not perfect because photographs can be inconsistent and so people would just misunderstood its essence. It just merely depends on how people would judge and interpret the message of the photographs of the world.
What is reality? An enduring question, philosophers have struggled to identify its definition and basic concept since the beginning of time. Plato, in his provocative essay, The Cave, used symbols and images to ridicule and explain how humanity easily justifies their current reality while showing us that true wisdom and enlightenment lies outside this fabricated version of reality. If he were alive in modern times, he would find society unchanged; still uneducated and silently trapped in our own hallucination of reality with only the glimmer of educational paths available. While this may be a bleak comparison, it is an accurate one as the media influences of today present a contrasting picture of education and ignorance that keeps us trapped
Plato’s “Allegory of the Cave” explains his beliefs on education of one’s soul and the core of the way they shape themselves. The rhetorical devices that Plato represents inside of his story explains how much freedom is worth in this world. The deeper meaning inside of what Plato describes can further be found out once a reader realizes the type of rhetorical devices are being used. For example, Plato portrays prisoners being locked inside of a cave without a way out. These prisoners never got to see the outside world, yet he mentions they “see shadows” which explains they are only able to catch a glimpse of reality from the outside. Plato’s use of imagery gives us a mental picture on the tease we may feel to notice reality but not be able to experience it. In reality, we do not value freedom as much as we are supposed to. We seem to not see the world as he sees it. With the help of personification, Plato uses human like characteristics to describe non-living things to give
In the essay “Why We Take Pictures” by Susan Sontag, she argues that taking photos can be a tool of power and sometimes even a defense against anxiety(353). Taking pictures can be a great source of power, according to Sontag. The photographer has the power to show what they want and people can choose whether or not to be in the photo. Sontag uses the example of a family photo; as some family photos portray the family being happy, many people cannot see that the family might not actually be as happy as they look. Sontag also uses examples like nuclear families and traveling in order to enforce her claims about picture taking. In a nuclear family, Sontag believes that taking a picture of that family can help relieve some anxiety because people
Plato’s logical strategy in the allegory of the cave is of deductive reasoning. Plato uses a cave containing people bound by chains which constrict their neck and legs in such a way that they are unable to turn around and there is a fire roaring behind them casting shadows on the wall. Since the prisoners cannot turn their heads to see what is casting the shadow the only thing they can perceive are the shadows and the sounds that seem to becoming from them. This is what Plato argues in the allegory of the cave “To them, I said, the truth would literally be nothing but the shadows of the images.”(The Allegory of the Cave Plato). Since these prisoners know nothing outside of the cave they are ignorant of the “light” and are content on seeing the shadows before them. Plato describes what it would be like for a prisoner to be released and forced to go out of the cave into the light Plato describes it as being “blinding”. Once the freed prisoner became accustomed to the light outside the cave it is believed by Socrates and Glaucon, inside Plato’s allegory that the prisoner would not want to return to the darkness from which he had “ascended”. Once the prisoner has become accustomed to the light Socrates said “I mean that they remain in the upper world: but this must not be allowed, they must be made to descend again among the prisoners in the den, and partake of their labors and honors, whether they are worth having or not”. (The Allegory of the Cave Plato) This is where Plato begins to start on the topic of leadership. Although Plato uses some cause and effect elements in his allegory, such as “Where as if they go to the administration of public affairs, poor and hungering after their own private advantage, thinking that henc...
Plato's "Allegory of the Cave" presents a vision of humans as slaves chained in front of a fire observing the shadows of things on the cave wall in front of them. The shadows are the only "reality" the slaves know. Plato argues that there is a basic flaw in how we humans mistake our limited perceptions as reality, truth and goodness. The allegory reveals how that flaw affects our education, our spirituality and our politics.
Photography is defined at the art or practice of taking and processing photographs. To understand photography is having insight or good judgment to know how to take the picture, but also edit it if need be. Does photography limit our understanding of the world? What some people haven’t realized is that photography is all around us, whether it is in the person’s mind to see it or not. While we see photography throughout our daily routine, people dismiss the small types of photography and focus on the bigger sceneries like other countries beautiful cities and landscapes. It’s true that in this day and age, most photographs we see have been altered in some way. When photographers use Photoshop to edit our photos, we use many different ways to make that image appealing to the eye. Although, photographers unless told to do so will not change an image into something totally absurd that takes away from being astatically pleasing. Images are a gateway to the insight of the rest of the world’s cultures landscapes, and architecture, and photography is the key aspect to it. Photography is a one way to see the world, but it is better if you go and travel around the world to see it. In order to see if photography actually limits our understanding, we have to first look at the positive side of photography.
Freedom in mind, freedom in nature, and freedom in subjectivity of individual are three kinds of freedoms. However, freedom should be expressed within the limits of reason and morality. Having freedom equals having the power to think, to speak, and to act without externally imposed restrains. As a matter of fact, finding freedom in order to live free is the common idea in Plato with "The Allegory of the Cave"; Henry David Thoreau with " Where I lived and What I lived for"; and Jean Paul Sartre with " Existentialism". Generally, Plato, Thoreau, and Sartre suggested that human life should be free. They differ in what that freedom is. Plato thinks it is found in the world of intellect, Thoreau thinks freedom is found in nature, and Sartre thinks freedom is found in subjectivity of individual.
What is truly real, and what is not? This question is one which has been pondered deeply throughout human history, and it seemingly has no definitive answer. To understand what is truly a part of reality, and what isn’t, may be an impossible feat. However, two famous works created by humans from two distant time periods attempt to dissect and analyze this philosophical question. The first, The Allegory of the Cave, was written by the great Greek philosopher, Plato, who was born in 428 B.C. in Athens, Greece. The Allegory of the Cave is a piece of a larger work of Plato’s, The Republic, which is a collection of works concerning political philosophy. The Republic is his most famous work and what he is best known for in today’s world. The second
In the contemporary world , culture refers to something as vast as the distinctive way of life of an entire community. Culture is everywhere and everyone has it; it is the mass of ideas, traditions, habits, stories, beliefs, and perspectives on life passed on to us from generation to generation through literature, language, art, myth, religion, family, and various other social institutions. Plato had many different ideas when it comes to human behavior and philosophy. Some of those things can be applied to today’s society, some of them can’t. Plato’s Allegory of the Cave, which is probably his most famous theory, as well as Krishnamurti’s essay on cultural conditioning of a mind, they both focus on cultural values and living within a culture and can still be seen in today’s society.
The basic premise of Plato's allegory of the cave is to depict the nature of the human being, where true reality is hidden, false images and information are perceived as reality. In the allegory Plato tells a story about a man put on a Gnostics path. Prisoners seating in a cave with their legs and necks chained down since childhood, in such way that they cannot move or see each other, only look into the shadows on the wall in front of them; not realizing they have three-dimensional bodies. These images are of men and animals, carried by an unseen men on the background. Now imagine one of the prisoners is liberated into the light, the Gnostic path will become painful and difficult, but slowly his eyes will begin to accommodate what he sees and his fundamentalist view about the world will begin to change; he sees everything through an anarchic thinking and reasons. When he returns into the cave, his fellow prisoners will not recognize him or understand anything he says because he has develop a new senses and capability of perception. This is the representation of the human nature, we live in a cave with false perception of reality that we've been told since childhood, but we must realize that these present perception are incomplete.
Plato’s allegory of the cave include the light, the objects, and the shadows. The novel named “The Picture of Dorian Grey” contains a purposeful meaning for each key component. In the cave, individuals are shown the shadows of puppets which they consider their reality; however, it’s only a “fake” representation of reality. Just as Dorian Grey’s beautiful appearance was merely a “fake” copy of himself when he was pure and innocent, it never disappeared because of his immortality. Yet, when the individuals have been shown the objects, they are skeptical about the “true” reality, not knowing that they are seeing the truth behind the shadows. Similar to the picture of Dorian Grey, which portrayed his ghastly appearance, contained his true-self
“Recently, photography has become almost as widely practiced an amusement as sex and dancing, which means that, like every mass art form, photography is not practiced by most people as an art. It is mainly a social rite, a defense against anxiety, and a tool of power” (Sontag 8). After reading this quote in my head multiple times, I started to realize that people use it for different purposes. When I took a photography class in college, it was under the category “art.” Which made me think of it as a form of art, when there are so many other ways to view photography. Sontag changed my opinion about photography after further interpreting her quote because to have a camera in our hand, being able to capture the world through our lens is to have a tool of
In Plato's "The Allegory of the Cave," Socrates tells an allegory of the hardship of understanding reality. Socrates compares a prisoner of an underground cave who is exploring a new world he never knew of to people who are trying to find a place of wisdom in reality.
When going for a walk, a person takes in the beauty around them. On this particular day, the refulgent sun is extra bright, making the sky a perfect blue. White, puffy clouds fill the sky, slowing moving at their own pace. The wind is peacefully calm, making the trees stand tall and proud. There is no humidity in the air. As this person walks down the road, they see a deer with her two fawns. The moment is absolutely beautiful. Moments like this happen only once in a great while, making us wanting to stay in the particular moment forever. Unfortunately, time moves on, but only if there were some way to capture the day’s magnificence. Thanks to Joseph Niépce, we can now capture these moments and others that take our breath away. The invention of the camera and its many makeovers has changed the art of photography.
Selfies have gained immense popularity worldwide due to their modern convenience, and these photographs share a similar nature to that of painted self-portraiture: they are intended to reveal and/or conceal certain attributes about the subject, and the subject controls the creation of the piece itself. Selfies are often accused of not being art for their self-obsession, but they are not necessarily inherently narcissistic just as self-portraiture is not intrinsically egotistical.