On March 1, 1973, Pink Floyd released what some consider their best and most famous album, “The Dark Side of the Moon.” The album holds the record for time spent on the Billboard Top 200 albums with a total of 861 non-successive weeks, (Billboard) and includes prominent songs such as “Time,” “Money,” and “The Great Gig in the Sky.” It is characterized by the cover, which shows a prism separating a strand of light into a rainbow over a black background. When the album was released, the image impacted the music’s success by gaining the attention and support of a broader audience. In the recent year of 2011, the album cover proved itself once more when it was ranked the number two album cover of all time by the readers of “Rolling Stone.” …show more content…
(Greene) The cover art on “The Dark Side of the Moon” pointedly uses simplicity, symbolism and an appeal to science to attract an audience that can appreciate the music on the album, and promote the image and music so they retain recognition throughout discography. One of the most brilliant aspects of the album art is its simplicity. The plain black background contrasts with the prism, white light, and colors on top of it. This brings out the prism, rainbow and white light, making them the focal point. It also highlights the rainbow’s colors and the white light by contrasting them with darkness. This contrast makes the album cover seem bright, despite the majority of the background being dark. This contrast would have been lost on an overcomplicated background. If the art would have been cluttered with added text or images, it would have made the image more confusing and drawn away from the alluring purity of the white light and the exciting colors of the rainbow. The symmetry of the image also adds to the simplicity and makes it more pleasant. The light beam and the rainbow are both positioned at the same angle, and the triangle is centered horizontally on the album. The appearance is somewhat altered by the fact that the rainbow is wider than the light line, and this slightly takes away from the centering. However, this disproportion is more pleasant than the alternative: compressing the rainbow or expanding the light until the symmetry is perfect. Those actions would take away from the alluring colors of the rainbow, or the slender, simple nature of light, which embody the main ideas of the visual light spectrum and therefore the album cover. Overall, the plainness of the album cover is visually attractive, but there is a deeper appeal that comes from the lack of gaudy text or images. The characteristic minimalism of the image leaves the album’s music exposed, and is, therefore, a visual cue for the band’s musical confidence. The image is enjoyable, but not distracting or embellished. One can assume that Pink Floyd expected the music to stand on its own, and the album cover, although very symbolic and captivating, is merely supposed to be representative of the vinyl it protects. While this may seem counterproductive to the effectiveness of the album art, the musical confidence it exudes is appealing to musical fan’s sense of logic. The image does not need to be flashy for the album to be impressive and sell well, therefore the music within it must be notable and worth investigating. The image does not lose any of its pull because of simplicity, it just becomes more assertive and representative of the innovative tracks it symbolizes. The two become merged together in the audience’s memory, and it better accomplishes its goal as album art: representing music. Although the cover’s minimalism represents the confidence that Pink Floyd feels about their music, “The Dark Side of the Moon” has even deeper symbolism behind the famous image.
Pink Floyd’s cynical lyrics and music suggested that they wanted to educate their audience on the atrocities of the world. “Money,” the fifth track on “The Dark Side of the Moon,” contains the lyrics “Money, so they say/ is the root of all evil today/ but if you ask for a rise it's no surprise that they're giving none away.” These lyrics condemn the skewed, over-prioritization of money in society and reveal the band’s discontent with a negative trait of humanity. “Time,” the third track on the album, says “You are young and life is long and there is time to kill today/ and then one day you find ten years have got behind you.” These lyrics remind the audience that life is short and procrastinating could be detrimental to your dreams and goals. Pink Floyd criticizes the way the world is and tells listeners that they have a limited time to change said injustices within the world. The ideas that the music on “The Dark Side of the Moon” express are radical and rebellious, and they inspire listeners to attempt to amend the wrongs of …show more content…
civilization. This desire for change is symbolized by the cover art. The album draws attention to issues within the world that make it a worse, more problematic place. This state of the world is represented by white light. The light suggests that presently people are pure in thought, and naïve: they don’t know about the problems of the world. Humans need a catalyst to start a revolution, so they can move away from obsessions with money, the pain of war and ignoring poverty. That catalyst is represented by the prism. Change could happen if people would use their time wisely and work for it. Artist like Pink Floyd and the attitudes of the youth that bought their albums in the 1970s could act as catalyst for change. This changed, informed world is represented by the rainbow. Multiple colors and hue are denoted, meaning that people are aware of issues within the world. This knowledge has not harmed the human race though, it has turned it into something beautiful. The complete image shows a change from a blind society to one that is aware of the difficulties and able to fix them using thoughts, ideas and justice. To support its demand for change, “The Dark Side of the Moon” calls on a higher authority: science. The twentieth century was the time of a logical revolution, where people started to rely more on scientific discovery and less on the instruction of religion. In 1968, the Epperson versus Arkansas court case made it to the Supreme Court, where the court ruled that it was unconstitutional for the state of Arkansas to prohibit the teaching of evolution in schools. (NCSE) The evolution versus creationism argument had been circulating for years, and after many court cases that ruled in favor of dismissing Charles Darwin’s theories, the expanded curriculum signified a large advancement of education. Society was changing because of scientific findings and discoveries. These findings and the changes were more often appealing to young people, since they were least acquainted with the old ways of learning and thinking. With so much evidence of evolution, most young people had few problems accepting it into their beliefs. Older people, however, were not ready to let go of the Garden of Eden, and the teachings of the Bible. The Science versus Religion argument that was prevalent in most first world countries in the 1970s helped further a growing rift between the old and the young, and create a rebellious and revolutionary teenage and young adult attitude. Like the entire religion versus science argument of the twentieth century can be symbolized using the creationism versus evolution argument, Pink Floyd’s use of a scientific phenomenon, the light spectrum, can be used to represent science, youth, and rebellion against an older society that does not want to embrace change.
The image imitates Issac Newton’s work, where he directed a beam of light through a glass prism to analyze the rainbow that came from the other side. This experiment has all the main aspects of the Pink Floyd album: a light beam, a prism and a rainbow. Pink Floyd imitated the famous experiment by recreating an image of it and placing it over a black background. The light over the dark background is another reference to science on the album cover. The light, prism and rainbow over vast darkness is reminiscent of stars in the night sky and space. The twenty century was a time of space exploration and arms races, where man was delving into celestial discoveries with events like satellite launchings and moon landings. Consequently, the dark background with light over it is also associated with space exploration and science. These scientific allusions connect Pink Floyd to science, and a consequence of that connection is a link to the youth in the science versus religion
argument. This appeal to a higher authority proves to their audience that they believe in a world that runs on new ideas and change. The scientific appeal also helps the album attract an audience that can appreciate Pink Floyd’s music. The aforementioned “Money” lyrics were rebellious; they desired change, like the youth that supported science and freedom rather than religion and rules. The support of science and revolution were some of the most important characteristics in making the album cover effective, since they connected Pink Floyd with youth and society that were ready to change and understand new ideas, and therefore able to appreciate the music that the album cover represented. The simplicity, symbolism and scientific appeal of Pink Floyd’s “The Dark Side of the Moon” have given it a memorable place in history over the past forty years. The image is still printed on shirts, cups, bags and other merchandise to be sold in stores takes on the old image can be seen when one and over the internet. A new take on the famous image with white light shooting into the glass prism and rainbow colors swirling like ribbons of gas over the right side can be found if one does a Google Image search for “The Dark Side of the Moon.” The original cover still has an audience within a new generation of people because of the effectiveness of the image and the strong connection it has to the music it represents. To this day, it remains one of the most recognized albums in all of discography with an audience that can still enjoy its simple, symbolic, scientific brilliance.
...ent ground. the background is bright red and has large graphic circles of yellows, pinks, and blues. They seem to mimic the idea of a musical notes. It is composed of flat figural forms cut from vibrant paper. This was not the only album cover that Romare Bearden ever created. He also did another album cover for Wynton Marsalis called J Mood.
However, perhaps what is most impressive about “Ball of Confusion (That’s What the World is Today)” is its ability to withstand time. Three times within the song the phrase, “And the band played on” is repeated. Well, the band has continued to play, as these problems, forty-three years later, have yet to be resolved. People still complain about taxes, the US still gets involved in wars that the public does not favor, and gun control is still in question. “Ball of Confusion (That’s What the World is Today)” reveals a sad reality: the world is a confusing place that humans have yet to make sense of. However, the brilliance of Norman Whitfield and Barrett Strong’s song cannot be ignored. This song serves a perennial wake-up call reserved for every time the world begins to turn a blind eye on its problems.
A sentimental longing for the past. That is what pathos is all about, appealing to the audience’s emotions. With this cover, an older individual who remembers hearing Dark Side of the Moon for the first time is enticed to take a second look. All of those memories of the album and that time period come flooding back and they reminisce on how different the sound was. The songs rivulet into one another and the music is timeless. For the people that do not know much or anything at all about Pink Floyd, their curiosity is sparked. They are inquisitive about not only the band, but the magazine and its contents as well. This is where ethos, or lack thereof, becomes
The upper left of the artwork contains a bright pale yellow glow that is casted upon the city and onto Zed’s back. Shadows are also very much visible in this image. Zed himself is actually a human-like representation of a shadow. In the background there is a dark silhouette of his figure that is actually a tangible shadow resembling a positive space to the background. The image depicts tenebrism in it’s use of light and shadow because there are incredibly strong highlights on the back and metallic parts of Zed while there are strong shadows on his garments. It also includes the intense light beaming out from in between the faint clouds into the darker value city. The location that Zed appears to be in looks as if there is constant darkness because of the absence of bright colors and the abundance of desaturated colors. The image is consisted of primarily dark dull colors and minimal bright colors. Blunt is able to create a sense of space by primarily using the complementary colors red and green. He used a desaturated and high value green for his background and a bright satin red for details in the foreground. Because cool colors appear to move away from us, Blunt chose to use a dull green as his primary color for his background because it gives the background a sense of descending space. Also, because warm colors appear to move towards us, he used a satin red as his main color for details on Zed because it makes the figure stand out in front of the background. Blunt also portrayed space and balance using detail and color. The image is very side-heavy considering the fact that the focal point of the image is primarily on the right side. Blunt created two focal points on the foreground, one being the up-close shuriken to the left and the other being Zed. The weight of the shuriken to the left balances out the intense focus on Zed which brings unity to the image. The beam of light through the clouds also
The representation of the new age of exploration, which serves as an allusion to man’s potential, is starkly contrasted with the depiction of Icarus that serves as an allegory for man’s limits, indicating the shift from a euro-centric universe. This painting is an oil canvas landscape of the sun setting on the horizon of the ocean sea, while the ships were sailing through the body of water. The focus on humanism during this period is clearly portrayed by the presence of the plowman, shepherd, and fisherman performing their daily task. Lighter colors are used, which differ from the darker colors that were emphasized during the Dark Age or Medieval period. Shadows can be seen on the ground next to the plowman, showing the increasing artistic methods that begin to be utilized.
When they first came to the United States they supported Vanilla Fudge. They also played in clubs to start their American popularity. After they played in the clubs they got their first headlining tour and toured again that. They were playing their fifth tour by the March of 1970. Led Zeppelin the record was released by the Atlantic Records in 1969. Shortly after the record was released it was number eight and stayed in the top twenty for six weeks. When the Led Zeppelin II was released, it was Atlantic Records’ fastest selling album at 100,000 copies a week. They broke their own record in 1975 when “Physical Graffiti” that sold 500 copies an hour. All of their albums have gone platinum.
Norman Greenbaum’s beautifully sung and wonderfully composed “Spirit in the Sky” obtained the praise that it deserved in the year of 1970 when it went gold, selling two million copies. Norman Greenbaum’s song “Spirit in the Sky” even reached number three on the top 100 in April of 1970, it managed to stay in the top 100 rock songs for 15 weeks.
The painting was done near the beginning of the twentieth century when science was developing at a rapid rate. Einstein's Theory of Relativity was gaining ground at the time. Malevich's painting seemed to borrow from this theory that attempted to explain relative motion. His suprematism style attempted to capture a neo-realism in painting portraying pure feeling and perception. This new style was communicated by the discarding of natural references. Malevich grew tired of painting in the traditional style with everything looking and feeling the way they are in life. His new style tried to free viewer from their traditional a priori views concerning shape and colors imposed on them by their senses. Suprematist style focuses was on depictions of movement and dynamism. Flight and anti-gravity fascinated Malevich. Much of his paintings were a top down view of the subjects arranged on a white background. The white background represents infinite space, while the subjects were reduced to geometric blocks. The message of the paintings comes out in the relative position of the blocks to the background. The infinite background of the paintings is to divorce the paintings from the finite earth. Malevich himself said that his paintings "do not belong to the earth exclusively." The paintings sought to transcend to a different level. Malevich's suprematist style sought to take people to the fourth dimension, which was pure sensation.
Had Sigmund Freud lived 40 more years (to the overripe old age of 123), he would have been delighted to hear such a wonderful example of his life's psychoanlytic work embodied in the haunting lyrics of "Mother." Or had Oedipus lived a few millennium longer than his fictional death he would have found an adversary in the youthful Pink, a young boy whose desire for maternal acceptance and love is arguably equal to the greatest mother-centered protagonists in the history of literature. Contrary to the eye-gouging antics of Oedipus or even the grandiose melodrama later in Floyd's album, "Mother" is relatively low-key and emotionally subtle. The music itself is interestingly split, though with few if any seams to show for it, between the gloomy and simple verse chords and the effervescent, nursery rhyme-like chorus. Coupled with these seemingly disjointed yet oddly congruent styles are the blistering guitar solo and unsettling lyrics, all of which culminate in a perfect example of Floydian schizophrenia. The simple chord progression and uncomplicated lyrical delivery reflect Pink's childhood innocence at the time the song takes place. The very inquisitiveness emulates those youthful stages when the world is one big mystery. Why is the sky blue? Why does the ocean have waves? Where do babies come from? While the steady stream of inquiries seems to imply that Pink is rather young, with most children going through the "question" phase of development around 3 or 4 years of age, the level of seriousness shrouded behind the questions characterize Pink as being fairly older. The implications of governmental conspiracy and public ridicule indicate Pink's age as being around 12 to 14, that age when one learns that many of the world's most time-honored institutions are nothing more than hollow shells of public hope and dictatorial vanity. Santa Claus isn't real and there are many major religions that worship other deities than Christ. It's an age of discovery and self-recreation, when one must adapt and reinvent himself or herself in light of new knowledge. By this reading, the song's question (Pink) and answer (Mother) technique fits perfectly with this stage of budding self and global awareness. From the great Greek philosophers who used questions and answers to illustrate and promote self-realization and their own philosophical i...
In this work, the viewers come across two green light emitting barriers that intersect each other and emits green light to the entire atypically structured room. The work pays homage to the artist Piet Mondrian and touches upon the light characteristics of the De Stijl movement, such as pure abstraction to just colour and line. Aside from that Flavin creates an immersive work with the strong use of the light and abstractly structured room and disorients the vision of those who are in the room. In this work, Flavin creates a completely separate environment filled only with pure green light and two intersecting
Let yourself just drift off and listen to the lyrics. Demons, a very well known song by this group, is one of the most powerful song I have ever heard. This whole song mirrors the our existence so immaculately that it is terrifying. The overall meaning of the song can be boiled down to this: We all hold demons within ourselves whether it’s depression or a different kind of disorder and when we fall into our ‘demons’ sometimes it can seem almost impossible to go back to who you used to be. They try to put on a mask, but occasionally the real them will slip out. The ones we look up to are just the same as us on the inside. These demons can corrupt everything that we hold dear and can turn this world into a place that no one wants to live in anymore. However, there will always be a shred of hope no matter how small it may seem or what form it comes in. No matter the song each one has their own specific meaning and all seem to deal with problems that we face
Lyrics include, “in a pain that buckles out your knees / could you stop this if I plead / you got it / so destined I am to walk among the dark / a child in keeping secrets from / will they know what I’ve done in the after / in the sought for matter when the words blame you / in a blood red summer I’ll give you / I don’t want it.” The chorus goes, “and when the answer that you want / is in the question that you state / come what may.” It’s hard to say what this song is about, other than it’s most likely part of the “trilogy” of albums of by the band that carries a sci-fi theme. Nonetheless, it’s a very catchy tune to jam along
The imagery of color focuses on the difference of classes to demonstrate how characters feel about class and money. The green light at the end of Daisy’s dock represents hope or the promise of wealth. Fitzgerald uses the green light to symbolize Gatsby’s dreams, which is to win Daisy back.
“Lucy In the Sky With Diamonds” is known to the on the most iconic and captivating Beatles songs written by John Lennon for the “Sgt. Pepper’s Lonley Heart Club Band” album. Recognized as one of the Beatles’ most psychedelic pieces of time, fans took it upon themselves to then come up with their own personal meaning to the track; making “Lucy in The Sky With Diamonds” the most misinterpreted Beatles song of all time. Contrary to popular belief, “Lucy in The Sky With Diamonds” is actually not about L.S.D., but instead was inspired by a painting of John Lennon’s son Julian. Although the fan interpretations are vivid and imaginative, Independently evaluating the lyrics for “Lucy in The Sky With Diamonds” myself lead to a few startling realisations.
Initially when I first viewed this artwork my response was this artist was maybe trying to do an expressive piece. Pink Wave was created in what looks like an art studio where Ed Clark used a broom-like long